Zhuang costume cultural relic
Zhuang costumes and related historical relics can be appreciated in the Guangxi Museum of Nationalities. In addition, the modern Longsheng Zhuang women's clothing was collected by the Guangxi Museum of Nationalities. In the 1980s, it was collected from the Longji Brigade of the Peace Commune in Longsheng County. It was composed of a round-neck double-lapped top, a blue brocade chest pocket, and black wide-sleeved trousers. It was the basic daily outfit of Zhuang women in Longji Zhuang Village. In the "Five Colors Eight Osmanthus-Guangxi National Culture Exhibition", 166 pieces (sets) of ethnic cultural relics such as traditional costumes of Zhuang people collected by Guangxi National Museum and Yulin City Museum were also exhibited. These cultural relics of Zhuang costumes witnessed the development process of Zhuang costumes from primitive to harmonious, reflecting the characteristics of Zhuang costumes in different periods. Read more exciting novels for free
Cultural relic costume picture
There were pictures of China costumes and cultural relics in the past dynasties in the Illustrated Classic of Chinese Costume and Cultural Relics. There were 220 high-definition pictures of the costumes in the collection of the Forbidden City in the Illustrated Classic of the Colors of the Forbidden City. These pictures were arranged according to the occasion of use and color, covering eight modules, including formal wear, auspicious wear, ordinary wear, travel wear, military wear and casual wear. They could be used as reference for the pictures of cultural relics and costumes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han costume with cultural relic patterns
There were many styles of Han clothing with cultural relics. Some directly used the cultural relics in Henan Museum as the prototype, such as the square tripod of Duling in Shang Dynasty, the square pot of lotus crane in Spring and Autumn Period, and the cloud map of the four gods in the early Western Han Dynasty. There were also the Han costumes created by the non-hereditary inheritors of the Nanjing Yunjin Research Institute, such as green woven gold makeup flower sleeves over the shoulder dragon persimmon satin stand collar short jacket, red woven gold makeup flower dragon horse face skirt and other Yunjin auspicious clothes. These were the results of researching the collection and striving to restore the exquisite patterns on the cultural relics. In addition, some commercial Han clothing products would also have round neck gowns with cultural relics patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The size of the cultural relic Han costume
The following is information about the size of some cultural relics: - Plain yarn unlined garment (Western Han Dynasty): 128 cm long, 190 cm long sleeves, 48 cm wide waist, total material of about 2.6 square meters, weight of only 49 grams; There are also specifications of 140 cm long, 245 cm long sleeves, 52 cm wide waist. - Song Dynasty Han clothing (Northern Song Dynasty Nanling Tie Guai Tomb wide sleeves): length 64.5 cm, shoulder width 78 cm, sleeve length 44.5 cm, sleeve length 149 cm, sleeve width 12.2 - 37 cm; Narrow sleeve clothing length 108.3 cm, shoulder width 83 cm, sleeve length 33 cm, sleeve length 167 cm, sleeve width 34 - 39 cm. - In the underground palace of Changgan Temple in the Northern Song Dynasty, there are women's clothes with mud gold flowers, birds, silk lining and long-sleeved double-lapel; In the tomb of Huang Sheng in Fuzhou in the Northern Song Dynasty, there are purple-brown silk printed gold painted lace unlined clothes with double-lapel, without button loop or tie on the lapel. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
5.18 cultural relic
5.18 The International Museum Day was related to cultural relics. On this day, the local museum would hold various activities to showcase the historical and cultural meaning behind the cultural relics. For example, there are many museum activities in Yulin on May 18 International Museum Day. Yulin Folk Museum welcomes children to visit and learn. Children can appreciate the charm of folk culture through the exhibition, while adults learn about the history of the party and listen to the stories behind the revolutionary cultural relics here. The collection of Yulin Han Dynasty Portrait Stone Museum is like "epic on the stone". On this day, people can learn more about cultural relics through the photo exhibition of mobile cultural relics survey results under the introduction of the staff; The Yu Zijun Memorial Hall in Yulin would also display pictures of the Great Wall culture in Yansui Town on this day. The Shaanxi Museum of History would also hold a series of activities on May 18 International Museum Day, such as the "Flower Dance Tang" cultural creation runway show in 2021, volunteer explanation services in the mobile museum, and themed educational activities. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Zhuang costume
