In China, the jade seal had a rich history. From the origin, the Zhou Dynasty began to use seals to express credit. In the Qin Dynasty, there was a distinction between seals and seals. The emperor used seals and the subjects used seals. After Qin Shihuang unified China, he ordered people to carve the Heshi jade into a jade seal. On it was engraved the words "Ordered by Heaven, Longevity Forever". This became the imperial seal of the country and was the proof of the orthodox emperors of China. It symbolized the supremacy of imperial power and also represented the traditional Chinese history and culture. It symbolized "Ordered by Heaven" and "Destiny has come to an end". However, it had been missing, broken, and stolen many times in the long river of history. In addition to the Imperial Jade Seal, there were other important jade seals. For example, the Han Dynasty emperor had six seals with different uses. There was also the Han Imperial Seal of Emperor Wu of the Han Dynasty.(Seal: "Treasure of the Son of Heaven"), Emperor Taizong of the Tang Dynasty (Seal: "Treasure of the Emperor of the Tang Dynasty"), Emperor Wu Zetian's Imperial Phoenix Seal (Seal: "Treasure of the Absolution of Life"), Emperor Taizu of the Song Dynasty (Seal: "Treasure of the Song Dynasty"), Emperor Taizu of the Yuan Dynasty (Seal: "Treasure of the Emperor of the Ming Dynasty"), etc. However, most of these jade seals have been lost. The seal of the Kangxi Kingdom is now in the Palace Museum. The seal of the Qianlong Kingdom was taken away by the Eight-Power Alliance and drifted overseas. In addition, in the eleventh year of Qianlong, twenty-five imperial jade seals of the Qing Dynasty were made, which are now stored in Jiaotai Hall of the Forbidden City. There was also the art collection of "The National Seals of the Ten Great Emperors of China", which was made up of nine imperial seals (although it was named "ten", it was actually nine national seals). After a comprehensive and systematic study and restoration of the national seals of the past dynasties in Chinese history, it was carved from nine kilograms of top-grade Hetian sapphire. It was created in the original quality, shape, size, original text, and proportion. These jade seals not only had extremely high cultural value, but they also carried heavy historical significance. Read more exciting novels for free
The jade seal referred to the emperor's jade seal. It was the symbol of supreme power and began with Qin Shihuang. In ancient times, seals and imperial seals were generally called gold or jade. Imperial seals first appeared in the Zhou Dynasty, and only in the Qin Dynasty did they have the distinction of imperial seals and imperial seals. The seal used by the emperor was called imperial seal, and the seal used by the subjects could only be called seal. The Imperial Jade Seal was originally made by Prime Minister Li Si after Qin Shihuang unified the six countries and proclaimed himself emperor. At first, it did not have a special name. It was a symbol of imperial power like the tiger amulet and the scepter. Later, it was given the political meaning of "orthodox symbol". The new monarch must obtain the Imperial Jade Seal, or else the title of emperor would not be justified. There were many theories about the Heirloom Seal: - [Material: There are two versions of Heshi jade and Lantian jade, but the version of Lantian jade is more credible.] Because the Heshi jade was Chu jade, and the Lantian jade was Qin jade, it was more reasonable for Qin Shihuang to first use Qin jade when carving the jade seal. Moreover, from the size, it was possible but unlikely to use the Heshi jade to carve a four-inch jade seal. In addition, the Heshi jade was already a jade, so there was no need to destroy it. - ** size and appearance **: The imperial seal of the Qin and Han Dynasties was not big. The emperor's seal was estimated to be 3 - 4 cm high and 5 cm wide. According to the historical records, the Imperial Jade Seal was four inches in circumference, which was slightly more than 10 centimeters after conversion. Its height might only be two or three centimeters. On the back, there were five dragons coiling around it. One of the dragons was missing a corner. On the front, there were eight seal characters. However, there were different versions of these eight characters, such as "Ordered by Heaven, Longevity Yongchang" and "Ordered by Heaven." Longevity and health "," Emperor Longevity "and so on. - [Spread and Lost: After the fall of the Western Jin Dynasty, the jade seal was lost, and the Emperor of the Eastern Jin Dynasty was ridiculed.] After that, in the change of dynasties, the imperial jade seal was often passed around, such as Sun Jian's. In 936 AD, Shi Jingtang destroyed the Later Tang Dynasty. Li Congke held the imperial seal and set himself on fire. From then on, the imperial seal disappeared. The Song Dynasty searched for it many times without success. What appeared later might be fakes. After the Song Dynasty, even fakes no longer appeared and were completely extinct. