Rectification of Cultural Relics in the National Museum of China

The following are some of the cultural relics of the National Museum: - ** Stork, Stone Axe, Colored Terracotta Vat **: A product of the Yangshao Culture of the Neoliths, about 6000 years ago. It was drawn into shape with a red clay plate with sand, painted and burned. It was 47 cm high, 32.7 cm in diameter, 19.5 cm in diameter at the bottom. It had an open mouth, round lips, deep abdomen and flat bottom. There were four symmetrical nose buttons along the bottom. On one side of the abdomen, there was a painted pottery pattern of "Stork Stone Axe" 37 cm high and 44 cm wide. It was a burial tool, reflecting the funeral customs and religious beliefs of that time. - [Tao Ying Ding: A Tao Ying Ding from the Neo Stone Age, also known as Tao E Zun or Tao Ying Zun. It is made of black clay.] The largest abdominal diameter was 32 centimeters, and it had a large volume and practical value. The eagle's two legs were similar to bags, and there was a rectangular support point that represented the tail. The two legs and one tail formed a three-legged posture to stabilize the body. It was both an artistic and practical object. - ** Human-faced Fish-patterned Painted Porcelain Basin **: Unearthed from a group of urns in the Neolith Age ruins. It is the top cover of a child's urn and belongs to the Banpo Painted Porcelain Culture. It is made of fine clay red pottery and is brick-red in color. It is in the shape of a basin. It has a big mouth, a deep belly, a round bottom, and a curved lip along the wide edge of the mouth. The mouth was painted black, and there were two sets of painted patterns on the inner wall (fish pattern and human-faced fish pattern). The human-faced fish pattern was exaggerated, and the round facial features of the human face were highly patterned. The mouth held a pair of fish, the top of the head was a triangular high bun, and each ear was painted with a fish. - ** Dance-patterned painted pottery basin **: made of fine clay red pottery, orange-red in color. The upper abdomen is curved, and the lower abdomen is flat. The mouth and the outer wall were decorated with simple black lines. The inner wall was decorated with three groups of dance pictures, each group of five people. The dancers held hands and faced the right front, and the steps were consistent as if they were dancing. The figures had braided ornaments on their heads and floating slanted ornaments under their bodies. The groups were separated by parallel vertical lines and leaf patterns. - ** Painted pottery plastic-patterned double-series teapot **: It was collected in Liuwan, Ledu County, Qinghai Province in 1974. It is 33.4 cm high, 9 cm in diameter, 23 cm in diameter, and 10 cm in diameter at the bottom. The absolute age is 2300 - 2050 years ago. It is a representative object of the Ma Chang type of Majiayao culture. It is also the earliest and most complete embossed figure painted pottery teapot discovered in China. In addition, the National Museum currently has more than 1.4 million collections, covering ancient cultural relics, modern cultural relics, rare books and ancient books, works of art, etc., including 815,000 pieces (sets) of ancient cultural relics, 340,000 pieces (sets) of modern cultural relics, more than 240,000 pieces (volumes) of rare books and ancient books, and nearly 6000 pieces (sets) of first-class cultural relics. 23 national treasures were listed on the list of prohibited cultural relics and most of them were concentrated in the exhibition hall of "Ancient China Exhibition". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The editor-in-chief of the 348th issue of the Palace Museum Cultural Relics Magazine (March) was Feng Mingzhu. It contained many research articles related to the cultural relics of the Palace Museum, such as Zheng Yongchang's "When the Water Flowing-Special Exhibition of the Qing Dynasty River Works Archives and Maps" and Lin Tianren's "Early Qing Dynasty River Affairs and Gao Bin's Flood Control". The magazine was priced at 200 New Taiwan Dollars, and the ISSN was 1011 - 9078. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Hunan Museum has many national treasure-level cultural relics, such as Mawangdui Ququ plain gauze unlined garment, which is made of light, undyed plain square hole plain gauze fabric, cuffs and collar decorated with silk, the whole unlined garment is as thin as cicada wings, light as clouds, weighing only 48 grams. There was also a straight-hems plain gauze unlined garment that weighed 49 grams. The "Anle Ruyi Longevity Wuji" unearthed from Mawangdui Tomb No. 1 was also very valuable to the diamond pattern of the silk robe. On the fragment, the seal characters "Anle Ruyi Longevity Wuji" were found in a vertical row. This was the earliest sentence found in the unearthed silk fabric woven with a loom. In addition, in the Hunan Story (Hengyang Exhibition) of the Hunan Museum's Ten Thousand Years Cultural Relics, the dishes and jars were also national treasures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

