The ancestral halls of the Su family were distributed in many places, such as Jiejiang Village, Xinshi Town, You County, Zhuzhou, Hunan Province; Fengqing, Lincang City, Yunnan Province; Sujiaying, Hexi Town, Tonghai County, Yuxi City; Dawei, Shenghe, Haogang, Nancheng District, Dongguan city; Guyi Village, Guzhen Town, Zhongshan City, Guangdong Province; Xibing, Xiaoxi Village, Fujian Province; Hougesu, Caoxi Street, etc. While waiting for the TV series, he could also read the exciting content related to this site!
The ancestral halls of the Su family are distributed in many places. In Xinzhu Village, Yangmei Town, Rong County, Guangxi Province, there was a Su ancestral hall. It was built in the early years of the Republic of China and covered an area of about 2,000 square meters. Every year, the Su family villagers would hold a grand ancestral worship ceremony here. There was Su's Ancestral Hall in Guangxi, which was located about 200 meters on the right side of the Nanning-Pingxiang Friendship Pass highway 44 kilometers away. It was about 11 kilometers away from the Nanjing International Airport and only 3 kilometers away from the Suwei exit of the Nanyou highway. According to Su's Preface to the Creation of Ancestral Hall Steles, the ancestral hall began construction in October of the sixth year of Qianlong and was completed in March of the following year. It had a history of 265 years. In Chendong Su Village, Zhongluotan Town, Baiyun District, Guangzhou City, Guangdong Province, there are buildings related to Su's ancestral temple. The Su family here can be traced back to Su Dongpo. Su Village has rich information on the origin of the clan and historical materials of the ancestral temple. Part of the ancestral temple is well preserved and the population of Su Village is about 2,000. Among them, Meixian Su Gong Temple is a district-level cultural relic protection unit. There is a Su Ancestral Hall in Shenghe Oyster Gang, Nancheng District, Dongguan city. It was built in the 20th year of Jiajing of Ming Dynasty (1541), the 13th year of Chongzhen of Ming Dynasty (1640) and the 3rd year of Guangxu of Qing Dynasty (1877). It has been rebuilt respectively. Now it basically saves the architectural form of Ming Dynasty. It is the largest and most well-preserved ancestral hall in Dongguan city. In January 2004, it was announced by the municipal government as the eighth batch of cultural relics protection units in Dongguan city. In the south corner of Wubi Village, Qinghe Town, Jishan County, Shanxi Province, there is the Su Ancestral Hall. In 2010, it was identified as a "county-level cultural relic protection unit". The Su family here has experienced development and built seven ancestral halls. Now only the main ancestral hall is left. The main ancestral hall was established in June of the first year of Xianfeng of Qing Dynasty (1851). The courtyard sat on the east and west sides. It was a one-in-one courtyard layout. The building had many local architectural features, providing material information for the study of the architectural features of Ming and Qing Dynasties. In addition, Su Yong, the chairman of Vietnam's Chunqiao Group, went to the Su Ancestral Hall in Xixiangtang District of Guangxi to worship the ancestors of the Su clan. At that time, representatives from all over Guangxi, Fujian, Jiangxi, and Zhejiang participated in the worship activities. While waiting for the TV series, he could also read the exciting content related to this site!
There were many ancestral halls of the Bai family. The Bai Family Ancestral Hall, located in Xindian Street, Xindian Town, Xinzheng, sits on the north and south. The gate is a three-voucher archway gate covered with glazed tiles. The main hall inside the gate is located on a high platform. It is three rooms wide and has a corridor in front. It is a hard mountain-style building with a gray tile roof. The middle of the ridge is decorated with a pagoda. Both ends are dragon kisses on the ridge. There are wooden carvings under the eaves. There are three hard mountain buildings in the west wing. There are four inscriptions of Ming and Qing in the courtyard. The plaque of the gate is" Letian Temple" and the stele of" Letian Hometown" is on the wall.(Later carved, because he admired Bai Juyi as a famous person in Xindian), it was actually Bai's ancestral hall. Jinling Bai Ancestral Hall Ruins is located at the intersection of the Jinghang Grand Canal and Cailing Port (River) in the northeast corner of Cailing Village, Hongmei Street, Tianning District, Changzhou City. This is a family ancestral hall building built in the middle of the Ming Dynasty. It was originally the special temple of Bai Ang, the Minister of Punishment of the Ming Dynasty. It was built by his son Bai Jun (General of the State) in the third year of Hongzhi of the Ming Dynasty (1490). It now faces west and has two entrances. It is a flat house with a hard mountain brick and wood structure. The first entrance hall has three rooms in six rooms and auxiliary rooms on the north and south sides. It had the glory and tradition of the family and recorded the history of the family.
be ignorant of While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
Fan Xian's entry into the Fan family ancestral hall was an important plot in the plot of " Celebrating Years." In the play, Fan Xian chose to return to the Fan family after learning about his past and continue living as a Fan. This decision showed that Fan Xian had chosen the Fan family and abandoned the Li family. It would be the same even if he returned to the Li family later.
