Hanging cultural relics under the bridge

The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!

The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.

The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!

The following are the descriptions of some of the artifacts: 1. ** Cloud Pattern Copper Five-Pillar Vessel **: The bottom is a square seat with a cavity. The four walls are slightly bulging. There are five columns on the top. The distance between the columns is equal. The height is about 31 cm. The five small columns are 16.5 cm high. There is a rectangular flat ridge below the column. There are double-hook cloud patterns on both sides of the flat ridge and around the square seat. 2. ** Golden Juice Bottle **: No specific details were mentioned, only that it was a golden bottle, a royal gold ware of the Ming Dynasty. 3. ** Northern Song Dynasty official kiln porcelain **: a total of 18 types, including octagonal ear vase, six-sided octagonal elephant head ring ear vase, ear long shin string pattern vase, pen holder, club double vase, three-legged string pattern double furnace, ring ear vase, string pattern long shin vase, long shin vase, three-plastic pattern gourd vase, phoenix head ring ear gallbladder vase, six-sided phoenix head ear gallbladder vase, big mouth gourd vase, four pieces of each type, etc. Each type had different glaze colors, such as fried rice yellow glaze, moon white glaze, oil gray glaze, sauce color glaze, fish roe pattern glaze, etc. The size varied from 11 cm to 18 cm. 4. ** Bronze Antler Crane from the Warring States Period **: It was only mentioned that it was unearthed from the tomb of Marquis Yi of Zeng in Suizhou, Hubei Province. The details of the shape were not described. 5. " Bronze pliers of the Warring States Period and Qin Dynasty ": The two parts are connected by a shaft nail. The handle can be held with one hand. The handle takes up two-thirds of the total. Its design uses the lever principle and is similar to modern pliers. 6. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, red flowers and auspicious animals were engraved on the glaze. Open mouth, thick neck, deep belly, round bottom, round feet. 7. ** Military hold **: Long neck, a wide ridge protruding from the upper part of the neck, plump shoulders and abdomen, between the shoulders and abdomen, no handle, flat bottom. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The 1998 issue of Sichuan Cultural Relics mentioned Ya 'an's relevant content about the Yan Song Tomb, including its tomb structure, funerary objects, etc. It also included relevant research on Chen Hongshou's calligraphy in the Qing Dynasty, such as his calligraphy art, style and characteristics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

He only knew that there was the first issue of "Cultural Relics" in 2013. From the reference materials, he knew that it was compiled by the Cultural Relics editorial board and published by the Cultural Relics Press. It was printed in 2013. It was a paperback 16-folo edition and sold for 5 yuan (Grade Nine). It was available in Beijing Chaoyang. The content was intact without any notes or lines, but there was no more detailed information about the content of the publication. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The following are some photos of Hainan's cultural relics: - In the Deep Sea Advanced Technology and Deep Sea (South China Sea) shipwreck archaeology exhibition in Yazhou Bay Science and Technology City, Hainan Province, replicas of exquisite cultural relics such as plum vases and pictographic pots were exhibited together with models of deep-sea scientific research ships and submarines, but no mention was made of whether there were photos of these cultural relics. - In the "Special Exhibition of Hainan Cultural Relics in the Palace Museum", 96 pieces/set of cultural relics were exhibited, including Huanghuali furniture, agarwood ornaments, tortoiseshell stationery, etc., such as Huanghuali wooden chair of Qing Dynasty, Huanghuali wooden painting table, Huanghuali wood carving pattern round table, coconut wood carving cloud bat pattern gold-inlaid inner bowl of Qing Dynasty, stone canal square inkstone of Qing Dynasty, silver-burned blue conch-style water governor of Qianlong style of Qing Dynasty, etc. Pu Xiaoxu, a reporter of Xinhua Agency, took photos of some cultural relics on August 31. However, it was unclear how these photos were publicly obtained. - In the exhibition of Su Shi's themed cultural relics held in the Hainan Province Museum, some of the items on display were rubbings of Su Shi's book, The Story of the Drunkard Pavilion, but no mention was made of the publicity of these cultural relics photos. - Although there was a description of the architectural features of the Meilang Twin Towers in Chengmai, Hainan, there was no mention of whether there were special photos of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were several mentions of cultural relics related to 30 billion yuan: First, the cultural relics on the South China Sea No. 1 shipwreck, which World Heritage expert Jones had said could be worth more than 30 billion US dollars; Second, the more than 380,000 cultural relics collected by the folk collector Li Jiquan, whose total value was estimated to be more than 30 billion yuan by the cultural relics experts in the collection industry. The ancient plate in his bedroom was valued at 600 million yuan. There was also the collection of Li Jiquan, the owner of the Silk Road Ancient Culture Museum in Beihai, Guangxi. The total value of the cultural relics collected exceeded 30 billion yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Ma Wei Du had many precious cultural relics. For example, he bought the Northern Song Dynasty Ru kiln wash from a Japanese collector at a low price, and the same model was sold at Sotheby's for 300 million yuan. He had four Jun porcelain hanging screens, which were very valuable. A thief once broke into the house and stole a TV set, but the Jun porcelain hanging screen was kept. He also had a Southern Song Dynasty official kiln long-necked vase, which had a legendary origin. He bought it from a friend for 1% of the cost of the porcelain, and its value could reach nine figures. There was also the only Ming Chenghua imitation Ru glaze elephant ear furnace in the world. These collections of cultural relics reflected Ma Weidu's achievements in the field of cultural relics collection. Some of the collections were collected in the Shanghai Guanfu Museum he founded. The Shanghai Guanfu Museum is located on the 37th floor of the Shanghai Center Building, No. 479, Lujiazui Ring Road, Pudong New District. As of 2024, there are 348 pieces/set in the museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>