Guo Degang was a crosstalk actor who sang Peking opera. Although his performance was controversial, professional Peking opera actors and critics thought that his singing was not professional and his performance was not standard, but there were also audiences who felt that his Peking opera performance had a unique style that could make more people understand and like Peking opera. There was also the crosstalk actor Li Han, who also performed in Beijing opera, such as the cross-dressing of the Beijing opera "Ganlu Temple", which was "Admonishing a Thousand Years". In addition, Hou Yaowen, the famous crosstalk artist, also sang the Beijing opera of the Qi School. Read more exciting novels for free
The Beijing opera songs that Deyun girls could sing together were "Suo Lin Nang" and "Wujiapo." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the crosstalk world, the singing performance of some young crosstalk actors formed a big contrast with the traditional crosstalk performance mode. Traditional crosstalk emphasized four subjects,"talking, learning, teasing, and singing." The "singing" was naturally integrated with the development of the story, in line with the plot setting. However, some young crosstalk actors, such as Yue Yunpeng, sang for more than an hour out of three hours in the crosstalk special in Qing Dao, Zhang Yunlei gave up the opportunity to perform in a box to hold a concert, and Meng Hetang shared his single in a high-profile manner late at night. They added too much singing to their crosstalk performances, and some even released a single, which was very different from the traditional crosstalk performance mode. The contrast was obvious in terms of singing skills and effects. For example, Meng Hetang's single did not catch the audience's ears at the opening, and the middle part did not perform well. The lyrics also had forced rhymes and poor content, which was quite different from his performance on the crosstalk stage. For example, some older crosstalk actors followed the requirements of "singing" in traditional crosstalk performances, forming a sharp contrast with some younger actors who sang excessively in crosstalk performances and their singing standards were uneven. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The crosstalk actor at Lao She Teahouse recalled that he was a special crosstalk actor at Beijing's Lao She Teahouse. In addition, several leading actors in the Starry Night Crosstalk at the Beijing Teahouse were actors from Deyun Society, but their names were not mentioned in detail. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The older generation of crosstalk actors in Beijing included Liu Hongyi, who belonged to the "literary generation" of crosstalk actors and was taught by the crosstalk master, Mr. Wang Shichen; Yang Shaohua, who had also developed in Beijing; Chang Lianan, who was an older generation of crosstalk actors in China. He was a native of Beijing and was the founder of Changpai crosstalk; and Liu Hongyi's master, Mr. Wang Shichen.(Liu Hongyi was his disciple, so it could be inferred that Wang Shichen was an older generation of crosstalk actors), and Zhang Sanlu, who was an ancestor of the "Guan 'er Zhang" family in Beijing and had an important position in the history of crosstalk. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some classic old songs sung by some crosstalk actors: - Zhang Yunlei's "Exploring the Qingshui River" told the story of Miss Da Lian and her lover falling into the river due to secular prejudice. Zhang Yunlei's version was very popular, and the opera version was especially good. - Yue Yunpeng's "Farewell to My Lover" was one of Yue Yunpeng's representative works. It told the story of an infatuated woman sending her lover away. When he sang it, he paired it with a bamboo board, forming a classic performance style. - Guo Degang's "The Big Truth" was the Deyun Society's song. It had the style of opera singing, and the lyrics were grounded and had a good meaning. - Zhang Helun's "Broken Shoes and Tiptoes"(formerly known as "Little Juan") had popular lyrics and a catchy tune. It was very popular. - Meng Hetang sang "Tick Tick" with Zhou Jiuliang's accompaniment. Meng Hetang's singing skills, tone, and voice were not bad, while Zhou Jiuliang used the three-string accompaniment. - Yue Yunpeng's Song of the Five Rings was adapted from Song of Peony. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yue Yunpeng's cover of Hailai Amu's " West Tower Children " became popular. Hailai Amu himself said that he sang unwillingness, while Yue Yunpeng sang relief. Yue Yunpeng sang the recollection of the past and the release of emotions. He sang a different feeling from the original song. Many people listened to the single repeatedly. In addition, Yue Yunpeng and Li Ronghao collaborated on the stage of " Unlimited Song Season " with " If You Understand, You Understand." The lyrics were written by Yue Yunpeng and the music was composed by Li Ronghao. It also had a certain degree of popularity. