In the fifth chapter of 'Dream of the Red Chamber', the pre-narration was mainly achieved through the judgment of words and songs. The following are some ways to make this kind of pre-narration beautiful: ** 1. Character Fate Setting ** 1. ** Clear tone, set the framework for story development ** - Setting the tone of the main character's fate was like sketching the outline of a painting. For example, in Jia Yuanchun's verdict,"For twenty years, I have distinguished right from wrong, and the blooming of the pomegranate flowers has illuminated the palace." The three springs fought for the scenery of the early spring, and the tiger and rhinoceros met in a dream." This sentence made clear the general direction of Jia Yuanchun's fate and allowed the story to develop around this tone. The author had a basic clue when describing the plot of Yuanchun. This kind of pre-narration would help to portray the character's personality in the subsequent development of the story, laying the foundation for the overall structure of the work, and thus step by step reaching the central theme of the work. 2. ** Focus on key points, detail is appropriate ** - Judgment and song were equivalent to setting up an outline to let the readers know which characters were the key points. The Twelve Beauties of Jinling had many characters, but the key characters were special. For example, Lin Daiyu's song,"Wunning Eyebrows," Qin Keqing's song,"The End of Good Things," Xue Baochai's song,"Lifetime Mistake," etc. These judgments and the characters pointed to by the songs would be written in detail in the story. Because the key points were determined through the pre-narration, the author could be detailed and appropriate when describing the story, making the narrative rhythm of the story rich and varied, avoiding the average effort of describing many characters. 3. ** Reminder, Fate Trajectory Induction ** - The judgments and songs had the function of summary and reminder. The life trajectories of the Twelve Beauties of Jinling were unfolded within the scope of the corresponding judgments and songs. For example, Miaoyu's judgment," If you want to be clean, you can't be clean. The clouds are not necessarily empty. Poor gold and jade quality, finally trapped in the mud ", this verdict summed up Miaoyu's life. She was born into a family of officials, but she still had feelings for the secular world. In the end, she was raped and humiliated to death. The entire trajectory of her fate was consistent with the judgment. This kind of pre-narration allowed the reader to constantly review the judgment and song during the reading process, giving them a sense of suspense and anticipation for the character's ending. ** 2. Overall Plot Guidance ** 1. ** Summing up and pointing out, echoing from beginning to end ** - At the beginning of the fifth chapter, he summarized the temperaments of Bao, Dai and Chai, such as Dai Yu's petty nature and disregard for the world, Baoyu's condescension, and Baochai's obedience. This summary played a role in raising some points. Although the readers might be familiar with the content, this style of writing provided a sense of resonance for the detailed descriptions of the three later chapters. In terms of the overall plot, this kind of pre-narration technique could allow the reader to constantly associate the previous summary in the subsequent plot, making the story more coherent. 2. ** Scene changes, guiding plot development ** - Starting from the plot of Bao Dai Chai, he wrote about the family banquet of Ningguo Mansion. This family banquet seemed to be ordinary and natural, but it played a role in guiding out the illusion. At the same time, it also made the initial tips for the countless family banquets in the later chapters. This kind of scene transformation and plot guidance made the story develop in a seemingly unintentional way. The illusion also contained the pre-narration of the fate of many main characters, making the development of the entire plot rich in layers and cohesiveness. Read more exciting novels for free
Based on context alone The narrating technique in 'Dream of the Red Chamber' mainly included the following contents: * * 1. Dream Pre-narration ** 1. * * Jia Baoyu Dreaming in the Great Illusionary Land ** - This was a typical pre-narration. Jia Baoyu came to the Grand Illusionary Land in his dream and saw the original, second, and third volumes of the Twelve Beauties of Jinling. These sentences hinted at the fate of many women in the book. For example, Lin Daiyu's verdict of "hanging in the forest with a jade belt" and Xue Baochai's verdict of "buried in the snow with a golden hairpin" foreshadowed their tragic ending to some extent. - He also heard 'Song of the Dream of the Red Chamber'. These songs summarized the fates of the main characters in the book. For example, in "Wang Ning Mei","one is the immortal flower of Langyuan, and the other is the flawless jade." If there was no such thing as a strange fate, then I would have met him again in this life. If there was a strange fate, then how did my heart become empty? It previewed the tragedy of the love between Jia Baoyu and Lin Daiyu. 2. * * Wang Xifeng's Dream ** - Wang Xifeng dreamed that Qin Keqing came to entrust her funeral affairs. Qin Keqing said,"When the moon is full, it will lose money. When the water is full, it will overflow." He also warned Wang Xifeng to make early plans for the decline of the family, such as buying a sacrificial industry. This dream predicted the fate of the Jia family's decline from its peak, and also hinted at Wang Xifeng's important role in the decline of the Jia family. * * 2. Poetry Pre-narration ** 1. * * Poetry created by characters ** - The poems created by the characters in the book often had the function of narrating. For example, Lin Daiyu's "Song of Burial of Flowers","Look at the fading flowers of spring, which is the time when the beauty dies of old age. Once spring is over, the beauty is old, and the flowers fall and the people die without knowing it."Not only did she express her pity for the fallen flowers, but she also previewed her early death and the desolation of her fate. - Xue Baochai's "Linjiang Fairy·Willow","A good wind with strength, send me to the blue clouds", on the one hand, showed her ambition, on the other hand, it also hinted at her survival strategy in the complex environment of the Jia family and the position she might eventually reach. However, from the perspective of the fate of the entire family, this seemingly positive ambition was also shrouded by the big fate of the family's decline. 