Peony Freehand Style
The following are some of the main points of peony freehand painting: ** 1. Basic Drawing Steps ** 1. ** Flower Head ** - Starting from the center of the flower, for example, first adjust the light color to draw the reverse petal in the center of the flower, the brush strokes are different in size, then the color of the pen tip darkens, draw the inner layer, when painting, the pen tip cuts off the petal to leave a gap. - When the petals on the outer circle of the flower head are drawn, the size is combined, the height is scattered, and the petals naturally bloom. - The brush was flat and the petals were drawn up. The petals in the middle were half-open, and one had to pay attention to the top, bottom, left, and right. Then, he drew the petals that were open at the bottom. After he was done, he carefully tidied them up. If there were any flat spots on the petals, he could add them. - When you point the stamen, you can adjust the color of garcinia and Taibai to point out the stamen, which should be high and low, long and short. You can also find the pen tone of three green points to point out the stamen in the middle. 2. ** Color Usage and Changes ** - For example, Carmine Peony (dot method), starting from the center of the flower, the color of the central petals is relatively heavy and tightly wrapped; the outer petals are relatively loose, the color gradually faded, the color of the petals at the edge of the flower head is the lightest, and the brush can bring flying white. - For a half-opened peony, the color of the petals should be adjusted with white powder. The powder should not be too heavy to ensure the sense of clarity. He picked up the pen and pointed out the opposite petals. Then, he used the white powder to adjust the color of the petals and dipped it in rouge to draw the center of the front petals. - The painting method of the purple peony was to first adjust the purple color (using the indigo to adjust the rouge or eos), then dip the brush in the white powder, and then dip the tip of the pen in the adjusted purple to draw the petals. - The ink peony flower head was painted from the inside to the outside. The front part near the stamen was thicker, so the ink was slightly thicker. On the back, the outer petals were light, so the ink was light, and the color of the light ink gradually changed. ** 2. Scenery related ** 1. ** Birds and Birds Match ** - If he wanted to match birds with flowers, he had to first understand the physiological structure and characteristics of birds. Their basic form was "egg-shaped." On this basis, he would add a head, wings, tail, and feet. For example, to draw sparrows, he used a white cloud pen dipped in vermilion and ink to draw the head, wings, body, and tail. He dipped it in thick ink to draw the wings, feathers, spots on the body, and black feathers on the tail. Then, he used an orchid bamboo pen dipped in light vermilion and the tip of the pen dipped in a little light cyan to draw the lower jaw, chest, and abdomen. Finally, he used a small pen to draw the eyes, mouth, and claws. 2. ** Butterfly Match ** - He dipped an orchid bamboo pen in light cyan, dipped the tip of the pen in light ink, and drew the two front wings of the butterfly with the middle edge. Then, he dipped the pen in thick ink and drew the back wings. He dipped the small leaf tendon pen in vermilion to draw the stripes of the back wings of the butterfly, and swept the lower half of the front wings with the light yellow back edge. He dipped the pen in thick ink and made black spots on the front wings. After the ink dried slightly, he used three green spots to make colorful spots on the ink. Finally, he used a thin pen dipped in ochre ink to draw the butterfly's head, chest, abdomen, antennae, and legs. When painting the whole work, it was best to draw two butterflies (a swallowtail butterfly and a pink butterfly) to increase the size, shape and color changes. 3. ** Bee Match ** - He used a small ochre ink pen to draw the head, chest, and antennae of the bee, then dipped it in garcinia, dipped the tip of the pen in a little vermilion, and drew the abdomen. Then he used heavy ink to draw the lines of the abdomen while it was wet, and used light ink to draw the wings. Finally, he used a small ochre ink pen to draw the legs. 4. ** Flowers, trees, lake rocks, etc. - When the peony is matched with flowers, trees and lake rocks, the background can adjust the dynamic and static relationship of the picture, so that the main body of the peony is not isolated and monotonous, enhance the depth of the space or make the peony more cultural. When matching a peony with a vessel, the peony should be the main body, the vessel should be the foil, and the pattern of the vessel should be simple. When matching a peony with a character, the peony and the character's clothing (which could be complicated or simple and decorative) were the main parts. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Peony Freehand Painting
