Bai Juyi's full text is translated as follows: Eternal longing, eternal longing it is a pity that we did not meet on time. My younger brother has gone south of the Yangtze River I'll leave my brother here until he's old. I miss you every night, but I don't see you and together we wrap the bright moon. Together we wrap the bright moon the bright moon shines on the ditch. The water in the ditch is clear My longing for you grew stronger. heart grow fonder the strong feelings flow like water. Flowing like water Water surrounded the mountains. Turn around the mountain I turned the mountain and didn't see you. At night, I suddenly return to my hometown in a dream by the window of the little pavilion I am dressing up. Looking at each other without a word, only a thousand lines of tears I can't wait to be heartbroken year after year the moonlit night is short on the pine hills.
The full text of Bai Juyi's "Everlasting Lovesickness" is as follows: The Bianshui River flows, the Surabaya River flows, flows to the ancient ferry of Guazhou, and the Wu Mountain is a little sad. Thinking long, hate long, hate to go home only to rest, the moon is bright people lean against the building.
Bai Juyi's Everlasting Lovesickness was a famous poem written by the Tang Dynasty poet Bai Juyi. It mainly described how the poet missed his wife and relatives far away and expressed his cherishment and sincerity for his family and kinship. The background of this poem can be considered from the following aspects: Bai Juyi's personal experience: Bai Juyi was a famous poet and politician in the Tang Dynasty. His poems often reflected his true feelings and thoughts about society and life. This poem may also reflect his deep longing for his family and kinship because he had personally experienced the pain of separation and longing. 2. The background of the Tang Dynasty: The Tang Dynasty was a period of high prosperity in culture, economy and politics in Chinese history. Poetry was also an important part of the Tang Dynasty culture. In this context, Bai Juyi's poems often reflected the social reality and people's emotional state at that time. This poem may also reflect the deep understanding and experience of parting and missing in Tang society. 3. The importance of wives and relatives: In the Tang Dynasty, wives and relatives were regarded as the most important people. Bai Juyi's poems repeatedly expressed the cherishment and longing for family and kinship, which also reflected the values of society at that time. Therefore, the background of this poem might also reflect the importance that society attached to family and kinship at that time, as well as the inheritance of values. Combining the above aspects, we can conclude that the writing background of this poem may be: Bai Juyi experienced the pain of separation and longing, and deeply thought and expressed the cherishment and sincerity of family and kinship. This poem reflects his understanding and thinking of family and kinship, and also reflects the importance of family and kinship and the inheritance of values in the Tang Dynasty.
Song of Everlasting Regret was a long narrative poem written by Bai Juyi, a poet of the Tang Dynasty. The whole poem mainly narrated the love tragedy between Emperor Xuanzong of Tang Dynasty and Yang Guifei. In the first half of the poem, it was written that Emperor Xuanzong of the Tang Dynasty was obsessed with beauty and misled the country. He was extremely fond of Concubine Yang. For example," Looking back and smiling, a hundred beauties are born, and the six palaces are colorless " depicted the beauty of Concubine Yang." The spring night is short and the day is high. From then on, the king will not go to court early." It reflected that Emperor Xuanzong of the Tang Dynasty abandoned the government because of his love for Concubine Yang. In the second half, after the An Lushan Rebellion broke out, Emperor Xuanzong of the Tang Dynasty fled with Concubine Yang. The six armies rebelled at Mawei Slope, and Concubine Yang was ordered to die. After that, Emperor Xuanzong of the Tang Dynasty missed Concubine Yang, such as "The moon in the palace is sad, and the sound of the bell in the night rain is heartbroken","Long life and death have been separated for many years, and the soul has never come to dream" and other sentences show his grief. In the end, with the plot of the Linqiong Taoist priest searching for the soul of Yang Guifei, the two people expressed that they were willing to be lovebirds in the sky, and willing to be connected branches on the ground. The love oath of 'forever and ever will come to an end, this hatred will never end' and endless regret. This poem was a combination of artistic narration and lyricism. The description was meticulous and the language was beautiful and smooth. It had a high artistic value. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Bai Juyi was a great poet in the Tang Dynasty. His poems had a wide range of topics, varied forms, and simple language. He was known as the "Poet Devil" and "Poet King". His representative works include Song of Everlasting Regret, Charcoal Merchant, Pipa Song, etc. His poems expressed his concern and sympathy for the sufferings of the working people, showing the great influence of his kind nature. His works not only depicted the beautiful scenery of Jiangnan, but also expressed his love for the beauty of nature and his hope for social equality. Bai Juyi's poems were of a high level in terms of artistry and ideology, which had a profound influence on later poets.
