Name of cultural relics in Li County Museum

There were many national treasures in the county's museum. For example, although Yunmeng County Museum was located in the smallest county in Hubei Province, it hid many national treasure-level cultural relics and created four "first" brilliant achievements: China's First Law-Qin Law, China's First Building-Eastern Han Tao Lou, China's First Long Wen Gu-Zhengjia Lake Wood Gu, China's First Family Letter-Wooden Letter. At present, there are 4285 cultural relics in the museum, including 49 national first-class cultural relics, 64 second-class cultural relics and 240 third-class cultural relics. There was also the Qingzhou City Museum, which was the only county-level comprehensive museum among the first batch of 83 state-level first-class museum. It was known as the "small museum", which was located in a small county and had a large collection of cultural relics. There was a unique copy of Zhao Bingzhong's palace examination volume in the twenty-sixth year of Wanli of the Ming Dynasty, as well as the Eastern Han Dynasty's "Yi Descendants" jade, Buddhist statues unearthed from the Longxing Temple ruins, and other treasures. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!

The following are some of the more well-known Hakka cultural relics museum: - Ganzhou Hakka Cultural Relics Museum, founded in 2004, is located on the third floor of the Fine Arts College of Jiangxi Normal University. The exhibition hall, reception, and storeroom covered an area of more than 1,000 square meters, and the collection of cultural relics was more than 15,000 pieces (sets). The collection included eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) records, and printed carvings. There were national precious cultural relics. It was the largest Hakka cultural relics museum in China, playing an important supporting role in the research of Hakka studies and folklore in China. It is open from 9:00 to 17:00 from Monday to Friday, except for legal holidays. Take bus No. 112 and No. 117 to the Golden Campus of the Normal University and walk 300 meters west. - China Hakka Museum: The collection of waterwheel kiln porcelain, famous paintings and calligraphy, etc., has been assessed by the expert group of the provincial cultural relics appraisal station. Three pieces/set have been assessed as first-class cultural relics (two green glazed double-series pots of the Tang waterwheel kiln and a 1978 autumn scenery of Lin Fengmian), eight pieces/set of third-class cultural relics, and 10 pieces/set of general cultural relics. - The Zhengzhou Zhanshi Hakka Culture Museum was located in an alley at the intersection of East and West Main Streets in Zhengzhou. It was founded in 2014 by the director of Chaozhou Hakka in Guangdong Province, who had set up a business in Zhengzhou for more than ten years. It was open to the public for free. There were a total of four basic exhibition halls, displaying a variety of Hakka culture and art through Hakka furniture, porcelain, contract books and other cultural relics, including the origin of Hakka, the grand occasion of the Ming Dynasty's Silk Road on the Sea, the microcosm of Hakka life culture, as well as the atmosphere of the reception room and guest room. - Kaohsiung City Hakka Museum: It was the largest Hakka museum in Taiwan. It occupied a large area and was built with red tiles and glazed tiles. It was similar to the architecture of the mainland Hakka. The museum has an exhibition area, an office, a large conference hall, etc. It focuses on the exhibition of Hakka cultural relics and occasionally holds Hakka cultural activities to study Hakka traditional customs. It will be open tomorrow from 9:00 to 17:00. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!

