Zhang Rongqing's Calligraphy Works
Zhang Rongqing was a famous calligrapher. His calligraphy works had participated in many domestic and foreign calligraphy exhibition and won many awards. His calligraphy works were famous for their traditional and profound skills. He was especially good at the regular script and cursive script of the two kings. His works were simple, clear, casual, and natural, giving people an elegant and fresh artistic appeal. His calligraphy works were exhibited in the "Journey into Antiquity-Zhang Rongqing Calligraphy Exhibition" held by the National Art Museum of China. There were about 100 works on display, most of which were new works recently. The overall impression of the exhibition was exquisite, elegant, and fresh. Zhang Rongqing's calligraphy works were also included in many large-scale collections. His artistic life was in a mature and vigorous period, and he was still constantly seeking change and refinement.
Zhang Huichen's calligraphy works appreciate how much is 4 feet?
Zhang Huichen was a famous calligrapher. His calligraphy works were very artistic and collectible. However, the specific price depended on many factors such as the size of the work, the age, the material, the degree of preservation, and so on. Generally speaking, the market price of a four-foot-wide sea was between tens of thousands and hundreds of thousands of yuan, but the specific price depended on the situation. If you want to buy such calligraphy works, it is recommended to compare and consult more to ensure that you get a reasonable price.
Wang Qi's Zhang Cao Calligraphy
Wang Yuchang was a famous calligrapher, especially good at Zhang Cao calligraphy. His Zhang Cao works were famous for their concise strokes and rich changes in word structure. He had established a unique style of writing, and through the use of word forms and strokes, he had displayed a unique and ancient style. Wang's cursive script was unique and was called the grass. He proposed five principles and four variations in order to achieve the beauty and density of the structure. Wang Yuchang's Zhang Cao works were revived from the end of the Qing Dynasty to the Republic of China. He was enlightened by Shen Zengzhi and read extensively. However, the given information did not provide a detailed description of Wang Qu's Chang Zhangcao calligraphy works.
The price of Zhang Daqian's calligraphy and painting
The price of Zhang Daqian's paintings fluctuated greatly. In the 1990s, Zhang Daqian's works were still relatively cheap. The best works were only sold for 7,000 to 8,000 yuan. However, as time passed, the price of Zhang Daqian's works soared. For example, his work in 2001 was sold for more than 9 million US dollars in the United States, creating the highest price for Chinese art. Today, Zhang Daqian's works were easily worth tens of millions or even hundreds of millions of yuan, even higher than the price of many bronze artifacts. According to different auction records, Zhang Daqian's works were sold for millions to hundreds of millions of yuan in different years. However, the exact price of Zhang Daqian's calligraphy and painting needed to be determined according to the specific work, age, size, and other factors, so it was impossible to give an accurate price range.
Su Rongqing's Ending
Su Rongqing's ending was to accompany the Eldest Princess Mo Shubai for the rest of her life. However, the details of the ending were not provided. Therefore, there was no clear answer about Su Rongqing's ending in the search results.
Zhang Fei knew calligraphy?
Zhang Fei was a famous general of Shu Han during the Three Kingdoms period, and he was good at calligraphy. He had written many calligraphy works, the most famous of which was the Book of Commandments for Children. The Book of Commandments was a letter that Zhang Fei wrote to his son. In it, he wrote," If you don't learn, you can't be broad. If you don't have ambition, you can't learn." Zhang Fei's unique calligraphy style was bold, unrestrained, and wild. He was known as the ancestor of Western Sichuan calligraphy.
Yan Zhenqing's Calligraphy and Works
Yan Zhenqing's calligraphy was distinguished by its awe-inspiring, vigorous, and heroic style. His regular script was called Yan Style, which had a square and dense structure. It was light in horizontal strokes and heavy in vertical strokes. His strokes were vigorous and upright. Yan Zhenqing's calligraphy works were full of power and vitality. The strokes and lines were carefully arranged and sketched, giving people a majestic feeling. His calligraphy style was unique, with a backbone and a strong beauty. Yan Zhenqing's representative works included "Sacrificial Nephew Manuscript","Yan Family Temple Stele","Duobao Pagoda Stele" and so on. Among them,"Sacrificial Nephew Manuscript" was known as "the second cursive script in the world", showing the extraordinary style of Yan Zhenqing's cursive calligraphy. 'Yan Family Temple Stele' was one of his representative works in regular script. It was dignified and magnificent. The Pagoda Stele was Yan Zhenqing's early masterpiece. The regular script was square and the strokes were smooth. Yan Zhenqing's calligraphy works had become an important chapter in the history of Chinese calligraphy with its unique style and strokes.