Zhuang costumes have rich characteristics and meanings. In terms of production techniques, Zhuang women were good at weaving and embroidery. Zhuang cloth and Zhuang brocade were exquisitely patterned and colorful, and there was also a unique "batik" technique. Their clothing patterns were mostly based on natural elements such as flowers, birds, insects, fish, etc., reflecting their awe and gratitude to nature. The production skills included hand-woven brocade, embroidery, flower picking, etc. In the production process, they inherited and promoted traditional virtues such as diligence, kindness, honesty, etc. In terms of clothing styles, men's clothing was relatively simple and clean, while women's clothing was colorful. There were two types of men's clothing: right lapel and right lapel. The right lapel was collarless, and the right lapel was a Tang suit with a broken chest. It was sewn with a row of buttons (usually six to eight pairs), a pair of small pockets on the chest, and two large pockets on the abdomen. The hem was folded inward into a wide width, and there were symmetrical slits on the left and right sides of the lower edge. Wear shoes and hats (or black headscarves) in winter, barefooted in summer, cloud-headed cloth-soled shoes or double-hooked duckbill shoes on festivals or when visiting relatives, and straw sandals when working. Women's general clothing was blue and black, with slightly wide trousers, colorful printed or patterned towels wrapped around their heads, exquisite aprons tied around their waists, and navy blue or dark blue short-collared right-lapped shirts (some were embroidered with colorful lace at the neck, cuffs, and the bottom of the lapel). There were two types of lapels, one without collar and one with collar. There was a hidden pocket hidden in the front of the abdomen, and several pairs of cloth buttons were sewn along the lapel. In terms of color, Zhuang costumes were mainly blue, white, brown, black, and red. They were roughly divided into ordinary Zhuang costumes and black Zhuang costumes. The main color of traditional clothing is black or dark blue. For example, the Zhuang people in Napo County of Baise City are mainly black, decorated with carmine, cyan, yellow, etc., while the Zhuang people in Wuming District of Guilin like to wear blue clothes, which are dark blue, light blue, white and blue. Some Zhuang people love black. For example, in Napo County, regardless of men, women, old or young, from headscarves to clothes, pants, skirts, and shoes, all of them are black. Other colors are only used as clothing decoration. Women will also wear silver accessories, such as a pair of pisces kissing silver collar. Modern Zhuang costumes were fully integrated with Zhuang brocade elements. The fabric was more exquisite, the patterns were more complicated and gorgeous, and there were various styles such as performance costumes and daily improved costumes. In addition, women above middle-aged had their hair tied up behind their heads, plain shirts, slightly wide aprons without patterns, men and women wore self-made boat-shaped cloth shoes, and women's shoes were pointed up and embroidered with various patterns.
cultural relic reproduction
Cultural relic copying was a way to reproduce cultural relics. There were many forms and purposes. From the perspective of business and cultural communication, many cultural and cultural institutions replicated cultural relics through creative products. For example, the "Tiangong Cavern refrigerator sticker" launched by the Beijing Museum of Ancient Buildings, the "Phoenix Crown refrigerator sticker" of the National Museum, and the "Ugly and Cute" copper galloping horse and spicy hot doll of the Gansu Province Museum are all creative replicas of cultural relics, which not only spread culture, but also meet the tourists 'demand for the variety and specialization of cultural creation products. However, there were some problems with the current cultural and cultural institutions 'creative products, such as the lack of innovation in design, the same style, and the high price, which made it difficult for tourists to have the impulse to buy. From a personal interest point of view, some craft enthusiasts would copy cultural relics. For example, Ms. Zhou from Wenzhou, Zhejiang Province, used clay to replicate the classic cultural relics of several museum, from the Neoliths to the Qing Dynasty, including bronzes, lacquer ware, Tang Sancai, etc. She also displayed these replicas at home to form a small family museum and posted the production process on social platforms. In addition, under the guidance of China teachers, foreign students copied China cultural relics through manual classes, such as the chimes of the Warring States Period. This helped to stimulate their interest in China cultural relics, promote their understanding of China history and culture, and achieve cultural communication. From the perspective of exhibition activities, there were also replicas of cultural relics on display. For example, the immersive experience exhibition series of "Adventures in Sanxing Dui" exhibited more than 30 replicas of cultural relics in the collection. Through a variety of modern technologies, such as VR experience, sensory interaction and other forms, Sanxing Dui culture was presented in a variety of ways. There were also some people who would take on the business of copying cultural relics for the production team exhibition hall, cultural tourism, and other aspects. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
