Gusu Old Yuan Datou Recovering Cultural Relics Purchasing Store
There were some places in Gusu where Yuan Datou was purchased. For example, the Gusu District Old Artifacts Hall Arts and Crafts Shop would collect old silver coins, including Yuan Datou. There was also the Suzhou Silver Dollar Recovery Center that collected Yuan Datou and other silver coins at a high price. They could also collect them on the spot. In addition, there were also private bosses in Suzhou who came to buy Yuan Datou with cash. Read more exciting novels for free
Deqing County Cultural Relics Bureau bidding and purchasing information
The reference materials only mentioned two pieces of procurement-related information about the cultural relics management office of the Dragon Mother Ancestral Temple in Yuecheng, Deqing County. One was the direct purchase contract for the collection of goods by the split desktop computer, including the contract number, contract name, project number, project name, buyer, supplier, main information of the contract, contract signing date, contract announcement date, etc. The second was the announcement of the acceptance results of the direct purchase contract for wooden tables and tables, including the acceptance date, members of the acceptance team, acceptance opinions, etc. No other bidding and purchasing information of Deqing County Cultural Relics Bureau could be found. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics are treated as old
There were many ways to make relics old. There was a cruel method to make jade artifacts. It was to force jade artifacts into the body of a live sheep. Three years later, the sheep would be killed and the jade artifacts would be sold at a high price as old goods. For old porcelain, the first thing to do was to remove the "thieving light" on the surface of the new porcelain. It could be done by brushing a layer of corrosive acid on the porcelain. This process was called "biting". In addition to removing the "thieving light," the acid could also cause small cracks on the surface of the porcelain that were similar to natural cracks. After that, put the "bitten" porcelain into the pot to boil. In the pot, add tea leaves, salt, soda, ink, dye, potassium Permanganate and other condiments.(The type, amount, and length of cooking depended on the texture and age of the porcelain.) The process of letting the color of the condiments seep into the cracks was called "feeding". Some porcelain needed to be "fed" many times to achieve the desired effect. After these processes, the small pieces on the surface of the porcelain would have a permanent color, and the white parts would also turn yellow. There were also some porcelain that were not cooked after being "bitten". Instead, they were buried in the soil or used soil mixed with lead powder, bronze rust powder, rust powder, and other condiments to paste the porcelain inside and outside. After being buried or pasted for a long time, these condiments in the soil would seep into the small cracks on the surface of the porcelain. In terms of making old bronze or bronze mirrors, the forgers would modify the old bronze mirrors, such as cutting the broken or damaged patterns on the edge and outer area of the bronze mirror along the damaged parts, then polishing and making them old. They would also dig a hole in the new bronze mirror and embed the old bronze mirror to make them old. The purpose of antiques was mostly to make fake ones for profit. The antique market was mixed with real and fake antiques, so they needed to be careful when collecting them. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A Day in the Life of an Old Cultural Relics Worker
Take the workers who repaired cultural relics in the Forbidden City as an example. They went to work at eight in the morning and got off work at five. The main job was to repair cultural relics, which required superb skills and professional knowledge. Day after day, they were engaged in similar work. For example, the calligraphy and painting restorers would repair ancient paintings, and the wood restorers would deal with Buddha statues and wooden carvings. They dealt with paste, ink, lime, etc. every day. The female restorers in the textile team could not put on makeup, spray perfume, or do nails to prevent damage to the fragile cultural relics. Wang Xinyi, a cultural preservation worker at the Hanguangmen Museum of the Tang Dynasty's Imperial City Wall in Xi'an, recorded the temperature and humidity of the ruins twice a day. After recording, he brought the data back to the office to sort out and analyze it. He cooperated with the electronic data in the museum and paid close attention to the subtle changes in the ruins in the museum. Once there were changes, he would take corresponding protective measures immediately. Generally speaking, the days of old cultural relics workers were often regular. They could endure loneliness in their respective positions, and they were persistent in their work content. They protected cultural relics by repeating seemingly boring work. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
353 new cultural relics discovered in the cultural relics survey
Please clarify the question. For example, do you want to know the specific areas of these discoveries, the scope of the survey, or other related content? The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!
Rebirth Cultural Relics
The following were some recommendations for novels related to the cultural relic category: " The Reborn Cultural Relic Master,"" The Great Appraiser,"" The Antique Appraiser,"" The Golden Eye Appraiser of Antiques,"" I Can Repair Antiques,"" The Foreignland's Ace Appraiser,"" The World's Collection," and so on. These novels covered topics such as the identification of cultural relics and the restoration of cultural relics. They were suitable for readers who liked such topics.
