Bird head and beast body cultural relic
In the reference materials, there was a description of the Warring States Bronze Bird Head Beast. It was 24 meters tall, 34 meters wide, and weighed 3.2 kilograms. It was a cultural relic from the Warring States Period and came from Nanyang, Henan Province. In addition, there was also a beast-shaped jade pendant carved with a dragon and a phoenix in the middle of the Western Zhou Dynasty. It looked like a beast lying on the ground with its head turned back and tail curled, but in fact, it was a combination of two S-shaped dragon patterns and a "bird" pattern. The "bird" pattern looked like a human head with its chin omitted, and the back was smooth and without patterns. Read more exciting novels for free
Bird egg cultural relic
There were many interesting discoveries about the bird eggs. During an archaeological excavation by the archaeological team of the University of Oxford, they excavated four bird eggs from ancient Roman ruins. These eggs belonged to ancient Rome in the third century, about 1700 years ago. The eggs were found at the bottom of a well. Because the wet mud at the bottom of the well was very thick, it protected the eggs very well, so that these eggs had not completely become " empty eggs " until now. However, on the way back to the laboratory, three of the eggs were broken due to the bumps, emitting a strong smell, leaving only one intact egg. After research, it was found that these eggs belonged to the " Yellow-footed Silver Gulls." Some experts believed that in Roman society," eggs " symbolized fertility and rebirth, which might be a custom of praying for children. In addition, there were also discoveries of cultural relics related to bird eggs in China. In 1978, three children accidentally discovered the thousand-year-old national treasure of the Northern Song Dynasty when they were digging for bird eggs in the Ruiguang Tower in Suzhou. The reason for this discovery was that the children saw bird eggs on the Ruiguang Tower and wanted to dig for bird eggs before entering the tower to explore. Finally, they found precious cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic sheep head
The following are some relics with sheep head elements: - The bronze statue with the head of a sheep and the face of a beast was a cultural relic of the Western Zhou Dynasty. It was collected in the China Finance and Revenue Museum. - In the late Shang Dynasty, the sheep's head spoon was 28.5 cm long and weighed 0.52 kg. The spoon body was bowl-shaped, with a diameter of 9.5 cm, straight wall and flat bottom. The spoon handle is flat and long, connected to the mouth of the spoon body. There is a hollow straight line in the middle. The end of the handle is decorated with a round carved sheep head. There is also a sheep and a tiger cast on the handle. It was unearthed in Jiejiagou Village, Qingjian County, Shaanxi Province and collected in Shaanxi History Museum. - The bronze double sheep statue of the Shang Dynasty was unearthed in Hunan Province. There were two pieces in existence. The other one was in the Nejin Art Museum in Japan. It was about 45 centimeters high and belonged to the southern bronze style of the Shang Dynasty. It was shaped like two rams connected back to back. Four sheep legs were used as support. The cylinder carried on the back of the sheep was the mouth of the vessel. Except for the horns, it was almost molded. It was now stored in the British Museum. - The Ming Dynasty green jade round carving of a sheep's head is a cultural relic of the Ming Dynasty. It was unearthed in the tomb of King Liangzhuang in Zhongxiang City, Hubei Province in 2001 and is now collected in the Hubei Provincial Museum. - In the early Western Zhou Dynasty, the head of a sheep and the face of a beast were covered with a dragon cover. It was 50.7 cm high and 23.9 cm in diameter. It had a straight mouth, a short neck, round shoulders, two ears, a bulging belly, and a luxurious foot. The neck was decorated with two string patterns, the shoulders embossed with the pattern of a Kui dragon, and the middle was decorated with a three-dimensional head of a sheep. On both sides of the shoulders, there were animal