2. * * Poetry composed or quoted by others ** - For example, the poems that people quoted at banquets might also have a pre-narrative meaning. These poems might hint at the character, fate, or the rise and fall of the family in a specific context. * * 3. Character narration ** 1. * * Prophecy of a character ** - Qin Keqing had said that "after the three springs have gone, all the fragrance will be gone, and everyone will have to find their own door." The "three springs" here could be understood as the three springs, but it could also refer to the three women of Yuanchun, Yingchun, and Tanchun. It was a pre-narration of their fate after experiencing a major change. The women in the Jia residence would also disperse, and the Jia residence would decline. - When Jia Yuanchun visited her relatives, he said,"That day, he sent me to that place where I could not see anyone." This hinted at her unfortunate situation in the palace, and it was also a premonition of her future fate. Her situation and fate in the palace were closely related to the rise and fall of the Jia family. Her loss of power was also an important symbol of the decline of the Jia family. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The "pre-continuation" of the fifth chapter of "Dream of the Red Chamber" was a unique writing technique in the novel. Its main functions were as follows: 1. Increase the suspense and tension of the novel. In the fifth chapter, Cao Xueqin enhanced the tension and appeal of the novel by setting up suspense and plot in advance to make the readers anticipate and guess the development of the story. 2. Prominent the theme and gist of the novel. Through the way of "pre-continuation", the author can reveal the theme and theme of the novel more deeply, making it easier for the readers to understand and accept the ideas expressed in the novel. 3. To enhance the narrative effect of the novel. In the "pre-continuation", the author can use different narrative techniques such as flashback, interjection, recollection, etc. to strengthen the narrative effect of the novel and make the readers more easily attracted by the story. 4. Enrich the plot and characters of the novel. Through the "pre-continuation" method, the author could set up some plots and characters in advance and use and develop them in the subsequent novels to make the plot of the novel more colorful and the characters more full and three-dimensional. "Pre-continuation" was a unique writing technique in "Dream of the Red Chamber". By setting suspense and plot in advance, it strengthened the narrative effect of the novel, enriched the plot and characters of the novel, and enhanced the attraction and artistic value of the novel.
'Dream of the Red Chamber' was a classic work of Chinese classical literature and also one of the treasures in the history of world literature. This novel used the life experiences and love stories of the main characters such as Jia Baoyu, Lin Daiyu, and Xue Baochai as the main line. Through the description of the rise and fall of the four families of Jia, Shi, Wang, and Xue, it presented a picture of the aristocratic society of the Qing Dynasty. This article will discuss the uniqueness and narrative techniques of Dream of the Red Chamber from the perspective of narrative art. The narrative art of 'Dream of the Red Chamber' was mainly manifested in the following aspects: Narrations from multiple perspectives Dream of the Red Chamber used multiple perspectives to describe the life experiences and love stories of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters through the perspectives of different characters. Jia Baoyu's perspective is the main point of view of the novel. He shows the changes and growth of himself and his family through his own unique perspective. At the same time, the perspectives of Lin Daiyu and Xue Baochai were fully displayed. They reflected the various drawbacks of the feudal society through their own emotional experiences. This multi-perspective narration made the novel more colorful and readable. 2. Delicate emotional descriptions The emotional descriptions in 'Dream of the Red Chamber' were very delicate. It showed the emotional changes and inner worlds of Jia Baoyu, Lin Daiyu, Xue Baochai and other characters through different characters and different scenes. For example, in the novel, the love story between Jia Baoyu and Lin Daiyu was described very delicately. Their emotional ups and downs and inner monologue were all described very accurately by the author. At the same time, there were many details in the novel, such as Xue Baochai's personality characteristics, Wang Xifeng's character image, etc., which provided readers with a deeper understanding. 3 Fictional storyline The plot of 'Dream of the Red Chamber' was fictional. It used different characters and scenes to tell a story that did not match history. This kind of fictional storyline made the novel more imaginative and creative, and also increased the entertainment of the readers. At the same time, the plot of the novel was also very logical. The author had put a lot of effort into the construction of the plot to make the plot clearer. To sum up, the narrative art of Dream of the Red Chamber is mainly manifested in the multi-perspective narrative, delicate emotional description and fictional plot. These unique narrative techniques and characteristics made "Dream of the Red Chamber" a classic in the history of Chinese literature and one of the treasures in the history of world literature.
