The IP of the treasures and cultural relics of Chengbo has been opened
The IP of the Chengdu Museum's precious cultural relics has been released. This move provided more opportunities for the development of cultural creation. For example, the Chengdu Museum held a cultural creation design competition from December 6,2020 to January 10,2021. It was open to individuals or units to collect works that integrated cultural relics and Tianfu cultural elements, including graphic design, poster design, product design, Short videos, etc. The difference between this competition and the previous ones was that the cultural relics available for development and design had increased the collection of treasure-level collections. Originalities related to Chengdu's history and culture could also participate in the competition, and Short videos creation was also added. The competition focused on the aesthetics of life, hoping that the contestants would design more down-to-earth works that the public would be interested in, so that the culture could be brought home by the public. Read more exciting novels for free
Cultural relics, cultural creativity, IP
Cultural relic creative IP was to combine cultural relics and creativity to develop intellectual property with cultural content and commercial value. The following are some key points about cultural relics and creative IP: ** 1. Development Host and Platform ** 1. ** Led by Cultural and Cultural Organization ** - Many of them played an important role in the development of cultural relics and creative IPs. For example, the Shaanxi History Museum's creative products were based on the cultural relics in the museum. For example, although the creative products of wild goose fish copper lamp were suspected of plagiarism, Shaanxi Libo said that they were created according to the cultural relics of the Han Dynasty in the collection, and the copyright of their creation belonged to the museum. - Henan Museum also actively participated, such as hosting the "Wanke Cup" 7th Henan Province Museum Cultural Creation Competition, opening up 53 cultural relics IPs such as Jiahu bone flute, music and dance female figurines, providing materials for creators. 2. ** Participating in creative enterprises ** - For example, Huaxia Culture Creation drew inspiration from six collections of cultural relics, including the Du Hu Talisman of Shaanxi History Museum and the Agate Cup with the head of a gold-inlaid beast, to create the Treasure Treasure Elf IP series of literary creations, integrating cultural relics resources and trend culture to create a unique museum IP newcomer design. 3. ** Support from relevant platforms ** - Daqin Liangzao's creative publishing and cultural IP incubation platform was positioned as "culture + Internet application", focusing on creative publishing and cultural IP incubation. It was the first one-stop vertical service platform in China for cultural, cultural, and creative industries. It covers many modules such as the sorting of cultural and cultural materials, the release of cultural and creative events, copyright registration and trading, and the display and sales of cultural and creative products, promoting the development and protection of cultural relics and creative IP. ** 2. Development Requirements and Characteristics ** 1. ** Design Requirements ** - In some creative competitions, the design elements of the participating works were required to be selected from the cultural relic material library provided by the organizing committee. The works should reflect the information and value of cultural relics, dig deep into the content of cultural relics, give full play to innovative thinking, find the combination point of cultural relics and contemporary public needs, and reflect the local cultural heritage and its practical significance. For example, in the cultural creation competition hosted by Henan Museum, the works were required to reflect the characteristics of the derivative products of Henan Province. At the same time, they should be closely related to the life and culture of modern society. They should be practical, innovative, artistic, and fashionable. They should encourage breakthroughs in science and technology, low carbon, environmental protection, and the design and application of new materials. 2. ** Character and Meaning ** - Compared with traditional historical and cultural science, cultural relics and creative IPs displayed rich cultural expressions and cross-border industrial integration. For example, the joint beauty products of the Palace Museum in Beijing, the archaeological blind box of the Henan Museum, and the "Bronze Mask" ice cream of Sanxing Dui in Sichuan Province, all achieved commercial success with rich cultural elements. These cultural and creative products not only carried the heritage of history and culture, but also highlighted the characteristics of modern cities. They became the space-time link connecting the past, the present, and the future. They had positive significance in spreading traditional culture, attracting young people to pay attention to museum cultural and creative products, and providing new paths for the transformation and upgrading of cultural consumption. ** 3. Development with the help of new technology ** - The museum was also a scene worth exploring with AI+ creative technology. With the help of AIGC, it was possible to make the cold cultural relics "alive", thus further exploring the IP value of cultural relics and providing better cultural services to the public. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Treasures and cultural relics
