The difference between documentary photography and street sweeping
There were the following differences between street sweeping and documentary photography: 1. ** Purpose * - Street sweeping was usually random and aimless, mainly to practice photography. When sweeping the streets, they might take pictures of buildings, people, animals, and other different objects. These photos were often difficult to put together as a whole and eventually form a clear theme. However, if the street sweeper had a clear purpose other than practice, such as Moriyama Avenue in Japan, Bruce Kilden in the United States, and other photographers, although they were also shooting on the street, they could essentially be considered documentary photography. - There was a theme for documentary photography. The author had thought about it in advance, and had planned how to express the theme and how to shoot it before implementing the shooting. 2. ** In terms of the cohesiveness of the work ** - The photos taken while sweeping the streets lacked theme planning. If they were to be assembled into a group photo, there would often be problems such as incoherent photos and forced theme. It felt like the theme was randomly made up. - The documentary photography works were more complete and had depth. For example, photographers like Moriyama Avenue took long street photos. Their works were not only complete, but they could also record the development process of the city or country, which had social value. 3. ** In terms of shooting targets ** - The subjects of street sweeping were more varied. They could be passersby on the street, scenery, or the movements captured on the street. - Although documentary photography could also be shot on the streets, it emphasized on shooting around the theme. The choice of the subject served the theme. Read more exciting novels for free
What is the meaning of photography street sweeping documentary?
Street sweeping, in the usual context, referred to taking photos on the streets. It might be aimless, mostly for practice photography. On the other hand, documentary photography was a form of photography with a purpose. The author usually determined the theme in advance, planned how to express and shoot, and then implemented it. If the purpose of sweeping the streets was other than practice, then the photos taken on the streets could be regarded as documentary photography. For example, some photographers took long street shots, spanning several years or decades. During the shooting process, they intentionally or unintentionally recorded the development of the city or country. Their works were deep and complete, which had the nature of documentary photography. Street sweeping documentary photography could be achieved through different shooting techniques, such as using different lenses, parameters, shooting modes, and unique composition methods. It could also make use of the elements in the surrounding environment, such as the reflection characteristics of glass and windows, to enrich the picture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What's the meaning of photography street sweeping documentary?
" Photographer Street Sweeping Record " referred to a kind of photography. The photographer took photos on the street with the purpose of documentary. " Street sweeping " in the context of photography referred to snapping photos on the street, while documentary photography was a form of photography with a purpose. Its purpose might be to record the cultural life on the street, the development of the city, and other social values. The English word for photography was photography, pronounced as [f ́ t ṣ r ́ fi]; street sweeping could be understood as street-shooting, pronounced as [stri ́ t ́ u ́ t ́]; documentary was documentary, pronounced as [d ́ kju ́ mentri]. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What is the difference between street sweeping and professional photography?
Street sweeping was a form of photography. It had a large degree of freedom. There was no specific subject or target. It was mainly to bring a camera to the street to record everything you saw, including random images such as emergencies and accidents. It could capture portraits and architectural photography works. Professional photography covered a wider range, including but not limited to portrait photography, landscape photography, news documentary photography, commercial photography, and many other types. Portrait photography needed to consider the three elements of portrait photography and other factors to produce a film; landscape photography might need to go to a specific location (such as the Great Northwest) to shoot, and it might require a long time to wait for the right light and weather conditions; News documentary photography focused on shooting things with newsworthy or meaningful things; commercial photography was for commercial purposes, such as advertising shooting. In terms of artistic creation, street sweeping photography emphasized on creating a new relationship between seemingly unrelated things and people through composition, exploring and recording the unexpected relationship between objects in real life, making ordinary scenes into art at the moment of pressing the shutter. Other types of professional photography had their own focus and requirements. For example, portrait photography focused on the performance of people, landscape photography focused on the beauty of the scenery, and so on. There were also differences in preparation and requirements for filming. Street sweeping was relatively casual, while professional photography might have stricter requirements according to different types. For example, commercial photography might have precise planning for equipment, shooting scene layout, model styling, etc.; landscape photography might have higher requirements for equipment (such as the need for special equipment such as wide-angle lenses to show grand scenes). There were also differences in the selection and handling of the subjects. Street sweeping was more about randomly discovering and capturing the elements of the street, while professional photography might choose models and design them, while landscape photography would choose a specific shooting location and time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What's the difference between street sweeping and cultural photography?
There was a certain difference between street sweeping and cultural photography. Street sweeping was more casual. It referred to taking photos on the street with a camera to record daily life scenes. Humanistic photography focused more on the factors related to people, the process of people's activities, and the results. It was the filming of various cultural phenomena in human society. However, in the city, due to the lack of pure natural factors, most street photography could be classified as cultural photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Does street sweeping count as documentary photography? Why can't I find it?
