Jade ware of Han Dynasty, green jade
The green jade of the Han Dynasty had the following characteristics and meanings: ** 1. Material Characteristics ** 1. ** Elements and causes ** - The material composition of sapphire was the same or similar to that of white jade. The cause of formation was the same as that of white jade. They were both formed by contact metamorphosis, but only because they contained trace elements of iron. 2. ** Color expression ** - The ancients said that the color of sapphire was shrimp green, snot green, willow green, bamboo green and so on. - According to "Ge Gu Lun," the green jade in ancient jade is light green and yellow. ** 2. Physical Attributes ** - It was usually larger, more delicate, warm, and oily. - A portion of the green jade had a very good toughness due to its dense interwoven structure. It was an important raw material for making thin-body utensils. - Among the Hetian jade, green jade was the hardest and was also known as steel jade. ** 3. The embodiment and significance of the jade ware in the Han Dynasty ** 1. ** In terms of ritual vessels ** - "Zhou Li, Spring and Autumn, Da Zong Bo" records: "Jade is used to make six objects, and it is used to worship the four directions of heaven and earth. He used the green jade to salute the sky, the yellow Cong to salute the earth, the green Gui to salute the east, the red Zhang to salute the south, the white Hu to salute the west, and the black Huang to salute the north." Gui was a kind of rectangular jade ware with a triangular or flat top. It was used in ancient times to worship the gods of the position and also to distinguish the status level (as recorded in the historical records,"Wang Zhi Zhen Gui, one foot two inches, Gong Zhi Heng Gui, nine inches." Hou holds the letter Gui, seven inches long. "Five inches"). During the Warring States Period, other than being used as a ritual vessel, the Gui also had the function of recording the alliance oaths of the vassals in order to cooperate with each other and protect their forces. 2. ** Relating to the imperial power ** - Although white jade was valued after the Han Dynasty, green jade was important in the Han Dynasty and before that. Many exquisite artifacts in ancient times were made of green jade, especially the jade seal that represented the imperial power. Therefore, green jade was also called the "Imperial Jade". Sapphire products of the Han Dynasty include holding pigs and so on. Not only were there a large number of green jade products in Liangzhu culture, but also the green jade of Hetian jade was widely used in the jade articles unearthed from Fuhao Tomb in Yin Ruins. 3. ** In terms of cultural implications ** - The Han Dynasty jade feather cup (double-ear cup) had a delicate and warm jade quality, a deep and pure jade color, presenting a strong overall aura, with the meaning of eternal foundation. ** 4. Instance ** - There was a Han Dynasty Sapphire Pig, 10.4 cm long and 2.5 cm wide, which was collected in Lianyungang City Museum. There was also the Han Dynasty style blue jade sword with a scabbard with dragon and phoenix patterns. It was made of Hetian blue jade and had a green and yellow color. It was 65cm long and 8.5 cm wide. It weighed 1434 grams and was composed of two parts, the sword body and the scabbard. The hilt, the sword frame, and other parts had exquisite carvings. This kind of jade sword was even rarer than the bronze sword. At that time, it should be a high-grade, non-practical, ceremonial or sacrificial place. It was used as a medium to show the level and communicate with the gods through jade. Read more exciting novels for free
Fengshi jade ware
Regarding the Feng family's jade, there was the Feng family jade trading company in Zhenping County. You could inquire about its industrial and commercial information, equity structure, and other contents. In history, during the reign of Emperor Kangxi of the Qing Dynasty, the Fengs of Suzhou founded the Fengfuji business in Shanghai, specializing in jewelry and jade. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Zixia jade ware
Zixia Jade may refer to jade carvings with Zixia Fairy as the theme. This kind of jade carving used purple jade as the main material and was carved into the image of Zixia Fairy. Zixia Fairy was a character in fairy tales, and her jade carvings could be traced back to the ancient legends of Shun's cultivation of immortals and demons. Zixia Fairy's jade carving was a complex and delicate art form, which required the craftsman to have superb skills and rich imagination. The master wanted to make the jade match Zixia Fairy's image by carving the shape, lines, and details of the jade. He would also use different decorative patterns and carving tools to make the work more three-dimensional and vivid. It was featured by a strong traditional cultural style, symmetrical and delicate lines, and a unique shape, showing the beauty and unique charm of ancient art. Auspicious patterns such as cloud patterns, patterns, and phoenix patterns were often carved on the surface, implying good luck, happiness, and well-being. In the jewelry market, Zixia Fairy jade carvings were highly sought after. With the improvement of people's living standards and the demand for cultural and artistic works, coupled with the high price of high-quality purple jade and the meticulous carving creation, the price of Zixia Fairy's jade carving works was often higher. In the auction and art market, rare works could even be auctioned for millions of yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Chu culture jade ware
