What are the pre-narration techniques of Dream of the Red Chamber?

Based on context alone The narrating technique in 'Dream of the Red Chamber' mainly included the following contents: * * 1. Dream Pre-narration ** 1. * * Jia Baoyu Dreaming in the Great Illusionary Land ** - This was a typical pre-narration. Jia Baoyu came to the Grand Illusionary Land in his dream and saw the original, second, and third volumes of the Twelve Beauties of Jinling. These sentences hinted at the fate of many women in the book. For example, Lin Daiyu's verdict of "hanging in the forest with a jade belt" and Xue Baochai's verdict of "buried in the snow with a golden hairpin" foreshadowed their tragic ending to some extent. - He also heard 'Song of the Dream of the Red Chamber'. These songs summarized the fates of the main characters in the book. For example, in "Wang Ning Mei","one is the immortal flower of Langyuan, and the other is the flawless jade." If there was no such thing as a strange fate, then I would have met him again in this life. If there was a strange fate, then how did my heart become empty? It previewed the tragedy of the love between Jia Baoyu and Lin Daiyu. 2. * * Wang Xifeng's Dream ** - Wang Xifeng dreamed that Qin Keqing came to entrust her funeral affairs. Qin Keqing said,"When the moon is full, it will lose money. When the water is full, it will overflow." He also warned Wang Xifeng to make early plans for the decline of the family, such as buying a sacrificial industry. This dream predicted the fate of the Jia family's decline from its peak, and also hinted at Wang Xifeng's important role in the decline of the Jia family. * * 2. Poetry Pre-narration ** 1. * * Poetry created by characters ** - The poems created by the characters in the book often had the function of narrating. For example, Lin Daiyu's "Song of Burial of Flowers","Look at the fading flowers of spring, which is the time when the beauty dies of old age. Once spring is over, the beauty is old, and the flowers fall and the people die without knowing it."Not only did she express her pity for the fallen flowers, but she also previewed her early death and the desolation of her fate. - Xue Baochai's "Linjiang Fairy·Willow","A good wind with strength, send me to the blue clouds", on the one hand, showed her ambition, on the other hand, it also hinted at her survival strategy in the complex environment of the Jia family and the position she might eventually reach. However, from the perspective of the fate of the entire family, this seemingly positive ambition was also shrouded by the big fate of the family's decline. 2. * * Poetry composed or quoted by others ** - For example, the poems that people quoted at banquets might also have a pre-narrative meaning. These poems might hint at the character, fate, or the rise and fall of the family in a specific context. * * 3. Character narration ** 1. * * Prophecy of a character ** - Qin Keqing had said that "after the three springs have gone, all the fragrance will be gone, and everyone will have to find their own door." The "three springs" here could be understood as the three springs, but it could also refer to the three women of Yuanchun, Yingchun, and Tanchun. It was a pre-narration of their fate after experiencing a major change. The women in the Jia residence would also disperse, and the Jia residence would decline. - When Jia Yuanchun visited her relatives, he said,"That day, he sent me to that place where I could not see anyone." This hinted at her unfortunate situation in the palace, and it was also a premonition of her future fate. Her situation and fate in the palace were closely related to the rise and fall of the Jia family. Her loss of power was also an important symbol of the decline of the Jia family. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