There were many ways to draw peony freehand paintings. The following were some common points: ** 1. Color adjustment ** 1. ** Red Flower ** - Vermilion could be used as the main color, mixed with bright red to form the basic color, and the tip of the pen dipped in ebony to draw. You can also use peony red on the pen belly and dip the tip of the pen in rouge to draw. This way, the red color drawn will be thick and thick to avoid appearing thin after drying. 2. ** Pink * - The color mixing method was white at the base of the pen, peony red at the belly of the pen, and rouge at the tip of the pen. 3. ** Yellow Flower ** - With yellow and white, the tip of the pen is dipped in the color of ochre and vermilion. The flower core can be painted with white or rouge. It can also be painted with white powder at the base of the pen, camboge at the belly of the pen, and green at the tip of the pen. When cleaning up, the tip of the pen should be painted with vermilion or rouge. 4. ** Orange * - Color for the pen root ochre, pen belly vermilion, pen tip rouge. 5. ** Blue Flower ** - You can use indigo, white and a small amount of eos as the basic color, the tip of the pen dipped in indigo painting, or the tip of the pen is white powder, the belly of the pen is blue, and the tip of the pen is painted with rouge. 6. ** Purple Flower ** - White, rouge, and indigo were mixed into the basic color. The tip of the pen was dipped in rouge. After it was roughly completed, it could be used to deepen the depth of the flower core and make the petals more abundant. It could also be white powder, rouge, and a little peptide-cyan. 7. ** White Flower ** - He used grass green, a little ochre, and a small amount of ink to adjust the basic color. When painting, he dipped it in pure white, and the tip of the pen dipped in the basic color. After he was done, he could use green to dye the dark parts and the heart of the flower, and pure white to emphasize the bright petals. 8. ** Ink Flower ** - The writing speed should be fast and decisive. It should have a fresh and carefree feeling. Don't repeat the revision. After the ink dried, you can use stone cyan, stone green, cinnabar and other opaque mineral colors to dot the flower core. When painting the petals, you must use a bold pen and do not leave white. 9. ** Black Peony ** - He used peony red, rouge, and ink to make it black and purple. 10. ** Green * - White, grass green, and a little vermilion were mixed into the basic color. The tip of the pen was dipped in grass green and painted from the reverse petal. Shi Qing was more suitable for painting the petal. 11. ** Dark red ** - Using bright red and a little eos to make the basic color, the tip of the pen was dipped in rouge, and the brush was clean and neat. It was to avoid repeating the brush to avoid "burning" the painting. The difficulty lay in the control of water content. If there was too much water content, the color would not feel heavy. If there was too little water content, it would easily appear dry and dull. Only with appropriate water content could it be thick and moist. ** 2. Drawing Steps ** 1. ** Flower Head Drawing ** - For example, when using the No. 3 Goat Hair Pen to draw a pink flower head, the pen belly was dipped in a little white powder, and the tip of the pen was mixed with a light red. Then, the reverse petal was drawn with the dotting brush method. After that, a slightly thicker red was added in front of the brush, and after mixing evenly, the tip of the pen was dipped in a thick ebony red. Then, the dotting brush method was used to draw the positive petal. The color of the outermost petal was darker. In the darkest part near the greenhouse, a little ink red was added to the tip of the pen to draw deeply. The drawing technique of the light red flower head at the bottom was similar. The color of the reverse petal was white powder mixed with ebony red, the color of the positive petal was ebony red, the tip of the pen was dipped in rouge and the ink was written in the darkest place. The reverse petal of the yellow flower head is the white powder of the pen belly, and the tip of the pen is garcinia. The positive petal is on the basis of the original reverse petal, and the tip of the pen is mixed with eos. - The flower bud was mainly drawn with a dotting stroke, but each dotting stroke had a certain stroke method, such as from top to bottom, from bottom to top, from left to right, from right to left, etc. The flower bud was divided into front, side, front and side, and other forms of expression. The flower buds on the front were mostly completed with four or five strokes, and the center was added with heavy colors; Some of the flower buds on the side were completed directly with one stroke, and some were completed with two or three strokes; The flower buds on the front side were completed with five or six strokes, and then one or two strokes were used to extend the petals to complete the shape. 2. ** Drawing of torus and leaves ** - Use No. 2 and No. 3 wolf-hair brush or stone badger bucket brush, fill the belly of the brush with garcinia and cyanine, dip the tip of the brush in rouge, and draw the tender leaves and flower holders according to the growth law and the needs of the composition. Then, use garcinia cambogia and indigo to adjust the pen belly, dip it in thick ink to draw deeper leaves. When the water content on the pen is insufficient, dip the tip of the pen in water and continue to draw the leaves. It is best to draw the gradual effect. Pay attention to the layout of the leaves and the shade of the leaves. 3. ** Hook leaf tendons and tender branches ** - He used a small brush or a leaf tendon pen. He used rouge and ink for the tender leaves and leaf tendons, and thick ink for the old leaves. He used the traditional nail head and mouse tail method to outline the direction of the leaves. Using garcinia and indigo, the tip of the pen was dipped in rouge to draw out the tender branches to connect the leaves. This step required strength in the brush. 