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Beijing opera was different from ancient songs. In terms of origin and development, Peking opera originated from China's primitive song and dance dramas. It went through the development stages of "Jiaodi opera" in the Han Dynasty, the peak of opera in the Yuan Dynasty, and the "Four Arias" in the Ming Dynasty. It was finally formed after absorbing artistic forms such as Hui Diao and Han opera in the middle of the Qing Dynasty. It was the epitome of Chinese traditional culture and was regarded as the largest opera in China. In 2006, it was included in the first batch of national intangible cultural heritage. In 2010, it was included in the list of representatives of the Intangible Cultural Heritage of Humanity of the United Nations Scientific and Cultural Organization. Antique songs were a type of modern pop music. They were songs created by modern creators under the influence of traditional culture and had a classical style. In terms of performance form, Peking opera was a comprehensive stage performance art. It combined four skills and five methods, singing, music, clothing, and makeup into one. Through stylized performance methods, it virtually narrated stories, portrayed characters, and expressed thoughts and feelings. The characters were divided into four major professions: life, Dan, Jing, and Chou. Ancient style songs mainly used singing as their main form of expression. Although the singing style and lyrics would draw lessons from traditional opera elements such as Beijing opera, they did not have a complicated stage performance system like Beijing opera. In terms of lyrics, the lyrics of Peking opera were more straightforward and focused on explaining the plot. Some were more elegant, but overall, it was to let the audience understand the plot. Moreover, the early audiences of Peking opera had different levels of education, so their creation would also take into account the acceptance of ordinary people. The lyrics of ancient songs were often created by modern creators, and their use of words was more flexible and diverse. Some ancient songs would pursue the classical charm, using more poetic and far-reaching words, and would be created from the imagination and aesthetic perspective of modern audiences. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
To sing Huangmei opera songs in the video, one could start from the following aspects: - ** Voice and Basic Skills Practice **: - In terms of breath control and voice resonance, you can practice repeatedly according to the teacher's instructions every morning. Pay attention to the subtle changes in your voice and improve it through continuous practice. - In terms of singing, he had to look for teaching videos and audio materials of Huangmei opera. For example, Master Yan Fengying's teaching of "Road Encounter" was very valuable. For example, he could learn the conversion from the frequency words to the color tune in "Road Encounter," the handling of the first and last version, and understand the emotional processing methods behind different lyrics. - ** Action and expression coordination **: - You can refer to the action breakdown tutorial of Huangmei opera, such as the slow motion breakdown tutorial on the back of Huangmei opera, the password version of the female son-in-law, etc. According to the steps in the tutorial, such as the preparation, opening, right, left, up, squatting, and other movements in Huangmei opera, as well as the withdrawal of the right foot and the withdrawal of the left foot in the female son-in-law, he carefully practiced. - In terms of demeanor, attention should be paid to the fit with the character. Taking "The Female Prince Consort" as an example, it was necessary to avoid excessive exaggeration or expressions that did not conform to the character's image. For example, Yan Fengying's performance was to shape the character by adjusting the hat, swinging the sleeves, the small boy's square steps, and the cooperation of eyes and expressions. This was worth learning from. - ** Other precautions **: - Pay attention to the use of dialect when singing. The dialect pronunciation of Huangmei opera is one of its characteristics. For example, the "how" in "The Female Prince Consort" should be pronounced "yu huo" and "ge" should be pronounced "guo". The dialect can give Huangmei opera a strong local charm and local flavor. - When recording the video, he also had to consider the setting, costumes, props, and other factors to create the atmosphere of Huangmei opera performance. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
From the reference materials, it could be seen that the opera accompaniment was related to the Henan opera "Tears Splash Lovesickness","Exploring Yin Mountain", the Yue opera "opera accompaniment", the piano accompaniment of the Beijing opera "Red Lantern", and the opera accompaniment songs (suona D tune accompaniment, etc.) that included Du Shiniang, Long Dependence, Shepherd Song, Really Miss You, Red Dust Love Song, Forever Friends, etc. These could be used as accompaniment for children to sing opera. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
To sing Huangmei opera well, one needed to control the emotions, enunciation, breath, and role. However, the complete version of the lyrics of Huangmei opera songs could not be found at present, so it could not be provided accurately. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>