The original author of the poem was Bao Zhao, a writer of the Southern Song Dynasty. Mi Fu (1051 - 1107) wrote the poem and dedicated it to Emperor Zhao Ji. However, there was also a saying that the work was a fake from the Ming and Qing Dynasties. While waiting for the TV series, he could also read the exciting content related to this site!
Mi Fu's "Ode to the Dancing Crane" was rated as "unprecedented" by Ke Jiusi. From a calligraphy point of view, the power of the brush and ink was amazing and had a strong visual impact. At first glance, it could instantly lock one's eyes. Judging from the posture of the dancing crane presented in the content of the work, the description of the dancing crane in the text was extremely vivid, such as "At the beginning, it was a phoenix, but at the end, it was a dragon." Wandering and wandering, shaking and shaking. The words "Frightening body, flying wings, snow" and so on vividly displayed Wu He's movements and demeanor. Moreover, this work was Mi Fu's pinnacle work when he was 56 years old. It was originally hidden in the Song royal family and later in the Yuan imperial palace. It was lost and then rediscovered. This process also reflected its unique status and value in art history. While waiting for the TV series, he could also read the exciting content related to this site!
There was a saying that Mi Fu's "Ode to the Dancing Crane" was a fake work of the Ming and Qing Dynasties, but there were also opinions that it was an authentic work of Mi Fu. Emperor Wenzong of the Yuan Dynasty appointed Ke Jiusi as a doctor of calligraphy in Kuizhang Pavilion, and Ke Jiusi commented that "Dancing Crane Fu" was "unprecedented". It was regarded as Mi Fu's pinnacle work of art when he was 56 years old. It was originally hidden in the Song royal family and later hidden in the Yuan imperial palace. It was originally lost to the world. When it was discovered again, it was considered a major event in the China calligraphy world, enough to rewrite the history of Mi Fu's art. However, there was no conclusive conclusion on its authenticity and there was still controversy. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
'This Censor Can Deal With Things, He's Really Spit Out' was a Xianxia novel written by Love to Drink Kuo Luo. Li Qing had transmigrated to a world where he could cultivate, but he could not find anyone to teach him cultivation techniques. However, reading the books of sages and sages could nourish his righteous spirit and walk the path of Confucianism. After entering the imperial court after becoming the top scorer in high school, he had three correct views and held a high moral ground. He boldly remonstrated. This was a 130,000-word historical novel, and the writing style and plot were not bad. Invincible Spirit Summoning was a fantasy novel written by the White Crane in the Sky. The Rong Family's disciple Kaixuan had learned the Spirit Summoning Spell and was famous for summoning special spirits. This was a cool novel. The main character relied on a mutated spirit body to rise up. He had a clone. Although the cheat was big, the system did not collapse. The plot was smooth, but the ending was unpleasant. Many readers tipped him, and he was quite popular. Heaven Battling was also the work of the White Crane of Heaven. It was a story about the Saints 'Fruit transmigrating and creating a miracle. The main character, Zheng Haotian, had a likable personality and rose from a mountain village. The style and world setting of this book were not bad. It was the pinnacle of Bai He's work, and the readers also gave him a lot of tips. " Wind Rider ", a Xianxia novel written by a lazy bird. A small soldier entered the world of cultivators, unwilling to be ordinary, and his sword roared in the world. This was a traditional immortal cultivation novel with content. There was no female protagonist, the plot was smooth, and the cheat was reasonable. 'The Last Study of the Primordial Dragon Clan', a Xianxia novel written by a crane in the wind. Sun Hao had transmigrated to become a prince of the Dragon Tribe and changed the situation in the Untainted Land. It was a good novel, and even the Bookworm felt that it had new features. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Mi Fu's calligraphy works included Shu Su Tie, Yan Shan Ming, Tiaoxi Poetry Volume, Hong County Poetry Volume, Duojing Lou Poetry Volume, and Empress Dowager Elegy Tie. These works showed Mi Fu's attainments in running script, regular script, official script, and other calligraphy styles. His calligraphy style was stable and not ordinary, with many changes, taking into account the overall charm and perfection of the details. Among them, Shu Su Tie was known as the best calligraphy in China. It was one of Mi Fu's most famous works and one of the top ten famous calligraphy pieces in China. These works demonstrated Mi Fu's unique talent and charisma in calligraphy.
