The cultural relics of the Qin Dynasty in Xianyang
The cultural relics of the Qin Dynasty in Xianyang were rich and varied, covering many types. In terms of architecture, the Qin Xianyang Palace site unearthed grinding stones, wall skin, floor, dragon-patterned hollow bricks, tiles, diamond-patterned square bricks, Mi-patterned square bricks, sun-patterned square bricks and other building components. Among them, the floor unearthed from the Qin Xianyang No.1 Palace site was very flat. There were also the remnants of the Water God Cavalry Phoenix Pattern Hollow Brick collected from the Qin Ruins. From the perspective of murals, the earliest imperial palace murals were unearthed from the ruins of the No.3 Palace in Xianyang of Qin Dynasty. They were 33.7 cm in width and 22.7 cm in length. The fragments of the murals included the contents of chariots and horses traveling, welcoming ceremonies, pavilion buildings, trees, flowers and plants, and decorative patterns, which provided physical evidence for the study of the early murals. In terms of weights and measures, there was the bronze imperial edict of Qin II. After Qin II succeeded to the throne, the imperial edict was engraved on the measuring instruments and weighing instruments engraved with the imperial edict of Qin Shi Huang. The imperial edict was 60 words. It was unearthed in 1982 at Changling Station in Weicheng District of Xianyang. The instrument should be inlaid or tied to other objects for use. There were also exquisite bronze, jade, and pottery. For example, the gold and silver bronze tripod was majestic and integrated with various crafts, representing the highest level of bronze ware production in the Qin Dynasty; the gilded dragon tiger pattern copper ornaments showed the exquisite skills and aesthetic taste of the craftsmen of the Qin Dynasty. In terms of terracotta figurines, there were horse-riding figurines from the Warring States Period. They were of various shapes, such as galloping horses, bending bows and arrows, reflecting the military situation at that time. There were also some cultural relics unearthed in Xianyang that reflected the social life at that time. For example, there were more than 1200 catties of cow bones in a pit site unearthed locally. These cow bones were processed into various exquisite living utensils, indicating that the living standards of the people in Xianyang City were relatively high at that time. Read more exciting novels for free
Extant cultural relics of the Qin Dynasty
The existing cultural relics of the Qin Dynasty include the bronze garlic pot of the Qin Dynasty, which is now collected in Xiangyang City; Gold and silver camels, copper flat pots inlaid with glazed glass, jade tripods, silver hounds, etc. unearthed from the tomb of Qin Shihuang; Nearly 30 pieces of Qin Dynasty cultural relics were exhibited in the Qin Dynasty Cultural Relics Appreciation Center of Lintong District Museum in Xi'an, including more than 10 national first-class cultural relics, including terracotta warriors such as "No.1 Figurine", two "short brown warrior terracotta warriors" and one "armored chariot left figurine"; Qin Liang, originally an old collection of the Palace Museum; There were also terracotta warriors, chariots, weapons, and 19 bronze swords unearthed from the terracotta warriors and horses of Qin Shihuang's mausoleum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics of the Song Dynasty
A narrow-sleeved rapier (M1: 174), a wide-sleeved rapier (M1: 175), and a narrow-sleeved rapier (M1: 173) were unearthed from the Song Tomb of Tiegai in Nanling, Anhui Province. Although there was no size data, there was a flat map of it. In addition, there was a piece of jade unearthed from a tomb of the Song Dynasty. The main material was Luo and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty cultural relics
The cultural relics of the Han Dynasty were rich in content and of great significance. In terms of jade ware, the jade wall of the Han Dynasty was an important type of jade ware culture. It sprouted in the middle of the Neolith Age. After a long period of development, the status of jade became more prominent when the jade culture of the Han Dynasty was highly developed. Jade Bi could be divided into four categories and nine types according to its decorative patterns, and its functions could be divided into three categories and eleven types. Its functions included sacrifice, congratulations, betrothal gifts, gifts, contributions, treasures handed down from generation to generation, decorations, funerals, and so on. The Western Han Dynasty generally inherited the jade system of the Qin Dynasty and the Pre-Qin Dynasty and simplified it. The jade used in the ritual system was mainly Bi and Gui. The Eastern Han Dynasty inherited the system of the Western Han Dynasty. The emperor held the Gui Bi to worship heaven and earth, and used the jade Bi to betroth the queen. Judging from the cultural relics of the tombs, the tombs of the Han Dynasty in Hepu were of great significance. Among them, there were cultural relics such as the national treasure copper phoenix lamp, as well as the jade wall and copper warehouse of the Han Dynasty tomb in Huangnigang. The patterns and patterns on these cultural relics all contained specific meanings. For example, the bronze tripod was related to the social status and power of slaves. From some relics of the Han tombs in Hepu, traces of ancient beliefs such as fish and bird worship could be