"Sea-overlooking Tower" translated by Mi Fu
"Sea-overlooking Tower" was a poem written by Su Shi, a writer of the Song Dynasty. It had a famous sentence,"When the sea reaches the boundless sky, I will be the peak of the mountain." Mi Fu was a calligrapher, painter, and writer of the Song Dynasty. His calligraphy was good at regular script and running script. He was famous for his powerful strokes and smooth strokes. Therefore, the English translation of " Wanghai Tower " was The mountain view platform, in which Mi Fu corresponded to Miegu Cliff.
Appreciation of Mi Fu's Sea-overlooking Tower
Mi Fu (1031 - 1105) was a famous calligrapher and painter of the Northern Song Dynasty, also known as Mi Nan Gong. He was one of the outstanding figures in the history of Chinese calligraphy. Wanghai Tower was located in Qixia District, Nanjing City, Jiangsu Province. It was an ancient building with the architectural style of the Ming and Qing Dynasties and was one of the landmark buildings in Nanjing. Mi Fu had inscribed the famous Sea-overlooking Tower on the wall of this building. The southeast is better than the capital of the Three Wu States. Qiantang has been prosperous since ancient times. Thousands of rocks and valleys, the road is uncertain, the flowers are lost, leaning on the stone, suddenly it is dark. The white sun is leaning against the mountains, and the Yellow River flows into the sea current. I want to see a thousand miles and climb another level. This poem depicted the magnificent scenery of the southeast coastal area and the prosperity of Qiantang since ancient times. At the same time, it also reflected the poet's great ambition and pursuit, expressing his spirit of continuous exploration and pursuit of higher goals in the process of continuous pursuit of progress and self-transcendence. This poem had a rich poetic and profound philosophy. It not only showed the poet's admiration for the natural landscape, but also expressed his thoughts on the pursuit and growth of life. It was hailed as a classic of ancient Chinese poetry and an important part of Chinese culture. The artistic and cultural value of this poem has been widely recognized and appreciated. It is also an important element in Chinese culture, with far-reaching influence and important significance.
Mi Fu's translation of the Sea-overlooking Tower
The Mi Fu Sea-overlooking Tower was one of the most famous ancient buildings in China's history. It was located in today's Yangzhou City, Jiangsu Province. Below is the translation of the building: Mi Fu's Sea-overlooking Tower was a 40 meter tall pavilion built by Mi Fu himself. The building was built in the Tang Dynasty, when Mi Fu was one of the representatives of the Eight Eccentrics of Yangzhou. His artistic achievements were highly respected. The pavilion had a simple and lively appearance. The red roof and green walls blended together to make it look simple and lively. The building was spacious and bright, with a total of nine floors. Each floor had a unique decoration and style that reflected the architectural style of different historical periods. In a corner of the building, there was a painting by Mi Fu himself. He painted a scene overlooking the sea with the vast sea and the busy city in the background. This painting is one of Mi Fu's representative works and has high artistic value. The Mi Fu Sea-overlooking Tower is a building with a long history and cultural significance. Its beauty and uniqueness have attracted many tourists to visit.
Sea-overlooking Tower View Translated by Su Shi
Sea-overlooking Tower View Su Shi Translator: Wanghai Tower is a building located in Beijing China which was built in the 16th century It is known for its unique design with a large window looking out towards the Beijing Sea View refers to the act of watching the sea view or the sea In this context it means to look at the view from the building's window The poem Looking at the Sea Tower View is a poem by Chinese poet and writer Su Shi which describes the beauty of the sea view and the feeling of serenity that one can gain from looking out of the building's window The poem is often interpreted as a metaphor for the beauty of nature and the power of nature to bring peace and tranquility to our lives
The introduction of the Sea-overlooking Tower at Dongtou is 50 to 200 words.
Dongtou Sea-overlooking Tower is located in Dongtou Island, Mawei District, Fuzhou City, Fujian Province. It is a luxurious sea-view pavilion with a long history and one of the famous scenic spots in Mawei District. The building was built in the Ming Dynasty, and after hundreds of years of vicissitudes, it has now become a unique historical and cultural name card Fuzhou City. Dongtou Wanghai Tower was 128 meters high and had four floors. It was a typical sea-view pavilion of the Ming Dynasty. Climbing the building overlooking the vast sea, the beautiful scenery of Mawei Urban area and Taijiang District was the best place to enjoy the sea and appreciate the architectural art of the Ming Dynasty. In addition to the beautiful scenery, Dongtou Sea-overlooking Tower also had a profound cultural heritage and historical value. This building was once the luxurious residence of officials and wealthy merchants in the Ming Dynasty. It was also an important place in many fields such as politics, commerce, and culture. Today, Dongtou Wanghai Tower has become a museum open to the public, displaying social, economic, cultural and other information during the Ming Dynasty. It is an important window to understand the history and culture Fuzhou City. Dongtou Sea-overlooking Tower was a unique historical and cultural card of Fuzhou City. It was also an excellent place to enjoy the sea view and appreciate the architectural art of the Ming Dynasty. If you are interested in history, culture and tourism, you must not miss this precious place when you come to Fuzhou.
