Zhang Rongqing's Calligraphy Works
Zhang Rongqing was a famous calligrapher. His calligraphy works had participated in many domestic and foreign calligraphy exhibition and won many awards. His calligraphy works were famous for their traditional and profound skills. He was especially good at the regular script and cursive script of the two kings. His works were simple, clear, casual, and natural, giving people an elegant and fresh artistic appeal. His calligraphy works were exhibited in the "Journey into Antiquity-Zhang Rongqing Calligraphy Exhibition" held by the National Art Museum of China. There were about 100 works on display, most of which were new works recently. The overall impression of the exhibition was exquisite, elegant, and fresh. Zhang Rongqing's calligraphy works were also included in many large-scale collections. His artistic life was in a mature and vigorous period, and he was still constantly seeking change and refinement.
Joy of Life
Drunken Calligraphy Master's Calligraphy Works
Xing Zui (formerly known as Shen Fang) was born in Hubei in 1941. He was a member of the Jiu San Society, a calligraphy and painting researcher, a member of the China Artists Association, and a member of the China Calligraphers Association. His calligraphy work, 180 x 90 cm, was collected by the Great Hall of the People. How many times can one fight in life?, Buddha's Heart, Longshan, Longjing Tea, Chest, and Sun Tzu's Art of War won gold medals in calligraphy and painting competitions at home and abroad. He had published many collections of calligraphy and painting, such as Shen Fang's Calligraphy and Painting Collection, Art Sea Searching for Pearls, Drunken Not Silly, Praise of Olympic Heroes, Awakened Self-Cleansing, Awakening Art Life, Shen Fang's Couplet Calligraphy and Painting Collection, Disciple Rules, etc. These collections included his calligraphy works. He had been invited to Hong Kong, Macau, Taiwan, Korea, Singapore, Ma, Thailand, the United States, Germany, France and 12 countries in Western Europe to hold calligraphy and painting exhibition and academic exchanges. In 2003, he went to the United States to hold a calligraphy and painting exhibition, and was invited to the United Nations Headquarters to paint on the spot. His works were collected by international friends Kissinger, Samaranch, Rogge, as well as the central leaders and many domestic museum. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Zhang Huichen's calligraphy works appreciate how much is 4 feet?
Zhang Huichen was a famous calligrapher. His calligraphy works were very artistic and collectible. However, the specific price depended on many factors such as the size of the work, the age, the material, the degree of preservation, and so on. Generally speaking, the market price of a four-foot-wide sea was between tens of thousands and hundreds of thousands of yuan, but the specific price depended on the situation. If you want to buy such calligraphy works, it is recommended to compare and consult more to ensure that you get a reasonable price.
Zhang Yuanqing's Calligraphy
Zhang Yuanqing was a famous calligrapher. His calligraphy works displayed a unique style and technique. He was good at many kinds of calligraphy, including regular script, running script, cursive script, Wei stele, official script, etc. His works were full of power and charm, and at the same time, they displayed an elegant style. Zhang Yuanqing's calligraphy works had participated in many calligraphy exhibition at home and abroad and won many awards. He paid attention to learning the famous inscriptions and stone carvings of the past dynasties, pursuing the artistic effect of naivety, unrestrained and elegant. His works were highly praised and recognized by experts and society.
Zhang Qian's Stele Calligraphy
The calligraphy of Zhang Qian Stele was called Ode to Zhang Junbiao, the Changdang Yin Order of Gucheng in the Old Han Dynasty. It was an official script work carved by an unknown calligrapher in the late Eastern Han Dynasty and Sun Xing, an inscription master in the Eastern Han Dynasty. It was carved in the third year of Zhongping of the Eastern Han Dynasty (186 years) and unearthed in the early years of the Ming Dynasty. It is now stored in the stone corridor of Dai Temple in Mount Tai, Shandong Province. The seal characters on the forehead are inscribed with 12 words,"Ode to Zhang Jun, the commander of the old hub city of Han Dynasty". The characters on the forehead are flat and the meaning of the calligraphy is between seal characters and official script. There are 15 lines in the main body of the stele, with 42 words in each line. There are 3 columns in the back of the stele, with 19 lines in the upper 2 columns and 3 lines of inscriptions in the lower 3 lines. Zhang Qian Stele had high calligraphy attainments. Since it was unearthed, it was highly praised by the calligraphers of the past dynasties. It was the representative work of the Han Dynasty's square brush system. Its style was simple, heavy, and elegant. The words were frank and honest, with the simple style of the people. The style was solemn and steady. The pen is wide and wide, the corner is square and round, the pen is strong and powerful, and the pen is steady. The four corners of the knot were full, and the whole character was square and neat. It presented the artistic style characteristics of straightforwardness, simplicity, and simplicity. The pen of "wave pick" was steady and heavy, without a sense of frivolity. The awkwardness contained in this "wave pick" was a manifestation of the calligraphy style at that time. There were many people who studied Zhang Qian Stele. If they wanted to copy it, they would copy the word card at close range. Its advantage was that it was small and easy to carry. It was easy to copy the six characters in a single row, and it was easy to identify the characters with simplified side notes. The novel "Hidden Dragon" is equally exciting. Everyone is welcome to click and read it!