4. ** Old stem and tender shoot drawing ** - Use No.2 and No.3 wolf hair bucket pen, Lao Gan uses vermilion and light ink or ochre to adjust the pen belly evenly, dip both sides of the pen in thick ink to draw. Garcinia cambogia and indigo, the tip of the pen dipped in rouge to point out the tender buds. Pay attention to the interweaving of the branches. 5. ** Drawing with stamens ** - You can use the small sheep hair to adjust the titanium white to draw the stamen, pay attention to the size and direction, and then use the bucket pen to adjust the light stone blue and light ink to clean up the entire layout. You can also adjust the color of garcinia and Taibai with a pen to point out the pistil. The pistil should be high or low, long or short. You can also point out the pistil in the middle (such as using three green dots to point out the pistil in the middle). When creating peony freehand paintings, the permeating effect of the rice paper should be fully exerted. The color of the flowers mainly depended on the water to mediate, and could not rely too much on the white color to avoid the effect of hardening and drying. At the same time, we should pay attention to the shape and charm of peony flowers. Don't copy its type mechanically. From "getting its shape to losing its shape, then getting its charm", we should truly understand the true essence of peony beauty and use appropriate techniques to describe it. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Freehand Painting Peony
Freehand Peony was an important part of traditional Chinese painting. When drawing freehand peony, there were many ways to draw the flower head. For example, some used the No. 3 sheep hair brush and the center stroke to draw. When drawing the pink flower head, the pen belly was dipped in a little white powder, and the tip of the pen was mixed with light red. First, the reverse petal was carved with the dotting brush method. Then, a slightly thicker red was added in front of the brush. After mixing evenly, the tip of the pen was dipped in thick eos and continued to carve the positive petal. The color of the outermost petal was darker, and it was close to the darkest part of the greenhouse. The tip of the pen was added with a little ink red to carve deeply. The yellow flower head was inverted with white powder in the pen belly, and the tip of the pen was garcinia. On the basis of the inverted petal, the tip of the pen was added with more eos to blend. The drawing of the flower bud was mainly done with a dot-like stroke, and there were various strokes, such as from top to bottom, from bottom to top, from left to right, from right to left, etc. The flower bud could be expressed in front, side, front and side, etc. The strokes were different in different forms. The flower bud on the front used four or five strokes to complete the shape, and the center was added with heavy colors. Some of the flower buds on the side were completed directly in one stroke, some were completed in two or three strokes, and the flower bud on the front and side used five or six strokes to complete the main body. Then, he used one or two strokes of petals to complete the shape. From the shape classification of peony flower heads, there were three types and six types, including single-petal type (mostly lotus type and sunflower type), multiple-petal type (divided into tortoise-type and rose-type), and thousand-petal type (mostly hydrangea type and crown-type). In terms of color, it was divided into nine color systems. Peonies of different color systems had different blending methods. For example, white peonies used three colors of zinc-titanium white, plant green, and rouge; yellow peonies used four colors of zinc-titanium white, garcinia, plant green, and rouge. When drawing peony, the flower holder and leaves should be painted with No.2 and No.3 Wolf Hair or Stone Badger Fighting Pen. The tender branches and leaves should be filled with garcinia and cyanine. The tip of the pen should be dipped in rouge to paint. Then, garcinia and cyanine should be used to adjust the pen belly. The dark leaves should be dipped in thick ink to reflect the gradual effect. When hooking the leaf tendons and tender branches, the tender leaf tendons were painted with rouge and ink, and the old leaves were painted with thick ink, using the traditional nail head and mouse tail method. Old stem and tender shoots were painted with No. 2 and No. 3 Wolf Hair Pen. The belly of the pen was evenly adjusted with vermilion and light ink or ochre. Both sides of the pen were dipped in thick ink to draw the old stem, garcinia and indigo, and the tip of the pen was dipped in rouge to point out the tender shoots. As for the pistil, the pistil used a big white cloud pen, the pen belly was mixed with stone cyan or stone green, and the tip of the pen was dipped in rouge. The stamen used a small white cloud pen, and it was evenly matched with the yellow color of titanium white. In addition, the flower bud in a work should be paid attention to the proportion of the flower head, and when painting freehand peony, one should appreciate the charm of peony, not mechanically copy its type and form. It needs more painting, more practice, more thinking and more summary, so as to truly show the beauty of peony. While waiting for the TV series, he could also read the exciting content related to this site!
