There were many crosstalk actors in Tianjin who performed Beijing opera. Chang Guide was a Tianjin crosstalk actor. He was originally a professional Peking opera actor and a working student. He was the leading actor in the Second Peking opera Troupe of Tianjin City. He performed with the actors in the troupe, such as "The Ensemble of Heroes,""The Matchmaker," and "Spring in the Jade Hall." Chang Baoting was also a crosstalk master in Tianjin. His voice was loud and clear, and his opera rhythm was long. He was considered to have a high level of singing. As Chang Baoting's son, Chang Guide was also the third generation successor of the Chang family's crosstalk. He had a certain level of Beijing opera performance. In addition, Guo Degang also had the experience of learning Peking opera and other sister plays. He led the Kirin Drama Club to bring the Peking opera song "The Yang Family's General Smashes the Imperial Plaque" on the Spring Festival Gala of Tianjin TV's Deyun Society. He also brought Tao Yang to sing Peking opera at Tianjin Zhonghua Theater, classic reappearance of plays such as "Northern Han King" and "Weiyang Palace". Read more exciting novels for free
Guo Degang was a crosstalk actor who sang Peking opera. Although his performance was controversial, professional Peking opera actors and critics thought that his singing was not professional and his performance was not standard, but there were also audiences who felt that his Peking opera performance had a unique style that could make more people understand and like Peking opera. There was also the crosstalk actor Li Han, who also performed in Beijing opera, such as the cross-dressing of the Beijing opera "Ganlu Temple", which was "Admonishing a Thousand Years". In addition, Hou Yaowen, the famous crosstalk artist, also sang the Beijing opera of the Qi School. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Many Shaoxing opera actors would sing Peking opera. For example, the famous Yue opera actor Zhao Zhigang (Yue opera Yin School Xiaosheng) was the Beijing opera "Yang Men Female General", Han Tingting (Yue opera Fan School Xiaosheng) was the Beijing opera "Phoenix Returning to the Nest", Jin Jing (Yue opera Qi School Hua Dan) was the Beijing opera "Du Fu Shan". There was also the Yue opera actor Feng Fengxian humming Yue Wei Peking opera 'Three Houses' and so on. This showed that actors of different types of opera had a certain degree of compatibility and innovation in artistic performances. They showed the charm of different types of opera through cross-border singing, and also brought new vitality to the inheritance and development of opera art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
No, it wasn't. Crosstalk actors came from all over the world. For example, Ma Sanli's ancestral home was Yongchang County, Jinchang City, Gansu Province; Li Guoxian's ancestral home was in Hubei and Hubei; Yu Qian was born in Beijing and his ancestral home was Fengjia Village, Lantian County, Shaanxi Province; Jia Xuming was born in Baoding, Hebei Province; Feng Gong was born in Tianjin City and his ancestral home was Cangzhou, Hebei Province; Guo Degang was born in Tianjin City; there were also many crosstalk actors distributed in different regions, so it could be seen that not all crosstalk actors came from Tianjin. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the crosstalk world, the singing performance of some young crosstalk actors formed a big contrast with the traditional crosstalk performance mode. Traditional crosstalk emphasized four subjects,"talking, learning, teasing, and singing." The "singing" was naturally integrated with the development of the story, in line with the plot setting. However, some young crosstalk actors, such as Yue Yunpeng, sang for more than an hour out of three hours in the crosstalk special in Qing Dao, Zhang Yunlei gave up the opportunity to perform in a box to hold a concert, and Meng Hetang shared his single in a high-profile manner late at night. They added too much singing to their crosstalk performances, and some even released a single, which was very different from the traditional crosstalk performance mode. The contrast was obvious in terms of singing skills and effects. For example, Meng Hetang's single did not catch the audience's ears at the opening, and the middle part did not perform well. The lyrics also had forced rhymes and poor content, which was quite different from his performance on the crosstalk stage. For example, some older crosstalk actors followed the requirements of "singing" in traditional crosstalk performances, forming a sharp contrast with some younger actors who sang excessively in crosstalk performances and their singing standards were uneven. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
