Relic of Lotus
The following are some relics related to Lotus: 1. ** Qing Dynasty Jingdezhen Qianlong kiln blue and white entwined lotus pattern ox-head statue **: shaped like a cow head, also known as deer head statue. This type of artifact was first created during the Kangxi period of the Qing Dynasty and was widely popular during the Qianlong period. The whole body is decorated with blue and white flowers and lotus patterns. Its characteristic is that the flowers and branches are constantly twirling. In the Qing Dynasty, the Blue-and-White Bull-head Zun was also called the Green Lotus Zun. The Green Lotus Zun was homonym for incorruptness and had the meaning of warning officials to be honest and upright. This kind of object was often used by the emperor to reward meritorious officials. This statue was full of lines, majestic, and had a compact decorative layout. The blue and white hair color was calm, and the main body of the abdomen was painted with twining lotus. The flowers were large and full, and the branches and leaves were graceful. The patterns were complicated but not messy, and it was very layered. It was a masterpiece of the Qianlong period. 2. ** Blue and white porcelain incense burner with lotus and crane patterns (Sichuan Museum Collection)**: It will be exhibited in the Sichuan Museum's "Prosperous Lotus Blooming--Special Exhibition of Lotus Images in China Culture". 3. ** Yaozhou Kiln Green Glazed Lotus Leaf Cover Jar (Yaozhou Kiln Museum Collection)**: It will also be exhibited in the Sichuan Museum's "Lotus Blooming in Prosperity-Lotus Images in China Culture" Special Exhibition. 4. ** Yuan Dynasty lotus-shaped glass cup (Gansu Province Bo)**: The body of the cup is in the shape of a seven-petal lotus flower. The abdominal wall of the cup is straight and tilted outwards in the shape of an octagon. The outer edge is in the shape of an eight-petal lotus flower. The cup and the cup complement each other. They are shaped like lotus flowers. One cup and one support. The whole body is translucent and blue. With it as the prototype, the literary creation team of Gansu Province Museum, after three years of research and development and polishing of details, used the ancient method of glaze to fire the same literary creation-"Liuyun Glass Color" blue lotus cup. 5. ** The lotus seat of the Guanyin statue in the first year of Wuping in the Northern Qi Dynasty (507 AD)(hidden in the White Pigeon Art Museum in Japan)**: White marble painting, garden carving, gorgeous color, exquisite carving. There were two layers of lotus petals on the top, and a layer of lotus petals on the bottom. Eight strong men were holding the eight-petal lotus. Read more exciting novels for free
Lotus cultural relic
The following are some lotus relics: - The Autumn Training Cup was specially made during the Guangxu period to commemorate the autumn training of the Qing army. It was also a prize used to boost the morale of the army and the morale of the tottering Qing Dynasty. - ** Glass lotus cup from the Gansu Province Museum of the Yuan Dynasty **: The cup is 4.8 cm high, 1 cm high, and 12.5 cm in diameter. The cup and the cup complement each other, like a water lily blooming under the blue night sky. The shape is gorgeous, the color is gorgeous and noble. It is a relatively complete glass cup of the Yuan Dynasty unearthed so far, and it is a national treasure-level cultural relic. - ** The famille rose green flower-shaped cup from the Suzhou Museum of the Qing Emperor Qianlong **: It has a unique artistic value. - ** Jade Lotus Root Pen Stand (Clear)**: 5.3cm high, 16cm long, 5cm wide. The penholder was carved into a long lotus root, and the lotus flower, lotus pod, lotus leaf, and branches and leaves were hollowed out. The shape was novel, the jade was pure and smooth, and the embossed technique was used. The lotus flower and other decorative patterns had a strong three-dimensional sense and were exquisitely made. - ** Cizhou Kiln White Glaze Black Lotus Pattern Pillow (Song·Jin)**: Reflects the porcelain making process and artistic style of Cizhou Kiln at that time. - ** Blue and white lotus pond fish algae pattern jar (Ming)**: 36.7 cm high, 19.2 cm caliber, 19.3 cm diameter. The whole body was decorated with blue and white patterns. The neck was painted with back patterns, the shoulders were painted with lotus patterns, and the abdomen was painted with fish and algae in the lotus pond. The algae in the lotus pond fluttered, and there were mackerel, silver carp, carp, and mandarin fish swimming in the water, which meant "clean and honest". - ** Silk Lotus Frog Scroll (Republic of China)**: 78 cm long, 37 cm wide. On the painting, two large lotus leaves set off the delicate lotus flowers, and there were two frogs on the duckweed. The composition was concise and interesting, with the charm of a scholar's painting. - **<<Painting of Lotus and Mandarin Duck>>(Ming Dynasty, by Chen Hongshou)**: 183cm in length, 98.3cm in width. With the lotus flower as the theme, the flowers had various postures such as budding, first blooming, blooming, etc. The branches and leaves were dewy, the lake rocks were magnificent, and there were colorful butterflies flying and mandarin ducks playing in the water. - **<<Painting of Lotus Out of the Water>>(Song Dynasty, Fan Page)**: A blooming pink lotus flower occupies the entire picture. It is eye-catching under the contrast of the green lotus leaves. The lotus petal painting is similar to the "boneless" method of later generations, rendering the petals light and moist. - ** Bamboo inlaid with bamboo silk inlaid with jade lotus mandarin duck Ruyi (34cm long)**: Bamboo silk inlaid with jade Ruyi inlaid with lotus mandarin duck pattern jade decoration in the center. The style is delicate and elegant. After more than 200 years of craftsmanship, it is still exquisite. - ** Pink Egret Lotus Plate (Qing Guangxu)**: 6 cm high, 27.8 cm diameter, 17 cm diameter. The whole body was covered with white glaze, and the plate was decorated with lotus flowers, lotus leaves and egrets. - ** Green jade lotus water worm lotus leaf wash (clear)**: height 7.1 cm, caliber 8.7 - 11 cm. The brush wash is in the shape of a green jade lotus leaf. The center of the leaf droops, and the edge of the leaf rolls inward to form a heart wash. The bottom and the edge of the leaf are embossed water grass, lotus flowers, small lotus leaves, crabs, snails, frogs, etc. The shape is featured by the lotus. The image is vivid and vivid, full of natural charm. - ** Yue Kiln Secret-Color Porcelain Lotus Bowl (Five Dynasties, one of the three national treasures of Suzhou Museum)**: It is composed of a bowl and a holder. The whole body is covered with green glaze, which is crystal clear and clean. The bowl body and the outer wall are decorated with a shallow embossed a large lotus flower pattern. The shape is just like a blooming lotus flower, elegant and otherworldly. - ** Jade Lotus Hairpin Head (Song Dynasty)**: The hairpin head is carved with a lotus, lotus leaf, and lotus root on both sides. - ** Changsha Kiln Green Glazed Porcelain Bowl (Tang Dynasty)**: On the bowl, there is a five-character Tang poem depicting a woman picking lotus in the Tang Dynasty: Living by the green pond, learning to pick lotus in the morning. The water is deep and the responsibility is partial, and the lotus is exhausted and moved. In addition, there are Changsha kiln green glaze brown green color lotus flower pattern holding pot, Changsha kiln brown color lotus leaf pattern porcelain plate, Changsha kiln green glaze brown green color lotus flower pattern bowl, etc. Lotus is a common theme of Changsha kiln ware. - ** Xiaoyuzhai Golden Lotus Pattern Cover Bowl (Modern)**: A one-to-one classic replica of the original official kiln from the Qianlong period. There are two kinds of paintings: Doucai and Qinghua. The color of the Doucai model was gorgeous, while the blue-and-white model was fresh and elegant. With gold as the base, the lotus pattern was drawn using China realistic painting techniques. The lotus flowers were large and full, the shape was regular, and the color painting was exquisite. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Forgotten relic
The reference mentioned that there were " forgotten sacred objects " in the game scene, but there was no more specific description of it. There was also the Holy Grail, which was a lost sacred object of the Christian religion. In a sense, it could also be considered a forgotten sacred object. Because it was the target of countless people, it had been in a mysterious state for a long time. In addition, the Buddhist sacred object, Sakyamuni's hair, was buried in the underground palace of Leifeng Pagoda. Before it was excavated, it was also in a similar state of forgetting. However, there was a lack of a unified definition and more detailed content regarding the " forgotten sacred objects." While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Wizarding relic
Here are some relics related to wizards: 1. ** The jade-faced statue of a god that may have been unearthed from the Shijiahe ruins in Hubei Province, China **: It is a cultural relic of the late Neoliths. It is speculated that it is a mask worn by wizards when they cast spells. It can be seen as the image of the god that is respected locally. 2. ** Witchcraft Ritual Relics Discovered in the Ruins of Pompei **: In the ancient city of Pompeii, a box known as the "Wizard's Treasure House" was found, which contained many jewels, including turquoise, amber, agate, crystal, amethyst, and some bone products. There were also beetles, amulets, dolls, bells, small skeletons, and miniature male genitalia. These items were mysterious witchcraft items. Archeologists believed that these items might be used for rituals related to blessing (such as marriage, child-seeking, and childbirth). 3. ** Skull Ornaments Carved by a Tibetan Sorcerer **: Carved by a Tibetan Sorcerer in 1670. The second son of a serf family was used as a blessing for the master. It was engraved with various totems and patterns of receiving blessings and exorcism. 4. ** The Golden Mask in the Jinsha Ruins (Mentioned in a related cultural relic poem)**: From the related cultural relic poem "Wearing a mask and setting off from Shu Kingdom", it can be seen that wearing a mask is like a wizard. Through the big eyes, you can ask the gods to exorcise ghosts. Although it may be a trick, it can also entertain yourself and help others to exorcise the demons in their hearts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fire Relic
