Taichang cited Du Fu
I'm not too clear about the specific content of your question about "Taichang Guiding Du Fu". If you want to ask about the relationship between Du Fu and Taichang Yin, there was no Taichang Yin in the Tang Dynasty where Du Fu lived. In the reference materials, Xin Qiji's "Taichang Yin·Jiankang Mid-Autumn Night Fu for Lv Shuqian" used Du Fu's poem "Cut off the laurel in the moon, the clear light should be more"; There are also "Taichang Yin" Ci written by later generations that mentioned Du Fu, such as "Inviting the beauty of the child, the soul returning to the book" in "Taichang Yin·New Look of Waterlogging". If your question has other meanings, please further clarify.
Taichang cited Jiankang as the translation of Lu Shuqian's Fu
A slowly moving autumn moon sprinkled golden waves for thousands of miles, just like a bronze mirror that had just been polished and flew up to the sky. I raised my glass and asked Chang'e in the moon: My white hair is growing day by day, as if deliberately bullying me. What can I do about it? I want to ride the wind and fly thousands of miles into the sky, overlooking the great mountains and rivers of the motherland. And cut down the branches of the swaying laurel trees in the moon, which, people said, would make the moon shed more light on the earth.
Taichang cited ancient poems and calligraphy
There were many calligraphy works of Taichang Yin. For example, Ouyang Zhongshi had a running script,"Taichang Yin·Jiankang Mid-Autumn Night Fu for Lu Shuqian," which wrote the content of Xin Qiji's poem in his calligraphy works. There was also Li Jiongfeng's work of Xin Qiji's Taichang Yin. He was a member of the China Calligraphy Association and had many achievements in the field of calligraphy. His works were collected by many domestic and foreign institutions and individuals. These calligraphic works displayed the artistic charm of the words written in the Ci board, Taichang Yin, to a certain extent, and also reflected the calligrapher's personal style and calligraphy skills.
Taichang cited the Mid-Autumn Night of Jiankang as the title of Lu Shuqian's Fu
The title of "Taichang Yin: Fu to Lu Shuqian on the Mid-Autumn Night of Jiankang" included the name of the Ci tablet,"Taichang Yin," the place of creation,"Jiankang"(now Nanjing, Jiangsu Province), the time of creation,"Mid-Autumn Night," as well as the purpose of creation (for Lu Shuqian, it was given to Lu Shuqian). From the title, it could be inferred that this was a poem written by Xin Qiji for his friend Lu Shuqian on the Mid-Autumn Festival in Jiankang. The content of the poem might be related to the night view of the Mid-Autumn Festival, friendship, and the author's mood at that time.
Immortal Lü Taichang cited the example song
The following are some examples of "Xianlu·Taichang Yin": - "Taichang Yin: Attacking the heart is the best":"The war between Russia and Russia is a battle between the two armies. The smoke of the two armies is produced, and the blood of Russia and Russia is steamed in a basin. North Korea cut down the feelings of the people, but also cut off the wrist, the same root will be soldiers. [Yao] The West is too bad, secretly stirring up trouble, dirty water splashing on brother. Fortunately, we have chechen. We dare to win and live the god putin!" - "Too often cited. Praise the Winter Olympics champion Gu Ailing":"When the song is golden, happy to wash away the dust in the world." Winter Olympics plastic body, dance in the air, cultivation is a distinguished guest. [Yao] Sharpen your sword, calm your heart and condense your qi, and take back the gold in one fell swoop. Great Yellow Root, National Flag Exhibition, Dongfang Mengzhen!" - "Taichang Yin, Flying in the Sea of Weihai":"The Kun Peng spreads its wings to the horizon, and the other shore is my home. Blue waves wash silver sand, I can't forget morning gulls and evening crows. The sky was full of clouds, and the sky was filled with clouds in an instant. The sea color is like a light veil, but it doesn't look like a strong love and light tea." - "Taichang Yin·Yellow River Tower":"Orange and yellow Luo belt with golden light, shore willow light smoke." The three islands are quiet and quiet, and the gulls and herons are invited to return at night. There was an ancient city, a Puhu Lake, and a Sang Hai. The stars move, and who knows what is going on?" - "Taichang Yin, Fifth-rank Classmates Meet on the Silver Screen":"Classmates meet on the silver screen at the end of the sea, excited and sleepless, seeing blood rising from afar. Five levels of reading and heart flags have just been pacified. The hair is no longer, the deep feelings are still the same, the past is difficult to stop. Rui Shi happily welcomed each other, mutual trust, peace and stability. He opened his shoulder fan, waved his fist and sword, and smiled at the Cold Demon King. Sweat is fragrant, warm and red in the winter sun." - "Tai Chang Yin·Winter Solstice Express":"A court of white snow reflecting red cheeks, behind the temple jade pearl hairpin. They stood in a row and took photos with the wintersweet. Dumplings are blessed, glutinous rice balls are wrapped in auspicious signs, and the whole house is full of children." - "Tai Chang Yin·Xia He":"A beautiful shadow of a lake ripples clear waves. the jade stands, all beautiful moths. coming out of the mud, clean as a song. Wearing green dew, lotus branches rain ah. Summer wind dance partner, blue skirt rolling dew, dance to the end. the elegant charm is always superior. Righteousness overflows, and the scenery is full of lotus flowers." - "Taichang Yin·Jiangnan Wild Lotus":"Shu eyes village stranger out of lotus." on the clear mountain peaks I get drunk in the lotus wind. her pink dimples smile in emptiness. The mist is misty, And the wild appearance of the gauze dress. Ice skin and jade bones, fragrant soul essence. The charm is the same, the spirit is free and abundant. Natural color painting, fresh and elegant." - "Taichang Yin·Imagination of the Year of the Tiger":"The smile in the hibiscus mirror is open. The bottom of the matter is up to you to guess. There are arrangements in your heart. From today onwards, I will be an innocent child. [Yao] Carefree, unrestrained, without sorrow or joy. I'm enjoying myself. Who is as obedient as me in the busy city?" - "Taichang Yin: The scorching sun is looking forward to the rain":"The summer of Renyin is fierce, and the name of the roast crown. The heat wave laughed at my incompetence, but I had no choice but to lift and sweat in the saunas. In the fields on the road, the vitality is pale, and anyone who sees it will feel sorry. Looking up at the clouds, plucking a flower, pouring rain."
