The commonly used lenses for sports photography were as follows: 1. **70 - 200mm f/2.8L lens **: This is a common lens for beginners. It is widely used in sports, portraits, landscape photography, and other fields. For example, it could play a role in sports scenes that were relatively close or did not require extreme close-ups, such as small indoor sports activities or close-up shots of athletes. 2. ** 300mm and above ultra-long focal length fixed-focus lens **: In large open venues such as baseball fields and football fields, even if the 70 - 200mm lens may not be able to capture the desired image due to the distance, the lens with a focal length of 300mm and above can come in handy. This was especially true when a photographer was limited to shooting from a relatively far distance, where a super-long focal length lens was a necessity. When shooting close-ups of famous athletes or capturing interesting movements in large-scale events, this type of lens could better control the content and time of the shot to capture a customized image. 3. **100 - 300 constant aperture 2.8 lens **: suitable for shooting many sports events. 4. ** AF-S Nikkor 120 - 300mm f/2.8E EFL ED PR VR lens **: With an aperture of f/2.8 and a focal length of up to 300mm, it has better adaptability as a zoom lens in sports shooting. The composition is more flexible and the imaging effect is good. 5. ** Fuji XF150 - 600mmF5.6 - 8R LM OIS QR lens **: It's a super telephoto zoom lens with a coverage of up to 914mm.(35mm equivalent format), using its 17 sets of 24 lenses (including 3 ED lenses and 4 super ED lenses) to provide excellent edge-to-edge image resolution over the entire zoom range. It supports the telescope. When paired with the XF2XTCQR, its focal length can be extended to 1828mm (equivalent to 35mm format), which can be used in sports photography to track athletes in every corner of a large stadium. Read more exciting novels for free
The commonly used shots for sports photography included the following: 1. **70 - 200mm f/2.8L lens **: This is a common lens for beginners. For example, Canon's EF70 - 200mm f/2.8L USM. It uses a quiet and fast USM (ultrasonic motor) to drive autofocus. It uses 4 pieces of KD lenses (ultra-low dispersion) to compensate for aberrations. The full focal length has high resolution and contrast, and it also has moisture and dust resistance. In some sports such as basketball, this lens can be used to shoot ordinary action shots. 2. ** 300mm and above ultra-long fixed-focus lens **: In large open venues (such as baseball fields or football fields) or when the photographer is limited to a position far away from the subject (such as maintaining a safe distance in the case of the COvid - 19 epidemic), the 70 - 200mm lens may not be able to capture the ideal image due to the distance. Ultra-long focal lenses with a focal length of 300mm and above can be used. For example, when shooting close-up scenes such as players 'expressions in a large football field, using a longer focal length lens could directly zoom in to ensure the image quality. 3. **120 - 300mm f/2.8E FO LED VR lens (Nikon)**: This is a large-aperture telephoto zoom lens suitable for sports photography. It has an aperture of f/2.8 and a focal length of up to 300mm. It has good adaptability and flexible composition ability, and the imaging effect is good. It uses a newly developed blue light high refraction (PR) lens, a low dispersion (ED) lens, and two fluorite lenses to achieve a resolution equivalent to a 300mm fixed-focus lens. 4. ** XF150 - 600mmF5.6 - 8R LM OIS CPR (Fuji)**: This is a super telescope zoom lens with a coverage of up to 914mm.(35mm equivalent format), using 17 sets of 24 lenses (including 3 ED lenses and 4 super ED lenses), it can provide excellent edge-to-edge image resolution over the entire focal length range. It supports the telescope, and when paired with XF2XTCQR, the focal length can be expanded to 1828mm (35mm equivalent format), which can be used to track athletes in all corners of large stadiums. 5. ** 400mm f/2.8IS II USM lens **: In many large stadiums, a 400mm focal length lens is usually sufficient. For example, when a football player keeps running, a professional photographer can use this lens to "get close" to the player. It can take a more compact cropped picture, allowing the photographer to better control the content and time of the shot. It can also bring a stronger background blurring effect, making the subject more prominent. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For sports photography, Nikon had a few good lenses to choose from. The AF-S Nikkor 200 - 400mm f/4G ED VR II was an ideal lens for shooting sports events. It had a large zoom range, up to 400mm at the telephoto end, and a constant aperture of F4, which allowed for a higher shutter speed in dark indoor environments, thus ensuring the success rate of shooting. The Nikkor Z600mm f/6.3VR S super-long focal length lens specialized in sports, ecological photography and other fields. It used 14 sets of 21 lens structure design, including a variety of special lenses to ensure image quality. It uses a step motor (Stellar Microscope) to achieve fast and quiet autofocus. When paired with the smart focusing system of high-speed microcameras such as the Nikon Z9 and Z8, it can bring a high-speed and accurate focusing experience. The lens was equipped with a VR anti-shake structure, which could provide up to 5.5 degrees of shake compensation effect. When combined with a camera with synchronous anti-shake function, it could achieve about 6 degrees of shake compensation effect. The hand-held shooting burden was small and the balance was good. In addition, the Nikon Z800mf/ 6.3 VR S was also a high-performance ultra-telephoto lens suitable for sports photography (such as shooting long-distance sports). The autofocus speed was fast and almost noiseless, and it was easy to aim at the subject. It was equipped with lens anti-shake VR, which was feasible for hand-held shooting. It could also play a role in shooting long-distance scenes such as birds and animals. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For documentary photography, a variety of shots were suitable. The 35mm and 50mm fixed-focus lenses were often used for documentary and cultural subjects. The 35mm lens had a wider angle of view and could accommodate more scenes. In the creation of documentary street photography, more elements could be integrated into the picture to improve the atmosphere. However, the picture structure might be more complicated and there were certain requirements for composition skills. The perspective of the 50mm lens was close to the human eye's observation effect, which was good for composition. It could also provide a certain blurring effect to highlight the theme, and this focal length was more friendly to beginners of photography. The XF 90mm F2R LMQR and XF 8mm F3.5R QR fixed-focus lenses of the Fuji X-H2 mirrorless camera could also be used for documentary photography, bringing new impact and depth to documentary photography. Zooming and telephoto lenses also had their advantages in documentary photography. For example, in sports venues, sports venues, concert venues, news photography, street photography, etc., where it was not convenient to approach or retreat due to the restrictions of the scene, zooming and telephoto lenses could quickly compose and capture scenes at close range or far range without missing a wonderful moment. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Different shots in flower photography had their own advantages. Telephoto lenses were a good choice, such as 70 - 200mm F2.8, 70 - 200mm F4, 100 - 400mm F4.5 - 5.6, and so on. The telephoto lens had a long shooting distance and could easily capture the flowers on the treetops, avoiding the messy background. Its composition advantage was obvious. He could also turn the background into beautiful scattered scenes and spots of light, and make the picture more full through "space compression." For example, he could use the sandwich technique to find the front and blur it with the background to enhance the layering. The macro lens was suitable for shooting flower details, especially the 1:1 macro lens. The macro focal length range is from 40mm to 200mm. The long focal length (100mm or larger) is easier to shoot difficult subjects such as bees and butterflies. 150 - 200mm provides the largest working distance. Fixed focus lenses could also be used for flower photography. Fixed focus lenses with different focal lengths had different effects. For example, the 50mm fixed-focus lens was more flexible and could be used for both close-up and long-distance shots; the 85mm fixed-focus lens was often used for portrait photography and could also be used to shoot "portraits" of flowers, which would add some environmental background compared to the macro lens; the 14mm and 24mm fixed-focus lenses could place flowers in the big environment and tell stories. Although the wide-angle lens was rarely used for flower photography and was difficult to master, it could create a miraculous effect when used well. It could add a creative dimension, exaggerate the scale and depth of distortion, emphasize the prospects when shooting from a large angle, and use flowers as the prospects to shoot scenery. In addition, the wide-angle lens had a short focusing distance and could be used for close-up shooting. Its blurring effect was gradual, and the image was more layered. It could also be used as a half-macro lens. If you have high requirements for image quality, bring a tripod and use a large aperture lens. A large aperture helps to blur the background and achieve a simple effect. In addition, if you use your phone to shoot flowers, you can use the "portrait" shooting function to blur the background and adjust the aperture value to control the degree of background blurring. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For beginner photographers, there were several types of telephoto lenses that were more suitable. Canon's RF100 - 400mm F5.6 - 8 IS USM was a relatively good choice. It was affordable and suitable for entry-level users. The lens had a 4x zoom ratio, and the focal length covered the 100 - 400mm telephoto focal length. The overall weight was only 635g, and the size was small, similar to bottled drinks, making it easy to carry. When paired with Canon's Eos R5 or R6 body, storage and hand-held shooting were very easy. It used nine sets of 12 lens structures, one aspheric lens and one UD (ultra-low dispersion) lens to effectively compensate for aberrations, suppress aberrations, and reduce color halos. The full aperture could also clearly display details such as leaves and bird feathers and capture the texture. At the 200mm end, the closest focusing distance was 0.88m, and the maximum magnification was 0.41X, which could obtain a beautiful blurring effect. In addition, the ESF-S55 - 250mm F4 - 5.6IS ATM was also an ultra-long-range lens that could clearly capture long-distance scenes. It was easy to carry and was very suitable for fans to shoot long-distance scenes such as concerts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For outdoor photography of children, 70 - 300mm telephoto zoom lens or 80 - 400mm telephoto zoom lens could be used. If there was no such telephoto lens, 50mm and 85mm fixed-focus lenses were also good choices. Amateur photographers could also consider the more cost-effective 50mm small spittoon lens. In addition, the Nikkor Z70 - 200mm f/2.8VR S telephoto zoom lens and the Nikkor Z50mm f/1.8S standard fixed-focus lens could also be used for outdoor photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In advertising photography, there were many types of lenses commonly used. Fixed focus lenses had many advantages in commercial photography, such as fashion photography and advertising photography, which focused on image quality and visual effects. It could provide excellent image quality, small size and weight for hand-held shooting, fixed aperture size, better control of depth of field and exposure, and could produce clear details and true colors, suitable for product photography. In the production of advertising videos, the commonly used shots were: 1. ** Pushing Shot **: When the camera is pushed forward or the camera lens is pushed toward the subject, the secondary part of the picture can be moved out of the picture, and the important subject can be pushed to the center of the picture to highlight the composition and main lines. 2. ** Pan-out **: Contrary to the push-out of the camera, the camera zooms back or the lens is far away from the subject, making the picture from near to far, from part to the whole. 3. ** Pan Shot **: The camera position does not move, but only changes the angle (left, right, up, down, oblique, or rotating). It can show the relationship between the main body and the accompanying body. It can introduce multiple main bodies in one shot and enrich the visual effect of the picture. 4. ** Pan Shot **: The camera moves horizontally to the left and right to enhance the flow of the picture, giving the audience a sense of being in it. 5. ** Follow the lens **: The camera follows the movement trajectory of the subject, which can continuously and exhaustively show the subject in motion, highlight the subject and explain the direction, speed, posture and environment of the subject. 6. ** Rotating lens **: The camera can rotate around the subject to create a strong visual effect and has a great artistic appeal. In addition, there were also close-up shots (showing the details of the subject at a close distance to enhance the visual impact), panoramic shots (shooting the entire scene or character to show the overall image of the scene and character, enhancing the sense of space and depth), etc. You could also choose shots corresponding to special shooting techniques such as shaking the camera, shaking the camera, aerial shots, underwater shots, etc. according to the theme and needs of the advertisement. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In landscape photography, different shots had their own advantages and disadvantages. Telephoto lenses were a good choice, such as 70 - 200mm F2.8, 70 - 200mm F4, 100 - 400mm F4.5 - 5.6, and so on. The advantage of the telephoto lens was that it could easily turn the background into beautiful bokeh and spots. Its shooting distance was long, and it could fully reflect the composition advantage. It could easily shoot the flowers on the treetops and avoid the messy background. It also had the "space compression" effect, which could make the scenery in the depth direction gather together, making the picture more full and fulfilling. However, the telephoto lens was heavier and it was more tiring to hold it for a long time. A macro lens was also suitable, such as a 100mm fixed-focus macro lens. It was suitable for shooting one or several flowers and could clearly show details such as stamens and petals. However, there were difficulties in choosing the focal point and using light for macro shooting. It was easy to run out of focus. It was recommended to use a tripod to assist in shooting. Fixed focus lenses included a variety of focal lengths such as 14mm, 24mm, 35mm, 50mm, and 85mm. Among them, 50mm lenses were more flexible, allowing close-up and long-distance shots; 85mm lenses were often used for portrait photography, and could also be used to shoot "portraits" of flowers, which could add some environmental background; Wide-angle lenses (such as 14mm and 24mm) could allow flowers to be placed in the environment and tell stories. Although the wide-angle lens was rarely used in flower photography and was difficult to master, it could create a miraculous effect if used well. It could add creative dimensions, exaggerate the scale and depth of distortion, and emphasize the prospects when shooting scenes from large angles. It could also be used as a half macro lens. The focusing distance was close, and it could produce a gradual blurring effect that was completely different from telephoto. The picture was more layered, and flowers could be used as the prospects to shoot scenery. In short, different shots had their own characteristics and could be chosen according to the specific needs and creativity of the shoot. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In Xidi Tachuan photography, different lenses had different uses. If you wanted to shoot distant scenery or zoom-in on a specific subject, a telephoto lens was a good choice. For example, shooting the big trees in Tachuan Village, etc. The telephoto lens could make the texture of the subject appear well in the picture, zooming in on the distant scenery and giving a close-up effect. A 24 - 105mm lens could also be used. However, without a telephoto lens, it might be lacking in some scenes. The choice of the specific lens also depended on the theme, composition, and shooting scene that the photographer wanted to express. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some of the better lenses for Canon cameras: ###1. Fixed focus lens 1. **35mm f1.4** - [Strengths: Excellent performance in portrait photography. Captures the delicate expressions of the characters while showing the surrounding environment, making the picture more vivid and rich.] The f1.4 large aperture design could bring excellent background blurring effect, suitable for traveling portraits or indoor portraits. 2. **85mm f1.2** - [Strengths: It's a medium-focus lens in the full-frame. It can capture the details and expressions of the characters at a certain distance. The picture is naturally realistic.] The f1.2 large aperture could take bright and clear photos in low-light environments. The advantages of focal length and aperture made the blurring effect better. 3. **50mmF1.2 fixed-focus lens ** - [Strengths: 1.2 large aperture, great for portrait photography.] 4. ** 135mmF2 fixed-focus lens ** - "Strengths: This focal length is a close-up shot of a portrait. It can bring a stronger sense of compression, perspective, and a good blurring effect. It can separate the character from the background very well. The focusing speed is fast, and the image quality is excellent when the aperture is fully open. It is sharp inside the focal length, soft outside the focal length, and ideal for dispersion control. 5. ** 100mm F2.8L IS USM (New Baiwei)** - "Strengths: Good macro and portrait shooting effect, double IS optical image stabilization, good sharpness and out-of-focus performance, ideal autofocus speed for macro shooting. ###2. Zooming lens 1. **70 - 200mm f2.8** - [Strengths: It is a telephoto zoom lens with a flexible focal length range from 70mm to 200mm. It can be freely adjusted according to the shooting needs.] Due to the advantage of the focal length, the background blurring effect was better than the 35mm and 85mm lenses. It was suitable for long-distance portraits, such as stage portraits, athletes, concerts, etc. The f2.8 aperture could bring a dreamy background blurring effect. However, when taking portraits indoors, they needed a lot of space. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>