The fifth chapter," Jia Baoyu Dreaming in the Grand Illusionary Land, Lin Daiyu mistakenly barged into the tiger and wolf den " was the opening chapter of " Dream of the Red Chamber." It mainly described how Jia Baoyu and Lin Daiyu met in a dream and were brought to the Grand Illusionary Land to experience a dialogue about marriage, human nature, and fate. In the Grand Illusionary Land, Jia Baoyu and Lin Daiyu were assigned to different rooms to talk to their respective masters. Jia Baoyu's master taught him to cherish the person in front of him and not give up the pursuit of beautiful love, while Lin Daiyu's master warned her to cherish life and not sacrifice herself for love. After that, Jia Baoyu and Lin Daiyu were released from the Grand Illusionary Land and returned to the real world. In the process, they also re-examined their lives and values. The whole story showed the complexity of human nature and the impermanence of fate through dreams and reality. It was also one of the most famous beginnings of 'Dream of the Red Chamber', which laid the foundation for the subsequent plots.
The fifth chapter of 'Dream of the Red Chamber' was the key chapter of the entire book. When I first read this chapter, I felt as if I was in a cloud and mist, and it was difficult to understand. However, after reading the entire book, one would realize that this chapter was like the context of the entire book. In this chapter, Jia Baoyu's mind wandered in the Great Illusionary Land. Through the judgments of the Twelve Beauties of Jinling and other contents, he revealed the fate of the characters in the book in advance. For example, Qingwen's "heart is higher than the sky, but her body is lower", her fate is like colorful clouds, Xiren finally failed to accompany Baoyu. This time, the ending was revealed at the beginning of the novel. This style of writing broke the tradition. Many of the poems and songs displayed Cao Gong's literary talent and cleverly hinted at the fate of the characters, making people sigh at the exquisiteness of his ideas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
My answer was wrong. In 'Dream of the Red Chamber',' playing 'didn't refer to children playing, but rather to a person being stupid. In the fifth chapter, Grandmother Jia once said to Jia Baoyu,"You've been stubborn for a few days, but you're still filthy." It meant that Jia Baoyu should study hard to become a smart person. Thank you for your advice.
The fifth chapter of 'Dream of the Red Chamber' was 'Jia Yucun's Misery in the Wind and Dust.' The story was mainly about Jia Baoyu, Lin Daiyu, and the others 'lives in the Jia residence and their growth. The following is the main content of the reply: This time, it was mainly about Jia Baoyu being placed under house arrest by Wang Xifeng at the Rong Mansion during the Lantern Festival. After the death of Lin Daiyu's father, Jia Baoyu and the others went to the Rong Mansion to offer their condolences. In the Rong Mansion, Jia Baoyu, Xue Baochai, and the others got to know each other and received the care and concern of everyone in the Rong Mansion. At the same time, Jia Baoyu also realized the various problems and contradictions in the Rong residence and began to think about the future development of the family. This time, he also mentioned the situation when Lin Daiyu's father, Grandmother Jia, died. Lin Daiyu was saddened by the news of her father's death, but she was also misunderstood and bullied by everyone in the Rong family. Jia Baoyu and the others also began a series of struggles in order to win more respect and care for Lin Daiyu. This time, the story was full of emotions and human nature. It showed the life and growth of Jia Baoyu, Lin Daiyu, and the others in the family, as well as their relationship with the people in the Rong family. It was also one of the most touching and important chapters in 'Dream of the Red Chamber'.
The fifth chapter, Zhen Shiyin's Dreamlike Awareness, Jia Yucun's Misery, was the opening chapter of 'Dream of the Red Chamber'. It mainly described the fantastical experience that Jia Baoyu had in Zhen Shiyin's home. Zhen Shiyin was a Taoist priest. When he heard that Jia Baoyu was coming, he invited him to his house as a guest. In Zhen Shiyin's house, Jia Baoyu was introduced as the " Second Young Master of the Jia Family " and met Zhen Shiyin's daughter, Zhen Yinglian. Zhen Yinglian was a beautiful and intelligent woman. She taught Jia Baoyu some knowledge and skills in zither, chess, calligraphy, and painting. With Zhen Shiyin's help, Jia Baoyu had a dream-like time. In his dream, he met the fairies Lin Daiyu, Shi Xiangyun and others and spent a good time with them. When he woke up, Jia Baoyu was deeply disappointed, but because of this, he cherished his relationship with Zhen Yinglian even more. The whole story ended with Jia Baoyu's disillusionment, expressing the author's thoughts on human nature, life and fate. This was also one of the most famous chapters of 'Dream of the Red Chamber', which had a profound impact on the development of Chinese classical novels.