Bai Juyi had a close relationship with the piano. He had created many poems with the theme of the piano. He wrote at least 14 poems related to the "qin", including playing the piano, listening to the piano, etc., especially at night. He wrote poems about playing the piano, such as "Thinking of Autumn" and "Living in Spring". In "Playing Autumn Thoughts", when playing autumn thoughts leisurely, the tone is clear, the rhyme is sparse and late, expressing a leisurely state of mind when playing the piano; In "Lvdao Spring Residence," it is mentioned that there is still a string piano while describing the scene of spring. The poems describing listening to the piano include "Listening to the Resentment of Xiang Concubine,""Listening to the Orchids,""Listening to the Ancient Green Water," etc. The artistic conception of Listening to Xiangfei's Resentment is the same as that of Song of Pipa; in Listening to Orchids, he thinks that playing by himself is not as good as listening to others to cultivate one's character; in Listening to Ancient Lushui, one's heart is filled with infinite emotion when listening to the music. In addition, there were also " Gin Wine " and " Gin Wine ", which connected the piano and wine, reflecting the pleasure of listening to the piano while drinking. There were also works such as "Boat at Night Helping the Guqin". Bai Juyi's creation of so many poems related to the "qin" was related to his family style for generations. He was born into an official family and had been taught the four arts of a scholar since he was young. As one of them, the piano naturally became an important theme in his creation. Whether he was in a high position or far away from the court, he was always happy with the piano.
There were many classic works by Bai Juyi. The following are some of them: - Song of Everlasting Sorrow was about the love tragedy between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. There were famous lines such as " The Emperor of Han was obsessed with women and wanted to destroy the country. He couldn't get the imperial palace for many years." - "Dream of Wei Zhi" expressed the deep feelings of missing a friend, such as "At night, hand in hand, dream together, and in the morning, tears will not be collected." - The first four lines of his famous work," Farewell to the Ancient Grass," The wildfire cannot burn, the spring wind blows and it grows again."The poem was widely circulated. The whole poem used the weeds on the ancient plains to express the feelings of parting when bidding farewell to friends. - "Peach Blossom in Dalin Temple", with the words "April in the human world is over, and the peach blossoms in the mountain temple are in full bloom." It depicted the scene of flowers withering in April, but the peach blossoms in the temple had just bloomed, full of surprise, surprise, and joy. - " Spring Walk on Qiantang Lake " was closely related to the environment and the characteristics of the seasons." North of the Gushan Temple, west of the Jia Pavilion, the water level is low and the clouds are low. Where early orioles compete for warm trees, whose new swallows peck spring mud. The flowers are gradually mesmerizing, and the shallow grass cannot hide the hooves. I love the lack of the lake in the east, the white sand embankment in the shade of green poplars,"describing the West Lake in spring. - "Song of the Sunset River","A setting sun spreads on the water, half the river rustles and half the river is red." Poor third night of the ninth month, dew like a pearl and moon like a bow."Through a novel metaphor, he wrote two sets of scenery between the red sun sinking in the west and the new moon rising in the east, creating a harmonious and peaceful mood. - "Ask Liu Nineteen","Green Ant New Fermented Wine, Red Mud Small Stove." It's snowing late. Can I have a drink?" The language was simple, but the feelings were sincere. The words were filled with warm and cheerful colors and warm and passionate friendship. - "Memories of Jiangnan","Jiangnan is good, the scenery is familiar." At sunrise, the red flowers on the river are brighter than the fire. In spring, the river is as green as blue. Can you not remember Jiangnan?" It vividly depicted the beautiful scene of spring in Jiangnan, filled with beautiful memories of Jiangnan. - " The Charcoal Merchant " was a famous realistic work. It satirized the corrupt social reality of the time through the experience of the charcoal seller and expressed deep sympathy for the working people. For example," Poor clothes are single, my heart is worried about charcoal, and I hope the weather is cold." - Song of the Pipa, in which lines such as " We are both people who have fallen from grace, why should we meet before?" were widely praised. This poem was written with the story of Bai Juyi, who was demoted to Jiangzhou Sima in the eleventh year of Yuanhe, encountering a singer girl at the head of Xunyang River as the background. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
"Long Xiangsi·Bianshui Flow" was a poem written by Bai Juyi, a famous poet of the Tang Dynasty. This poem described a woman leaning against a building to miss her husband who was far away, expressing her deep longing and the pain of parting. The metaphor of flowing water was used in the poem to describe the scene of Bianshui and Sishui flowing to the ancient ferry in Guazhou, as well as the melancholy of the mountains in Jiangnan. The second part of the poem expressed the deep longing and the endless expectation of returning. The whole poem used "hate" to write "love". Through simple and smooth language and harmonious temperament, it showed the author's emotional and artistic expression ability. This poem was regarded as one of Bai Juyi's most representative works, displaying his unique style of graceful and restrained Ci.
The original text of Bai Juyi's Long Song is as follows: In the green garden the sunflowers wait for the morning dew to dry. In spring, all things in the world shine. I often worry that the yellow flowers will wither when the autumn festival comes. When will the rivers flow east to the sea and return to the west? When young and strong, you don't work hard. When old, you feel sad.
Bai Juyi's poem,"Farewell to the Ancient Grass," was hailed as one of the representative works of Tang poetry. It depicted the poet's deep feelings for his homeland and relatives when he left. There was a phrase that said," When he comes out after a thousand calls, he still hides his face with a pipa in his arms." It meant that he was constantly being summoned, but when he came out a little, he was half blocked. This sentence was used to describe Bai Juyi's poems, and it also expressed the constraints and restrictions he faced when he was composing. This poem was also widely quoted as one of Bai Juyi's representative famous poems.