The Pingyuan Museum collected more than 30,000 sets of cultural relics, especially bronze ware, ancient calligraphy and painting, Buddha statues, stone inscriptions and rubbings, etc. The number of cultural relics above the level was among the best in all cities in the province. Among them, six precious cultural relics were rated as "treasures of the town hall", namely Niu Shoujue, Huo Junxiao, Zhao Mengfu's running calligraphy axis, Zheng Banqiao ink bamboo stone orchid painting axis, Dehua kiln white glaze Guanyin sitting statue, Guan Gong bronze statue, etc. Niu Shoujue, also known as the bronze jue of 'Fei Fu', was unearthed in Chuqiu, Hui County in 1952. It was a bronze ware of the late Shang Dynasty and was part of the' Fei Fu'. In addition to the jue cup, there were also tripod, Gui, Zun, You and other objects. The jue is wide and flowing, with a sharp tail, a round drum at the bottom, a triangular pyramid at the foot, and a cover. The top of the lid is decorated with a cow's head, the top of the lid is decorated with a dragon pattern and a semi-circular ring, and the belly is decorated with a taotie pattern. The words 'Fei Fu' are cast inside the lid. It is rare to see a lidded jue, so this jue is extremely precious. The Green Jade Owl of the Shang Dynasty was a three-dimensional round sculpture. The jade material was Hetian bluish-white jade. The whole body was decorated with patterns. The chest, wings, head and back were decorated with feather patterns and cloud patterns. The cutting skills were concise and skillful, the lines were natural and smooth, and the design was quite ingenious. It was a national first-class cultural relic. The bronze statue of Guan Yu was a cultural relic of the Ming Dynasty. It was 172 cm high, 118 cm wide and weighed 578 kg. The statue was huge in size, exquisite in casting, and unique in shape. It was rare in the country. It was highly realistic, and its size and appearance were basically the same as a real person's. It was rare in the country. Guan Yu was wearing a scarf on his head with a belt hanging down his shoulders. His face was square and wide, with thick eyebrows. His phoenix-like eyes were slightly closed, his nose was high, and his long beard was floating in front of his chest. He wore armor, tiger head to protect his abdomen and shoulders, and a knot at his waist that naturally hung down. He wore a battle skirt and battle boots. His left hand was placed on his thigh in a palm position, and his right hand was placed on his right leg in a fist position, perfectly displaying Guan Yu's majestic image of loyalty. This statue had a unique origin. After many twists and turns, it was collected in the Pingyuan Museum. Moreover, Guan Yu had multiple cultural meanings in folk culture, such as the God of Wealth. Zhao Mengfu's semi-cursive scroll and Zheng Banqiao's ink bamboo and stone orchid scroll were treasures of ancient calligraphy and painting. The white glazed Guanyin sitting statue of Dehua kiln was also one of the treasures of the museum. These cultural relics reflected the social system, social production, and social life of different periods, displaying the brilliance and splendor of Chinese culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Longxi County had many cultural relics. Among them, there was a two-ear colored pottery jar of the Majiayao culture, which was unearthed in 1977 in Sanshipu, Shouyang Town, Longxi County, which was a national first-class cultural relic. There was also a similar type of colored pottery bottle with a spiral pattern and a sharp bottom, which was unearthed in Lujiaping, Longxi County, which was also a national first-class cultural relic. Double-hook pattern double-ear colored pottery jar belongs to the Bronze Age Xindian culture, collected in Wenfeng Town, Longxi County, Dingtian City. The painted nebula pattern gray pottery pot of the Warring States Period was a national first-class cultural relic unearthed in Shouyang Town, and the bronze sword of the Warring States Period was a third-class cultural relic unearthed in Sunjiaping, Wenfeng Town, in 1983. The pottery house of Han Dynasty was unearthed in Liangjiaping, Shouyang Town in 1973, and the pottery horse of Tang Dynasty was unearthed in Gongchang Town, Longxi County in the 1960s. The Chongning Bronze Bell of Song Dynasty was cast in the first year of Chongning of Emperor Huizong of Song Dynasty (1102), and moved to Weiyuan Building in the 16th year of Daoguang of Qing Dynasty (1836). The glazed stupa of Yuan Dynasty was a national first-class cultural relic, which was unearthed on the north slope of Touping Mountain in Gongchang Town in April 1984. In addition, there were county-level cultural relics protection units such as the Ming Longxi City Wall, as well as the provincial-level cultural relics protection unit Li Family Dragon Palace. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Benxi County has many cultural relics. In the Neolith Age, a jade axe was unearthed from the lower layer of Cave B in Machengzi, Benxi County. It was 13.2 cm long, 8.5 cm wide and 1.5 cm thick. It was ground from dark green jade. Its plane was nearly ladder-shaped, with a circular top and a slightly curved blade. There were signs of collapse on one side of the blade corner, which might be the symbol of the power of the clan chief at that time. A stone shovel was also unearthed. It was 11.8 cm long, 7.3 cm wide and 1.1 cm thick. It was made by hammering. The front plane was peach-shaped. It was an agricultural production tool. A bone fish dart was unearthed from the lower layer of Cave B in Dongwaizi, Nandian Town, Benxi County. It was 10.1 cm long, 2.8 cm wide and 0.9 cm thick. It was ground from animal bones. The plane was long triangular and the tip was sharp. It was an ancient fish forking tool. A pottery jar with the word "dragon" on its shoulder was unearthed from the Jin Dynasty tomb in Xiaoshi. The tomb belonged to the Sanyan culture, and the word "dragon" on the jar reflected the influence of the Central Plains culture on this place. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Lingtai County has many cultural relics. Lingtai County Museum was located in the county town, with a total construction area of 1700 square meters. It had more than 10,000 cultural relics in its collection, including 497 pieces of various cultural relics on display. On September 20, 2006, the 2006 'China·Lingtai Traditional Chinese Medicine Acupuncture (International) Academic Exchange Conference and Huangfu Mi Cultural Festival officially opened. Six cultural relics collected by Lingtai County Museum, including the painted red pottery Heavenly King of the Tang Dynasty, the beast-faced red pottery tomb guarding beast, and the painted Hu figurines, camels and maids of the Tang Dynasty, participated in the exhibition of "Peerless Beauty--Women's Life in Tang Dynasty" in Lin Zexu Memorial Hall in Fuzhou City, focusing on the economic and cultural development of Lingtai in Tang Dynasty. Lingtai Ancient Bell, also known as Mingchang Iron Bell, was cast in the first year of Cheng 'an of Jin Zhangzong (1196). It is a provincial cultural relic protection unit and now exists in Lingtai Cultural Center. The bell is 3.3 meters high, 5 meters in circumference, and has nine teeth. It is covered with inscriptions, with different characters and contents. It is arranged neatly and orderly. The sound of striking the body is loud and clear, and can be heard within a radius of ten miles. In addition, Lingtai County was conducting the second round of collection of immovable cultural relics clues, which mainly included ancient cultural sites.(The living places and production sites of ancient humans, as well as traces of the transformation and utilization of the natural environment), ancient tombs (a regional place formed by burying ancient humans), ancient buildings (The main surviving buildings built in ancient times such as old houses, temples, etc.), cave temples and stone carvings (caves dug by Buddhist or other religious believers on cliffs, text patterns carved on stones, etc.), important historical sites and representative buildings in modern times (important historical sites and representative buildings related to major historical events, etc.), and others (such as cultural landscapes, paleo fossil sites, and other material entities with historical, artistic, and scientific value), etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The Jinci Museum has bronzes of the Warring States Period, stone pillars of the Tang Dynasty's Huayan Sutra, Yuan Dynasty blue and white carved flower jars, calligraphy and painting works of local celebrities in Shanxi such as Fu Shan, Zhao Tieshan, Qi Junzao, and modern folding fans.