I'm not too clear about your specific question about the "fire relics". If you want to ask which cultural relics have suffered a fire, for example, at about 23:20 on May 2,2024, the auditorium of Minglun Campus of Henan University (a national key cultural relic protection unit) caught fire during the renovation and some roofs collapsed and damaged; At about 14:00 p.m. on May 30,2019, a fire broke out in the Martial Temple, a county-level cultural relic protection unit in Pingyao Ancient City, Jinzhong City, Shanxi Province, causing the main building of the main hall of the Martial Temple to burn and collapse. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic Jade Bracelet
There was a pair of jade bracelets with two dragons playing with pearls in the National Palace Museum in Taibei. The bracelets had the following characteristics: - ** Jade material **: The color of the water is excellent, and it is a rare treasure from the same piece of jade. Although it couldn't be looked at with the modern eyes that only pursued glass or ice, this pair of bracelets was a high-quality jade material with excellent water quality at that time. After more than a hundred years, it was still lustrous and translucent. - ** Model Implication **: The design is noble. The dragon is the symbol of the emperor. It is speculated that the wearer is a figure of the emperor and empress level. It is not only a beautiful jewelry, but also a symbol of status. - ** Craftsmanship design **: The design is exquisite and unique, the color is just right, and it is exquisitely crafted. The dragon's head and the pearl were made of imperial green, and the dragon's body was connected to the other end of the pearl. The color transition and gradual change were natural, and the shape of the two dragons was lifelike. In addition, there was a Qing Dynasty jade bracelet in Yichun, Jiangxi Province. It was now in the Fengcheng City Museum. It was 0.9 centimeters thick and 8.2 centimeters in diameter. It was ring-shaped and had a circular cross-section. There was no pattern on the whole body. There was red jade on one side of the bracelet. Jade bracelets also appeared in the Tang Dynasty related TV series,"The Imperial coroner." In the drama, the bracelet was full of green but the color was uneven and the water content was not high. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic Wish Dragon
Inspired by cultural relics and auspicious beasts, the creative research and development team of Deshou Palace Ruins Museum of the Southern Song Dynasty created the hand-painted national style image of "Hairpin Flower Ruyi Dragon". It wore a hairpin flower on its head, held a golden leaf in its hand, and held Ruyi in its tail. It combined the cultural relics, architectural elements, and Song rhyme elements of Deshou Palace. The golden leaf came from the cultural relics of Song Dynasty collected in Deshou Palace, and the Ruyi pattern was taken from the brick carving patterns unearthed in Deshou Palace. Around this image, more than 10 creative products of the "Dragon Spirit" series were developed. In addition, in the Qing Dynasty, there were also figures of dragons on the Ruyi, but it was not clear whether it was the image of the Ruyi Dragon. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic brother
I'm not sure what specific questions you want to ask about cultural relics. You can give me some more specific questions, such as the definition of cultural relics, classification, introduction of specific cultural relics, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Series
The following are some examples of cultural relics: - The case of Liu Lin, Yan Anmin, and other 16 people robbing ancient cultural sites and ancient tombs handled by the People's Republic of China's People's Republic of China. In order to accurately determine the facts of the crime, the prosecutor's office invited cultural relics protection professionals to participate in the investigation, so as to clarify the scope of ancient sites and ancient tombs, so as to implement the criminal policy of tempering leniency with severity and accurately convict and sentence them. - The case of Cheng Bengang's reselling of cultural relics handled by the Lianhu District People's Office in Xi'an City. The prosecutor's office guided the investigation and evidence collection in various aspects, listened to professional opinions, accurately distinguished the crime of reselling cultural relics from legal collection, and severely cracked down on the crime of reselling cultural relics. - The case of Wang Daqing, Wu Xiaoxiao, and the other four people digging ancient tombs was handled by the People's Republic of China in the southern foot of the Qinling Mountains. The cross-administrative district's prosecutor's office paid attention to the integration of their duties, set up professional teams to improve the depth and quality of their duties, and also initiated criminal collateral civil public interest litigation to promote the source of cultural relics crimes. - The case of Wang Xinchun and seven other people digging ancient tombs handled by the People's Republic of Xianyang City's Weicheng District People's Republic of China's People's Republic of China. The entire chain of the prosecutor's office cracked down on cultural relics crimes, taking individual cases as the starting point, pursuing and pursuing missing crimes and criminals, recovering the cultural relics involved and promoting professional storage. - Baoji City Feng County People's Hospital handled the case of Cheng Yibo, Shi Shiping, four people digging ancient tombs, Ren Yantao and three others concealing the crime. The judicial organ took the initiative to intervene and guide the investigation, strengthen the discussion and judgment between departments, accurately identify the relevant information of cultural relics, dig deep into related crimes and perform their duties according to law to realize the organic unity of the effect of handling cases. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The token's relic