From the information provided, crosstalk actors had imitated Jay Chou, such as Zhang Helun and Guo Qilin imitating Jay Chou's unclear singing style in his early years. Zhang Yunlei was a crosstalk actor from Deyun Society. He was also a singer. He had a music EP and was as popular as Jay Chou. Little Yueyue was a crosstalk actor and had sung other people's songs a cappella, but he did not mention whether he would sing Jay Chou's songs. Therefore, there were cases where crosstalk actors involved Jay Chou in their performances, including imitating the singing style. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many situations where crosstalk actors sang pop songs. For example, Yue Yunpeng had such an attempt. He and Li Ronghao collaborated on " If You Understand, You Understand." The lyrics were written by Yue Yunpeng and composed by Li Ronghao. The song revolved around the theme of " youth," and contained nostalgia for youth and sadness after adulthood. Yue Yunpeng's " My dearest person " was an old song that he had covered and became popular again. There was also " Song of the Five Rings." Although this song had been involved in an copyright lawsuit, it was eventually won. This song was adapted from " Song of Peony." His song had the characteristics of being popular, pleasant, and smooth. From these examples, it could be seen that crosstalk actors singing pop songs could bring them more attention and topics of discussion. It could also broaden the scope of their artistic expression, allowing them to be recognized by the audience as singers outside of crosstalk performances. At the same time, it also brought new vitality and unique interpretation methods to the spread of pop songs. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the reference materials, there were two old men who sang Beijing opera. One of them was Bian Xuezheng, the 86-year-old "Peking opera grandpa" in Yinchuan, Ningxia. He sang Peking opera live on the Internet and had thousands of fans. He started singing at the age of 14 and had more than 70 years of experience. He had saved more than 1600 pieces of songs on his mobile phone by singing "karaoke songs" and received many likes. The other person was the 80-year-old Mr. Kang Wansheng. He was performing a song called "Sealing Boots and Colorful Singing" at the Tianchan Peking Theater in Shanghai on August 2nd. He was performing the famous Peking opera segment,"Assassination of the King Liao." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The older generation of crosstalk actors in Beijing included Liu Hongyi, who belonged to the "literary generation" of crosstalk actors and was taught by the crosstalk master, Mr. Wang Shichen; Yang Shaohua, who had also developed in Beijing; Chang Lianan, who was an older generation of crosstalk actors in China. He was a native of Beijing and was the founder of Changpai crosstalk; and Liu Hongyi's master, Mr. Wang Shichen.(Liu Hongyi was his disciple, so it could be inferred that Wang Shichen was an older generation of crosstalk actors), and Zhang Sanlu, who was an ancestor of the "Guan 'er Zhang" family in Beijing and had an important position in the history of crosstalk. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The crosstalk actor at Lao She Teahouse recalled that he was a special crosstalk actor at Beijing's Lao She Teahouse. In addition, several leading actors in the Starry Night Crosstalk at the Beijing Teahouse were actors from Deyun Society, but their names were not mentioned in detail. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
It was quite common for Shaoxing opera actors to sing "Heaven Immortal Match." During the development of Shaoxing opera, many actors might have performed this classic play. For example, in some troupes, the actors would perform the story of "Heaven Immortal Match" on the stage. For example, the actors of Zhejiang Little Baihua Yue Troupe had the possibility of singing "Heaven Immortal Match". Moreover, there were also actors like Chen Lijun and Li Yunxiao in the Shaoxing opera circle who were related to the topic of 'Heaven Immortal Company'. Although there was news of the change in their relationship recently, it also indirectly reflected the connection between Shaoxing opera actors and' Heaven Immortal Company'. In addition, the Zhejiang Little Hundred Flowers Yue opera troupe, where the actors in the historical Yue opera "Five Women's Birthday Celebration" were part of, might also have actors singing "Heaven Immortal Match." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>