Relic Demolition in Qing Dynasty
The demolition of cultural relics in the Qing Dynasty had to follow strict laws and regulations. First of all, cultural relics were non-regenerative cultural resources. China attached great importance to their protection and introduced relevant laws. For immovable cultural relics such as Qing Dynasty buildings, the Cultural Relics Protection Law had many regulations. In terms of site selection for construction projects, immovable cultural relics should be avoided as much as possible. If it cannot be avoided due to special circumstances, the cultural relics protection unit should be protected as much as possible. If the original site is to be protected, the construction unit shall determine the protection measures in advance and report to the corresponding cultural relics administrative department for approval according to the level of the cultural relics protection unit. Without approval, the construction shall not be commenced. If it is impossible to implement the original site protection and must be moved to a different place for protection or demolition, it shall be reported to the people's government of the province, autonomous region, or directly under the Central Government for approval; if it is necessary to move or demolish a provincial-level cultural relic protection site, it must obtain the consent of the cultural relics administration department of the State Council before approval. The national key cultural relic protection site shall not be demolished. If it is necessary to move, it must be reported to the State Council for approval by the people's government of the province, autonomous region, or directly under the Central Government. Construction projects carried out within the construction control area of the historical site may not damage the historical features of the historical site. However, there were some problems in the demolition of residential buildings that involved cultural relics and ancient buildings. For example, the current Regulations on the Administration of City House Demolition did not make specific provisions on the compensation for the demolition of cultural relics and ancient buildings, and the Law of the People's Republic of China on the Protection of Cultural Relics did not explicitly involve the compensation provisions for the demolition of cultural relics and ancient buildings. The specific compensation standards needed to be determined according to local policies. In fact, once a building was identified as a historical relic, it could not be demolished at will. If it needed to be demolished, it had to be contacted by the Cultural Relics Bureau and other relevant departments. Moreover, relocation would damage the cultural relics. Many ancient buildings would give priority to the original site protection plan. Read more exciting novels for free
Qing Dynasty cultural relic bag
A collector in Taiyuan, Shanxi Province, had displayed a needlework embroidered bag (wallet) from the Qing Dynasty. Its shape and style were varied, the embroidery stitches were neat, and the embroidery thread was slender, reflecting the fashion style of the "bag" of that era. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Can you recommend a novel with no typos that is collated by the Qing Dynasty demolition workers?
Ming Dynasty cultural relic
The typical cultural relics of the Ming Dynasty include the three-colored chrysanthemum ear vase of the Ming Dynasty now in Nanjing Museum, the Ming Dynasty·Zhuangyuan Scroll of Shandong Qingzhou Museum, the Ming Dynasty Jiajing bowl made by Jingdezhen Imperial Kiln Factory during Jiajing years, the Ming Dynasty cloisonné made during Jingtai years, the Ming Dynasty Xuande furnace made during Xuande years, the Chenghua chicken blood stone seal of the Ming Dynasty, and the Ming Dynasty silver incense box now in Shanghai Jiading Museum. These cultural relics displayed the artistic style and cultural content of the Ming Dynasty in their respective fields and had important historical, artistic, and cultural values. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Have you recommended a military novel that transmigrated from the late Qing Dynasty, like " Qing Demolition " or " Training the Pacific "?