There were many types of token relics in China history. For example, the token of the Heaven and Earth Society during the Qing Dynasty was discovered by farmers working in Jiangxi. It was identified as the token of the Heaven and Earth Society and had collection and research value. There was also the gilded bronze token personally issued by Hong Xiuquan during the Taiping Country era. It was used to transport military supplies and clearly ordered that they should be allowed to pass through checkpoints in the land of the Celestial Dynasty. In addition, the National Museum of China preserved the bronze and gold "Ejun Qi Festival" issued by King Huai of Chu to E Junqi, the car festival (land pass) and the boat festival (waterway pass). From a historical point of view, since the Shang Dynasty had customs agencies and systems, the tokens of the pass type had continued to evolve. For example, in the Western Han Dynasty, it evolved into a long pole decorated with flag feathers, in the Tang Dynasty, it was used as a pass, and in the Ming Dynasty, it was used as a road pass or customs clearance document. However, there were also many imitations in modern times. For example, the so-called Tianhuang Stone Token had been identified as a fake carved and dyed by a machine. There were also some "tokens" that were known as unearthed cultural relics that were actually crafts. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Fan cultural relic
There were many kinds of cultural relics on the fan surface. The following are some examples: - During the period of the Republic of China, there were calligraphy and paintings on the fan surface of Yu Shao Song Zhangcao. The fan surface was arranged up and down. On the top was the fan surface of Yu Shao Song Zhangcao, facing the "Moon Ceremony Post". The brush technique was rigorous and unrestrained, full of charm, and the inscription was in the upper left corner. On the bottom was the fan surface of the ink plum painting. The ink painting on the paper was painted with the branches of the old plum tree that were bent along the wind. The branches were tall and straight. The painting style was magnificent. The ink was light and the style was refreshing. The inscription on the upper right corner of the Zhang Cao was on the right side of the painting core. It was now collected in Jinyun County Museum. - The authentic paintings of the famous painters of the Song Dynasty, such as Song Huizong, Ma Yuan, Xia Gui, etc., were very precious, such as the fan of Song Huizong's "Bird Painting of the Mountain". - The imperial concubine of the Qing Dynasty had a "Qing Emperor Qianlong·Gauze Sticky Velvet Silk Flower Fruit Picture Face Dye Carved Bone Handle Round Fan", 50cm long and 33cm in diameter. It would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Heaven and Earth-Weaving and Embroidery Art Grand View", with an estimated value of 150,000 - 250,000 RMB. This round fan was exactly the same as the round fan of the same style collected in the Forbidden City. It was made in the same batch and was an object of the palace. The craftsmanship had been lost for a long time, and there were very few pieces of shaved velvet left in the world. By the Qianlong period, it was already regarded as a masterpiece. It was the only piece of shaved velvet round fan in the market at present. It had a high aesthetic appreciation value, extremely high academic value, and aesthetic value. It was extremely precious. The round fan is made of twelve sunflower petals. The upper end is tilted up. The ground is light blue gauze. The two sides are pasted with velvet embroidery such as pomegranate and two sparrows. The patterns on both sides are symmetrical and consistent. The lower part of the fan is equipped with four persimmon-shaped retainers. The handle of the fan is made of round bone. The handle is engraved with dyed dragon patterns. - Deng Tingzhen's fan was a cultural relic from the collection of Lin Zexu Memorial Hall in Fuzhou City. It was made of paper, 50cm in width and 18.2 cm in length. The inscription read "Deng Tingzhen in September of the Year Yisi", the seal of "Deng Tingzhen Seal"(white text), and the seal of "Miaoji Zen Room"(Zhu text). The strokes were well-proportioned and beautiful. The inscription on the fan was a paragraph of text copied from the old traces of Wu Zetian and Shi Cong in the book "Song Luo Visiting Stele Painting." - Wu Changshuo had many fan works, such as the round fan written by Lu You in Xia Xingkai in 1886 and the fan made by himself in April 1887. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>