What is Bai Juyi's long-lost love about this poem?
'Changyongsi' was the name of a Ci poem. Bai Juyi's 'Changyongsi' followed the rhythm of this Ci poem and expressed specific emotions and content through the format stipulated by the Ci poem. In Bai Juyi's " Everlasting Lovesickness," it expressed a woman's longing for her lover and her feelings for the flow of time. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Bai Juyi's long-lost love
Bai Juyi's full text is translated as follows: Eternal longing, eternal longing it is a pity that we did not meet on time. My younger brother has gone south of the Yangtze River I'll leave my brother here until he's old. I miss you every night, but I don't see you and together we wrap the bright moon. Together we wrap the bright moon the bright moon shines on the ditch. The water in the ditch is clear My longing for you grew stronger. heart grow fonder the strong feelings flow like water. Flowing like water Water surrounded the mountains. Turn around the mountain I turned the mountain and didn't see you. At night, I suddenly return to my hometown in a dream by the window of the little pavilion I am dressing up. Looking at each other without a word, only a thousand lines of tears I can't wait to be heartbroken year after year the moonlit night is short on the pine hills.
What does Bai Juyi's long-lost love mean?
Bai Juyi's " Everlasting Lovesickness " had a different interpretation. One of them was 'The Flow of Bian River, The Flow of Surabaya River, Flowing to the Ancient Ferry of Guazhou. on Mount Wu I feel a little melancholy. I miss you long, I hate you long, I hate you until I go home. The moon is bright and the people lean against the tower." It is usually thought to have the following meanings: literally, the Bianshui River and the Surabaya River flow continuously until they reach the ancient ferry in Guazhou. Mount Wu also seems to carry melancholy. " Thinking long, hating long " expressed long-lasting longing and resentment. Only when the lover returned would this emotion stop. Under the bright moon, someone leaned against the building and looked into the distance. This poem was actually written by Bai Juyi when he was 69 years old. In his later years, Bai Juyi settled down in Luoyang. His beloved concubine, Fan Su, was from Hangzhou and had accompanied him for ten years. When he was plagued by illness, he considered that he did not have much time left and Fan Su was in her youth, so he sent her back to his hometown in Hangzhou. The place name in the poem was the route of Fan Su's hometown. Bianshui River and Sishui River were the waterways on his route, Guazhou Ferry was the place he passed by, and Wushan was Fan Su's hometown. This expressed Bai Juyi's deep love and longing for Fan Su, as well as the pain of parting. He loved Fan Su deeply and let go for the other party's happiness. After letting go, he suffered the torture of longing. The other was about a woman's love for the person she loved. For example,"The west wind blows in September, and the moon is cold and the dew is condensed." The autumn night is long, and the soul rises nine times in one night. The east wind comes in February, and the grass is torn apart and the flowers bloom. I miss you late in spring, and my intestines turn nine times a day." From autumn night to spring, the woman had been suffering from lovesickness." People say that people have wishes, and wishes will come true. I'd like to be a beast from afar, walking shoulder to shoulder step by step. I wish to be a tree in the deep mountains, and my branches will be connected." It expressed a woman's persistence in love. Bai Juyi wrote this poem from the perspective of a woman. Perhaps he imagined Xiangling's longing for him, or he borrowed the woman in the poem to express his sorrow and worry. It also reflected the obstacles of the ancient feudal society's family concept to love, reflecting his pursuit and yearning for pure love. At the same time, it also expressed his helplessness towards the secular family concept. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
Bai Juyi's poem
Bai Juyi was a great poet in the Tang Dynasty. His poems had a wide range of topics, varied forms, and simple language. He was known as the "Poet Devil" and "Poet King". His representative works include Song of Everlasting Regret, Charcoal Merchant, Pipa Song, etc. His poems expressed his concern and sympathy for the sufferings of the working people, showing the great influence of his kind nature. His works not only depicted the beautiful scenery of Jiangnan, but also expressed his love for the beauty of nature and his hope for social equality. Bai Juyi's poems were of a high level in terms of artistry and ideology, which had a profound influence on later poets.