The information you provided is too brief, so I'm unable to pinpoint the specific work you're referring to. Please provide more context or relevant information about the plot so that I can answer your question more accurately. While waiting for the TV series, you can also click on the link below to read the classic original work of " A Record of a Mortal's Journey to Immortality "!
Fan Xian entering the Fan family ancestral hall was an important plot in Joy of Life. In the play, Fan Xian chose to return to the Fan family after learning about his past and continue living as a Fan. This decision showed that Fan Xian had chosen the Fan family and abandoned the Li family. It would be the same even if he returned to the Li family later. Fan Xian's act of entering the Fan family ancestral hall drew a clear line between him and the Li family. This plot in the play showed Fan Xian's recognition of his own identity and his sense of belonging to the Fan family. The details of the plot and the developments after Fan Xian entered the Fan family ancestral hall required watching the " Joy of Life " drama series to obtain more information.
Other people's ancestral halls could be worshipped but not kneeled, because the ancestral hall was a place to worship their ancestors. If they were not from this family, they should try not to worship their ancestors. Because they were not related by blood, they would not be able to receive protection even if they went to worship. However, if you can't avoid having to attend, you have to pay attention to the fact that you can only kneel to your own ancestors and not to the ancestors of others. Otherwise, your ancestors may be angry and have a bad influence. Therefore, unless it was absolutely necessary, it was not recommended for people surnamed He to go to the ancestral hall of the Han family. If they went, they could worship but not kneel. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
" Yun Lin Yi Yun " was not the Bei Family's ancestral hall." Yun Lin Yi Yun " was a horizontal board with the handwriting of the contemporary calligrapher Gu Tinglong. It was hung high in the hall of the Bei Family's ancestral hall to praise the design of Lion Grove Garden's designer, Ni Yunlin. It had a " quiet and elegant charm." The Legend of Lin Yi is equally exciting, and everyone is welcome to read it!
The Ancestral Hall was also known as the Divine Hall, and it was a place where people worshipped their ancestors and gods. In some families, it might be a relatively important place for worshipping the ancestral tablets of the family ancestors. It reflected the inheritance and beliefs of the family and was a symbol of the family tradition and patriarch system. For example, in the layout of large family buildings in some traditional villages, the ancestral hall might be located in a more important position in the main axis of the building. For example, in Zhang Guying Village, the ancestral hall in the main axis was used to worship the ancestors of the family and became the central axis of faith of the big house. The Ancestral Halls of different regions or families might differ in size, form, and degree of attention. Some might be more elaborate, while others might be relatively simple.
Ancestral hall photography could involve many situations. On the one hand, the ancestral hall was a place with profound cultural significance, so the local culture and customs had to be respected when taking photos. For example, in Chaoshan area, the ancestral hall was a place of "worshipping ancestors". Items with special cultural implications such as Chaoshan Eight Immortals Table carried people's respect for ancestors and traditions, reverence and gratitude for nature and gods. The behavior of models stepping on the Eight Immortals Table to take promotional photos in the ancestral hall, which violated cultural customs, caused dissatisfaction among netizens. On the other hand, some ancestral halls had high artistic value and were suitable for photography. For example, the Chen Family Temple in Guangzhou is the largest, most well-preserved and most beautifully decorated ancestral temple building in China. It is known as the "Pearl of Lingnan architectural art". Its architectural decorations such as wood carving, stone carving, iron carving, gray sculpture, brick carving, etc. are exquisite. There are also colorful paintings of gate gods with historical value and shrines dedicated to memorial tablets, etc., all of which provide rich materials for photography. When taking photos of such ancestral halls, one could take photos from the perspectives of architectural art, historical and cultural heritage, and at the same time, one had to follow the principles of protecting cultural relics and respecting the order of the place. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>