Cultural relic Tongbai
Tongbai was rich in cultural relics. There is a Mingang site in the north of Mingang Village, 3.5 kilometers west of Yuehe River in Tongbai County. It is a cultural relic protection unit in Henan Province, including the cultural relics from Yangshao to Qujialing, covering an area of 100,000 square meters. There are a large number of relics on the surface. The production tools are mainly ground stone tools such as axes, shovels, chisels, etc. The pottery tools are spinning wheels. The living utensils are mainly clay and reddish-brown pottery with sand. The shape of the ware is conical tripod, converging bowl, high-collar pot, etc., with various patterns. 202 cultural relics in Tongbai were designated as county-level cultural relics protection units. These were all precious cultural resources of Tongbai County, covering various relics from Qin and Han Dynasties to Ming and Qing Dynasties, from the Republic of China to modern times, such as stone bridge residential houses, earth buildings and temples, etc. In addition, there were various kingdoms of different sizes in the north of Tongbai, and related cultural relics had also been unearthed. Tongbai also had 11 provincial-level key protected cultural relics and 89 county-level key protected cultural relics. For example, Huaiyuan Temple (formerly known as Huaidu Temple) in Huaiyuan Town was built in the Qin Dynasty and rebuilt on the site in 1999. Read more exciting novels for free
5.18 cultural relic
5.18 The International Museum Day was related to cultural relics. On this day, the local museum would hold various activities to showcase the historical and cultural meaning behind the cultural relics. For example, there are many museum activities in Yulin on May 18 International Museum Day. Yulin Folk Museum welcomes children to visit and learn. Children can appreciate the charm of folk culture through the exhibition, while adults learn about the history of the party and listen to the stories behind the revolutionary cultural relics here. The collection of Yulin Han Dynasty Portrait Stone Museum is like "epic on the stone". On this day, people can learn more about cultural relics through the photo exhibition of mobile cultural relics survey results under the introduction of the staff; The Yu Zijun Memorial Hall in Yulin would also display pictures of the Great Wall culture in Yansui Town on this day. The Shaanxi Museum of History would also hold a series of activities on May 18 International Museum Day, such as the "Flower Dance Tang" cultural creation runway show in 2021, volunteer explanation services in the mobile museum, and themed educational activities. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic abacus
There are many kinds of cultural relics abacus. For example, the blue-and-white baby abacus of Jingdezhen kiln in Qing Dynasty was a historical relic. Its blue-and-white color was elegant, the glaze was bright and lustrous, the color of the body was white and yellow, and there were obvious flint red spots. The body was solid and the body was thick. The abacus was rectangular and made in imitation of a wooden abacus. It was 29.7 cm long, 13.9 cm wide, 3 cm thick, and weighed 1702 grams. There were 11 stalls. There were 2 beads on the beam in the middle of the stall (5 beads per stall) and 5 beads under the beam (1 bead per stall). Two beads were broken in a small stall, leaving a total of 75 beads. The inner wall of the abacus was glazed, and the outer wall was decorated with blue-and-white baby play patterns. The image of a child was vivid and lifelike. The counting beads were glazed with white glaze, and the bottom and inside of the abacus were exposed without glaze and rough. Several cracks on the body had been repaired. It provided physical evidence for the study of Jingdezhen blue-and-white porcelain production technology in the Qing Dynasty and traditional China calculation tools. There was also the Diamond Abacus, which was originally the collection of Chen Baoding, a famous collector in Shanghai. Later, it was given to the Abacus Museum in Huangshan City for display. These cultural relics reflected the technological level, cultural value and historical significance of the abacus in different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Vessel cultural relic
Vessel cultural relics were common in the field of archaeology and cultural relics, and there were many types. For example, the glazed pottery long-necked vase (Western Han Dynasty) was a container with a sand-gray carcass and greenish glaze. It had a straight mouth, a slender neck, an oblate abdomen, a high circle foot, etc. The neck and upper part of the abdomen were decorated with concave string patterns, and there were water ripples between the string patterns. Its specifications were 3.9cm in diameter, 10.5cm in bottom diameter, 22.9cm in height, and 1158g in weight. It was unearthed from the tomb group of Zhangjia Zhonggu in 1985 in the sunshine. It is now collected by Wulian County Museum and is a national first-class cultural relic. The three-colored jar (Tang Dynasty) was also a container. It had a luxurious mouth, a short neck, a round belly, and a round bottom. It had no three feet. The whole body was green glaze. The shoulder was pasted with four fire bead patterns, and the abdomen was pasted with four dragon patterns. The yellow, green and white colors alternated. Although it was slightly damaged and the glaze was