Pingze dictionary
There were two kinds of Pingze dictionary mentioned. One was the new edition of the Pingze dictionary published by the Meiji Academy on December 20, 2012. The other was the thread-bound edition of the Pingze dictionary by Jeonryum Gukhee published by the Bingwu Press in 1925. It was a reference book. While waiting for the TV series, he could also read the exciting content related to this site!
The 16 words of the Pingze Formula
One or three or five words can be combined, lonely flat lonely narrow farewell meet. Be careful with the three flat words. There is a new meaning in the exchange of flat tones.
All the novels of Pingze Ke
All of Pingze Ke's novels included " Wives Above,"" Dignity," and " Eldest Daughter."
Pingze Ci Pai Meters
The Pingze rhythm of Ci Pai was more complicated and varied. ** One and Two Word Ci Pai Ping Ze Metre example ** 1. ** Squeak ** - For example, the first two words of "thin luck" and "not seen" are flat and narrow. 2. ** Ping Ping ** - Like "Changchun" and "Chuiyang", the first two words are flat. 3. ** Pingze ** - For example, the first two words of Ci poems such as "Chun Nong" were flat and oblique. 4. ** Peace ** - Like "Dark Fragrance" and other Ci, the first two words are flat. ** Two and Three-word Ci Pai Ping Ze Metre example ** 1. ** Peace ** - For example,"Young Master An" and "Anyang is good" had a flat tone. 2. ** Common ** - For example,"Eight Treasures Make-up" and "Eight Pai Man" had a flat rhythm. 3. ** Intense ** - For example,"Anagqu","Anqing touch" and other Ci tablets, the three words of the flat tone meter is flat tone. 4. ** Common and flat ** - For example,"Ai Gu Yun" and "Ba Yin Xie" were three words with flat tones. Different Ci poems also had their own rules on the subsequent word count and meter. These flat tones and meters needed to be followed when writing lyrics to reflect the rhyme beauty and meter requirements of Ci poems.
How to use the Pingze formula
There was a pithy formula for seven-character rhymed poems,"One, three, five are not important, two, four, six are distinct." The method of using it was as follows: In a seven-character rhymed sentence, the first, third, and fifth characters could be used flexibly. They could use flat tones or flat tones. The second, fourth, and sixth characters were the rhythmic points, so they had to be clear in level tones. If the flat tone should be used, it had to be flat. However, this pithy formula was not comprehensive, and beginners could easily misunderstand it in practice. There was also a kind of pithy formula, such as "One, three, five, although accommodating, in the sentence to guard against loneliness and peace." Although we don't talk about the 135, we should guard against the three levels. The second, fourth and sixth words should be clear, and the last words should be clear. Plain rhyme strange sentence oblique, oblique rhyme strange sentence flat. If the first sentence rhymes, the last word of the couplet is the same. If it's an even sentence, the two words are flat. Strange words are suitable for mastering, even words must be clear. The rules are generally the same. If the rhyme is used, the poem score will be greatly moved. Every sentence is inverted three or three, changing the tone and level." When using it, although the first, third and fifth words could be accommodated, they should prevent the situation of being isolated and even three flat; the second, fourth and sixth words should be strictly defined, and the words at the end of the sentence should be clear and accurate. If it is a flat rhyme poem, the last word of an odd-numbered sentence (except the first sentence) should be in the flat tone. If it is a flat rhyme poem, the last word of an odd-numbered sentence should be in the flat tone. If the first sentence rhymed, the last word of this couplet was the same. If it is an even sentence, the tone should be alternated. The tones of odd-numbered characters could be properly mastered, and the tones of even-numbered characters must be clearly defined. The rules of arrangement and minor temperament were generally the same. If the rhyme was used, the poem score did not need to be changed greatly. The first and third words of each sentence could be swapped. As for the Seven Laws and Seven Jue, there were 'Ze Ze Ping Ze Ping Ze' and 'Ping Ze Ze Ping Ze' respectively. Ping ping, ping." These four sentences were the foundation, and he could create through changes. In addition, there was a simple method to judge the tone of the first and second tones of the Hanyu Pinyin, and the third and fourth tones of the Hanyu Pinyin.