Yan Zhenqing's Calligraphy Works
Among Yan Zhenqing's calligraphy works, some were very famous and highly respected, including Yan Qinli Stele. This was the Divine Stele that Yan Zhenqing had written for his great-grandfather, Yan Qinli. It recorded the Yan Clan's lineage and Yan Qinli's life story. Yan Qinli Stele showed the mature style of Yan Zhenqing's regular script. His writing style was vigorous, dignified and elegant, and the font structure was rigorous yet flexible. Yan Zhenqing was good at using techniques such as lifting, pressing, and stopping to make the strokes and lines show rich changes, both powerful and rhythmic. This stele also demonstrated Yan Zhenqing's superb ability to form words. He handled the interweaving and evading between strokes, making every word present a harmonious beauty. The entire work was unified without losing its changes, full of vivid charm. Yan Qinli Stele had the characteristics of dignified and open-minded, relaxed and cheerful, the combination of movement and stillness, the combination of cleverness and awkwardness, and grace and generosity. The brush is horizontal, thin and vertical, thick and thick, hiding the head and protecting the tail, using both square and round, vigorous and powerful. The vertical painting takes the momentum of "facing each other". The vertical painting is thick and the goose tail is forked. The hook is like a bird's beak. The momentum between the dots is coherent. This stele emphasized laws and regulations, and it had the aura of the Great Tang. Yan Qinli Stele was one of Yan Zhenqing's representative works of regular script in his later years and was considered a treasure of his calligraphy art.
Yan Zhenqing's Calligraphy Works
Yan Zhenqing's calligraphy work,'Persuade Learning,' was a seven-character ancient poem. Through the description of the learning environment, this poem expressed the meaning that one should study hard when they were young, and study late when they were old. The poem exhorted teenagers to cherish their youth, study hard, and make a difference. Otherwise, it would be too late to regret when they reached old age. This poem was written by Yan Zhenqing to encourage future generations, showing his emphasis on learning and his attitude of cherishing time. Yan Zhenqing was a famous official and calligrapher of the Tang Dynasty. His calligraphy works were known as one of the "Four Masters of Regular Script".
Mi Fu's Calligraphy Works
Mi Fu's calligraphy works included Shu Su Tie, Yan Shan Ming, Tiaoxi Poetry Volume, Hong County Poetry Volume, Duojing Lou Poetry Volume, and Empress Dowager Elegy Tie. These works showed Mi Fu's attainments in running script, regular script, official script, and other calligraphy styles. His calligraphy style was stable and not ordinary, with many changes, taking into account the overall charm and perfection of the details. Among them, Shu Su Tie was known as the best calligraphy in China. It was one of Mi Fu's most famous works and one of the top ten famous calligraphy pieces in China. These works demonstrated Mi Fu's unique talent and charisma in calligraphy.
Zhao Mengfu's Calligraphy Works
Zhao Mengfu was a famous calligrapher in the Yuan Dynasty. His calligraphy works were very rich. Some of his famous works included the Ode to the Luo God, the Tao Te Ching, the Danba Stele, the Three Gates of the Xuanmiao Temple, the Linhuang Court Scripture, the Eleven Postscripts of the Lanting Pavilion, and the Four-Style Thousand-Character Essay. His calligraphy works were outstanding in regular script and running script, creating a unique artistic style, which had an important impact on the calligraphy of the Yuan Dynasty and later generations. Among them,"Ode to the Luo God" was one of his representative works, which was now in the collection of the Palace Museum in Beijing. In addition, he also had other important calligraphy works, such as the Heart Sutra and the Three Records of the Re-cultivation of the Mystic Temple. Zhao Mengfu's calligraphy works were famous for their exquisite skills and unique artistic style.