Encyclopedia of Yang Xian's Calligraphy Works
Yang Xian was a calligrapher of the Qing Dynasty, especially proficient in official script. His works included Yang Xian's Seven-character Couplet in Official Script and the high-definition original post of Ode to the West. This stele had a solemn atmosphere, the structure was open, and the strokes were strong. Yang Xian's temporary work was a good learning material. The Stele of Zhang Qian was one of his earliest works of calligraphy. The Stele of Zhang Qian, which he wrote at the age of 46, and Ode to the Stone Gate, which he wrote at the age of 56, also had a certain artistic value. In his early works, he wrote Li Baotong Pavilion Road Carved Stone, Opening Baogong Road Carved Stone, Guo Jushi Temple Inscription, Hui Xianyou Inscription and other official script works of Han Dynasty, and another one wrote Opening Baogong Road Carved Stone, Rites Stele, Sacrifice Sangong Mountain Stele, Yi Ying Stele and so on. These works had their own characteristics in terms of brush strokes, ink color, structure, and composition. In terms of writing technique, the early official script was influenced by the concept of simplicity, seal script and "Ode to Shimen." It went in and out in reverse, hid the head and protected the tail, dragged the pen in the middle, with few waves and cracks, and the thickness change was not obvious. In terms of ink color, the ink color changes between the words were obvious, forming a visual rhythm. On the structure, the glyph is elongated vertically, part of it is swept out, horizontal painting is tight knot, vertical painting is smooth and bright. In terms of composition, the word space was compressed and the line spacing was loose, forming an intuitive feeling of vertical momentum. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Family Calligraphy Inscription Encyclopedia
The following are some suitable inscriptions for family calligraphy: - ** Self-cultivation **: - "Quiet": such as "quiet to cultivate one's moral character, quiet deep water flow." Quietness can produce wisdom, determination can produce wisdom. The mind of the Tao is as calm as the jade hidden in the mountains, and the taste of books is as clear as the water to raise fish. Every time there is a great event, there is calmness. I don't believe that there are no ancient sages in this day and age. When I accept people, I feel that my taste is harmonious, and when I keep quiet, I feel that the world is peaceful." - "Dan":"Tranquil nothingness, true qi from it; calm and composed, with ease; ambition is high, interest is indifferent." It is not indifferent to make the mind clear, it is not quiet to go far. Water is my friend, bamboo is my teacher." - "Empty":"Empty mind like a valley, empty and unyielding; Empty as one, always one and stop; Empty oneself and can accommodate." - Nurturing: Nurturing the true, nurturing the nature, nurturing the moral, nourishing the heart. There is no better way to cultivate the heart than to have few desires, and the greatest pleasure is to read books. There is room for movement in the pen, and there is no limit to the secrets of heaven in the heart. Keep quiet to cultivate the Tao; be humble to cultivate virtue; get rid of anger to cultivate nature; thin taste to cultivate qi." - ** Morality Cultivation Category **: - De: De is not alone, there must be neighbors. Rixin is a virtuous person, and virtue is not in danger." - "Good":"The highest good is like water, and only good is regarded as treasure." - ** Lifestyle **: - Elegant: " Why must the room be big? The fragrance of flowers is not much. There were a few bright windows, a painting, a zither, a crane, a cup of tea, a stove of incense, a calligraphy book, a small garden, a secluded path, a few flowers, a few flocks of birds, a few pavilions, a few stones, a few pools of water, and a few leisurely clouds. - "Joy":"Joy follows fate, joy knows fate, eternal happiness." - [Fate: Follow fate, follow joy, follow your heart, and be at ease.] Wherever you go, you will be at ease even if you don't dream." - ** Others **: - "Clear":"Pure heart with light, Tao heart clear like water, mountains and rivers have clear sound; Enter the room to let the breeze, drink only the moon." The breeze came out of his sleeves, and the bright moon entered his arms. If you listen to reason, there will be a master in your heart. If you use Tao to restrain your desires, your heart will be clear." - "Clumsy":"It's better to be clumsy than clever." - "Shen":"Shen Si, Shen Du". While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Drunken Calligraphy Master's Calligraphy Works
Xing Zui (formerly known as Shen Fang) was born in Hubei in 1941. He was a member of the Jiu San Society, a calligraphy and painting researcher, a member of the China Artists Association, and a member of the China Calligraphers Association. His calligraphy work, 180 x 90 cm, was collected by the Great Hall of the People. How many times can one fight in life?, Buddha's Heart, Longshan, Longjing Tea, Chest, and Sun Tzu's Art of War won gold medals in calligraphy and painting competitions at home and abroad. He had published many collections of calligraphy and painting, such as Shen Fang's Calligraphy and Painting Collection, Art Sea Searching for Pearls, Drunken Not Silly, Praise of Olympic Heroes, Awakened Self-Cleansing, Awakening Art Life, Shen Fang's Couplet Calligraphy and Painting Collection, Disciple Rules, etc. These collections included his calligraphy works. He had been invited to Hong Kong, Macau, Taiwan, Korea, Singapore, Ma, Thailand, the United States, Germany, France and 12 countries in Western Europe to hold calligraphy and painting exhibition and academic exchanges. In 2003, he went to the United States to hold a calligraphy and painting exhibition, and was invited to the United Nations Headquarters to paint on the spot. His works were collected by international friends Kissinger, Samaranch, Rogge, as well as the central leaders and many domestic museum. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Yang Shaohua's Encyclopedia
Yang Shaohua was a Chinese crosstalk artist and actor. He was born in Beijing in 1932. He entered Beijing Qiming Tea House in 1944 to learn crosstalk and began to perform with Ma Zhiming in the early 1970s. He also partnered with Zhao Weizhou and collaborated with his son, Yang Yi, on a cross-talk show called " Meat Rotting in the Pot," which won the first prize in the second CCTV Crosstalk Competition. Yang Shaohua also acted in the TV series Yang Guang's Happy Life and the movie version of Yang Guang's Happy Life. He first appeared on the stage of CCTV's Spring Festival Gala in 2018 and performed the skit,"At Your Service." In addition, he also co-founded the Yang Guang Crosstalk Club with his son, Yang Yi. While waiting for the anime, you can also click on the link below to read the classic original work of " Full-time Expert "!