Pingze antithesis formula, 135, no matter
The "one, three, five, no matter" in the formula of Pingze antithesis referred to the words in odd positions (first, third, fifth, etc.) in the rhythm of couplets or poems. The requirements for Pingze were relatively loose and could be handled flexibly. There was no need to strictly follow the rules of Pingze. On the other hand,"246 clearly" meant that the characters in the even positions (second, fourth, sixth, etc.) had stricter requirements and had to follow the rules of alternating tones. When judging the tone, it is generally based on the first and second tones of Mandarin as the level tone, and the third and fourth tones as the sound. However, there were some special circumstances that needed to be noted. For example, the first word in the five-character sentence "Pingpingze, Zheping" could not be changed at will. Otherwise, it would be "Zhepingze, Zheping". This was a big taboo. If you wanted to change it, you could change it to "Zhepingze, Zheping"(Solitary Pingao Rescue). The third word in the seven-character sentence "Zhepingze, Zhepingze, Zheping" could not be changed at will. Even if it changed, it would be "Zhepingze, Zheping". If you wanted to change it, you could change it to "Zhepingze, Zhepingze, Zheping". In addition, there were exceptions such as the seven-character "Ze Ze Ping Ze Ping Ze" and the five-character "Ze Ze Ping Ze". Although they did not conform to the "two, four, six clear" principle, they were still considered legal. The last word of the first sentence of the couplet should be the sound of the voice, and the last word of the second sentence should be the sound of the voice.
Hillside Sheep Metre Pingze
Northern Song [Zhonglu] is a formal style, eleven sentences, nine rhymes, or each sentence into the rhyme. The previous use of four-tone rhyme, must be removed. The seventh sentence can be flat or oblique rhyme, if oblique rhyme, must be on the rhyme. In the ninth sentence, the flat tone can also be used as the upper tone. The last four sentences can also be written as two four-sentence sentences, no need to add teasing. There are 11 sentences and 43 words, with nine rhymes, five zonal rhymes, two alliteration rhymes and two leaf rhymes. The fourth and fifth sentences were Ye Pingyun, and the ninth and eleventh sentences could also be Ye Pingyun. Southern Song [Shang Diao] is the formal style, eleven sentences, eleven rhymes. Variant, twelve sentences, ten rhymes. The structure of "Shanpo Yang" in the southern song was not as stable as that of "Zhonglu Shanpo Yang" in the northern song, which varied from nine to twelve sentences. It seemed that each sentence in the northern song had been expanded.
The Pingze Pattern of Yuan Qu
The Pingze format of Yuan Qü had the following characteristics: 1. ** Strictly strict ** - The tune board stipulated the number of sentences, word count, tone, and rhyme format of the tune. In terms of level tones, the requirements for music were stricter than those for poetry and Ci. There was a clear distinction between the four tones, and it was better to use the upper tone than the lower tone (although they all belonged to the tone). In some cases, the flat tone of Qu should be divided into Yinping and Yangping, and the sound should be divided into Shangsheng and Qusheng. However, there was not much difference between Yin Ping and Yang Ping, so there was no need to strictly distinguish them. However, the distinction between the upper tone and the falling tone was sometimes very strict, especially in the rhyme. The opposition between the upper tone and the falling tone was very obvious. The independence of the falling tone was very strong. Where the falling tone should be used, not only was the level tone not allowed, but the upper tone was also not allowed. - For example, Ma Zhiyuan's "Yue Diao·Tianjing Sha·Autumn Thoughts", the last two words of the third sentence must be "to go up", and the fourth sentence must be removed from the rhyme. Otherwise, it could only be considered "second best." 2. ** Intergeneration Phenomenon ** - Although the upper tone and the falling tone both belong to the same sound, the upper tone in Yuan Qü is closer to the flat tone. Therefore, where the rhyme should be used, the level tone can occasionally be used; Where the level tone should be used, the upper tone can also be used occasionally. For example, the last two words of the third sentence of Bai Pu's "Yuediao·Tianjing Sand·Spring" were "to be flat", which was the phenomenon of mutual replacement between flat and upper. 3. ** The characteristics of a rhythmic sentence ** - The combination of the temperament and the word tone of the song was similar to that of the Song Ci. Many tunes and Ci tunes only had the difference between the tone combination of the song and the word tone. - At the same time, some of the combinations of qupai characters were mainly composed of flat tones, but there were also mixed combinations. There were also non-rhythmic sentences, such as the Tongping Ao sentence (the seven-character sentence was-to go, and the five-character sentence was "-Shang"; there was also a Tongping Ao sentence that did not exist in poetry, --, and the sixth character was changed from flat to Ze, which belonged to the rhythmic sentence), and there were also the Guping Ao sentence (the seven-character sentence was-to go, and the five-character sentence was "-to").