Mi Fu, Mid-Autumn Festival, Climbing the Tower and Looking at the Moon
Mi Fu's Mid-Autumn Festival Ascending the Tower to Look at the Moon was a poem describing the beautiful scenery of the sea during the Mid-Autumn Festival. The poem described the sea surface of Huaihai shining with silver light. Under the rainbow-like light, clams were nurturing pearls. The poet also mentioned that if no one in the sky repaired the moon, the laurel branches would continue to grow and might break the moon. This poem borrowed folk legends to add a mythical color to the moon of the Mid-Autumn Festival, making it even more charming. Mi Fu was a famous calligrapher, painter, and collector in the Northern Song Dynasty. His calligraphy was very famous and was known as one of the "Four Calligraphers of the Song Dynasty". He had a strange personality and crazy behavior, so people called him "Mi Dian". This poem showed Mi Fu's unique feelings and artistic talent for natural scenery.
Original and Translated Tiangang Fu
The original text of Tiangang Fu is as follows: I observe the way of heaven, left and right, beginning yin and ending yang, ending yang and returning yin, yang has yin, yin has yang. Therefore, the door of all kinds of wonderful things, according to yin and yang to cultivate true knowledge, so the saints rely on this to achieve their Tao. Heaven is stable and conquers man, and man is stable and conquers heaven. Everything in the world changed. Even if the situation is unpredictable, as long as the heart is controlled, there is nothing that cannot be done. The translation of Tiangang Fu is as follows: I observe the way of heaven, turning left and right, always changing between yin and yang. There is yin in yang, and yang in yin. Therefore, the door to the mystery of all things was to use Yin and Yang to open up true understanding. Therefore, all the saints used this to realize their own Dao. Destiny's decision was better than man's, and man's decision was better than heaven's. Everything in the world changed. Even if the waves were turbulent and the clouds were blurry, as long as one's mind was focused, there was nothing that could not be done.
Overlooking the world
Here are some recommendations for immortal cultivation novels that overlook the world: 1. The story of Jiang Chenfei becoming a Divine King was told in " Emperor God Jiu Xiao." 2. [Solitary Dao]: It described the story of xiuzhe pursuing the Eternal Great Dao while cultivating. 3. [Mortal Affinity] tells the story of two banished immortals, two mortals, and a small demon. 4. [The Perfect World] described the story of the Desolate Heaven Emperor Shi Hao's rise. 5. [Cultivation Chat Group]: It described the magical daily life of Song Shuhang and his fellow cultivators. 6. " Search for Gods ": It was a fusion of the myths and legends of the ancestors in the Classic of Mountains and Seas. It told the story of the gods and demons of a mythological era. 7. [Immortality, I am the Tribulation of All Beings]: It described a chaotic era in the ancient land, and the story of the gods, demons, and Buddhas fighting for the opportunity to transcend. 8. [True Spirit Nine Transformations]: Combining the creation of mortals and sects, showing the complete sect system. These are some recommended cultivation novels that overlook the world based on the search results provided.
Mi Fu's Calligraphy Works
Mi Fu's calligraphy works included Shu Su Tie, Yan Shan Ming, Tiaoxi Poetry Volume, Hong County Poetry Volume, Duojing Lou Poetry Volume, and Empress Dowager Elegy Tie. These works showed Mi Fu's attainments in running script, regular script, official script, and other calligraphy styles. His calligraphy style was stable and not ordinary, with many changes, taking into account the overall charm and perfection of the details. Among them, Shu Su Tie was known as the best calligraphy in China. It was one of Mi Fu's most famous works and one of the top ten famous calligraphy pieces in China. These works demonstrated Mi Fu's unique talent and charisma in calligraphy.
The foreign classics translated by Fu Lei include
The famous foreign works that Fu Lei had translated included The Catcher in the Rye, Jane Eyre, Pride and Predict, One Hundred Years of Solitude, War and Peace, Miserable World, Dream of the Red Chamber, and so on.
Shangyang Fu Mi 'er and the Second Prince
The ending of Mi 'er and the Second Prince Zi Lu in Shangyang Fu. The second prince, Zi Lu, was finally executed, and Mi 'er married Wang Su. The second prince, Zi Lu, liked Mi 'er, but Wang Su's father thought that his son liked Mi' er too, so he let Wang Su marry her. In order to get Mi 'er and fight for the throne, Zilu decided to rebel, but his plan failed and he was executed. Mi 'er was forced to marry Wang Su, and the love between the Second Prince and Mi' er was not complete. All in all, the story of the Second Prince and Mi 'er was full of twists and turns and tragedies.