The following is an introduction to some of the cultural relics in the Hakka Museum: - ** Ganzhou Hakka Cultural Relics Museum **: founded in 2004, located on the third floor of the Academy of Fine Arts of Jiangxi Normal University. There were more than 15,000 pieces of cultural relics in the collection, including eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) genealogy, and printed carvings. Among them were national precious cultural relics. - ** China Hakka Museum **: The two green-glazed double-series pots of the Tang waterwheel kiln in the collection were assessed as first-class cultural relics. The waterwheel kiln, also known as the Mei County kiln, flourished in the middle and late Tang Dynasty. It was an important carrier of Hakka culture and one of the porcelains sold in the Tang Dynasty. These two green glazed double pots were excavated from archeological excavation. Their origins were clear, and the double and short-flow pots were preserved completely. The glaze color was natural and lustrous, and the glazed areas were lake green. The body of the pot was in the shape of a fish roe, and the overall appearance was dignified and simple. It was of great significance to the study of Hakka history and culture, the history of ceramic technology, and the history of export sales. A painting of Lin Fengmian's autumn scenery in 1978 was also assessed as a first-class cultural relic. The mountains in the distance were stacked and shrouded in clouds. The autumn trees nearby were brightly colored. On the basis of retaining the charm of traditional China painting, they absorbed the colors and composition of Western painting. The whole painting had a visual impact and was harmonious and unified. The long piece of work was "For the 20th anniversary of the opening of Zhongqiao Chinese Goods Company, Lin Fengmian in Hong Kong in 1978". The source was clear, the preservation was complete, and the size was large. It had special artistic value. In addition, there were 8 Level 3 cultural relics and 10 ordinary cultural relics. - ** Deng Peiyuan Hakka Museum **: The collections are mostly Hakka folk furniture, plaque, porcelain, bronzeware, four treasures of the study, documents, etc., which are of great historical value to the study of Hakka history. - ** Zhengzhou Zhanshi Hakka Culture Museum **: The Hakka culture and art are displayed through cultural relics such as Hakka furniture, porcelain, and contract books. There are four basic exhibition halls, corresponding to the four basic displays of "Hakka Roots in Henan","Hakka Porcelain·Silk Road on the Sea","Hakka Book·Folk Culture", and "Guest Residence·Receiving Guests in the Main Hall". - ** Dayu County Museum **: In the special exhibition of the Meiguan Ancient Posthouse Road in Dayu Ridge, more than 200 precious cultural relics related to the ancient road were used to display its 5,000-year-old history. For example, the earliest pottery unearthed from the Qin and Han Dynasties reflected the culture of the Central Plains, and the blue and white porcelain produced in Jingdezhen of the Ming Dynasty condensed the advanced production skills of the Hakka people. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!

Xiushui County Cultural Relics Protection Administration is located in Xiushui County's Liangtang New District. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The responsibilities of the county cultural relics bureau usually included the following aspects: - To formulate plans and policies for the development of cultural relics protection in the county. - In charge of the county's cultural relics management. - To organize and coordinate the excavation, management, protection, rescue and research of cultural relics in the county. - Cooperate with relevant departments to protect historical and cultural cities and historical and cultural protection areas. - Collect, collect, display, and study objects that represent natural and human cultural heritage. - He was specifically responsible for the daily cultural relics survey work, such as Qin 'an County Culture and Travel Bureau (responsible for the daily work of cultural relics survey). In the cultural relics survey work, he should implement the work deployment requirements of the higher authorities and organize and coordinate the participation of all parties. - To carry out the recruitment of personnel directly under the institutions, such as the campus recruitment of institutions directly under the Cultural Relics Bureau of Gansu Province. - To be responsible for the safety management of the cultural relic protection units under its jurisdiction (through recruitment of cultural relic protectors, etc.). - To implement the national, provincial and municipal laws, regulations, guidelines and policies on the protection of cultural relics, and to grasp the correct direction of public opinion and creation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>