peeling off, it still had a high cultural relic value. The caliber was 14.8cm, the height was 18cm, and the weight was 1520g. It was unearthed in Wangjiaping Village, Ju County, Rizhao City. It was collected by Ju County Museum and was a national third-class cultural relic. There were also bronze vessels, which were one of the most important types of vessels during the Xia, Shang and Zhou Dynasties. They included cooking vessels, food vessels, wine vessels, washing vessels, and so on. Most of the bronze vessels were sacrificial vessels. For example, tripod and Li belong to cooking utensils, similar in shape, with a large mouth and three empty feet, generally used to cook rice; The pot is equivalent to a steamer, divided into two parts, the upper part holds food, the lower part holds water; Food utensils are used to hold food, usually covered to prevent food from falling. The Buddha Finger Sarira found in the underground palace of the Dafen Temple was placed in different treasure boxes. The treasure boxes were also container cultural relics, such as the eight-fold treasure box, the five-fold treasure box, the four-fold treasure box, etc. Different treasure boxes had different structures and decorations. They were offered according to the highest Buddhist rituals and the lineup of Buddhist rituals. During the Warring States Period, the "Warring States Bird Cover Hu Pot" was also a kind of container cultural relic. It was a vessel used to hold mysterious wine. The lid was in the shape of a bird's head, with pearl patterns as the base. There was a ring buckle on the bronze bird's beak, and a flat ring-shaped handle on the shoulder of the vessel. The two ends of the handle were in the shape of a dragon's head. The bird's tail was covered and connected to the handle with a copper chain. The shape was exquisite and elegant. It was a rare and precious cultural relic, providing an important basis for studying the history and culture of the Warring States Period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic buckle
The snap button, also known as a button, was a small ball or sheet used to fasten clothes. It was an important standard to judge the shape of Han clothes. The places with mother and daughter buttons were probably Han clothes made in the Ming Dynasty. It was commonly seen in Ming Dynasty standing collar long shirts, mending clothes, and capes. The number of buttons required for a Han costume varied from 2 pairs to 7 pairs. For example, the collar of a stand-collar gown was standard with 2 pairs, the cloak was standard with 1 pair, and the upper jacket was generally 5 - 7 pairs. The history of the mother and daughter buckle could be traced back to the Zhou Dynasty. The word "new" appeared in books such as "Zhou Li" and "Book of Rites." However, the mother and daughter buckle was most popular in the Ming Dynasty. In the Ming Dynasty, buttons were mostly made of gold, silver, copper, and other metals or jade. The structure was divided into two halves, which were similar in shape. One half was a button with a ring, and the other half was a metal buckle. The buckle was inserted into the button ring to realize the buckle connection. In the Ming Dynasty, due to the importance of covering the neck, the practice of buttoning the collar became popular, and even led to the birth of the vertical collar. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic painting
He didn't quite understand the exact meaning of " cultural relic painting." If it was about cultural relic painting in the civilization, from the reference materials, some art teachers showed the culture of their hometown by painting the cultural relics in the museum. There were also many painting activities with the theme of cultural relics, such as the practical activity of " I'll Draw Chinese Cultural Relics and Walk into Suzhou Museum " launched by Suzhou University, and the series of art exhibition activities of " I'll Draw Chinese Cultural Relics " in Luoyang. These activities were aimed at promoting and spreading the unique history and culture of various places, and many precious cultural relics were used as painting objects by artists, such as the Painting of Auspicious Crane by Emperor Huizong of Song Dynasty, and the painting jointly painted by Tang Bohu and Zhu Zhishan, which was valued at 3.3 billion yuan and was a first-class cultural relic of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic storage
There were many ways to store cultural relics. In China, cultural relics collection units such as museum and library would have special warehouses for storing cultural relics. For example, the Neixiang County Yamen Museum had a cultural relics warehouse, which was a special storage place for cultural relics. It had constant temperature and humidity conditions and a strict security system, which was convenient for cultural relics protection research. From a legal point of view, as early as June 7, 1930, the National Government promulgated the Antiquities Preservation Law, which stipulated the preservation method of antiques. Except for private owners, the Central Antiquities Preservation Committee instructed the preservation place to preserve them, and made photos to be stored in the Ministry of Education, the Ministry of Internal Affairs, the Central Antiquities Preservation Committee, etc. Privately owned important antiques should be registered with the government and could not be transferred to outsiders. Underground antiques belonged to the state. With the development of science and technology, digital cultural relics became an emerging storage method, which used the latest 3D modeling technology to archive cultural relics. This method not only could preserve precious cultural relics permanently, but also provided the possibility for cultural relics experts and cultural relics enthusiasts to study and communicate together. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic fraud