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The jade dragon was a piece of jade from the Hongshan culture of the Neolith Age. It was made of dark green Xiuyan jade. It was unearthed in 1971 at the Sanxing Tara site in Wengniute Banner, Inner Mongolia Autonomous Region. It is now in the National Museum of China. The jade dragon was 21 centimeters long and 26 centimeters high. It curled up in the shape of a "C". Its snout was slightly curved upward, and its mouth was tightly closed. It had symmetrical nostrils, prismatic eyes, and a mane. There was a symmetrical single hole on its back. Most of the dragon's body was light and without patterns. Only its forehead and the bottom of its jaw were engraved with fine grid network patterns. The grid protruded into regular small diamonds. Because of its shape, it was named C-shaped jade dragon. It was one of the representative artifacts of Hongshan culture and also the largest known jade dragon of Hongshan culture. He was known as the " First Dragon of China ". On August 19, 2013, he was included in the " Third batch of cultural relics exhibition prohibited from going abroad " by the State Administration of Cultural Relics. In addition, there was also a jade dragon with a length of 60cm and a diameter of 2.2 - 2.4 cm. The jade was made of light green old Xiuyan jade. The dragon's body was thick and curled in an inverted "C" shape. Its long snout was slightly tilted, with two round nostrils, and its eyes were olive-shaped. From the top of its head to the back of its neck, there was a long mane that was draped behind it, and the end was tilted up. There was a rhombus-shaped net carved on its forehead and under its jaw. The dragon's body was flat and round, and there were holes on its back that could be tied. Because its snout was extended forward, the front end was protruding and tilted, it was called the Jade Pig Dragon. It was originally collected by Mr. Fu Xinian's father, Mr. Fu Zhongmo. In 1992, when the Palace Museum purchased 396 jade articles from Mr. Fu's collection, three jade articles of Hongshan culture, including this jade dragon, were purchased. This is also the largest C-shaped jade dragon seen so far. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In the Qing Dynasty, there were jade butterfly headwear with silver spots, jade phoenix crown with black gauze spots, and other cultural relics with jade spots. The silver butterfly headdress is collected in the Beijing Folk Museum. The black gauze phoenix crown is 21.3 cm wide and 17.8 cm high. It is made of rattan branches and iron wires wrapped in black flannel to make the skeleton. The inner tube is made of black flannel and black gauze. It is also collected in the Beijing Folk Museum. As an ancient gold and silver jewelry making technique, the jadeite was an auxiliary work in jewelry making. It had existed since ancient times and was very popular at the end of the Qing Dynasty and the beginning of the Republic of China. The jadeite used was the feather of the kingfisher. In traditional crafts, it was often inlaid with pearls, gems, and gold silk. Its history could be traced back to the Warring States period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The jadeite hairpin was a hairpin that incorporated the jadeite craftsmanship. The jadeite craftsmanship originated from the Han Dynasty. It used metal materials as the base and carefully inlaid the feathers of kingfishers on the base. However, this process was very cruel when it came to obtaining kingfisher feathers, because the number of feathers available on the kingfisher was limited. In order to preserve the original blue color of the feathers, the feathers would be plucked when the kingfisher was alive, which made it difficult for the kingfisher to survive after losing its feathers. From the perspective of cultural relics, many jade hairpins became museum collections, such as the silver jade butterfly ear-digging hairpin collected by the Beijing Folk Museum. The National Palace Museum in Taibei had a plum blossom hairpin from the first year of Tongzhi of the Qing Dynasty. It was 12.9 centimeters long, 2.2 centimeters wide, and weighed about 50 grams. Six plum blossoms were arranged in a row. The outer petals were slightly peach-shaped, and the tips were slightly curved. Blue jade feathers were applied on it. The petals were decorated with purple jade feathers and slender petals. The two-color jade feathers matched naturally. After more than 200 years, the color was as new as ever. A pearl was inlaid in the center of the silver-plated stamen. There were also cultural relics such as Empress Xiaojing's Phoenix Crown (which required a large number of kingfisher feathers to repair) that also showed the application of the jade craftsmanship in ancient hair ornaments and crowns. In modern times, due to the cruelty of the kingfisher craft and the fact that the kingfisher was a protected animal, there were some imitation kingfisher products or other materials used to replace the kingfisher feathers to make hairpins. For example, corn husks were used to make imitation kingfisher headwear, and other materials were used to make antique kingfisher hairpin accessories. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jade pillars had many forms of expression in cultural relics. Among the cultural relics of Guigang Han Tomb Group exhibited in Guangxi Museum, there were jade pillars. The No.1 Han Tomb of Luobowan had a high standard and many cultural relics were unearthed. There were jade pillars among the cultural relics unearthed from many tombs of Guigang Han Tomb Group. In the early Spring and Autumn Period, the jade handle of Rui Jiang, the wife of the monarch of Rui Country, was composed of a jade pillar and eight chains. The jade pillar was 10.2 cm long, 2.5 cm wide and 1.5 cm thick. It was plain and had no patterns. There was a cow's nose drilled on each of the upper and lower sides of the two ends, and six slanted holes were drilled on each of the four edges. Among the cultural relics related to Liangzhu culture, there were jade pillars, such as the jade pillar (with a lid) unearthed from Tomb No. 9 of Yaoshan Ruins in Yuhang, as well as shallow embossed divine beast patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There are many kinds of cultural relics helmets in China. The following are some examples: - The Bronze Helmet of the Warring States Period was unearthed from Lingbao, Henan Province. It was collected in the Henan Museum. The diameter of the helmet was 19×22 cm, and the remnant height was 19.5 cm. The bronze material was well preserved as a whole, and