Sun Xiaoyun's Calligraphy Works
Sun Xiaoyun had many calligraphy works, such as "A Selection of Sun Xiaoyun's Calligraphy Works" published in 2004;"Hong Kong Fu" published in 2022; and works such as "Releasing Cranes to Search for Three Islands Guests, Anyone Who Comes Looks Like Flowers". Her calligraphy works had many characteristics, such as her three works,"The World's First River and Mountain","Hanmo Fate" and "Xu Wenzao Studio". The style was honest, steady, vigorous, and happy. In a certain work, the part written in official script had a good taste of official script itself. In terms of composition and strokes, she had gained a lot from regular script. The shape of the characters changed and the strokes were solid. Her calligraphy strokes were skilled, the composition was elegant, the rules were harmonious, and the style was plain and natural. The exploration of calligraphy form was also eye-catching. He used the form of letterhead to write poems and songs, and used the style of ancient books to manage his works. It became a classic form of contemporary calligraphy. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Sun Xiaoyun's cursive works shocked netizens
Sun Xiaoyun's cursive script had its own uniqueness. Her cursive script was evaluated as " grass but not wild ". It was more standard, more moderate, less imposing, but gradually getting better. Among the 98 words in her works, only two words could be recognized. Those who could recognize all of them could be called calligraphy masters. This reflected the uniqueness and professionalism of her cursive script. Perhaps it was these uniqueness that shocked netizens. Her calligraphy skills were profound and elegant. In the field of calligraphy, she had a deep foundation in traditional calligraphy and formed her own style. The characteristics of inheriting tradition and returning to tradition in small running regular script and cursive script may also be reflected in her cursive script. These may be the reasons why her cursive script works shocked netizens. While waiting for the TV series, he could also read the exciting content related to this site!
Drunken Calligraphy Master's Calligraphy Works
Xing Zui (formerly known as Shen Fang) was born in Hubei in 1941. He was a member of the Jiu San Society, a calligraphy and painting researcher, a member of the China Artists Association, and a member of the China Calligraphers Association. His calligraphy work, 180 x 90 cm, was collected by the Great Hall of the People. How many times can one fight in life?, Buddha's Heart, Longshan, Longjing Tea, Chest, and Sun Tzu's Art of War won gold medals in calligraphy and painting competitions at home and abroad. He had published many collections of calligraphy and painting, such as Shen Fang's Calligraphy and Painting Collection, Art Sea Searching for Pearls, Drunken Not Silly, Praise of Olympic Heroes, Awakened Self-Cleansing, Awakening Art Life, Shen Fang's Couplet Calligraphy and Painting Collection, Disciple Rules, etc. These collections included his calligraphy works. He had been invited to Hong Kong, Macau, Taiwan, Korea, Singapore, Ma, Thailand, the United States, Germany, France and 12 countries in Western Europe to hold calligraphy and painting exhibition and academic exchanges. In 2003, he went to the United States to hold a calligraphy and painting exhibition, and was invited to the United Nations Headquarters to paint on the spot. His works were collected by international friends Kissinger, Samaranch, Rogge, as well as the central leaders and many domestic museum. "The Crane Drinks the Spring Breeze" is equally exciting. Everyone is welcome to click and read it!
Fan Jianhua's Calligraphy Works
Fan Jianhua was a Chinese calligrapher. His calligraphy works had participated in many exhibition, such as the National Couplet Calligraphy Exhibition, the National Fan Calligraphy Invitation Exhibition, and the East China Youth Calligraphy Exhibition. His works had also been published in national journals. Fan Jianhua's calligraphy works combined the gentleness and moisture of the southern school of painting with the vigor and heaviness of the northern school. He had won many calligraphy competitions. However, the content and style of Fan Jianhua's calligraphy were not mentioned in the search results.
Zhang Rongqing's Calligraphy Works
Zhang Rongqing was a famous calligrapher. His calligraphy works had participated in many domestic and foreign calligraphy exhibition and won many awards. His calligraphy works were famous for their traditional and profound skills. He was especially good at the regular script and cursive script of the two kings. His works were simple, clear, casual, and natural, giving people an elegant and fresh artistic appeal. His calligraphy works were exhibited in the "Journey into Antiquity-Zhang Rongqing Calligraphy Exhibition" held by the National Art Museum of China. There were about 100 works on display, most of which were new works recently. The overall impression of the exhibition was exquisite, elegant, and fresh. Zhang Rongqing's calligraphy works were also included in many large-scale collections. His artistic life was in a mature and vigorous period, and he was still constantly seeking change and refinement.
