Zhuang costume cultural relic
Zhuang costumes and related historical relics can be appreciated in the Guangxi Museum of Nationalities. In addition, the modern Longsheng Zhuang women's clothing was collected by the Guangxi Museum of Nationalities. In the 1980s, it was collected from the Longji Brigade of the Peace Commune in Longsheng County. It was composed of a round-neck double-lapped top, a blue brocade chest pocket, and black wide-sleeved trousers. It was the basic daily outfit of Zhuang women in Longji Zhuang Village. In the "Five Colors Eight Osmanthus-Guangxi National Culture Exhibition", 166 pieces (sets) of ethnic cultural relics such as traditional costumes of Zhuang people collected by Guangxi National Museum and Yulin City Museum were also exhibited. These cultural relics of Zhuang costumes witnessed the development process of Zhuang costumes from primitive to harmonious, reflecting the characteristics of Zhuang costumes in different periods. Read more exciting novels for free
Han costume with cultural relic patterns
There were many styles of Han clothing with cultural relics. Some directly used the cultural relics in Henan Museum as the prototype, such as the square tripod of Duling in Shang Dynasty, the square pot of lotus crane in Spring and Autumn Period, and the cloud map of the four gods in the early Western Han Dynasty. There were also the Han costumes created by the non-hereditary inheritors of the Nanjing Yunjin Research Institute, such as green woven gold makeup flower sleeves over the shoulder dragon persimmon satin stand collar short jacket, red woven gold makeup flower dragon horse face skirt and other Yunjin auspicious clothes. These were the results of researching the collection and striving to restore the exquisite patterns on the cultural relics. In addition, some commercial Han clothing products would also have round neck gowns with cultural relics patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The size of the cultural relic Han costume
The following is information about the size of some cultural relics: - Plain yarn unlined garment (Western Han Dynasty): 128 cm long, 190 cm long sleeves, 48 cm wide waist, total material of about 2.6 square meters, weight of only 49 grams; There are also specifications of 140 cm long, 245 cm long sleeves, 52 cm wide waist. - Song Dynasty Han clothing (Northern Song Dynasty Nanling Tie Guai Tomb wide sleeves): length 64.5 cm, shoulder width 78 cm, sleeve length 44.5 cm, sleeve length 149 cm, sleeve width 12.2 - 37 cm; Narrow sleeve clothing length 108.3 cm, shoulder width 83 cm, sleeve length 33 cm, sleeve length 167 cm, sleeve width 34 - 39 cm. - In the underground palace of Changgan Temple in the Northern Song Dynasty, there are women's clothes with mud gold flowers, birds, silk lining and long-sleeved double-lapel; In the tomb of Huang Sheng in Fuzhou in the Northern Song Dynasty, there are purple-brown silk printed gold painted lace unlined clothes with double-lapel, without button loop or tie on the lapel. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic with inscriptions
The following are some of the cultural relics with inscriptions: - There were 29 inscriptions on the base of the "Eight-year-old Lacquer Wood Tall Bean" that was recovered from the Eastern Tomb of Qin Dynasty. The interpretation of some inscriptions helped to determine whether Lord Mengchang had served as the prime minister of Qin Dynasty. This cultural relic was determined to be a national first-class cultural relic. - He Zun, a national treasure of the Western Zhou Dynasty, had an inscription that recorded the important historical fact that King Cheng of the Zhou Dynasty inherited the will of King Wu of the Zhou Dynasty and moved the capital to Luoyi (now Luoyang, Henan Province), which was called "Cheng Zhou". The earliest source of the word "China" was "Staying in China". - There were four lines and 33 words of inscriptions cast on the bottom of the Gui of the Western Zhou Dynasty. The content was related to King Wu of Zhou's conquest of King Zhou of the Shang Dynasty. This Gui was also known as the Gui of King Wu's conquest of the Shang Dynasty. It had great historical significance and was listed as one of the nine national treasures. - There were two circles of words on the outer wall of a certain drum seat. The upper circle had about 98 words and the lower circle had 52 words. Although some of the words were vague and some were written in reverse, the word "Yu" in one of the lines was believed by experts to be more than a third-level cultural relic and should be classified as a first-level national treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic box