Fan Jianhua's Calligraphy Works
Fan Jianhua was a Chinese calligrapher. His calligraphy works had participated in many exhibition, such as the National Couplet Calligraphy Exhibition, the National Fan Calligraphy Invitation Exhibition, and the East China Youth Calligraphy Exhibition. His works had also been published in national journals. Fan Jianhua's calligraphy works combined the gentleness and moisture of the southern school of painting with the vigor and heaviness of the northern school. He had won many calligraphy competitions. However, the content and style of Fan Jianhua's calligraphy were not mentioned in the search results.
Yan Zhenqing's Calligraphy Works
Yan Zhenqing's calligraphy works include Yan Qinli Stele, Li Xuanjing Stele, Xianyu's Lidui Record, Guo Family Temple Stele, Duobao Pagoda Stele, Sacrifice Nephew Manuscript, Liu Zhong's Envoy Post, Self-writing Post, Fighting for Seat Post, Dongfang Shuo Painting Praise, Yan Family Temple Stele, Magu Immortal Altar Record, Resurrection Ode, etc. Among them, Yan Qinli Stele showed Yan Zhenqing's mature writing technique and structural design, Li Xuanjing Stele had the meaning of seal script, Xianyu's Lidui Record and Guo Family Temple Stele showed Yan Zhenqing's variation in calligraphy style, Duobao Stele was a regular script calligraphy work, regarded as the highest peak of Yan Zhenqing's regular script, and Sacrifice to Nephew Manuscript was his running script work, which was now collected in the Palace Museum in Taibei. Self-written Body Invitation was his official calligraphy work. These works reflected Yan Zhenqing's creativity and unique calligraphy style, which was widely studied and appreciated by later generations.
Wu Deheng's Calligraphy Works
Wu Deheng was a Chinese calligrapher. His calligraphy works used ancient poems as the theme, such as "The Story of the Guisi Tower,""The Story of Tianxiang Garden,""The Story of the Dashi Palace,""The Story of the Half-hidden House," and so on. His works were rigorous and rich in imagination. They were included in books such as "The Calligraphy Classic of Famous Scholars in Modern China" and "A Thousand Famous Chinese Artists". Wu Deheng's artistic achievements received special reports from China's Xinhua News Agency, China Painting and Calligraphy News, Hong Kong newspapers, and the central, provincial, and municipal television stations. His works used bone rhyme, spirit rhyme, and charm to express the meaning of calligraphy works, making his works more aesthetic.
Cui Hanbai's Calligraphy Works
Cui Hanbai was a famous China calligrapher, and his calligraphy works were highly praised. He had won the gold medal of the 7th China Calligraphy Orchid Pavilion Award and became the only top scholar in the award. His works included calligraphy works of different subjects and styles such as big regular script, small regular script, and small running script. His big regular script work, Cui Hanbai's Big Regular Script Xin Jiaxuan's Ci Collection, copied two Ci poems of Xin Qiji, a poet of the Southern Song Dynasty, in regular script, showing his familiarity with Xin Qiji's Ci works and his grasp of artistic effects. In addition, Cui Hanbai's calligraphy style was featured by a natural, smooth, and unorganized writing style. He emphasized that the brush moved with the heart, and the shape, texture, and structure appeared naturally. His works were frequently shown in important shows such as the National Calligraphy Exhibition and the Lanting Awards, demonstrating his talent and attainments. In general, Cui Hanbai's calligraphy works were praised for their vivid and natural style.
Jiao Xinshuai's Calligraphy Works
Jiao Xinshuai was a Chinese calligrapher. His calligraphy works had been selected for the 7th China Calligraphy Orchid Pavilion Award. His works demonstrated the skills of seal script and seal carving, as well as the reference to the Han jade seal and Han bird insect seal. Jiao Xinshuai's works had won many awards in many calligraphy and seal engraving exhibition in the country, including the winning prize of the Xiling Seal Society's seal engraving exhibition and the first prize of the "Tide Cup" Jinshi Inscription and Postscript Exhibition. He was also the vice president and secretary general of the Henan Province Young Calligraphers Association. The details and style of the specific work were not mentioned, so no more information could be provided.
Liu Gongquan's Calligraphy Works
Liu Gongquan was a famous calligrapher in the Tang Dynasty. He had many works that were handed down from generation to generation. Among them, the most representative works included the Diamond Sutra Stone Engraving, the Mysterious Tower Stele, the Shence Army Stele, and the Ode to Jiuyi Mountain. The Diamond Sutra Stone Carving, the Mysterious Secret Pagoda Stele, and the God's Will Army Stele were his regular script works, showing his rigorous, natural style. " Ode to Jiuyi Mountain " was his work in small regular script. It had a stable structure and exquisite strokes. Other than that, he also had other works such as 'Mengzhao Invitation' and 'Lanting Poem Volume.' Liu Gongquan's calligraphy works were widely appreciated and studied. His regular script style and unique writing style made him a legend in the calligraphy world.