In 2023, the total score of the first district of the national line for the cultural relics and museum entrance examination was 336 points.(Among them, the single subject line is 46 points and 138 points respectively), and the total score of District 2 is 326 points (among which the single subject line is 43 points and 129 points respectively); In 2022, the first district of the national line for the cultural relics and museum entrance examination was 336 points (46 points and 138 points for the single subject line); In 2021, the first district was 321 points (43 points and 129 points for the single subject line); In 2020, the first district was 324 points (44 points and 132 points for the single subject line). In 2024, the cultural relics and museum category in District A was about 339 points. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Based on the information provided, it was impossible to determine which museum in France had the most China cultural relics. It mentioned that the French Palace of Fountainebleau had a collection of China cultural relics such as an enameled maid wine pot, a bronze gilded pagoda, a cloisonné kylin, etc.; the French Jimei Asian Art Museum had a collection of bronze elephant statues and arhat statues; the French Louvre Museum had a collection of jade pig dragons, blue and white figure pen holders, three-sheep-headed tripods, etc.; and the French National Library had a collection of forty scenes of Yuanmingyuan. However, this information was not enough to compare which museum had the most China cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The cultural relics and museum major of South China Normal University belonged to the professional code 065100, which was a full-time professional master's degree. His research interests included 01 cultural relics, 02 museum studies, 03 cultural heritage, etc. The course lasted for two years, and the tuition fee was 19000 yuan per student. The preliminary exam subjects included 101 Political Theory, 204 English (2), and 348 Cultural Literature. The 348 Literature and Museum Comprehensive Examination mainly examined the students 'basic knowledge of cultural relics, museum studies, and cultural heritage, as well as the theory, methods, and practice of the corresponding directions. The examination scope also involved a small amount of basic knowledge of archaeology and history. The questions were: explanation of terms (8 questions, 15 points per question, 120 points in total), short answers (3 questions, 40 points per question, 120 points in total), and discussion (1 question, 60 points per question, 60 points in total). The re-examination subject was 01204 Wenbo Professional Knowledge, which mainly tested the students 'basic understanding and practical ability of cultural relics, museum studies and cultural heritage. The focus was on the examinee's ability to analyze documents, objects and historical and cultural phenomena with the help of the basic theories and methods of cultural relics, museum studies and cultural heritage. In terms of the application situation, the actual number of people admitted in 2023 was the same as the number of people to be recruited. It was estimated that 20 people would be recruited for the postgraduate entrance examination in 2024, and only 339 points were needed to enter the second examination. In the 2023 admission list, the first place in the preliminary examination scored 415 points, and the last place scored 339 points. The first place in the second examination scored 92.1 points, and the last place scored 71.8 points. The first place in the preliminary examination had the highest final score, and the last place in the preliminary examination had the lowest final score. The cultural relics and museum major of South China Normal University may recruit students for adjustment, but the specific adjustment quota and information need to be added to the senior sister's WeChat on the web page for manual inquiry. You can also check the relevant information through the postgraduate entrance examination Weixin Official Accounts or the postgraduate entrance examination adjustment information Weixin Mini Programs. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The following are some of the more well-known Hakka cultural relics museum: - Ganzhou Hakka Cultural Relics Museum, founded in 2004, is located on the third floor of the Fine Arts College of Jiangxi Normal University. The exhibition hall, reception, and storeroom covered an area of more than 1,000 square meters, and the collection of cultural relics was more than 15,000 pieces (sets). The collection included eight series of Hakka architectural wood carvings, stone (brick) carvings, plaque, porcelain, clothing, furniture, family (clan) records, and printed carvings. There were national precious cultural relics. It was the largest Hakka cultural relics museum in China, playing an important supporting role in the research of Hakka studies and folklore in China. It is open from 9:00 to 17:00 from Monday to Friday, except for legal holidays. Take bus No. 112 and No. 117 to the Golden Campus of the Normal University and walk 300 meters west. - China Hakka Museum: The collection of waterwheel kiln porcelain, famous paintings and calligraphy, etc., has been assessed by the expert group of the provincial cultural relics appraisal station. Three pieces/set have been assessed as first-class cultural relics (two green glazed double-series pots of the Tang waterwheel kiln and a 1978 autumn scenery of Lin Fengmian), eight pieces/set of third-class cultural relics, and 10 pieces/set of general cultural relics. - The Zhengzhou Zhanshi Hakka Culture Museum was located in an alley at the intersection of East and West Main Streets in Zhengzhou. It was founded in 2014 by the director of Chaozhou Hakka in Guangdong Province, who had set up a business in Zhengzhou for more than ten years. It was open to the public for free. There were a total of four basic exhibition halls, displaying a variety of Hakka culture and art through Hakka furniture, porcelain, contract books and other cultural relics, including the origin of Hakka, the grand occasion of the Ming Dynasty's Silk Road on the Sea, the microcosm of Hakka life culture, as well as the atmosphere of the reception room and guest room. - Kaohsiung City Hakka Museum: It was the largest Hakka museum in Taiwan. It occupied a large area and was built with red tiles and glazed tiles. It was similar to the architecture of the mainland Hakka. The museum has an exhibition area, an office, a large conference hall, etc. It focuses on the exhibition of Hakka cultural relics and occasionally holds Hakka cultural activities to study Hakka traditional customs. It will be open tomorrow from 9:00 to 17:00. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!