Bai Juyi's Long Poem "Song of Everlasting Regret"
Song of Everlasting Regret was a long narrative poem written by Bai Juyi, a poet of the Tang Dynasty. The whole poem mainly narrated the love tragedy between Emperor Xuanzong of Tang Dynasty and Yang Guifei. In the first half of the poem, it was written that Emperor Xuanzong of the Tang Dynasty was obsessed with beauty and misled the country. He was extremely fond of Concubine Yang. For example," Looking back and smiling, a hundred beauties are born, and the six palaces are colorless " depicted the beauty of Concubine Yang." The spring night is short and the day is high. From then on, the king will not go to court early." It reflected that Emperor Xuanzong of the Tang Dynasty abandoned the government because of his love for Concubine Yang. In the second half, after the An Lushan Rebellion broke out, Emperor Xuanzong of the Tang Dynasty fled with Concubine Yang. The six armies rebelled at Mawei Slope, and Concubine Yang was ordered to die. After that, Emperor Xuanzong of the Tang Dynasty missed Concubine Yang, such as "The moon in the palace is sad, and the sound of the bell in the night rain is heartbroken","Long life and death have been separated for many years, and the soul has never come to dream" and other sentences show his grief. In the end, with the plot of the Linqiong Taoist priest searching for the soul of Yang Guifei, the two people expressed that they were willing to be lovebirds in the sky, and willing to be connected branches on the ground. The love oath of 'forever and ever will come to an end, this hatred will never end' and endless regret. This poem was a combination of artistic narration and lyricism. The description was meticulous and the language was beautiful and smooth. It had a high artistic value. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Li Bai's long-lost poem?
Li Bai's famous line of long-term longing is " long-term longing, long-term longing, I want to turn longing into frost. The crows at my temples, though I wish to persuade them, will make the marks of their cries grow longer." This poem was the first of Li Bai's " Two Pieces of Everlasting Lovesickness ". It mainly talked about the distress of the poet's love for her that could not be expressed.
Bai Juyi's poem came out after a long time
Bai Juyi's poem,"Farewell to the Ancient Grass," was hailed as one of the representative works of Tang poetry. It depicted the poet's deep feelings for his homeland and relatives when he left. There was a phrase that said," When he comes out after a thousand calls, he still hides his face with a pipa in his arms." It meant that he was constantly being summoned, but when he came out a little, he was half blocked. This sentence was used to describe Bai Juyi's poems, and it also expressed the constraints and restrictions he faced when he was composing. This poem was also widely quoted as one of Bai Juyi's representative famous poems.
Bai Juyi's Peony Fragrant Poem
Peony fragrance, peony fragrance, golden stamen blooming red jade room. Thousands of pieces of red Yingxia rotten rotten, hundreds of branches of crimson light bright. Shine on the ground, just open the brocade section, when the wind does not knot orchid musk bag. The fairy tree is white and colorless, and the peach blossoms of the Queen Mother are small and not fragrant. The night dew was light and purple, and the morning sun shone red. Red and purple between the depth of the two colors, to the back of the ten thousand states with the low high. Reflected in the leaves of love hidden shame face, lying in the bushes powerless to drink makeup. She smiled softly and covered her mouth with suspicion. She thought about it and hated people as if her heart was broken. Thick posture expensive colorful message is wonderful, miscellaneous flowers messy flowers no comparison. Bamboo and money are so fine, hibiscus peony bitter common. So he sent the princes and ministers to play with the corolla cover and look at each other in the sun. The hearse is soft and the carriage is expensive. The fragrant clothes are fine and the horse is strong. The east courtyard of Wei Gong's house is quietly closed, and the north corridor of Ximing Temple is deep. Playing with butterflies and watching people for a long time, the broken orioles sing in spring. We all worry that the sunshine is difficult to stop, and the curtain is still hanging in the shade. The flowers bloomed and withered for twenty days, and the people in the city were as mad as