seen. The taotie pattern on the copper shop head also had its own unique meaning. In terms of daily necessities, the modern household style of the Pisces basin had the same style in the Han Dynasty, such as the copper washing of the Eastern Han Dynasty and the copper washing of the descendants of Jun Yi. There were counting tools like ivory, which appeared as early as the Spring and Autumn Period and was still in use in the Han Dynasty. It was used for more than 2000 years until it was replaced by the abacus in the 15th century. There were also fragments of Baqiao paper from the Western Han Dynasty, indicating that people had already begun to use paper as early as the Western Han Dynasty, about two centuries before Cai Lun made paper. In terms of metal craftsmanship, the Western Han gold monster unearthed in Shenmu County, Shaanxi Province, was made of gold and shaped like a collection of various animals. It was speculated to be the top decoration of the Xiongnu crown, representing the highest level of Xiongnu metal craftsmanship at that time. In addition, the stone carving replica of a horse stepping on a Xiongnu in front of Huo Qubing's tomb in Maoling, Shaanxi Province, is the earliest and best-preserved large-scale tomb stone carving art treasure in China, demonstrating Huo Qubing's military exploits. In terms of food culture, it could be seen from the special exhibition of food culture relics of the Han Dynasty in Xuzhou that the food culture of the Han Dynasty was an important part of Chinese traditional culture. The exhibition displayed four parts of cultural relics, such as pottery wells, pottery pig pen models, livestock models, cooking utensils, tableware, wine utensils, and stone portraits of the Han Dynasty, which reflected the social values, etiquette norms, aesthetic concepts, as well as the craftsmanship and life wisdom of the ancients. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Representative cultural relics of the Shang Dynasty
There were many representative cultural relics of the Shang Dynasty. The following are some famous cultural relics: Siyang Fangzun, Simu Wuding, Azhi Fangzun, Oracle Bone, Houmu Wuding, Fuhao Ivory Cup, Shang Dynasty Bronze Mirror, Fuhao Sanlian Cup, Big Jade Ge, Shang Dynasty Jade Deer, Shang Dynasty Moving You, and the cultural relics of the Shang Dynasty unearthed from the Sanxing Dui site.(For example, the square tripod with Dahe human face pattern, etc.), Shang Dynasty·Bronze Wei, Shang Dynasty·Bronze Hand-shaped Artifact, Shang Dynasty·Yachou Iron, Shang Dynasty·Double-faced God Bronze Head, Shang Dynasty·Fierce Tiger Man-eating You, Shang Beast Face Pattern Flat Body Tubular Cup, Shang Beast Face Pattern Bronze Ears, Shang Dynasty "Book-like" Bronze Turtle, as well as the lifting beam You unearthed from Qianzhang Great Ruins, etc. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Description of cultural relics
The following are the descriptions of some of the artifacts: 1. ** Cloud Pattern Copper Five-Pillar Vessel **: The bottom is a square seat with a cavity. The four walls are slightly bulging. There are five columns on the top. The distance between the columns is equal. The height is about 31 cm. The five small columns are 16.5 cm high. There is a rectangular flat ridge below the column. There are double-hook cloud patterns on both sides of the flat ridge and around the square seat. 2. ** Golden Juice Bottle **: No specific details were mentioned, only that it was a golden bottle, a royal gold ware of the Ming Dynasty. 3. ** Northern Song Dynasty official kiln porcelain **: a total of 18 types, including octagonal ear vase, six-sided octagonal elephant head ring ear vase, ear long shin string pattern vase, pen holder, club double vase, three-legged string pattern double furnace, ring ear vase, string pattern long shin vase, long shin vase, three-plastic pattern gourd vase, phoenix head ring ear gallbladder vase, six-sided phoenix head ear gallbladder vase, big mouth gourd vase, four pieces of each type, etc. Each type had different glaze colors, such as fried rice yellow glaze, moon white glaze, oil gray glaze, sauce color glaze, fish roe pattern glaze, etc. The size varied from 11 cm to 18 cm. 4. ** Bronze Antler Crane from the Warring States Period **: It was only mentioned that it was unearthed from the tomb of Marquis Yi of Zeng in Suizhou, Hubei Province. The details of the shape were not described. 5. " Bronze pliers of the Warring States Period and Qin Dynasty ": The two parts are connected by a shaft nail. The handle can be held with one hand. The handle takes up two-thirds of the total. Its design uses the lever principle and is similar to modern pliers. 6. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, red flowers and auspicious animals were engraved on the glaze. Open mouth, thick neck, deep belly, round bottom, round feet. 7. ** Military hold **: Long neck, a wide ridge protruding from the upper part of the neck, plump shoulders and abdomen, between the shoulders and abdomen, no handle, flat bottom. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Sichuan Cultural Relics, 1998, No. 1
The 1998 issue of Sichuan Cultural Relics mentioned Ya 'an's relevant content about the Yan Song Tomb, including its tomb structure, funerary objects, etc. It also included relevant research on Chen Hongshou's calligraphy in the Qing Dynasty, such as his calligraphy art, style and characteristics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>