The price of Yang Suizhen's calligraphy
Yang Suizhen's 65x22.5 calligraphy print cost 68 yuan. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!
Li Xian and Yang Zi's current works
Li Xian's representative works include Dear, Loved, To a Windy Place, River God, and Beauty of the Country. Yang Zi's works included " Battle in Changsha,"" Fragrant Honey and Ashes Like Frost,"" Dear, Beloved,"" Ode to Joy,"" There Are Children at Home," and " Beauty of the Nation." The original novel of the same name for the TV series "Beauty of the Nation" was "Beauty of the Nation". The original plot was equally exciting. You can click on the link below to read the original novel.
Fan Jianhua's Calligraphy Works
Fan Jianhua was a Chinese calligrapher. His calligraphy works had participated in many exhibition, such as the National Couplet Calligraphy Exhibition, the National Fan Calligraphy Invitation Exhibition, and the East China Youth Calligraphy Exhibition. His works had also been published in national journals. Fan Jianhua's calligraphy works combined the gentleness and moisture of the southern school of painting with the vigor and heaviness of the northern school. He had won many calligraphy competitions. However, the content and style of Fan Jianhua's calligraphy were not mentioned in the search results.
Zhang Rongqing's Calligraphy Works
Zhang Rongqing was a famous calligrapher. His calligraphy works had participated in many domestic and foreign calligraphy exhibition and won many awards. His calligraphy works were famous for their traditional and profound skills. He was especially good at the regular script and cursive script of the two kings. His works were simple, clear, casual, and natural, giving people an elegant and fresh artistic appeal. His calligraphy works were exhibited in the "Journey into Antiquity-Zhang Rongqing Calligraphy Exhibition" held by the National Art Museum of China. There were about 100 works on display, most of which were new works recently. The overall impression of the exhibition was exquisite, elegant, and fresh. Zhang Rongqing's calligraphy works were also included in many large-scale collections. His artistic life was in a mature and vigorous period, and he was still constantly seeking change and refinement.
Yan Zhenqing's Calligraphy Works
Yan Zhenqing's calligraphy works include Yan Qinli Stele, Li Xuanjing Stele, Xianyu's Lidui Record, Guo Family Temple Stele, Duobao Pagoda Stele, Sacrifice Nephew Manuscript, Liu Zhong's Envoy Post, Self-writing Post, Fighting for Seat Post, Dongfang Shuo Painting Praise, Yan Family Temple Stele, Magu Immortal Altar Record, Resurrection Ode, etc. Among them, Yan Qinli Stele showed Yan Zhenqing's mature writing technique and structural design, Li Xuanjing Stele had the meaning of seal script, Xianyu's Lidui Record and Guo Family Temple Stele showed Yan Zhenqing's variation in calligraphy style, Duobao Stele was a regular script calligraphy work, regarded as the highest peak of Yan Zhenqing's regular script, and Sacrifice to Nephew Manuscript was his running script work, which was now collected in the Palace Museum in Taibei. Self-written Body Invitation was his official calligraphy work. These works reflected Yan Zhenqing's creativity and unique calligraphy style, which was widely studied and appreciated by later generations.
Wu Deheng's Calligraphy Works
Wu Deheng was a Chinese calligrapher. His calligraphy works used ancient poems as the theme, such as "The Story of the Guisi Tower,""The Story of Tianxiang Garden,""The Story of the Dashi Palace,""The Story of the Half-hidden House," and so on. His works were rigorous and rich in imagination. They were included in books such as "The Calligraphy Classic of Famous Scholars in Modern China" and "A Thousand Famous Chinese Artists". Wu Deheng's artistic achievements received special reports from China's Xinhua News Agency, China Painting and Calligraphy News, Hong Kong newspapers, and the central, provincial, and municipal television stations. His works used bone rhyme, spirit rhyme, and charm to express the meaning of calligraphy works, making his works more aesthetic.
Cui Hanbai's Calligraphy Works
Cui Hanbai was a famous China calligrapher, and his calligraphy works were highly praised. He had won the gold medal of the 7th China Calligraphy Orchid Pavilion Award and became the only top scholar in the award. His works included calligraphy works of different subjects and styles such as big regular script, small regular script, and small running script. His big regular script work, Cui Hanbai's Big Regular Script Xin Jiaxuan's Ci Collection, copied two Ci poems of Xin Qiji, a poet of the Southern Song Dynasty, in regular script, showing his familiarity with Xin Qiji's Ci works and his grasp of artistic effects. In addition, Cui Hanbai's calligraphy style was featured by a natural, smooth, and unorganized writing style. He emphasized that the brush moved with the heart, and the shape, texture, and structure appeared naturally. His works were frequently shown in important shows such as the National Calligraphy Exhibition and the Lanting Awards, demonstrating his talent and attainments. In general, Cui Hanbai's calligraphy works were praised for their vivid and natural style.