The jade ware of Chu culture had a unique style and meaning. In terms of varieties, there were mainly dragon and phoenix-shaped pendants, jade, rings, Heng, sword ornaments, pipes, pearls, and so on. In terms of regional cultural inheritance, the Chu people's worship of dragons and phoenixes was a recognized characteristic of Chu culture. The jade carvings with dragon and phoenix theme showed the noble status of the King of Chu and also reflected the regional cultural inheritance. Jade articles with the theme of dragon and phoenix had various forms of expression. There were individual dragons and phoenixes, and there were also dragon and phoenix combined shapes. The craftsmanship included engraved lines, complex carvings, and shallow embossed patterns. In terms of shape, the dragon-shaped jade ware had a rich variety of shapes. The jade dragons of the Spring and Autumn Period broke through the previous shape patterns. In the Chu cultural area, there were dozens of new shapes such as W-shaped, wind-shaped, hook-shaped, S-shaped, double-body shape, dragon-phoenix combination, dragon-phoenix combination, and so on. In the early Western Han Dynasty, the jade dragons unearthed from the tombs of the State of Chu mainly had two styles: the double-dragon head style and the S-shaped style. The double-dragon head style was mostly a Heng-shaped accessory. The S-shaped jade dragon was divided into horizontal and vertical styles. The horizontal style was popular in the Warring States Period and the early Western Han Dynasty. The vertical style was more special and was newly created in the Western Han Dynasty. Judging from the excavation situation, a large number of jade treasures of Chu State were excavated from high-level noble tombs such as Xiong Family Tomb in Jingzhou Museum, No.1 Chu Tomb in Yuanqiangwan and No.1 Chu Tomb in Wangshan Bridge. These jades reflected the living habits and etiquette system of the Chu people, and reflected the unique value of the jade of the Chu culture. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Jade ware of the drum tower
Two of the reference materials mentioned that jade was related to the drum tower. Firstly, Xuzhou City Gulou District had an intangible cultural heritage, Xuzhou Jade Carving (Gulou Jade Carving). The representative inheritor was Xie Yu. He had created many jade carvings. The quality of his works was mainly judged by the quality of the jade (raw material). The commonly used techniques of jade carving were embossed and three-dimensional carving. The commonly used materials were Hetian jade and jade. The other place was the real stone workshop jade trading company in Gulou District of Kaifeng City, but it only provided relevant tips such as industrial and commercial information inquiry, and did not involve more specific business matters of the trading company. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Wangge jade ware shop
He only knew that Wang Ge Jade Shop in Longteng Street, Tongcheng City. He could inquire about its business information, equity structure, financing information, foreign investment, recruitment information, trademark information, etc. through Qixinbao, but he did not give more specific information, so he could not answer in detail. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Antique openwork jade ware
Antique openwork jade was a type of antique jade carving. Antique jade carvings were the imitation of ancient jade carvings in terms of decorative patterns, theme, and shape. It was a respect and inheritance of traditional China culture. Open carving was a technique of jade carving. When this technique was used in antique jade carving, it could make the work more distinctive. In history, the trend of imitating ancient artifacts began in the Song Dynasty. At that time, due to the prosperity of life and the return of traditional "thoughts", the trend of using jade and other materials to imitate ancient artifacts rose. This trend reached its peak during the Qianlong period of the Qing Dynasty. There were three types of antique jade ware in the Qianlong period: one was in the form of imitation, that is, using bronze ware or ancient jade as the blueprint to carry out complete imitation; the second was to change ancient jade according to new ideas; the third was in the style of imitation. The shape and decoration of the ware were more or less the same as those of ancient ware, but the charm was imitated. During the Qianlong period, the jade road was smooth, and all kinds of high-quality jade materials continuously entered the palace, providing sufficient raw materials for antique jade carving. At that time, the palace jade carving craftsmanship was exquisite. The carving, openwork, high embossed and other techniques made the palace jade more exquisite and delicate. The antique jade that imitated the shape and decoration of bronze ware was a common theme. Today, the antique theme was still a new force in many jade carvings and was loved by scholars. When appreciating an antique openwork jade, one could first appreciate its decorative patterns. The decorative patterns had various styles and had their own unique meanings. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jade Seal of Han Dynasty
The characteristics of the jade seal of the Han Dynasty included: the seal was mainly in Yin, using Miao Zhuan calligraphy; The shape of the seal surface was square, with a side length of about 1.4-2cm; The characters on the seal surface were engraved with Yin characters; The shapes of the seal buttons were various, including the shape of the bucket, the bridge button, the dragon tiger button, etc. The jade seal was mostly made of mound; The overall style was dignified and magnoliac, well-proportioned and square, exquisite in design, calm in bearing, without the feeling of imitation by later generations. The style of the jade seal of the Han Dynasty was quiet and elegant, graceful and luxurious, with natural twists and turns. The size of the jade seal in the Han Dynasty corresponded to the official's position and rank.