Lovesickness in the cultural relics
The cultural relics contained many feelings of longing. For example, in the Book of Songs, Xiaoya, Yuanyang, the mandarin duck was compared to the love between husband and wife, and the "red bean" mentioned in Wen Tingyun's "Two Songs of Southern Songs" represented deep love. These literary works also echoed the cultural significance embodied in cultural relics. For cultural relics like the engraved silver box, the bottom of the box was engraved with a pair of men and women standing side by side and the words "two people of the same heart". It was as if one could see the scene of a man giving a powder box to a woman he liked a thousand years ago. It contained the love between a man and a woman. The Western Zhou jade pendant was two meters long. It was the only thing Marquis Mu of Jin cared about and doted on the second wife. It reflected the deep feelings between husband and wife. Even if they were separated by yin and yang, it contained the thoughts of the living for the deceased. The golden hairpin in the Suzhou Museum had witnessed the love between Sun Ce and Da Qiao. Now, it could also make people feel the yearning and nostalgia that spanned thousands of years. More than 4800 pieces of exquisite jewelry were unearthed from the tomb of the King of Mingliang Zhuang and his step-concubine, which witnessed the experience of the husband and wife living together. Behind their "living in the same quilt and dying in the same cave", there was also endless longing and attachment for each other. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!
Nanyatang cultural relics
The document mentioned the Complete Collection of Nanyatang Medical Books, but it did not clearly indicate that it was detailed information about cultural relics, such as the age of cultural relics, texture, archaeological excavation, etc. He only mentioned that he had carried out an exploratory restoration of the Complete Collection of Nanyatang Medical Books. He adhered to the principle of repairing the old as it was, and compared the cleaning effects of different cleaning reagents. For the large number of mold spots in the book, he found that the solution of potassium Permanganate was more thorough in cleaning, and the solution of CaClO was more suitable for oil pollution treatment. Because the paper was too thin, it was easy to store it in the form of a full-page frame, and it was bound in a thread form. Therefore, more information about the cultural relics of Nanya Hall could not be accurately given. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Taicang cultural relics
Taicang was rich in cultural relics. In terms of ancient bridges, Taicang Stone Arch Bridge was built in the first year of Yuan Dynasty (1330). There are five well-preserved bridges, including Zhou Bridge, Zhoujing Bridge, Gao Bridge, Jingting Bridge and Jinji Bridge. In 2006, it was announced as the sixth batch of national key cultural relics protection units; Boxun Bridge was built in 1934, which is the junction bridge between Taicang and Kunshan. In terms of ancient architecture, Yanshan Garden was the home of Wang Shizhen, a writer and historian of the Ming Dynasty. There were many scenic spots in the garden. Wang Xijue's former residence was built during the Wanli period of the Ming Dynasty. The existing gate house and Wang's ancestral hall had three entrances. The calligraphy stele of Zhao Mengfu of the Yuan Dynasty in the stele corridor of the courtyard was a valuable ancient stele inscription and was listed as a provincial cultural relic protection unit in Jiangsu Province. The West Tower of Huangjing Town was built during the Wanli period of the Ming Dynasty and rebuilt during the Qianlong period of the Qing Dynasty. It was the only well-preserved ancient tower in Taicang, and also the cultural relic protection unit and red ruins of Taicang City. The "Little Red Tower" in Chengxiang Town is now the theme art museum of the Wanguo Wharf. The Liuhe Tianfei Palace was built in the fifth year of Xuanhe of the Northern Song Dynasty (1123 AD). It was moved to the current site in the Yuan Dynasty and promoted to the national key cultural relic protection unit in 2013. Its sleeping hall architectural style is simple and elegant. In terms of ancient ruins, Liangzhu Culture and Maqiao Culture were excavated in 2003, filling the gaps in Taicang's primitive culture. Taicang's history was traced back to 4500 years ago, and it was called the "Root of Taicang". In addition, by 2011, there were 2 national cultural relics protection units, 6 provincial cultural relics protection units, and 29 city (county) level cultural relics protection units. Liuhe Tianfei Palace was listed as a national key cultural relics protection unit in 2014. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
30 billion cultural relics
There were several mentions of cultural relics related to 30 billion yuan: First, the cultural relics on the South China Sea No. 1 shipwreck, which World Heritage expert Jones had said could be worth more than 30 billion US dollars; Second, the more than 380,000 cultural relics collected by the folk collector Li Jiquan, whose total value was estimated to be more than 30 billion yuan by the cultural relics experts in the collection industry. The ancient plate in his bedroom was valued at 600 million yuan. There was also the collection of Li Jiquan, the owner of the Silk Road Ancient Culture Museum in Beihai, Guangxi. The total value of the cultural relics collected exceeded 30 billion yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Maye Cultural Relics
Ma Wei Du had many precious cultural relics. For example, he bought the Northern Song Dynasty Ru kiln wash from a Japanese collector at a low price, and the same model was sold at Sotheby's for 300 million yuan. He had four Jun porcelain hanging screens, which were very valuable. A thief once broke into the house and stole a TV set, but the Jun porcelain hanging screen was kept. He also had a Southern Song Dynasty official kiln long-necked vase, which had a legendary origin. He bought it from a friend for 1% of the cost of the porcelain, and its value could reach nine figures. There was also the only Ming Chenghua imitation Ru glaze elephant ear furnace in the world. These collections of cultural relics reflected Ma Weidu's achievements in the field of cultural relics collection. Some of the collections were collected in the Shanghai Guanfu Museum he founded. The Shanghai Guanfu Museum is located on the 37th floor of the Shanghai Center Building, No. 479, Lujiazui Ring Road, Pudong New District. As of 2024, there are 348 pieces/set in the museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>