The best freehand peony painting
The quality of a work of art was very subjective. Different people might have different standards for judging the best. However, there were some painters who were highly praised for their freehand peony paintings. For example, Zhu Qizhan's freehand peony paintings were bright and resounding in color, with a strong sense of rhythm, power, and layering. The more he got older, the more vigorous and unrefined they became. The peony paintings under his pen were the performance of "clusters". Several huge flowers were blooming, graceful and magnanimous. The branches were "unkempt" but charming. The dark green branches and leaves were only a few strokes but had a meaningful charm. Shi Guozhi was also good at painting peonies with freehand painting techniques. His "Only Peonies Are the True Colors of the Country" showed the blooming scene of peonies through freehand painting. Peonies were especially beautiful under the heavy ink and heavy color rendering. Through freehand painting, he painted the peony with heavy makeup and light colors, thick black and green leaves, and the theme was distinct and prominent. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Freehand peony inscription and signature
Freehand peony inscriptions and inscriptions have a variety of choices. ** 1-word and 2-word title examples ** 1. ** Reflect the shape or charm of a peony ** - "Fengshen": The peony is depicted with elegant charm. - "Hongfang": It emphasized the fragrance and beauty of the peony as a red flower. - "Condensed Fragrance": It highlights the characteristics of peony fragrance condensation. 2. ** From the perspective of the environment or posture ** - "Xiao Yan": It can express the gorgeous posture of the peony in the morning. - "Dazzling Frost": It has a unique beauty in a frosty environment. ** Two-and three-word title examples ** 1. ** It's related to the preciousness or characteristics of peonies ** - "Heavenly Fragrance Quality": Reflects the Heavenly Fragrance quality of the peony. - "Great Wealth": It expressed the meaning of peony symbolizing wealth. - "Luoyang Red": If the peony painted was of the Luoyang Red variety, it would be appropriate to name it this way. 2. ** Starting from the viewer's feelings ** - [Drunken Spring Brilliance]: It was as if the peonies were immersed in the glory of spring, and it could also make the viewers feel intoxicated. ** Three-and four-word title examples ** 1. ** Depicting the colors and postures of peonies ** - "First-grade Vermillion Clouds": Peony was compared to a first-grade red cloud. - "Jade Face Reflects the Moon": It sets off the peony's face against the moon, which is poetic. - "Snowy Spring Greeting": If it's a white peony, it has the feeling of being gorgeous in the snow and welcoming spring. 2. ** Reflects the noble temperament of a peony ** - "National Beauty and Heavenly Fragrance": This was the most classic description of a peony. It directly pointed out the noble quality of a peony. - "Riches and Immortals": It contained both wealth and the elegance of immortals. ** 4 - 7 word title example ** 1. "Only peonies are truly beautiful." This classic poem was used to inscribe, reflecting the unique status of peonies among flowers. 2. [A thousand delicate forms break through the morning glow]: The delicate posture of the peony is as beautiful as breaking through the morning glow. When signing, in addition to choosing the appropriate title above, you can also add the artist's name, the time of painting (such as a certain day in 2024) and other information. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Freehand Peony Painting Works Appreciate Fine Works
The following are some of the main points to appreciate freehand peony paintings: ###1. In terms of composition 1. ** Rationally arranged ** - In some excellent freehand peony works, the layout would pay attention to the vertical and horizontal, and the virtual and real. For example, in some works, a variety of flowers were arranged in parallel. Through the combination of points and surfaces, the flowers were numerous but not complicated, and they were unified in contradiction, creating a feeling like a breeze. - For example, the works that represented the theme of spring in Luo City arranged all kinds of peonies in the painting. The contrast of density was extremely strong, and the flowers and branches were scattered. The theme was highlighted through the bright colors and the appropriate layout of the flowers and leaves. 