The eldest daughter, Pingze, spoiler
The female protagonist of " The Eldest Daughter " was the eldest daughter of the Shen family of Wu Yue in her previous life. Her family was prosperous and powerful. She became the Empress and enjoyed wealth. However, in the end, her entire family was destroyed and she was deposed and imprisoned. All of this was done by her husband who helped her ascend the throne. After her rebirth, she was still the eldest daughter of the Shen family of Wu Yue. She used her intelligence to take revenge. She wanted to save the family, change her fate, and embark on the path of power. In this process, she would engage in a wonderful battle of wits with the villains. The plot did not drag on, and the intelligence of the characters was mostly online. There were many and complicated characters. The emotional scenes were weak and the male lead had less scenes. The female lead did not become the Empress or the Emperor but became the Eldest Princess who would be remembered for thousands of years. She led the Shen family to break through the tight encirclement in the changing situation and finally became the Royal Family of the world.
The Pingze Pattern of the Seven Jue
There were mainly the following types of tones in the Seven Jue, which were distinguished by the first sentence's tone and rhyme: ** I. Ping Qi Ze Shou, the first sentence does not rhyme ** 1. Starting sentence: Ping Ze Ping Ze (Ping Ze crisscross, after two "Ping Ping", there are two "Ze", the last "Ze") 2. Couplet: Ze Ze Ping Ze Ping (Opposite to the beginning sentence) 3. Sticky Sentence: Ze Ze Ping Ze (Same as the first two words of the second sentence, the last two words are Ze Ze) 4. Couplet: Ping Ze Ze Ping Ze Ping (Opposite to the third sentence) ** Two, start and end evenly, rhyme the first sentence ** 1. Starting sentence: Ping Ze Ping Ze Ping Ze 2. Couplet: Oblique, flat, flat 3. Sticky sentence: Oblique, flat, flat, Oblique 4. Couplet: Ping Ze Ping Ze Ping ** III. Rhyming the first sentence ** 1. Starting sentence: Obscure, flat, flat 2. Couplet: Ping Ze Ping Ze Ping 3. Sticky sentence: flat and oblique 4. Opposite Sentence: Oblique Oblique ** IV. The first sentence does not rhyme ** 1. Starting sentence: Obscure, flat, flat, Obscure 2. Couplet: Ping Ze Ping Ze Ping 3. Sticky Sentence: Ping Ze Ping Ze 4. Couplet: Oblique, flat, flat These forms followed the rules of alternating levels and tones in the sentence, relative in the couplet, and sticky sentences. At the same time, the rhythmic poems generally emphasized level rhyme, and under the standard format, they did not turn rhyme or adjacent rhyme (except in special circumstances).
Zhonglu Putian Music Metre Pingze
Zhonglu·Putian Music Xiaoling is used concurrently, and its music score and meter are: Ze Ping Ping, Ping Ping A (rhyme).× Ping × Ze, × Ze Ping (rhyme).× Ze Ping, Ping Ze (rhyme).× Ze Ping Ping A (rhyme), Ze Ping Ping, × Ze Ping Ping (rhyme).×× Ze Ping (top), × Ping ××, × Ze Ping Ping (rhyme). Among them,"A" should go up.