heads with rings and ears. The belly was decorated with the face of a big mouth and a huge eye. The bottom and the foot were decorated with Kui patterns. There was a cow head in the middle of the bottom of one side of the belly. The cover was cast with a three-dimensional dragon. It was unearthed from the cellar in Zhuwa Street, Pengxian County, Sichuan Province. Hidden in Sichuan Museum. In addition, there was a bronze statue of a sheep's head in front of Haiyan Hall in the Western Building of Yuanmingyuan. In 1860, it was looted and lost overseas after the "burning of Yuanmingyuan". As of 2023, the whereabouts of the sheep's head were unknown. There was also the famous Four Sheep Square Zun, one of the ten peerless national treasures of the National Museum of China. It was the largest and most magnificent bronze statue of the Shang Dynasty. It was also the pinnacle of the Bronze Age. It was once blown into pieces by the Japanese invaders and revived after restoration. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Stone Buddha Head
As a cultural relic, the stone Buddha head had various forms of expression and artistic features in different periods and regions. In China, there was a history of stone Buddha statues from the period of the Five Barbarians and Sixteen Kingdoms. It reached its peak during the Northern Dynasty. For example, there were Buddhist art forms such as stone pagodas carved by benefactors and Buddhist scriptures during the Northern Liang Dynasty. The Buddha statues carved on the stone pagodas reflected the images of the Buddhas of the three generations. During the Northern Qi and Northern Wei Dynasties, many stone Buddha statues and other stone Buddha statues were unearthed from the Longxing Temple in Qingzhou, Shandong Province and the Xiude Temple in Quyang, Hebei Province. These Buddha statues had different materials, shapes, and craftsmanship. For example, the stone Buddha statues in the Gandhara region were 13.3 centimeters tall and 8.5 centimeters wide. They were gray schist and had the typical Gandhara style. They had high buns, wavy hair, and white hair between their eyebrows. The carving skills were skilled and superb. In addition, the stone Buddha statues of different periods had different uses and symbolic meanings. Some of the stone Buddha statues were engraved with the names of the believers and the date of the statue, so that future generations could judge the age of their construction. Moreover, the stone Buddha statues also carried the spiritual sustenance of the believers in the context of religious culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yuanmingyuan cultural relic gilded bronze elephant head
The gold-plated bronze elephant head was excavated from the Imperial River at the site of the Great Palace Gate of the Old Summer Palace. It was a masterpiece of the royal ware of the Qing Dynasty. Its craftsmanship was exquisite, far surpassing the craftsmanship of the twelve zodiacs. The elephant's head had a long and curly nose, long teeth, and big ears. The overall shape was exquisite, the lines were smooth and natural, and the expression was serene and realistic. Although it had been eroded by time, it still shone golden under the light. When the archeological team excavated the cultural relics around the Dagongmen River in 2014, they accidentally found this elephant head wrapped in mud like a mud lump in the mud at the bottom of the river. After sending it to the laboratory and spending half a month cleaning it, its true appearance was revealed. Some scholars pointed out that it represented the highest level of gold gilding in China. Elephants were regarded as noble and auspicious symbols in China culture. The Yuanmingyuan archeological team speculated that the gold-plated elephant head might be part of an object (such as a tripod or furnace). It might be that the elephant head accidentally fell into the river when it was transported away. It had been kept in the Yuanmingyuan Ruins Park since it was excavated and appeared at an exhibition for the first time in 2017. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
What are the novels of the cultural relic boss and the divine beast?