Street sweeping was usually aimless. It might be taken on the streets to practice photography. The subjects were diverse and messy. Such street sweeping was not considered documentary photography because it was difficult to put the works together as a whole. Even if they were put together into a group photo, there might be problems such as incoherent photos and far-fetched topics. However, if the street sweeper had a purpose to go on the streets, and there was a clear theme to express in addition to practice, then this kind of street sweeping could also be considered documentary photography. For example, Moriyama Avenue, Bruce Kilden, and other photographers who took photos on the street were complete and deep. They might also record the development of the city or country during the long street shooting process, which belonged to the category of documentary photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanghai street documentary photography
Shanghai street documentary photography has rich content and diverse forms of expression. From a historical point of view, the street photos of Shanghai taken by Mark Kaufman in 1947 showed the prosperity of Nanjing Road at that time. The streets were bustling with pedestrians, and various vehicles shuttled through them. Rickshaws were particularly eye-catching. These photos recorded the historical style and vitality of Shanghai, reflecting the photographer's love and respect for the city. In modern times, there were photographers like the "photography trio"(Xu Xin, Shen Tianyang, Ding Yuchen) who recorded the streets of Shanghai from different perspectives. Xu Xin used landmark buildings such as the Oriental Pearl Tower as a beacon to incorporate childhood memories into his shooting. His works traced the history of the city and looked forward to the future in the comparison between the old and the new, filled with strong nostalgia; Shen Tianyang expressed Shanghai through microscopic details, magnifying the microscopic details to reconstruct another reality, making his works shine with the light of realism; Ding Yuchen used post-processing to "deconstruct" reality, flashing post-modern colors. There was also a photo taken by Mipai Photographer @ Lepai in the small streets in front of the Bund. It presented a different side of the bustling Shanghai from the public's impression. The narrow aisle, the overgrown signboards, the speeding electric cars, and other elements allowed people to see the small alleys hidden in the bustling city full of human touch. Here, it showed the noisy, messy, dilapidated but full of tolerance and acceptance of Shanghai. These documentary photos of Shanghai's streets show the diverse and unique charm of Shanghai from different angles. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Changsha street sweeping photography recommendation
Here are some recommendations for street sweeping photography in Changsha: - ** Equipment selection **: You can choose the focal length of 28mm, 35mm, and 50mm, which is close to the human eye's perspective. This way, the street photos taken can make the audience feel more immersive. However, you can also use a telephoto lens such as 70 - 200mm f/2.8 or a wide-angle lens such as 17 - 35mm f/2.8. The 24 - 105mm lens was also a good choice, as it had fewer limitations. - ** Shooting content **: - You can pay attention to light and shadow effects, take more pictures of backs or silhouettes, and try to avoid taking pictures of people's faces directly. In particular, you should respect those workers who may be regarded as vulnerable groups and not focus the camera on their hardships. - To be good at capturing the beauty of the moment, one needed to have enough insight and patience to find a suitable shooting spot on the street and wait for the right light and people to appear. It might take a lot of photos to take in one place and then pick out the one that you're satisfied with. - ** In terms of location **: Take Changsha's "New York District" as an example. It has a 3D screen and a romantic atmosphere. It's a good place to sweep the streets and take photos. In addition, there were many story-filled scenes on the streets of Changsha, such as a silent stall run by a family of three. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Does street sweeping help photography?
Street sweeping was a great help to photography. In terms of photography studies, photography in our country started from red report photography. Street sweeping practice may be related to this. When information was not developed, reporters could find news clues through street sweeping. Now it also has a promoting effect on other photography categories such as commercial photography, advertising photography, film photography, etc. Sweeping the streets helped the photographer to observe life and find creative ideas and content. During the process of sweeping the streets, they could do basic photography practice, such as improving the reaction speed of exposure measurement, composition, etc., increasing photography experience and training their " photography eyes." Street sweeping could also keep the photographer's creative enthusiasm. Even those who were not engaged in reporting photography could benefit from the inspiration gained from street sweeping. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Is there any taboo in street sweeping photography?