As a cultural relic lover,
Please clarify the question. For example, do you want to know the classification and value of cultural relics, or other specific questions about cultural relics? <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic fan
The cultural relic fan has a rich historical and cultural content. In the Qing Dynasty, there were many famous fan relics, such as Ye Xin's "Jinling Eight Family Fan", which was a traditional Chinese painting on silk. It was now stored in Nanjing Museum in Jiangsu Province, China. The fan had overlapping peaks, mountain streams, and flying springs. It was very quiet and beautiful. The Museum of Shijiazhuang City has many collections of calligraphy and painting, most of which are fine works of the Ming and Qing Dynasties. The museum has selected 34 fan works of the Qing Dynasty and will jointly organize the "Breeze Stone Comes--Excellent Fan Works of the Qing Dynasty in the Museum of Shijiazhuang City Province" in the No.6 exhibition hall on the first floor of the Baoshan City from July 26 to October 9, 2024. These fan surfaces cover the theme of mountains and rivers, flowers and birds, poetry and poetry, and shadow accompanying. It fully reflects the essence of the Qing Dynasty fan art and the cultural artistic conception. The round fans of the imperial concubines of the Qing Dynasty were also very valuable. For example, the round fan with a dyed bone handle with silk flowers and fruit patterns of the Qing Emperor Qianlong, 50cm long and 33cm in diameter, would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Qiankun-Weaving and Embroidery Art Grand View", with an estimated value of RMB 150,000 - 250,000. This round fan was exactly the same as the same type of round fan in the Forbidden City. It was made in the same batch. The craftsmanship had been lost for a long time. There were only three pieces of shaved velvet in the domestic museum, and this was the only one in the market. It had high aesthetic and academic value. In addition, there is also the Deng Tingzhen fan in the collection of Fuzhou City Lin Zexu Memorial Hall. The collection is made of paper, 50cm in width and 18.2cm in length. The inscription reads "Deng Tingzhen in September of the Year Yisi", with the seal of "Deng Tingzhen Seal"(white text) and the seal of "Miaoji Zen Room"(Zhu text). The inscription is a paragraph of text copying the old traces of Wu Zetian's tour and Shi Cong in the book "Song Luo Visiting Monument Painting". The words contain coldness and elegance, and the ancient meaning is abundant in the light. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Selling
The sale of cultural relics was an area that was strictly regulated by laws and regulations. First of all, selling cultural relics required legal qualifications. For example, the registered capital of a cultural relics store needs to be paid in full, and there must be five middle-level cultural relics experts. The business scope includes the sale of cultural relics, the identification of cultural relics, the collection of cultural relics, etc. The address must be approved by the Cultural Relics Bureau; The registered capital of cultural relics auction requires 10 million yuan and is paid in full, requiring five senior cultural relics experts and one auctioneer. The business scope includes cultural relics business, cultural relics auction, etc. However, many cultural relics belonged to the state and were strictly prohibited from being sold privately. Anyone who resells cultural relics prohibited by the state for profit, if the circumstances are serious, will violate the provisions of article 326 of the Criminal Law of the People's Republic of China and shall be sentenced to fixed-term imprisonment of not more than five years or criminal detention, and shall also be fined; if the circumstances are especially serious, he shall be sentenced to fixed-term imprisonment of not less than five years but not more than ten years and shall also be fined. For example, in some cases, someone privately sold ancient tombstones dug up at the construction site, stone tablets taken from the grass and sold, and the relevant personnel were investigated for criminal responsibility for the crime of selling cultural relics. At the same time, when buying cultural relics online, one should also be careful. Many criminals would sell fake cultural relics as real cultural relics. For example, the old man spent more than 400,000 yuan in the live broadcast room to buy cheap crafts from wholesale websites instead of cultural relics. In short, legal and compliant sales of cultural relics must comply with relevant laws and regulations, possess corresponding qualifications, and guard against fraud in the sale of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>