Xinjiang Hetian jade seed material jade ware workshop
The following are some jade workshops related to Hetian jade seeds in Xinjiang: 1. Zhen Yu Fang: Focus on the seeds of Hetian jade and mountain materials in Xinjiang. There are businesses such as the embedding of raw stones of Hetian jade seeds. They have also explained the reasons for the popularity of Hetian jade blue and white flowers seeds. 2. National Jade League Shiyu: In Xinjiang, it is a regular old store. The quality is assured and there is after-sales guarantee. There is no reason to return or exchange within 100 days. 3. Jinxi Yifang: It is featured by taste and jade. The Hetian jade seeds in the shop are of high quality. The materials used are exquisite and reflect the exquisite craftsmanship of the craftsmen. It is a high-quality choice for collection and wearing. 4. Fate Jewelry: Famous for handmade jewelry, it provides a variety of Hetian jade seeds, from white jade to sapphire. The materials used are authentic and reliable. 5. Aqun Jade Garden: Located in Suzhou, it is a reputable jade shop. The quality of the Hetian jade seeds provided is of the highest quality and the after-sales service is excellent. 6. Jinshi Jade Shop: Focus on the sales of Hetian jade in Xinjiang. The store has a rich variety of Hetian jade seed products, including red jade seed materials. 7. Simple Jade Pavilion: Focus on Hetian jade seeds. It is a Taobao shop that provides authentic Hetian jade seeds from Xinjiang. The products are exquisite. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jade ware blessed by Taoist priest
The blessing of jade by Taoist priests was a ritual with religious and cultural significance. In the Taoist blessing ceremony, the Taoist priest would bless the jade through a variety of complicated and solemn procedures. For example, they would carefully set up an altar, which was filled with all kinds of offerings and magic tools. At the beginning of the ceremony, the Taoist priest wore a Taoist robe and a Taoist crown. He solemnly recited some chapters of ancient scriptures such as the Scripture of Mercy to invite the Taoist gods to pay tribute to the Taoist ancestors of the Three Pure Ones. He lit special incense and candles, and then respectfully invited the gods such as the Lord of Taiyi and the Lord of Salvation. When he invited them, he was accompanied by specific hand gestures and incantations to pray for the gods to inject divine power into the jade. There was also the imperial brush ceremony. The brush was placed in the center of the altar at an auspicious time when Yang qi gathered. The altar was lit with candles, and items such as five-colored cloth symbolizing the five elements were placed around it. After the Taoist priest burned the incense, he made a complicated hand gesture and chanted the incantation of the imperial brush, such as "The sky is round and the earth is square, the law is nine chapters, the divine brush is once, thousands of ghosts are hidden. Today, the brush is ordered to respond to all directions", so that the brush was endowed with divine power and became an important tool in the blessing ceremony. After the blessing ceremony, jade was believed to have special spirituality and energy, such as luck, wealth, safety, and so on. At the same time, there were some taboos when wearing it, such as not being able to exchange or give it to others at will, avoiding long-term exposure to the sun, and not wearing it in a dirty environment. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jade ware of Hongshan in western Liaoning
The jade culture of the Hongshan culture was the embodiment of the collective wisdom of the ancestors of the Hongshan culture. It was reflected in the privilege of the primitive tribal leaders to respect jade. Hongshan jade was the original code of the hieroglyph of the Chinese civilization, which was the systematic primitive hieroglyph. Its shape, use position, and arrangement created the basic hieroglyph original code of the hieroglyph. It interacted with the writing elements in the prehistoric culture of China, and finally created Chinese hieroglyph such as oracle bone inscriptions, gold inscriptions, and stone inscriptions during the Xia and Shang Dynasties. The Shang royal family was the descendant of the Hongshan culture. The types of burial jade found in the Niuheliang site group include nephrite (Xiuyan jade) and jadeite (Siberian jade). Jade articles of the Hongshan culture had their own characteristics. For example, although they were hard and could be made into labor tools such as jade sickles and combat weapons such as jade knives and jade axes, they could also be eroded by soil, bitten by insects, and fossilized in acidic soil. The animal type of Hongshan jade ware had insect bite marks in the shape of a semi-circular curve with some spirals. Calcification was caused by the serious oxidization of the ancient jade, which might be related to the buried soil. Natural weathering was a change in both the inside and outside, which was different from artificial forgery. During the Hongshan culture period, the production of jade seemed to follow the principle of using local materials to make jade. It was based on the shape of the material itself to decide what was suitable for making, rather than randomly making it. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>