it was of high value for the study of ancient war costumes. In addition, a bronze helmet of the Warring States Period was also unearthed in Meili River, Harqin Banner, Chifeng City, Inner Mongolia. The top of the helmet was decorated with a square button with holes. The two sides of the helmet drooped down as ear protectors. The front and back were symmetrical arc-shaped openings. There were also square buttons under the ear protectors. The square buttons on the top and both sides of the ear protectors were convenient for wearing belts. - Wang Wei's flying helmet was designated as a first-class revolutionary cultural relic. On April 1, 2001, Wang Wei used his life to defend the airspace of his motherland when he piloted fighter plane No. 81192 in the face of the invasion of the US reconnaissance plane. The helmet witnessed this heroic deed. - A helmet from the Liao, Jin, and Song Dynasties. There are replicas of it in modern times. The structure has an eyebrow shield, a helmet body, and a collar at the bottom to prevent hitting the neck and face. There are also collar protectors on both sides. It can also be matched with an iron face (visor) and an iron armor (helmet). - It was the exclusive helmet of Emperor Yongle of the Ming Dynasty. Ma Weidu found it abroad and brought it back to China. After identification, it was indeed worn by Emperor Yongle Zhu Di. It had a high historical significance, exquisite craftsmanship and rare materials. The estimated market value was 500 million yuan. Ma Weidu expressed his hope to hand it over to the country in the future to let more people understand the glorious history of Chinese civilization. - The helmet left by the builders of Datianwan Stadium more than 60 years ago was covered with dark gray and yellow rust, surrounded by bubble-like dots. The helmet was discovered during the restoration of Datianwan Stadium and was stored in the Chongqing Sports Museum. - The helmet of a warrior of the Shang Dynasty 3000 years ago was unearthed from the tomb of the Shang King at No. 1004 Xibeigang site of the Yin Ruins. There was a video recording of an archaeologist wearing the helmet in the office of Guandai Lane in Anyang in 1935. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Engraving on China cultural relics was an act of destroying cultural relics. For example, on the wall of the "Little Potala" in Chengde Mountain Resort, there were traces of Japanese inscriptions, and the golden roof tiles also had traces of being scratched by the invaders. These actions seriously damaged the integrity and historical value of the cultural relics. Cultural relics carried brilliant civilizations, inherited historical culture, maintained national spirit, and integrated Chinese and foreign exchanges. They had eternal value beyond time and space and should be protected rather than destroyed by inscriptions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The seals of the Eight Great Mountain Men, Xue Na and Chuan Qi, were assessed as national first-class cultural relics. The Seal of the Grand Master of the Yuan Dynasty was a jade seal given to the Grand Master by the Emperor of the Yuan Dynasty. It was of great significance and was a cultural relic collected in the Xizang Museum. The Seal of King Dian was a golden seal given to King Dian by Emperor Wu of the Han Dynasty. It was stored in the National Museum of China. The imperial jade seals and the national seals of various dynasties (Ming Dynasty, Qing Dynasty, Taiping Heavenly Kingdom, Republic of China, New China, etc.) were also considered cultural relics. In addition, there were seals with big ears from the Pre-Qin period in the Seal Hall of the Shanghai Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The coal spirit seal was Du Guxin's polyhedron coal spirit seal. It was a cultural relic of the Western Wei Dynasty and was unearthed in the southeast of Xunyang County, Shaanxi Province in 1981. This seal was carved from coal essence stone. It was 2cm long, 4.5cm high, 4.35cm wide, and weighed 75.7g. It had a total of 26 printing surfaces, consisting of 18 squares and 8 triangular-shaped surfaces. Among them, 14 of the printing surfaces had seals, totaling 47 words. The book was written in regular script. The seals were used for official documents (6 sides), letters (4 sides), and letters (4 sides). The contents of the seal included "Minister's Letter","Great Sima Seal","Grand Governor Seal","Seal of Lashi","Seal of Zhuguo","Yeshi","Letter Notice","Letter White Paper","Secret","Order","Du Guxin White Letter" and so on. The owner of the Duguxin polyhedron coal spirit seal, Du Guxin (503 - 557 AD), whose real name was Du Guruyuan, was a Xiongnu of Xianbei nationality. He was born at the end of the Northern Wei Dynasty in Wuchuan Town (now southwest of Wuchuan in Inner Mongolia). His ancestral home was Yunzhong (now Datong in Shanxi Province). He came from a prominent family and had been a noble for generations. After the Yuwen family usurped the Wei Dynasty and established the Zhou Dynasty, Dugu Xin was granted the title of General of the Pillar Country due to his meritorious service. He was one of the Eight Pillar Countries. His three daughters were the empresses of the Northern Zhou Dynasty, the Sui Dynasty, and the Tang Dynasty. The seal was now hidden in the Shaanxi History Museum and was the treasure of the Shaanxi History Museum. It also brought forward the history of regular script printing by more than 400 years. It was the first time that such a seal was found among the existing unearthed cultural relics in China. In 1981, this cultural relic was picked up by a student in Xunyang and handed in. At first, the staff did not recognize its value and placed it in a corner for 10 years. Later, it was discovered as a rare treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>