2. ** Combination of Picture Elements ** - The background of a peony painting was very important. Elegance was the most important. For example, some works were decorated with a stone, a clump of bamboo, and a pair of birds, which matched with the bright peony flowers to make the picture reasonable, harmonious, and more lively. Through the contrast of color and ink, the rich and elegant peony was expressed. - In the form of composition, there were mainly horizontal ones, such as the combination of a cluster of flowers and a cluster of bamboos, which constituted the contrast and unity of the picture. ###2. Color 1. ** Color expression ** - The key to painting the peony's color was to appreciate both refined and vulgar tastes. For example, the work of Yan Guan Qunfang had five colors of flowers drawn, and the colors were gorgeous and extraordinary. When mixing colors, one should pay attention to the brightness and variety of colors. For example, the color matching of green peony could be stone green or head green, and the amount of Kato yellow needed to be grasped. Painting light green powder was big, and dark green powder was used less. The pursuit of subtle changes in unification. - In the performance of red peony, rouge and ebony were used as the main colors, and the moisture of the flower was shown through the adjustment of the amount of white powder. 2. ** The relationship between colors ** - The penetration of colors would affect the overall look of the peony. For example, in some works, through the reasonable use of lecherous, moisture and white penetration, halo effect, so that the peony colorful but extraordinary. At the same time, the richness of the colors and the variety of the composition would make the picture bright and pleasant, rich and peaceful. ###3. Writing Techniques 1. ** The fluency of the pen ** - Some works focused on freehand calligraphy, neatly writing the form of peony, pursuing the moisture of brush and ink and color. It was done in one go, with the style of green vines. For example, in the works that reflected the style of peony, the brush was unrestrained, the ink was moist, and it was moist with the meaning of spring rain. - In the traditional Chinese painting of peony, in order to avoid breaking the branches, leaves, and flower shapes, it was necessary to pay attention to the combination of the brush and brush. At the same time, it was necessary to pay attention to the integrity of the outer outline of the flowers and leaves, so as to make the picture complete and colorful. 2. ** Reflect the charm of peony ** - Whether it was a blooming flower or a flower bud waiting to be released, excellent works could give people a vivid and realistic visual enjoyment. Through conciseness, lightness, dryness, and moisture, the peony's temperament, charm, and vitality came to his face. The pen's meaning was continuous and the charm was connected. In addition, painters such as Dong Liangda, Wang Zheng and Zhang Jixin all had freehand peony works. Dong Liangda's works were included in "Dong Liangda's Peony Freehand Painting Selection", which could be learned, referred to and copied by painting enthusiasts or art beginners; Wang Zheng's freehand peony painting was concise and magnificent, with a flying charm; Zhang Jixin's freehand peony works were published by Tianjin Yangliu Painting Society. The works of these artists all reflected the charm of freehand peony painting in different aspects. One could appreciate their fine works from the above perspectives of composition, color, and strokes. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
A novel of the freehand style with good words
He recommended " China Entertainment: This Celebrity Is A Little Busy!" The author's third pen name was an urban entertainment star. The story started from the role of " Startling Step by Step." " Book of Rebirth " was written by Reading Books in Leisure. It was an ancient romance and had elements of suspense from the past and present. However, the author was harassed by the group and received malicious ratings. " Qi Shan ", Linglong Xiu's work. Ancient romance, classical, and empty. The female protagonist changed from a powerful woman to a reserved little woman. The style of writing was plain. 2.5 stars. The plot was mostly about splitting up and settling grudges. There were also some old-fashioned ideas. The female lead's golden finger setting was strange, and the plot was like an essay. The Story of Benevolence was a modern romance about urban life written by Love With A Smile 1001. It was an inspirational story of a female reporter in the workplace. " A Fated Love in the Field " was an ancient romance novel created by Rong Yan. The female protagonist grew vegetables during the day and became a chivalrous thief at night. It was a slow-moving novel. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Good words, freehand style, is the ending he?
Yes, the ending of the novel Freehand Words of Compassion was a happy ending. In the novel, Su Xieyi recovered all his memories and knew the true reason for the accident in his family. He regretted misunderstanding Li Zeliang and was sad that he had hurt his lover. In the end, he gave up his hatred and embraced a happy life with Li Zeliang. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of novel's theme is freehand style?