Casing cultural relics was a method of disposal during archaeological excavation. During an archaeological excavation, the unearthed cultural relics that were important but could not be cleaned up in time would be extracted in a box. For example, a large number of chariots and horses were unearthed from Tomb M1901 at the Liulihe archaeological site. Because their relative position was very important for archaeological research, the archaeologists carried out box extraction. These carriages were large, heavy, and in the mud. It might not be possible to insert them according to the usual steel plate extraction method. The team members listened to the advice of the old gentleman in the cultural relic protection and inserted a row of steel pipes under the boxes to reinforce the boxes. Also, in the archaeological research of the Marquis of Haiying's tomb, a large number of cultural relics excavated on the spot were transported to the laboratory in boxes for protection and research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic bottle
There were many kinds of bottles and jars in the cultural relics. There were all kinds of bottles and jars in different periods and regions. In the blue and white flowers of the Yuan Dynasty, there was a vase with four paintings of love. The blessed part of the vase had four paintings related to "love". They were Wang Xizhi's love for orchids, Tao Yuanming's love for chrysanthemums, Zhou Dunyi's love for lotuses, and Lin Hejing's love for plum blossoms and cranes. It was originally bought by a cultural relic store for 600 yuan, and was later identified as the Yuan Dynasty, becoming the treasure of the museum. There were also some bottles and cultural relics in the museum, such as the white glazed brown flower plum vase and the white glazed black animal pattern plum vase unearthed in 2017 from the tomb of the high-level noble family of the Khitan in the Liao Dynasty. There were also the Ming Jiajing blue and white cloud dragon auspicious phoenix cloud crane pattern cover jar, Ming Zhengde blue and white figure gourd vase, etc. In addition, in the Shandong Museum, there are various kinds of bronze "bottles and jars", such as You, which holds wine, has a large mouth and lower abdomen, with a cover and a beam; Gu, which holds wine, has a long body, luxurious mouth, mouth and bottom in the shape of a trumpet; The Zhi used for drinking wine, round belly, luxurious mouth, circle foot, looks like a small bottle, most of which have a cover; Gui, which holds cooked food, has a round mouth and two ears; Square pot for millet, rice and other meals; From Gui, there are oval mouths, lids, two ears, circular feet or four feet, etc. These bottles and cultural relics have their own characteristics in terms of shape and use. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic maintenance
Cultural relics were divided into movable cultural relics and immovable cultural relics. The principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to when repairing, maintaining and migrating immovable cultural relics, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Taking Binzhou City as an example, in terms of cultural relics protection, they completed the confirmation of the protection scope and construction control zone of the sixth batch of provincial cultural relics protection units, strengthened the management of cultural relics protection qualification units, submitted the cultural relics protection project plan for the cultural relics protection units, strictly enforced the filing of cultural relics protection projects and the inspection of cultural relics protection projects, and successively carried out on-site supervision work for many cultural relics repair and protection projects. In addition, the relevant departments also attached great importance to the repair and maintenance of the original body of the small source conference site, Jiang Xianyun's former residence, and other places. All regions should also promote the protection of cultural relics from the legal and policy levels. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic model
The following are some of the cultural relics and their characteristics: - ** Gold hairpin with red and sapphire inlaid with jade flowers (Ming Dynasty)**: The hairpin is inlaid with jade and red and sapphire. The top of the hairpin was made into a flower holder with silk craftsmanship. Three layers of jade flower pieces were stacked. The center of the flower was inlaid with rubies, and the bottom of the flower holder was decorated with small petals carved with gold. Under the jade flower, there was a butterfly-shaped shape with a sapphire embedded in the middle. There was a small ball of silk on the top of each butterfly wing. When walking, it could shake slightly. The lower end was connected with circular flower ornaments. The center of the flower was ruby, surrounded by eight silk leaves. The whole showed an elegant and noble atmosphere. - ** Qing Dynasty white jade fancy cup **: It is a Hendustan jade, a royal jade used by the Qing Dynasty. It was composed of two parts, the upper part was a flower mouth, the mouth edge was in the shape of a five-petal flower, the abdomen was thinner, the lower part was a high foot, the cup body and the high foot were connected by a hollow Ruyi shaped cloud head, the middle part of the cup body had a raised