He recommended a few novels. The author is You Are A Transmigrator, The Heavens Are Infinite-a heavenly novel. Reincarnation in various popular dramas or novel worlds, one could find the doujin world they wanted with a good recommendation ticket, such as "Celebrating Years" and many other popular ones. There was a new book, Crossing the Heavens to Be a Bandit. The overall evaluation was that it was not bad among Doujinshi dramas. Although it was a little toxic, it could satisfy the feeling of doujinshi. The writing was good, and the dungeon was well selected. However, the updates were not stable. " Life of Adding Points Starting from Battle Break ", a light novel written by Chan Yue Luo Cangming, a derivative doujinshi novel. The male protagonist, Xiao Mo, traveled across the Dou Qi continent and relied on the ordinary point addition system to increase his strength, stamina, and spirit attributes to the extreme. There were also many characters that had their own characteristics. " Treasure Eyes " was an urban supernatural novel created by Ghost Deng Huo. The salesperson used the treasure eyes to explore the treasures around the world and appreciate the cultural heritage. " I Have a Goldfinger in the Siheyuan " was a light novel written by the newbie Little Stone. It was an original fantasy novel. The protagonist dreamed of returning to the Siheyuan and wanted to be a landlord. " Taoist Priest Seeking Dharma in the Heavens ", the infinite heavens of the broken winged dragonfly. It was a novel about the heavens. It traveled through the heavens to seek Dharma and ask questions. It had a system and comprehended the Great Dao. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic with inscriptions
The following are some of the cultural relics with inscriptions: - There were 29 inscriptions on the base of the "Eight-year-old Lacquer Wood Tall Bean" that was recovered from the Eastern Tomb of Qin Dynasty. The interpretation of some inscriptions helped to determine whether Lord Mengchang had served as the prime minister of Qin Dynasty. This cultural relic was determined to be a national first-class cultural relic. - He Zun, a national treasure of the Western Zhou Dynasty, had an inscription that recorded the important historical fact that King Cheng of the Zhou Dynasty inherited the will of King Wu of the Zhou Dynasty and moved the capital to Luoyi (now Luoyang, Henan Province), which was called "Cheng Zhou". The earliest source of the word "China" was "Staying in China". - There were four lines and 33 words of inscriptions cast on the bottom of the Gui of the Western Zhou Dynasty. The content was related to King Wu of Zhou's conquest of King Zhou of the Shang Dynasty. This Gui was also known as the Gui of King Wu's conquest of the Shang Dynasty. It had great historical significance and was listed as one of the nine national treasures. - There were two circles of words on the outer wall of a certain drum seat. The upper circle had about 98 words and the lower circle had 52 words. Although some of the words were vague and some were written in reverse, the word "Yu" in one of the lines was believed by experts to be more than a third-level cultural relic and should be classified as a first-level national treasure. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic box
Casing cultural relics was a method of disposal during archaeological excavation. During an archaeological excavation, the unearthed cultural relics that were important but could not be cleaned up in time would be extracted in a box. For example, a large number of chariots and horses were unearthed from Tomb M1901 at the Liulihe archaeological site. Because their relative position was very important for archaeological research, the archaeologists carried out box extraction. These carriages were large, heavy, and in the mud. It might not be possible to insert them according to the usual steel plate extraction method. The team members listened to the advice of the old gentleman in the cultural relic protection and inserted a row of steel pipes under the boxes to reinforce the boxes. Also, in the archaeological research of the Marquis of Haiying's tomb, a large number of cultural relics excavated on the spot were transported to the laboratory in boxes for protection and research. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic bottle
There were many kinds of bottles and jars in the cultural relics. There were all kinds of bottles and jars in different periods and regions. In the blue and white flowers of the Yuan Dynasty, there was a vase with four paintings of love. The blessed part of the vase had four paintings related to "love". They were Wang Xizhi's love for orchids, Tao Yuanming's love for chrysanthemums, Zhou Dunyi's love for lotuses, and Lin Hejing's love for plum blossoms and cranes. It was originally bought by a cultural relic store for 600 yuan, and was later identified as the Yuan Dynasty, becoming the treasure of the museum. There were also some bottles and cultural relics in the museum, such as the white glazed brown flower plum vase and the white glazed black animal pattern plum vase unearthed in 2017 from the tomb of the high-level noble family of the Khitan in the Liao Dynasty. There were also the Ming Jiajing blue and white cloud dragon auspicious phoenix cloud crane pattern cover jar, Ming Zhengde blue and white figure gourd vase, etc. In addition, in the Shandong Museum, there are various kinds of bronze "bottles and jars", such as You, which holds wine, has a large mouth and lower abdomen, with a cover and a beam; Gu, which holds wine, has a long body, luxurious mouth, mouth and bottom in the shape of a trumpet; The Zhi used for drinking wine, round belly, luxurious mouth, circle foot, looks like a small bottle, most of which have a cover; Gui, which holds cooked food, has a round mouth and two ears; Square pot for millet, rice and other meals; From Gui, there are oval mouths, lids, two ears, circular feet or four feet, etc. These bottles and cultural relics have their own characteristics in terms of shape and use. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic maintenance