I recommend a few super interesting novels. " Rebirth of a Leisurely Landlord " was a modern romance novel written by Mu Shuang. The female protagonist struggled for 30 years and returned to 1994. She wanted to farm and raise flowers leisurely, but there were always small episodes in life. The author's new book, Survival of the Wealthy Class, had also been uploaded. " If This Heart " was an ancient romance novel by East Deity Xie Wang. The female protagonist did not know the meaning of life in a different world and stumbled after being married. Little Xie also had a new book,"The Flying Fairies of Mandarin Duck" and a short story,"The Blue Irises of Destiny." " The Dragon Clan: The Returning Him, Defies the Heavenly Fate ". A light novel derived from a sleepless night. Lu Mingfei reincarnated in a place similar to the world of the Journey to the West and refused to accept his fate. In the end, the Great Sage opened his eyes and he was able to return home to fight against the Heavenly Fate. Rating: 4.5 stars. " I told you to fish, but you caught a nuclear submarine?" Shen Xindian wrote a novel about urban life. The fishing streamer was reborn in a parallel world. Although he couldn't catch fish, he could always catch strange things. It was a relaxed and refreshing novel. The new author had only signed a contract for one work. " Missing Call " was Jassica's ancient romance novel, which was a female contestant's work. It was released in physical form in December 2009. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Freehand photography technique
Here are some freehand photography techniques: 1. [Make good use of depth of field relationship: Depth of field is very important in photography.] By using the depth of field to show the virtual reality and level of the picture, it could achieve the freehand effect. For example, the blurring effect of a super-large aperture lens could make the picture soft and beautiful, creating an artistic feeling. This blurring effect came with an ink wash effect, which was commonly used when shooting flowers. Moreover, the relationship between the virtual and real caused by blurring could highlight the main body and simplify the picture, making the shot different from what was actually seen. 2. [Choosing the right subject: The key to photography is discovery. The choice of subject matter in the early stages of filming is very important.] Some subjects were easy to take good photos, such as moss, falling flowers, and running water. It was easy to make people feel good about them, and it was easier to take good photos. And some things that looked good, such as peonies, were difficult to capture in photography. In addition, in addition to the subjects that the public paid attention to, some details, such as the tender green, might be easier to capture. 3. [** simplify the picture **: photography is about reduction, but how to reduce it is a common problem for photographers.] Although minimalist pictures were pleasing to the eye, they required the photographer to have sufficient experience and knowledge of aesthetics. The simpler the picture, the more artistic it was, and the harder it was to shoot. 4. ** Using special techniques and means **: Freehand painting pursues a balance between seeming and not seeming, so can photography. For example, at night, a piece of glass could be used as a front board, and water or oil paint could be sprayed on the glass to simulate the effect of oil painting; when taking flowers, a watering can and smoke could be used to create the atmosphere of the picture to enhance the artistic sense of the picture; using a rewinding lens could produce a different effect from a conventional lens. 5. ** Choose special weather **: Weather changes are very important for photography. Fog would create a lot of white space, giving the photographer more room to play. Sunny or rainy days also had their own characteristics. After the rain, the weather might change, and special light and shadow effects like the Jesus light might appear. 6. ** Choose a novel angle and deliberately create a sense of loss **: Shoot from a novel angle and deliberately hide some of the elements of the scene to arouse the audience's guess and increase the interest and freehand feeling of the scene. 7. ** Using Foreground Elements **: The blurred Foreground can enhance the beautiful atmosphere of the photo, making the photo have a beautiful artistic conception. It can also block the unsightly picture elements and increase the layering of the picture. 8. ** Choose the right shooting time **: The sky will show different colors at different times due to the influence of light. You can shoot a different picture by choosing the right shooting time. For example, the color of the sunset at dusk will overlap with the cold and warm colors, which can make the silhouette of the reeds more colorful. It is also possible to take a unique picture by overlapping the image of the sun with the petals of the flowers. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
How to draw a peony in cartoon style?
To draw a peony in cartoon style, begin with a circular outline for the flower head. Draw large, floppy petals around it. Use bright colors like pink or purple. Add some highlights and shadows to make it pop. You can also add a stem and leaves with simple shapes.