string pattern, the whole body was made of white jade, the texture was fine and smooth, and the polishing was exquisite. - Empress Xiaojing's Twelve Dragon Nine Phoenix Crown: One of the four remaining Ming Dynasty phoenix crowns in China. It was 35.5 centimeters tall, 20 centimeters in diameter, and weighed 2.95 kilograms. The crown was decorated with twelve golden dragons and nine golden phoenixes. The dragons had different postures, and the lower part was a flying green phoenix. A total of 121 gemstones and 3588 pearls were inlaid. They were made of silk, jade, inlaid, and tied. The design was solemn. - ** Li Lianying's opal ring **: The opal inlaid on the ring is larger than the one on Queen Elizabeth's crown, reflecting the superb craftsmanship and aesthetic standards of jewelry production during the Qing Dynasty. - ** Qing Emperor Qianlong Furong Stone Coiled Dragon Ear Cover Furnace **: Using Furong Stone as raw material, the whole body is pink and covered with natural veins. The abdomen was carved with symmetrical decorations, with two sets of coiling dragons and a head with ring ears. The top of the cover was carved with four small coiling dragons. It was 17 centimeters tall and 14.9 centimeters in diameter. It was simple and well-carved. - ** Yue King Gou Jian Sword **: The blade is slender, 55.6cm high, 4.6cm wide, 8.4cm long hilt, and weighs 875g. There were dark diamond-shaped patterns on both sides of the sword body. The front was inlaid with blue glaze, and the back was inlaid with turquoise patterns. The head of the sword was circular, with 11 concentric circles inside. There was a middle ridge. The two blades were sharp, and the front arc was concave. - ** Antler Crane of the Warring States Period (Unearthed from the Tomb of Marquis Zeng Yi)**: The body of a crane with antlers was unearthed from the Tomb of Marquis Zeng Yi in 1978. When it was unearthed, it was located to the east of the main coffin, with its head facing south, symbolizing good luck and longevity. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relic was swapped
The swapping of cultural relics was a bad behavior that harmed the rights and interests of the owners of cultural relics and destroyed the protection of cultural relics. For example, there was an incident in Wenzhou where antique crafts were swapped. There was an antique art collector, Uncle Liu, who bought antique artworks from the sellers, Mr. Li and Mr. Rao. During the transaction, the seller took advantage of Uncle Liu's trust and his habit of not inspecting the goods on the spot to replace the antique artworks he bought with cheap porcelain and mud. The two of them traded with Uncle Liu for a total of 10 times, five of which were exchanged, involving more than 3000 bracelets, more than 150 necklaces, more than 70 bronze ware, etc., worth more than 90,000 yuan. In addition, there was also a case of cultural relics being swapped in the British Museum. The Brazilian concept artist Ilée Sartuzi replaced a 17th-century silver coin with counterfeit money. The whole process happened under the nose of the museum staff. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic popsicle
Here are some popsicles inspired by cultural relics: - The mythical beast ice cream from the Forbidden City in Beijing was 15 yuan per piece. The design was inspired by the back beast of the Forbidden City. - Yuanmingyuan Lotus Ice Cream, 15 yuan/stick, its texture seemed to let people feel the fragrance of lotus flowers. - The ice cream on the Great Wall was 20 yuan per stick. It had the feeling of "not being a real man until the Great Wall". It might be a crunchy chocolate flavor, strawberry flavor, or vanilla flavor. - The terracotta soldiers ice cream at the Qinling Museum cost 19.9 yuan per piece. It was a combination of cartoon elements and Xi'an's thousand-year-old culture. There were unique styles such as "City Wall Taste","Tang Yulin Army", and "Tang Maiden". - The National Museum's cultural relic ice cream was 15 yuan per piece. There were chocolate-flavored drumming and rapping terracotta figurines and matcha-flavored gold, silver, cloud, bronze rhinoceros statues. The appearance was a vivid replica of the cultural relic prototype. - The cultural creation ice cream of the Forbidden City in Shen Yang was priced at 12.8 - 15.8 yuan per piece. It launched three types: "Phoenix Tower" light milk,"Purple Air from the East" truffle chocolate, and "Red Flag Armor" fleshy raspberry. - The ice cream from the Yellow Crane Tower building was 15 yuan per stick. It was shaped like a mini version of the Yellow Crane Tower, and the similarity was 99%. - Nanchang Tengwang Pavilion ice cream, 19.9 yuan/stick, stick stick with Tengwang Pavilion LOGO and "Sunset clouds and lone ducks fly together, autumn water shares the same color in the sky" famous sentence "Qian Wen" can be used as a bookmark, there are strawberry flavor and milk flavor. - Xinjiang Flame Mountain Banana Fan Ice Cream, 10 yuan/stick. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>