There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

In recent years, many universities had added majors related to cultural relics and museum. For example, Heze University's application for the undergraduate major of cultural relics and museum studies was successfully approved. It planned to recruit 40 students and recruit students in the province. Hunan Normal University newly established the major of cultural relics and museum studies. All of these were to adapt to the development needs of modern cultural relics and museum industry, respond to the national strategic policy, and strengthen the cultivation of outstanding talents in literature and art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The Pingyuan Museum collected more than 30,000 sets of cultural relics, especially bronze ware, ancient calligraphy and painting, Buddha statues, stone inscriptions and rubbings, etc. The number of cultural relics above the level was among the best in all cities in the province. Among them, six precious cultural relics were rated as "treasures of the town hall", namely Niu Shoujue, Huo Junxiao, Zhao Mengfu's running calligraphy axis, Zheng Banqiao ink bamboo stone orchid painting axis, Dehua kiln white glaze Guanyin sitting statue, Guan Gong bronze statue, etc. Niu Shoujue, also known as the bronze jue of 'Fei Fu', was unearthed in Chuqiu, Hui County in 1952. It was a bronze ware of the late Shang Dynasty and was part of the' Fei Fu'. In addition to the jue cup, there were also tripod, Gui, Zun, You and other objects. The jue is wide and flowing, with a sharp tail, a round drum at the bottom, a triangular pyramid at the foot, and a cover. The top of the lid is decorated with a cow's head, the top of the lid is decorated with a dragon pattern and a semi-circular ring, and the belly is decorated with a taotie pattern. The words 'Fei Fu' are cast inside the lid. It is rare to see a lidded jue, so this jue is extremely precious. The Green Jade Owl of the Shang Dynasty was a three-dimensional round sculpture. The jade material was Hetian bluish-white jade. The whole body was decorated with patterns. The chest, wings, head and back were decorated with feather patterns and cloud patterns. The cutting skills were concise and skillful, the lines were natural and smooth, and the design was quite ingenious. It was a national first-class cultural relic. The bronze statue of Guan Yu was a cultural relic of the Ming Dynasty. It was 172 cm high, 118 cm wide and weighed 578 kg. The statue was huge in size, exquisite in casting, and unique in shape. It was rare in the country. It was highly realistic, and its size and appearance were basically the same as a real person's. It was rare in the country. Guan Yu was wearing a scarf on his head with a belt hanging down his shoulders. His face was square and wide, with thick eyebrows. His phoenix-like eyes were slightly closed, his nose was high, and his long beard was floating in front of his chest. He wore armor, tiger head to protect his abdomen and shoulders, and a knot at his waist that naturally hung down. He wore a battle skirt and battle boots. His left hand was placed on his thigh in a palm position, and his right hand was placed on his right leg in a fist position, perfectly displaying Guan Yu's majestic image of loyalty. This statue had a unique origin. After many twists and turns, it was collected in the Pingyuan Museum. Moreover, Guan Yu had multiple cultural meanings in folk culture, such as the God of Wealth. Zhao Mengfu's semi-cursive scroll and Zheng Banqiao's ink bamboo and stone orchid scroll were treasures of ancient calligraphy and painting. The white glazed Guanyin sitting statue of Dehua kiln was also one of the treasures of the museum. These cultural relics reflected the social system, social production, and social life of different periods, displaying the brilliance and splendor of Chinese culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>