In the fifth chapter of 'Dream of the Red Chamber', the pre-narration was mainly achieved through the judgment of words and songs. The following are some ways to make this kind of pre-narration beautiful: ** 1. Character Fate Setting ** 1. ** Clear tone, set the framework for story development ** - Setting the tone of the main character's fate was like sketching the outline of a painting. For example, in Jia Yuanchun's verdict,"For twenty years, I have distinguished right from wrong, and the blooming of the pomegranate flowers has illuminated the palace." The three springs fought for the scenery of the early spring, and the tiger and rhinoceros met in a dream." This sentence made clear the general direction of Jia Yuanchun's fate and allowed the story to develop around this tone. The author had a basic clue when describing the plot of Yuanchun. This kind of pre-narration would help to portray the character's personality in the subsequent development of the story, laying the foundation for the overall structure of the work, and thus step by step reaching the central theme of the work. 2. ** Focus on key points, detail is appropriate ** - Judgment and song were equivalent to setting up an outline to let the readers know which characters were the key points. The Twelve Beauties of Jinling had many characters, but the key characters were special. For example, Lin Daiyu's song,"Wunning Eyebrows," Qin Keqing's song,"The End of Good Things," Xue Baochai's song,"Lifetime Mistake," etc. These judgments and the characters pointed to by the songs would be written in detail in the story. Because the key points were determined through the pre-narration, the author could be detailed and appropriate when describing the story, making the narrative rhythm of the story rich and varied, avoiding the average effort of describing many characters. 3. ** Reminder, Fate Trajectory Induction ** - The judgments and songs had the function of summary and reminder. The life trajectories of the Twelve Beauties of Jinling were unfolded within the scope of the corresponding judgments and songs. For example, Miaoyu's judgment," If you want to be clean, you can't be clean. The clouds are not necessarily empty. Poor gold and jade quality, finally trapped in the mud ", this verdict summed up Miaoyu's life. She was born into a family of officials, but she still had feelings for the secular world. In the end, she was raped and humiliated to death. The entire trajectory of her fate was consistent with the judgment. This kind of pre-narration allowed the reader to constantly review the judgment and song during the reading process, giving them a sense of suspense and anticipation for the character's ending. ** 2. Overall Plot Guidance ** 1. ** Summing up and pointing out, echoing from beginning to end ** - At the beginning of the fifth chapter, he summarized the temperaments of Bao, Dai and Chai, such as Dai Yu's petty nature and disregard for the world, Baoyu's condescension, and Baochai's obedience. This summary played a role in raising some points. Although the readers might be familiar with the content, this style of writing provided a sense of resonance for the detailed descriptions of the three later chapters. In terms of the overall plot, this kind of pre-narration technique could allow the reader to constantly associate the previous summary in the subsequent plot, making the story more coherent. 2. ** Scene changes, guiding plot development ** - Starting from the plot of Bao Dai Chai, he wrote about the family banquet of Ningguo Mansion. This family banquet seemed to be ordinary and natural, but it played a role in guiding out the illusion. At the same time, it also made the initial tips for the countless family banquets in the later chapters. This kind of scene transformation and plot guidance made the story develop in a seemingly unintentional way. The illusion also contained the pre-narration of the fate of many main characters, making the development of the entire plot rich in layers and cohesiveness. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

'Dream of the Red Chamber' was a classic work of Chinese classical literature and also one of the treasures in the history of world literature. This novel used the life experiences and love stories of the main characters such as Jia Baoyu, Lin Daiyu, and Xue Baochai as the main line. Through the description of the rise and fall of the four families of Jia, Shi, Wang, and Xue, it presented a picture of the aristocratic society of the Qing Dynasty. This article will discuss the uniqueness and narrative techniques of Dream of the Red Chamber from the perspective of narrative art. The narrative art of 'Dream of the Red Chamber' was mainly manifested in the following aspects: Narrations from multiple perspectives Dream of the Red Chamber used multiple perspectives to describe the life experiences and love stories of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters through the perspectives of different characters. Jia Baoyu's perspective is the main point of view of the novel. He shows the changes and growth of himself and his family through his own unique perspective. At the same time, the perspectives of Lin Daiyu and Xue Baochai were fully displayed. They reflected the various drawbacks of the feudal society through their own emotional experiences. This multi-perspective narration made the novel more colorful and readable. 2. Delicate emotional descriptions The emotional descriptions in 'Dream of the Red Chamber' were very delicate. It showed the emotional changes and inner worlds of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters through different characters and different scenes. For example, in the novel, the love story between Jia Baoyu and Lin Daiyu was described very delicately. Their emotional ups and downs and inner monologue were all described very accurately by the author. At the same time, there were many details in the novel, such as Xue Baochai's personality characteristics, Wang Xifeng's character image, etc., which provided readers with a deeper understanding. 3 Fictional storyline The plot of 'Dream of the Red Chamber' was fictional. It used different characters and scenes to tell a story that did not match history. This kind of fictional storyline made the novel more imaginative and creative, and also increased the entertainment of the readers. At the same time, the plot of the novel was also very logical. The author had put a lot of effort into the construction of the plot to make the plot clearer. To sum up, the narrative art of Dream of the Red Chamber is mainly manifested in the multi-perspective narrative, delicate emotional description and fictional plot. These unique narrative techniques and characteristics made "Dream of the Red Chamber" a classic in the history of Chinese literature and one of the treasures in the history of world literature.

