Song of Everlasting Regret, semi-cursive calligraphy works complete
The emperor of the Han Dynasty valued beauty and wanted to destroy the country. He had been in the imperial palace for many years and could not find it. The Yang family had a daughter who had just grown up and was raised in a boudoir. No one knew her. A natural beauty is hard to give up, and once she is chosen to be beside the king. Looking back at her, she smiled and gave birth to a hundred beauties. The six palaces had no color. In the cold spring, he was given a bath in Huaqing Pool, and the hot spring water flowed smoothly to wash the coagulated fat. The servant helped her up, but she was too weak to do so. This was the time when she had just received grace. Cloud hair, flowers, gold steps shake, hibiscus tent warm spring night. Spring nights are short and the sun rises high. From then on, kings don't go to court early. There is no leisure time to entertain guests, spring from spring outing night to night. There were 3,000 beauties in the harem, and 3,000 people were doted on. In the golden house she make-up into a delicate servant at night, in the jade tower banquet drunk and spring. Sisters and brothers are listed in the land, and the poor glory is born in the door. Therefore, the hearts of parents in the world are not born again, but born again. Li Palace high into the blue clouds, fairy music blowing everywhere. Slow singing and slow dancing, condensed silk and bamboo, all day long the king can not see enough. The drums of the fisherman's sun shook the earth, breaking the song of the rainbow dress and feather dress. Smoke and dust rose from the nine watchtowers, and thousands of chariots and horses marched southwest. Cuihua swayed and stopped, more than a hundred miles west of the capital gate. The six armies could not do anything but turn around and die in front of their horses. The mother-of-pearl fell to the ground and no one collected it, and the jade hairpin was decorated with golden sparrows. The king covered his face and could not save him. He looked back and saw blood and tears flowing. The yellow dust scattered in the wind, and the cloud stack lingered on the Sword Pavilion. At the foot of Mount Emei, few people walked. The flags were dim and the sun was thin. The water of the Shu River is green and green, and the mountains are green. The Lord is in love day and night. The palace saw the moon sad face, night rain heard the sound of the bell heartbroken. Heaven and earth spin back to the dragon ride, here hesitant can not go. In the mud at the foot of Mawei Slope, I can't see the place where Yu Yan died. The monarch and his subjects looked at each other and wiped their clothes. They looked east at the capital gate and rode back. Return to the pool garden is still the same, too liquid lotus Weiyang willow. How can hibiscus like face and willow like eyebrow not shed tears? Peach blossoms bloomed in the spring breeze, and leaves fell in the autumn rain. There are many autumn grasses in the south of the West Palace, and the fallen leaves are full of red on the steps. The disciples of the pear garden have new white hair, and the supervisor of the pepper house is old. In the evening hall fireflies fly and think quietly, and the lonely lamp is lit up, but I can't sleep. Bells and drums have been playing for a long time, and the stars are shining in the sky. The mandarin duck tile is cold and frosty, and the jade quilt is cold. Who can share it with me? Long life and death have been separated for many years, and the soul has never come to dream. Linqiong Taoist priest Hongdu guest, can use sincerity to attract the soul. In order to move the king's wandering thoughts, he taught the alchemist to look for it diligently. Empty the sky, control the qi, run like lightning, ascend to the sky, enter the earth, search everywhere. Up to the blue sky and down to the underworld, the two places are vast and invisible. Suddenly I heard that there was an immortal mountain on the sea. The mountain was in the air. The pavilion is exquisite and beautiful, and there are many fairies in it. Among them, there was a man named Taizhen, with snow-white skin and beautiful appearance. Jin Que West Chamber knocked on the jade door, turned to teach Xiaoyu to report double success. I heard that the emperor of the Han Dynasty sent an envoy. I dreamed in Jiuhua account that my soul was frightened. Pulling up his clothes and pushing his pillow, he stood up and paced back and forth, and the pearl chaff and silver screen spread out. His hair was half-clouded, and he had just gone to bed. The crown of his flower was not neat. The wind blew the fairy's sleeves and raised them, just like the dance of colorful clothes and feathers. The lonely tears of the jade face are waning, and the pear blossoms are drizzling in spring. I look at the king with affection, and my voice and face are distant. In Zhaoyang Hall, love is cut off, and the sun and moon in Penglai Palace are long. Looking back down at the world, I saw no dust in Chang 'an. I only took the old things to express my deep feelings, and put them together with the golden hairpin to send them away. The hairpin is left with a fan, and the hairpin is broken with gold and divided into mother-of-pearl. As long as the heart is as strong as gold, heaven and earth will meet. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The Calligraphy of Song of Everlasting Regret
Many calligraphers had written the Song of Everlasting Regret. For example, Yang Jingke had a semi-cursive version of Song of Everlasting Regret, Lu Zhongnan had a regular script version of Song of Everlasting Regret, and Tian Yingzhang had a hard-pen semi-cursive version of Song of Everlasting Regret. There were 840 words in total, which could be used for printing practice. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, Calligraphy Calligraphy Practice
There was Zhou Huijun's running-regular script " Song of Everlasting Regret," published in 1986. There was also Bai Juyi's long-scroll calligraphy script, a small long-scroll calligraphy script with hairpin flowers, and a small calligraphy script with a brush. It could be used to copy the entire piece by hand and copy it in red. The price was from 8.45 to 33.15 RMB. The minimum price was one piece. The delivery location was Jinhua City, Zhejiang Province. The courier fee was 6.00 RMB. The delivery would be arranged within three days after payment was successful. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Calligraphy Works Appreciation Regular Script
In the search results provided, there was information about the regular script work of Song of Everlasting Sorrow. Among them, Zhou Huijun, Lu Zhongnan, Zhou Bingyuan, and other calligraphers had created regular script works of Song of Everlasting Regret. The characteristics of these works were that the strokes were bright, the composition was wonderful, and the handwriting was refreshing and vigorous. Zhou Huijun's regular script works were described as beautiful. She combined the elegance of Tang Kai and the momentum of the Northern Monument, making the regular script ancient and elegant. Lu Zhongnan's regular script works were also highly praised. His works showed strong and powerful strokes. In addition, there were also some works of regular script by other calligraphers that could be appreciated. In general, these works in regular script displayed the charm and beauty of "Song of Everlasting Sorrow."