"White Crane Fu" was written by Cao Zhi. The poem depicted a white crane, lamenting that it was a white and beautiful plain bird, containing a strange and auspicious aura. It lived in the dark forest, built a nest on a weak branch, and feared the strong wind. Although it didn't have lofty ambitions like Sha Tang, it was happy that its wings weren't injured. It was fortunate enough to have the phoenix as its companion, to rest and travel with its own kind. However, their beautiful reunion was interrupted and they could only grieve alone when they encountered a disaster. It hoped that its predicament would be resolved, that it could spread its wings and travel far away, listen to the clear melody of the elegant zither, and pay attention to its own wings. Through the description of the situation of the white crane, this Fu reflected Cao Zhi's feelings. It also showed that this style of Fu was between poetry and prose. It emphasized literary grace and rhythm, and had the characteristics of both poetry and prose. It focused on describing the scenery and expressing emotions through the scenery. While waiting for the TV series, he could also read the exciting content related to this site!
In the 90th edition of Investiture of the Gods, Fu Yiwei played Su Daji's dance, which was more impressive. Her clothes were very avant-garde and bold. When she danced, her entire body was exposed except for a few strips of cloth that slightly covered her private parts. Although the director later added a layer of gauze, the gauze did not cover much and instead added a sense of temptation. The part where she played Su Daji dancing in the rain was also very distinctive. The dance hinted at a love affair with King Zhou. After the dance was completed, the little fox Daji happily played with water, exposed her belly, rolled on the ground, and played, reflecting the little fox's playfulness and bestial nature. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
"Dancing with the Crane" had many forms of expression: - In terms of photography works, many photos of black-necked cranes by Qujing photographer He Fanshao were exhibited in different photography exhibition, such as 20 photos of Huize black-necked cranes at Xishuangbanna International Image Exhibition in December 2021, and 24 photos of black-necked cranes at Sanmenxia City and Eco International Photographic Exhibition in November 2019, showing the charm of cranes through photography works. - In the daily life scene, there were interesting scenes such as a little girl's "dance battle" with a red-crowned crane through the window. - In the field of literary creation, the poet Fu Xueqian (Qu Jin, Xue Qian) wrote a collection of poems, Dancing with the Crane. His poems were rich in creation and published in many newspapers. His works also reflected the images or emotional implications related to the crane. - In the natural environment, people could watch the cranes 'activities and feel the state of the cranes in nature, as if they were dancing with them. - In traditional culture, cranes often courted by dancing, and the husband and wife accompanied each other for life. They symbolized loyal love, and this characteristic could also be understood as a spiritual meaning of "dancing with cranes". At the same time, in Taoist culture, cranes were closely related to Taoist immortals, such as Taoist priests holding crane fans, riding cranes and roaming. From a cultural perspective, there was a common spiritual realm or moral connection with cranes. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
"Sea-overlooking Tower" was a poem written by Su Shi, a writer of the Song Dynasty. It had a famous sentence,"When the sea reaches the boundless sky, I will be the peak of the mountain." Mi Fu was a calligrapher, painter, and writer of the Song Dynasty. His calligraphy was good at regular script and running script. He was famous for his powerful strokes and smooth strokes. Therefore, the English translation of " Wanghai Tower " was The mountain view platform, in which Mi Fu corresponded to Miegu Cliff.
The ending of Mi 'er and the Second Prince Zi Lu in Shangyang Fu. The second prince, Zi Lu, was finally executed, and Mi 'er married Wang Su. The second prince, Zi Lu, liked Mi 'er, but Wang Su's father thought that his son liked Mi' er too, so he let Wang Su marry her. In order to get Mi 'er and fight for the throne, Zilu decided to rebel, but his plan failed and he was executed. Mi 'er was forced to marry Wang Su, and the love between the Second Prince and Mi' er was not complete. All in all, the story of the Second Prince and Mi 'er was full of twists and turns and tragedies.
" Film Emperor Fu, little girl, I wish you a bright future." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>