Cultural relics were divided into movable cultural relics and immovable cultural relics. The principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to when repairing, maintaining and migrating immovable cultural relics, so as to preserve the historical information and historical value of the cultural relics to the greatest extent. Taking Binzhou City as an example, in terms of cultural relics protection, they completed the confirmation of the protection scope and construction control zone of the sixth batch of provincial cultural relics protection units, strengthened the management of cultural relics protection qualification units, submitted the cultural relics protection project plan for the cultural relics protection units, strictly enforced the filing of cultural relics protection projects and the inspection of cultural relics protection projects, and successively carried out on-site supervision work for many cultural relics repair and protection projects. In addition, the relevant departments also attached great importance to the repair and maintenance of the original body of the small source conference site, Jiang Xianyun's former residence, and other places. All regions should also promote the protection of cultural relics from the legal and policy levels. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic model
The following are some of the cultural relics and their characteristics: - ** Gold hairpin with red and sapphire inlaid with jade flowers (Ming Dynasty)**: The hairpin is inlaid with jade and red and sapphire. The top of the hairpin was made into a flower holder with silk craftsmanship. Three layers of jade flower pieces were stacked. The center of the flower was inlaid with rubies, and the bottom of the flower holder was decorated with small petals carved with gold. Under the jade flower, there was a butterfly-shaped shape with a sapphire embedded in the middle. There was a small ball of silk on the top of each butterfly wing. When walking, it could shake slightly. The lower end was connected with circular flower ornaments. The center of the flower was ruby, surrounded by eight silk leaves. The whole showed an elegant and noble atmosphere. - ** Qing Dynasty white jade fancy cup **: It is a Hendustan jade, a royal jade used by the Qing Dynasty. It was composed of two parts, the upper part was a flower mouth, the mouth edge was in the shape of a five-petal flower, the abdomen was thinner, the lower part was a high foot, the cup body and the high foot were connected by a hollow Ruyi shaped cloud head, the middle part of the cup body had a raised string pattern, the whole body was made of white jade, the texture was fine and smooth, and the polishing was exquisite. - Empress Xiaojing's Twelve Dragon Nine Phoenix Crown: One of the four remaining Ming Dynasty phoenix crowns in China. It was 35.5 centimeters tall, 20 centimeters in diameter, and weighed 2.95 kilograms. The crown was decorated with twelve golden dragons and nine golden phoenixes. The dragons had different postures, and the lower part was a flying green phoenix. A total of 121 gemstones and 3588 pearls were inlaid. They were made of silk, jade, inlaid, and tied. The design was solemn. - ** Li Lianying's opal ring **: The opal inlaid on the ring is larger than the one on Queen Elizabeth's crown, reflecting the superb craftsmanship and aesthetic standards of jewelry production during the Qing Dynasty. - ** Qing Emperor Qianlong Furong Stone Coiled Dragon Ear Cover Furnace **: Using Furong Stone as raw material, the whole body is pink and covered with natural veins. The abdomen was carved with symmetrical decorations, with two sets of coiling dragons and a head with ring ears. The top of the cover was carved with four small coiling dragons. It was 17 centimeters tall and 14.9 centimeters in diameter. It was simple and well-carved. - ** Yue King Gou Jian Sword **: The blade is slender, 55.6cm high, 4.6cm wide, 8.4cm long hilt, and weighs 875g. There were dark diamond-shaped patterns on both sides of the sword body. The front was inlaid with blue glaze, and the back was inlaid with turquoise patterns. The head of the sword was circular, with 11 concentric circles inside. There was a middle ridge. The two blades were sharp, and the front arc was concave. - ** Antler Crane of the Warring States Period (Unearthed from the Tomb of Marquis Zeng Yi)**: The body of a crane with antlers was unearthed from the Tomb of Marquis Zeng Yi in 1978. When it was unearthed, it was located to the east of the main coffin, with its head facing south, symbolizing good luck and longevity. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>