semi-cursive works
Running script was a type of Chinese calligraphy style with a unique artistic charm. Some of his famous running script works include Wang Xizhi's Preface to the Orchid Pavilion, Yan Zhenqing's Manuscript for the Sacrifice to Nephew, Su Shi's Huangzhou Cold Food Tie, Wang Xun's Boyuan Tie, Yang Ning's Chives Flower Tie, Liu Gongquan's Mengzhao Tie, Ouyang Xun's Zhang Hansi Perch Tie, Mi Fu's Shu Su Tie, Huang Tingjian's Songfeng Pavilion Poetry Tie, and Li Jianzhong's Tumu Tie. These works all displayed the unique styles and techniques of their respective authors and were hailed as classic works of Chinese calligraphy. Among them, the Preface to the Orchid Pavilion was considered Wang Xizhi's masterpiece and was praised as the " world's first semi-cursive script." Other works also had their own characteristics, such as Yan Zhenqing's vigorous and bold, Su Shi's natural and unrestrained, etc. These semi-cursive works not only had an important position in art, but also had a profound impact on later calligraphers.
What are the three great semi-cursive works in the history of Chinese calligraphy?
In the history of Chinese calligraphy, the three running scripts referred to Wang Xizhi's Preface to Lanting Collection, Liu Gongquan's Mysterious Pagoda Stele, and Zhao Mengfu's Ode to Luo God. These three works were all classic works of Chinese calligraphy, known as the pinnacle of Chinese calligraphy history. Wang Xizhi's Preface to Lanting Collection was famous for its smooth, natural, graceful, and profound artistic conception. Liu Gongquan's Mysterious Pagoda Stele was famous for its rigorous structure, steep, dignified, and steady. Zhao Mengfu's Luoshen Fu was famous for its lofty artistic conception, gentle and beautiful, and unique charm. These three works had extremely high artistic value and historical status in the history of Chinese calligraphy. They were regarded as treasures of Chinese calligraphy.
Song of Everlasting Regret Regular Script Calligraphy
"Lu Zhongnan's Regular Script 3: Bai Juyi·Song of Everlasting Sorrow" was carefully written by Teacher Lu Zhongnan. This copybook contains the content of "Song of Everlasting Sorrow" and is accompanied by necessary annotations and appreciation. It is a rare model for calligraphy practitioners. Lu Zhongnan studied under Mr. Ouyang Zhongshi. He used to be the deputy director of the Hard Pen Calligraphy Committee of the China Calligraphy Association. He was now a director of the China Calligraphy Association. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret Traditional Chinese Calligraphy
The traditional Chinese writing of the Song of Everlasting Regret was "Song of Everlasting Regret". Calligraphy pictures of the Song of Everlasting Sorrow can be found on some calligraphy dictionary websites, including calligraphy works in different font types, including semi-cursive.(For example, the calligraphy works of Hu Wensui and Zeng Qingfu's calligraphy of the Song of Everlasting Regret), regular script (for example, the calligraphy works of Weng Kaiyun and Zhou Bingyuan), cursive script (for example, the calligraphy works of Luo Hengguang and Liang Jinying), official script (for example, the calligraphy works of Zeng Qingfu and Luo Hengguang), etc. These works may include traditional calligraphy works of the Song of Everlasting Regret, which can be used for calligraphy learning, creation, and appreciation by those who are interested in the calligraphy of the Song of Everlasting Regret. In addition, there were some calligraphers who had created the Song of Everlasting Regret, such as Lu Zhongnan's regular script, Song of Everlasting Regret, Beijing's old calligrapher and cultural relic master's four-foot-long small regular script recording Bai Juyi's poem, Song of Everlasting Regret, Ding Xianghong's regular script Bai Juyi's Song of Everlasting Regret, Yan Zhongliang's small regular script Bai Juyi's Song of Everlasting Regret, etc. These works might also have traditional calligraphy versions. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret's Regular Calligraphy
Lu Zhongnan had created a calligraphy work called Song of Everlasting Regret. He was born in 1950. He was a director of the China Calligraphy Association, a member of the China Museum Society, and the director of the Design Department of the China People's Revolutionary Military Museum. He created his own artistic style based on the ancient people. When his regular script, Song of Everlasting Sorrow, was matched with Bai Juyi's famous poem, Song of Everlasting Sorrow, it could give people an unparalleled artistic impact and also provide nutrients for many students. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi's Song of Everlasting Regret, Complete Poetry and Calligraphy
There were many calligraphers who had written the whole poem of Song of Everlasting Sorrow, such as Yang Jingke's running script, Lu Zhongnan's regular script, Tian Yingzhang's hard-pen running script, etc. These calligraphic works displayed the charm of "Song of Everlasting Sorrow" in different font styles. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Song of Everlasting Regret, Bai Juyi's Calligraphy
There was Zhou Huijun's running-script copybook, Bai Juyi's Song of Everlasting Sorrow, and Lu Zhongnan's running-script version of Bai Juyi's Song of Everlasting Sorrow. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!