There were the following taboos in street sweeping photography: - ** Filming involving disrespect to others **: avoid putting the camera close to other people's faces, or focus on the toiling masses (such as roadside cleaners and coolies) to shoot, so as not to build your achievements on the suffering of others. - ** Filming without communication **: Filming without communication in advance may be regarded as a sneak shot, especially when filming vulnerable groups such as the elderly. Although they may not resist the camera, they may not be willing to be photographed. - ** Inappropriate use of equipment **: - ** Equipment is too big **: A camera that is too big will be very aggressive, and it is not easy to take photos at any time. In contrast, a small camera is more suitable for street photography. - ** Choice of focal length is not appropriate **: Although telephoto can be used for long-distance shooting to reduce embarrassment, the best focal length for street photography is still the wide-angle end of 35mm/28mm. You can find more details at a close distance. - ** Aperture setting **: When there is sufficient light, do not be overly obsessed with the shallow depth of field (large aperture), so as to avoid not being able to find the focus or not seeing the main point. You can set the aperture to around f/5.6 - f/8. - ** Over-reliance on manual mode **: You don't have to use only manual mode. Automatic functions such as auto USB allow the camera to choose the appropriate exposure. When you need to capture a moment, the high sensitivity can speed up the shutter. - ** improper shooting content selection **: - [Less photos of ordinary passers-by: Not all ordinary passers-by's actions (such as walking, squatting on the curb, chatting, making a phone call, back view, etc.) are worth shooting.] - [Less street artists and beggars: Street artists are easy targets, but paying too much attention to these people may lack creativity.] - ** Over-post-processing **: Over-post-processing (such as large dark corners, noise, high contrast, monotone, color change, etc.) may make the photo lose its documentary significance. Street photography should try to maintain its original flavor. - ** Inappropriate shooting method **: avoid shooting aggressively, maintain awe of the subject, and hide yourself like a hunter. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
photography, street sweeping, photo sharing
Here are some tips for sharing photos of street sweeping: ** I. Equipment Selection and Usage ** 1. ** Focus selection ** - The focal lengths commonly used for street sweeping, such as 28mm, 35mm, and 50mm, were close to the human eye's perspective, allowing the audience to feel more realistic. However, there were also people who used telephoto lenses (such as 70 - 200mm f/2.8) and wide-angle lenses (such as 17 - 35mm f/2.8) to sweep the streets. For example, the 24 - 105mm lens had a wide range of applications and did not have many limitations. If you like to sweep the streets, a large zoom lens is a good choice. The 35mm focal length is basically enough, and the wide-angle usage rate in urban environments is relatively high. For example, the 16 - 35mm lens is very convenient in special environments (such as the Popokan in Chongqing Mountain City). In most cases, the 35mm focal length is used, and the 16mm end can also play a role in special cases. 2. ** Special shooting method ** - When shooting, you can pay attention to objects such as glass, windows, mirrors, and water surfaces. Using their reflective properties, you can skillfully integrate the scene of the background, background, and reflective surface from different perspectives. It can make the picture multi-layered and multi-dimensional, integrating the originally unrelated elements in the three-dimensional space to create a unique visual experience. ** 2. Shooting Techniques ** 1. ** Respect the subject and picture choice ** - When shooting, you should avoid putting the camera on other people's faces or picking the hardworking people to shoot. You can pay attention to light and shadow, and take more back and silhouette shots. This way, you can show respect and take artistic photos. 2. ** Seize the moment and wait patiently ** - Street photography needed to capture the beauty of the moment. Street sweeping was very instantaneous. It required enough insight and patience to find a shooting spot on the street, wait for the right light and people to appear, and sometimes take many photos in one place before choosing from them. 3. ** Using lines to compose a picture ** - Life was filled with the elements of geometry. Lines had the function of guiding vision and could construct the logic of the picture. Buildings were common material for street sweeping. When shooting buildings, one could spend time conceiving the composition, observing the angle that could highlight the beauty of the building structure, and finding the shooting point by following the lines of the building. The combination of zebra crossing, traffic lanes, and other lines on the road was also a good subject for shooting. When shooting, pedestrians could become the interesting point of the picture. In addition, the orderly arrangement of repeated objects could be seen as a straight line to create a sense of order, and the use of a telephoto lens to compress space and line guidance could focus on people. 4. ** Use of Light and Shadow ** - Light and shadow were an important part of the art of photography. When sweeping the streets, the darkness and intensity of the light and shadow could increase the layering of the picture. For example, the characters could be taken as silhouettes. In the morning or dusk, the soft light was suitable for taking silhouettes. The low-angle shooting with the open sky as the background could make the picture clean and concise. He could also use the contrast of light and shadow to create effects such as the combination of virtual and real, frame composition, contrast of cold and warm, and light and dark processing to increase the layering and atmosphere of the picture. 5. ** Color Usage ** - Color was an important element in creating an atmosphere. It could directly express the mood and theme of the scene. A uniform color tone could achieve a clean and simple visual effect. For example, a warm color tone (like golden yellow) could convey a warm and joyful feeling. The blue of the blue sky at the moment of the blue was suitable for shooting emotional films. The complementary color combination of blue sky and orange sunlight could balance and stimulate each other visually. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>