Taichang cited the second volume of the ninth grade
In the second volume of the ninth grade,"Tai Chang Yin·Jiankang Mid-Autumn Night Fu for Lu Shu Qian" was Xin Qiji's work. In the first film, he expressed his feelings for the moon. At the beginning, he described the bright moon in the Mid-Autumn Festival. The rotation of the moon suggested the passage of time. The poet with white hair asked Chang'e in the moon, showing the poet's frustration of not achieving success, not being recognized for his talent, and increasing white hair. In the next film, the author wrote the first three lines of the poem,"I want to fly high in the wind to see the lost mountains and rivers of my motherland, full of nostalgia for the mountains and rivers and determination to recover the lost land." Finally, I imagined that the Moon Palace cut down the laurel trees that covered the moonlight. The "Gui Po Suo" here symbolized the forces that brought darkness to the people, including the surrender forces inside and outside the Southern Song Dynasty and the power of the Jin people. The poet "cut off the Gui Po Suo" showed the ideal of recovering the lost land.
Taichang cited Jiankang Mid-Autumn Night Pinyin
It is often quoted in the Mid-Autumn Night of Jiankang as Lu Shuqian's Fu.
Taichang cited the mid-autumn night of Jiankang as the rhythm of Lv Shuqian
Taichang cited the rhythm of "Jiankang Mid-Autumn Night" for Lu Shuqian: A round/Autumn Shadow/Turning Golden Wave, Flying Mirror/Again/Regrinding. The wine/asked/E: I was white-haired, bully/how? With the wind/good go, the sky/ten thousand miles, straight down/see/mountains and rivers. Chop away/Osmanthus/Swaying, the human path is, clear light/more.
Taichang cited Jiankang Mid-Autumn Night as Uncle Lu's translation
A slowly moving autumn moon sprinkled thousands of miles of golden waves, just like the freshly polished bronze mirror flying up to the sky. I raised my glass and asked Chang'e in the moon: My white hair is growing day by day, as if deliberately bullying me. What should I do? I want to ride the wind and fly thousands of miles into the sky, overlooking the great mountains and rivers of the motherland. And cut down the branches of the swaying laurel trees in the moon, which, people say, will make the moon shed more light on the earth.
Taichang cited the healthy Mid-Autumn Night as Uncle Lu's poem
You might want to ask Xin Qiji's "Tai Chang Yin·Jiankang Mid-Autumn Night Fu for Lu Shu Qian." This was a gift from Xin Qiji to a friend on the Mid-Autumn Festival night of the first year of Chunxi (1174) of Emperor Xiaozong of Song Dynasty. At that time, Xin Qiji was in Jiankang (now Nanjing, Jiangsu Province) as a councilor of the Jiangdong Pacification Department. The first half of the poem depicted the moon on the Mid-Autumn night. The poet asked the moon about the wine and lamented that his white hair was growing but his ambition was not fulfilled. The second half of the poem expressed the poet's desire to fly high in the wind, overlook the mountains and rivers, and cut down the laurel tree in the middle of the moon (the laurel tree symbolized the crafty sycophants in the court, and cutting down the laurel tree symbolized the elimination of crafty sycophants), so that the world would have more hope. It showed his patriotic enthusiasm in trying to restore the unity of the country, his resentment of his unfulfilled aspirations, and his indomitable spirit of resistance. The lyrics were imaginative, bold and romantic.
Du Fu Cottage Du Fu
Du Fu's Cottage was the former residence of Du Fu, a great poet of the Tang Dynasty in China. It was located at 37 Qinghua Road, Qingyang District, Chengdu City, Sichuan Province. Du Fu lived here for nearly four years and wrote more than 240 poems. The thatched cottage covered an area of nearly 300 acres, completely retaining the architectural layout of the 13th year of Hongzhi of the Ming Dynasty and the 16th year of Jiaqing of the Qing Dynasty. There were more than 30,000 volumes of various materials in the Cottage. It was the center of Du Fu's research and collection of Du Fu's poems and paintings. The Cottage Museum was established in 1955. It was the largest, most well-preserved, and most famous Du Fu memorial site. The thatched cottage was announced as one of the first batch of national key cultural relics to be protected in China.