😋I recommend a military novel from the late Qing Dynasty,"The Legend of the Villain of the Late Qing Dynasty." After the protagonist narrowly escaped death, he held a big stick in his left hand and money in his right hand to settle the injustice of the world. I hope you like this fairy's recommendation. Muah ~😗
Xia Dynasty cultural relic manufacturing
The cultural relics of the Xia Dynasty had the following characteristics: - ** Material ** - ** pottery **: The cultural relics of the Xia Dynasty were mostly pottery, which was related to the early Xia Dynasty during the Longshan culture period. Most of the pottery was made of black and gray pottery, and most of the cooking utensils made of it were pots. The surface of these pottery was decorated with raised or concave string patterns, such as the surface of pottery pots. Tao Dou, a kind of food container, appeared in the middle and late Neoliths and continued to the Xia Dynasty. There were also wine vessels such as pottery jars that were more common. - Bronze ware: There were already bronze ware in the Xia Dynasty. For example, the bronze jue was well preserved and the shape of the ware was beautiful. It was a relatively representative ware of the Xia Dynasty. A bronze coffin was also unearthed at the Erlitou site. - [Jade ware: There was a jade knife in the Xia Dynasty. The seven-holed jade knife might be a ritual or torture tool.] There was also the Xuan Gui and the stone axe. The Xuan Gui was a very important jade ritual vessel in the Xia Dynasty, and the stone axe was one of the important ritual vessels that symbolized the royal power. - ** Turquoise products **: There are bronze ornaments inlaid with turquoise. This kind of inlaid turquoise craftsmanship has appeared in the early days of the Longshan culture, but its specific use is not clear. However, its workmanship is exquisite and the artifacts are very thin. - ** Inheritance and development of craftsmanship ** - Some of the crafts of the Xia Dynasty were inherited from the Longshan culture, such as pottery making and inlaid turquoise. At the same time, the cultural relic manufacturing process of the Xia Dynasty also laid a certain foundation for the later Shang and Zhou dynasties. For example, the shape of pottery was still common in the Shang and Zhou dynasties. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Ming Dynasty cultural relic clothing
Tang Dynasty cultural relic toy
The cultural relics of the Tang Dynasty included three-colored exquisite balls, painted masked dance figurines, etc. In addition, there were also humanoid loli figurines based on the Tang Dynasty cultural relic "Grape Flower and Bird Pattern Silver Fragrance Pouch". The small porcelain toys of the Changsha kiln in the Tang Dynasty could also be regarded as a kind of cultural relic toy, such as bird-shaped xun, animal-shaped xun, ox-shaped xun, puppy, bird, ball-hugging villain, etc. Among them, bird-shaped xun could also play sound. In addition, there were also clay turtles in the Tang Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Pipa, a cultural relic of the Tang Dynasty
In the Tang Dynasty, there was a famous pipa cultural relic, the mother-of-pearl rosewood five-string pipa. This was the only remaining five-stringed pipa cultural relic in the world. It was now hidden in the Shokuin of the Todai Temple in Nara, Japan. It was an old collection of the Japanese Emperor Shengmu. After his death, the treasure was dedicated to the Shokuin. In the Tang Dynasty, pipa was generally four-stringed, and five-stringed pipa had a unique design. It was popular in the Central Plains during the prosperous Tang Dynasty. The pipa was exquisitely made of red sandalwood. It was 108.5 centimeters long and 31 centimeters wide. Using mother-of-pearl craftsmanship, conch shells or seashells were ground into various patterns, shapes, or thin slices, which were embedded on the surface of the object. The front of the pipa was a scene of musicians riding camels and playing the pipa. The back was inlaid with extremely gorgeous flowers. Since the Song Dynasty, the five-stringed pipa had been lost in China. Today, there were only imitations in China. The picture of the flying goddess playing the five-stringed pipa in the Dunhuang murals became one of the ways for people to understand the appearance of the five-stringed pipa in the Tang Dynasty. This cultural relic was a witness to the cultural exchange between China and Japan, reflecting the historical style of the Tang Dynasty at its peak. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
It was originally a Ming Dynasty cultural relic
The following were some relics from the Ming Dynasty: the three-colored chrysanthemum ear vase of the Ming Dynasty, now in the Nanjing Museum; the nine-dragon nine-phoenix crown of Empress Wang Xijie of the Ming Dynasty, unearthed in Dingling in 1957 and now on display in the National Museum; the "Zhuangyuan Volume" of the Ming Dynasty, a national treasure of the Qingzhou Museum in Shandong Province; the Jiajing bowl of the Ming Dynasty, a palace porcelain made by the imperial kiln factory in Jingdezhen during the Jiajing period; the cloisonne of the Ming Dynasty, a silk inlaid porcelain work made during the Jingtai period of the Ming Dynasty; The Xuande Furnace of the Ming Dynasty, a copper incense burner made during the Xuande period of the Ming Dynasty; the Chenghua Bloodstone Seal of the Ming Dynasty; the full name of the incense box of the Ming Dynasty, the silver incense box; the gold medal of the ancestral teachings of the Mu family of the Ming Dynasty; and the bamboo brush holder with the pattern of mountain forest characters (Ming Dynasty), collected in the Nanjing Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Please recommend a novel with a plot design and style similar to Qing Dynasty Demolition Works, and a good background.
I recommend "City Killer" to you. This novel is also a modern romance and urban life novel. The main character also has strong demolition skills. The entire novel was full of tension, the plot was compact and interesting, and it was very attractive. I hope you like this fairy's recommendation. Muah ~😗