Cultural relic fraud was a crime that involved using fake cultural relics to deceive buyers into obtaining money. For example, in a case in Shanghai, an 80-year-old Auntie Li, who was passionate about antiques, was scammed by cultural relics. She came from a family of collectors. In 2012, she met Wang Mojie, a literary and playboy businessman. She initially bought small objects. Later, from September 2020 to June 2021, she expressed her willingness to buy real cultural relics at any price. Wang Mojie promoted the so-called "hidden authentic","Qing Dynasty three generations of official kiln" and other cultural relics and antiques. She spent more than 9 million yuan to buy more than 1000 pieces, which piled up at home. His daughter returned to China and found the suspect. After identifying it as a fake, she reported it to the police. The police took three years to send batches of samples for inspection and identification. They were all fakes. Wang Mojie argued that he was negligent and refused to refund. After the police tried their best to find key evidence to prove that he deliberately made and sold fake goods, he was arrested on May 10,2024 and returned more than 9 million yuan. In addition, there was a similar incident in 1959. Li Zongren said that he had donated 110,000 US dollars worth of cultural relics to the motherland. After identification, most of them were fake and only worth 3000 US dollars. However, Chairman Mao still spent 120,000 US dollars to buy them, saying that he was buying a loyal friend for New China. These incidents reminded antique collectors to raise their awareness of prevention and conduct cultural exchanges, appreciation, trading, and other activities through official channels. When it came to money transactions, they should choose formal trading platforms and have a rational understanding of the value of their collections to avoid being scammed by cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Year of cultural relic
The year of the cultural relic referred to the time when the cultural relic was made or formed. It could be expressed in terms of B.C. and B.C. The determination of the age of cultural relics required a combination of various methods, such as inferring through research on the material, production process, style, pattern, etc. of the cultural relics. For cultural relics with a long history, this process may be more difficult, requiring the help of professional archaeological and historical research methods, such as historical documents, archaeological excavation, sample scientific analysis, etc. For modern cultural relics, their age could usually be determined through relevant historical documents, records, or information about the maker. The year of cultural relics was of great significance. It helped people understand the cultural and social background of historical periods more clearly, promoted the protection and inheritance of historical and cultural heritage, and also provided basis and reference for the development of history, archaeology, art history and other related disciplines. At the same time, the age of cultural relics was also an important basis for the protection and management of cultural relics. The cultural relics of different years reflected the development level of society, culture, science and technology at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
be listed as a cultural relic
The following are some of the situations that have been included in the list of cultural relics: - The Central Publicity Department, the Ministry of Finance, the Ministry of Culture and tourism, and the State Administration of Cultural Relics released the List of Prefectures for the Protection and Use of Revolutionary Cultural Relics (the first batch). - The list of the third batch of cultural relics protection units of the Corps was announced, including the ruins of the ancient city of Suolun in Kekedala City of the Fourth Division, the eight stone ruins of Huangtian Farm of the 13th Division, the first arch bridge of Shengli Sanqu in Alar City of the First Division, and the former site of the border militia outpost of the 88th Regiment of the Fifth Division. A total of 37 important historical sites and representative buildings were selected. - On June 14, 2008, Handan City announced the first batch of city-level cultural relics protection units. - There were also the mound tombs in Jianping Town (Ancient Tombs, National Level, Western Zhou Dynasty), the Yashan Ancient Road in Zhongxi Village of Zhongqiao Community (Ancient Ruins, National Level, Late Ming Dynasty), the Oudun Ruins in Yaojiata Village of Yaocun Town (Ancient Ruins, Provincial Level, Neolith Age), the Mopan Mountain Ruins in Zhongxin Village of Zhongqiao Community (Ancient Ruins, Provincial Level, Neolith Age), and the Ming Dynasty city walls in Xinfa Village of Feili Town (Ancient Buildings, Provincial Level, Ming Dynasty). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>