'Dream of the Red Chamber' had many unique aspects in its narration. From the perspective of narration, it adopted a special "Brother Shi's narration" method. Cao Xueqin combined the two basic narrative modes of first-person narration, which was rarely used in ancient novels, and third-person narration, which was used in more than 95% of ancient novels. " Brother Shi " acted as a spectator to Jia Baoyu in the third person, occasionally calling himself a " fool " to make a bit of comments, recording the joys and sorrows of the characters like a movie photographer. And when Brother Shi couldn't observe the phenomenon, such as the appearance of the stone and the final return of the stone, the story of Jia Yucun and Zhen Shiyin, Lin Daiyu's many psychological activities, etc., the author of the novel saw everything with the omniscient "eyes of God". In terms of narrative structure, the first five chapters were like the blueprint of the entire novel. In the first five chapters, through the plots of Zhen Jia's death and prosperity, the connection between monks and Taoists, the tears of crimson beads, the jade hairpin of the stupid stone, as well as the contents of song warning, dream guessing, early arrangement of Qunfang prophecy score, etc., various narrative techniques such as foreshadowing and metaphor were used to lay the foundation for the development of the story. In terms of narrative techniques, the TV series "Dream of the Red Chamber" completely followed the original work's flashback technique. It first presented the result before telling the cause and effect. Moreover, he used the stone of drama to attack the jade of novel narration. For example, he used the method of using a song to cover the entire drama to serve the narrative of the novel. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The main content of Spring in the Red Chamber was the story of Jia Baoyu, Lin Daiyu, and others flying kites in the Grand View Garden. The story started when everyone picked up a big butterfly kite that Miss Yanhong had flown in the Grand View Garden. It aroused everyone's interest, so everyone took out their kites and prepared to fly. Baoqin flew the big bat kite, Baochai flew the wild goose kite, but Baoyu couldn't fly the beauty kite, which annoyed him. When Daiyu flew the kite, everyone said that it could take away the root of her illness. In the end, everyone released their kites. Through describing the scene of flying a kite, this text showed the character and destiny of the characters. At the same time, it showed their leisure and happiness in life, bringing people a beautiful enjoyment.

" Dream of the Red Chamber " was a classic work in Chinese classical literature. It was a novel centered around the main characters such as Jia Baoyu, Lin Daiyu, and Xue Baochai. Cao Xueqin used a variety of techniques and techniques to create characters. The following are some of them: 1. Personalization: Cao Xueqin, the author, digs deep into the inner world of each character through the words, thoughts, emotions and other details of the characters, so that the characters have distinct personality characteristics, allowing the readers to deeply feel the charm of the characters. 2. Appearance Description: Cao Xueqin highlights the identity and status of the character by describing the appearance of the character, such as clothes, hairstyle, makeup, etc., to enhance the image and three-dimensional sense of the character. 3. Psychological Description: The author Cao Xueqin uses the inner monologue and psychological activities of the characters to deeply portray the psychological characteristics of the characters so that the readers can feel the emotional changes and inner world of the characters. 4. Description of dialogue: The author Cao Xueqin uses the dialogue between the characters to show the thoughts, emotions, and behaviors of the characters to enhance the legibility and interest of the novel. 5. Description of action: Cao Xueqin uses the actions of the characters, such as walking, talking, and actions, to show the characters 'personalities and characteristics and enhance the image and three-dimensional sense of the characters. 6. Description of details: Cao Xueqin uses fine details such as the lines of clothes and the details of hair accessories to show the identity and status of the characters and enhance the image and three-dimensional sense of the characters. The use of these techniques and techniques allowed each character in 'Dream of the Red Chamber' to have a unique image and characteristics, allowing the readers to deeply understand and feel the characters depicted in the novel.

Dream of the Red Chamber was a classic work of Chinese classical novels and was considered a milestone in the history of Chinese novels. On the basis of traditional writing techniques, it carried out bold innovation and breakthroughs in the following aspects: 1. In-depth description of the characters: "Dream of the Red Chamber" shows the richness and complexity of their personalities, thoughts, emotions, etc. through the in-depth description of many characters, so that readers can understand the inner world of these characters more deeply. 2. The meticulous design of the scenes: The novel creates a unique atmosphere through the meticulous design of the scenes, making the readers feel the emotions and atmosphere more vivid and real. 3. The use of language: The use of language in "Dream of the Red Chamber" is ingenious. It uses a variety of language styles such as vernacular, classical Chinese, poetic language, etc. to make the language more colorful and fluent. 4. The uniqueness of the structure: The structure of Dream of the Red Chamber is ingenious. It uses elements such as "family","Jia, Shi, Wang, Xue" to interweave the plot together to make the plot more complicated and interesting. To sum up, Dream of the Red Chamber had made a bold innovation and breakthrough on the basis of traditional writing techniques, displaying its unique literary style and charm, becoming a classic work of Chinese classical novels.