Yan Zhenqing's Calligraphy Works
Yan Zhenqing's calligraphy works include Yan Qinli Stele, Li Xuanjing Stele, Xianyu's Lidui Record, Guo Family Temple Stele, Duobao Pagoda Stele, Sacrifice Nephew Manuscript, Liu Zhong's Envoy Post, Self-writing Post, Fighting for Seat Post, Dongfang Shuo Painting Praise, Yan Family Temple Stele, Magu Immortal Altar Record, Resurrection Ode, etc. Among them, Yan Qinli Stele showed Yan Zhenqing's mature writing technique and structural design, Li Xuanjing Stele had the meaning of seal script, Xianyu's Lidui Record and Guo Family Temple Stele showed Yan Zhenqing's variation in calligraphy style, Duobao Stele was a regular script calligraphy work, regarded as the highest peak of Yan Zhenqing's regular script, and Sacrifice to Nephew Manuscript was his running script work, which was now collected in the Palace Museum in Taibei. Self-written Body Invitation was his official calligraphy work. These works reflected Yan Zhenqing's creativity and unique calligraphy style, which was widely studied and appreciated by later generations.
Wu Deheng's Calligraphy Works
Wu Deheng was a Chinese calligrapher. His calligraphy works used ancient poems as the theme, such as "The Story of the Guisi Tower,""The Story of Tianxiang Garden,""The Story of the Dashi Palace,""The Story of the Half-hidden House," and so on. His works were rigorous and rich in imagination. They were included in books such as "The Calligraphy Classic of Famous Scholars in Modern China" and "A Thousand Famous Chinese Artists". Wu Deheng's artistic achievements received special reports from China's Xinhua News Agency, China Painting and Calligraphy News, Hong Kong newspapers, and the central, provincial, and municipal television stations. His works used bone rhyme, spirit rhyme, and charm to express the meaning of calligraphy works, making his works more aesthetic.
Cui Hanbai's Calligraphy Works
Cui Hanbai was a famous China calligrapher, and his calligraphy works were highly praised. He had won the gold medal of the 7th China Calligraphy Orchid Pavilion Award and became the only top scholar in the award. His works included calligraphy works of different subjects and styles such as big regular script, small regular script, and small running script. His big regular script work, Cui Hanbai's Big Regular Script Xin Jiaxuan's Ci Collection, copied two Ci poems of Xin Qiji, a poet of the Southern Song Dynasty, in regular script, showing his familiarity with Xin Qiji's Ci works and his grasp of artistic effects. In addition, Cui Hanbai's calligraphy style was featured by a natural, smooth, and unorganized writing style. He emphasized that the brush moved with the heart, and the shape, texture, and structure appeared naturally. His works were frequently shown in important shows such as the National Calligraphy Exhibition and the Lanting Awards, demonstrating his talent and attainments. In general, Cui Hanbai's calligraphy works were praised for their vivid and natural style.
Jiao Xinshuai's Calligraphy Works
Jiao Xinshuai was a Chinese calligrapher. His calligraphy works had been selected for the 7th China Calligraphy Orchid Pavilion Award. His works demonstrated the skills of seal script and seal carving, as well as the reference to the Han jade seal and Han bird insect seal. Jiao Xinshuai's works had won many awards in many calligraphy and seal engraving exhibition in the country, including the winning prize of the Xiling Seal Society's seal engraving exhibition and the first prize of the "Tide Cup" Jinshi Inscription and Postscript Exhibition. He was also the vice president and secretary general of the Henan Province Young Calligraphers Association. The details and style of the specific work were not mentioned, so no more information could be provided.
Liu Gongquan's Calligraphy Works
Liu Gongquan was a famous calligrapher in the Tang Dynasty. He had many works that were handed down from generation to generation. Among them, the most representative works included the Diamond Sutra Stone Engraving, the Mysterious Tower Stele, the Shence Army Stele, and the Ode to Jiuyi Mountain. The Diamond Sutra Stone Carving, the Mysterious Secret Pagoda Stele, and the God's Will Army Stele were his regular script works, showing his rigorous, natural style. " Ode to Jiuyi Mountain " was his work in small regular script. It had a stable structure and exquisite strokes. Other than that, he also had other works such as 'Mengzhao Invitation' and 'Lanting Poem Volume.' Liu Gongquan's calligraphy works were widely appreciated and studied. His regular script style and unique writing style made him a legend in the calligraphy world.
Zhao Mengfu's Calligraphy Works
Zhao Mengfu was a famous calligrapher in the Yuan Dynasty. His calligraphy works were very rich. Some of his famous works included the Ode to the Luo God, the Tao Te Ching, the Danba Stele, the Three Gates of the Xuanmiao Temple, the Linhuang Court Scripture, the Eleven Postscripts of the Lanting Pavilion, and the Four-Style Thousand-Character Essay. His calligraphy works were outstanding in regular script and running script, creating a unique artistic style, which had an important impact on the calligraphy of the Yuan Dynasty and later generations. Among them,"Ode to the Luo God" was one of his representative works, which was now in the collection of the Palace Museum in Beijing. In addition, he also had other important calligraphy works, such as the Heart Sutra and the Three Records of the Re-cultivation of the Mystic Temple. Zhao Mengfu's calligraphy works were famous for their exquisite skills and unique artistic style.