crazy. In the Xia, Shang and Zhou dynasties, literary grace was better than simplicity, and people's hearts valued beauty rather than reality. Heavy flowers until peony fragrance, its future is gradually different from today. Yuan and the emperor worried about farming and mulberry, pension under the movement of heaven, heaven sent auspicious signs. Last year, the golden harvest grew nine ears, and the fields were lonely and no one came. This year, Ruimai is divided into two branches, and no one knows how happy you are. No one knows, can sigh. I would like to seek the power of creation for the time being to reduce the gorgeous peony color. When I was young, I loved the heart of a man, just as my king worried about farming. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Bai Juyi's Poem About Azalea
Bai Juyi's poem about azalea was "Mountain Pomegranate, Sent to Yuan Jiu", in which he mentioned "Mountain Pomegranate, a mountain of azalea, a azalea. When cuckoos cry, flowers flutter. In March, the cuckoo comes to Jiujiang, urging a branch to bloom. Jiangcheng Shangzuo idle, at the foot of the mountain cut down the trees planted in front of the hall. There are eighteen trees in a column, and there are countless flowers on the roots. A thousand houses and ten thousand leaves are new at one time, tender purple and bright red." "The thing in the flower is Xi Shi, and the hibiscus and peony are the mother. Who is the one who is so beautiful? The guest who moved to Tongzhou is Yuan Shiyi." "At that time, I was the only one in the bushes. Today, I only remember you in front of the railing. When I recall you, don't you see that your seat has fallen? The sun and the west wind are red." There was also "Mountain Loquat"(Excerpt)."The wind from the fire tree turns the crimson flames, and the red gauze sunrise of the Qiong tree." Looking back, the peaches and plums are colorless, and the hibiscus reflected is not a flower." These poems described the color and growth of azalea flowers, and used flowers as a metaphor to express their feelings for their friend Yuan Zhen. The novel "Acanthus Flower Blossoms" is equally wonderful. Everyone is welcome to click and read it!
Bai Juyi's Poem to Pei Du
Bai Juyi's poems about Pei Du include "Farewell to Ancient Grass", which uses ancient grass as an image to express Pei Du's departure and deep nostalgia and grief for Pei Du;"Pipa Song and Preface" uses pipa sound as an image to express Pei Du's noble quality and outstanding talent, expressing admiration and praise;"Farewell to Pei Qi Yuanwai" uses farewell as an image to express his thoughts and blessings for Pei Du, reflecting deep friendship and nostalgia. While waiting for the TV series, he could also read the exciting content related to this site!
Translate the whole poem of Li Bai's long-lost love into English
Everlasting Lovesickness (Part One): Long, long my yearning, For the one in Chang'an. Autumn crickets chirp beside the golden well fence. A slight frost makes the mat feel cold and drear. The lone lamp dims, my longing almost kills me. Rolling up the curtain, I gaze at the moon and heave long sighs. The beauty is like a flower beyond the clouds. Above is the vast, blue sky; Below are the green waters' rolling waves. The sky is long and the road is far, the flight of my soul is bitter. Difficult it is for my dream - soul to cross the passes. Long, long my yearning, It breaks my heart every time. "Everlasting Lovesickness II" English Version: The sun has set, and a mist is in the flowers; And the moon grows very white and people sad and sleepless. A Zhao harp has just been laid mute on its phoenix holder, And a Shu lute begins to sound its mandarin - duck strings.... Since nobody can bear to you the burden of my song, Would that it might follow the spring wind to Yanran Mountain. I think of you far away, beyond the blue sky, And my eyes that once were sparkling Are now a well of tears.... Oh, if ever you should doubt this aching of my heart, Here in my bright mirror come back and look at me! There was also an English version of "Everlasting Lovesickness": Your presence vivifies the bloom - filled hall; Your absence leaves the bed to blooms in thrall. The quilts ornate are rolled and are idle; Three years gone, your fragrances still spiral. The fragrances still present; The beauty yet still absent. My lovesickness hangs while leaves fall; Autumn dews wet green moss in all. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of "Everlasting Lovesickness 2: A Vow of Love"!