There were many kinds of treasures and cultural relics distributed all over the world. In China, there were books related to "Treasures in the Collection of Anhui" published in Anhui. 101 sets of cultural relics from Beijing were exhibited in Athens and returned safely to China. They were exhibited at the China Millennium Monument Art Museum in Beijing. In the Hubei Provincial Museum, a thousand-year-old salted fish carried rich historical and cultural information, allowing people to understand the daily life and eating habits of ancient times. There were many Chinese treasures and cultural relics that had been lost overseas. The British Museum in Britain had more than 23,000 Chinese cultural relics, ranging from stone artifacts from the Neoliths to gold and silver artifacts from the late Qing Dynasty, such as the bronze bird and animal patterned mirror during the Warring States Period and the colorful chicken jar cup during the Chenghua period of the Ming Dynasty. One of the treasures of the museum was the Vase of David. There was also the earliest Chinese silk painting, the Admonition Painting of Female History, which was taken away by the Anglo-French coalition forces from the Old Summer Palace, and the most precious wooden printed book in the world, the Diamond Sutra, which contained 13,000 documents from the Dunhuang Sutra Cave. Japan had plundered a large number of Chinese cultural relics. More than 10,000 of the 110,000 pieces on display in the Tokyo National Museum came from China, and 11 of them were known as national treasures, such as the Song Dynasty ceramic tea bowls. The Metropolis Museum of Art in the United States had unique works ranging from Shang and Zhou bronzes to Tang and Song porcelains, paintings, and so on. The Boston Museum of Fine Arts had Yan Liben's Painting of Emperors, and the Ferrier Museum had nearly 30,000 Chinese collections, including Shang and Zhou bronzes. The Jimei Museum in France had about 20,000 Chinese collections. The treasures of the museum were the Chinese bronze elephant statue that was nearly one meter long and the blue glazed white dragon plum vase of the Yuan Dynasty. The Palace of Fountainebleau displayed more than 30,000 Chinese ivory carvings, cloisonné and jade that were taken from the Old Summer Palace. There were also many unique treasures and cultural relics abroad. Ancient Egypt had a bronze cat head with bright eyes, a cat mummy inside a cat-shaped statue, and a toy ball in a child's tomb from 2500 B.C. In the Altaic region of Russia, there was a Scythian warhorse headband based on a goat skull with birds perched on it. In Italy, there were swords of the Holy Roman Empire with portraits of emperors carved on their sheaths, and helmets in the shape of griffins. In Greece, there was a cup in the shape of a donkey's head. At the end of the 16th century, the world's oldest revolver appeared in Nuremberg. These treasures and cultural relics were an important window to understand the history and culture of different regions, the wisdom of the ancients, the way of life, and the process of historical development. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National treasures, cultural relics, treasures
China had many national treasures and cultural relics. For example, Ma Chao's Dragonfinch (also known as Ma Treading Flying Swallow, etc.), which was unearthed in Leitai Han Tomb in Wuwei City, Gansu Province in 1969, was designated as a national treasure in 1986. It was a bronze ware of the Eastern Han Dynasty and was now stored in the Gansu Provincial Museum. It was also a tourist symbol of China. The Yellow River Big Iron Bull was cast during the heyday of the Tang Empire at the cost of four-fifths of the country's iron production. It still stands today and is the only national treasure in our country that can be touched with one's hands. There was also the late Qing Dynasty jade pear that had been lost overseas, which was also a national treasure. In addition, some books, such as Illustrated 300 National Treasures and Cultural Relics of China, introduced 300 national treasures and cultural relics in detail. Civilization in Wan: Collection of National Treasures and Cultural Relics Unearthed in Nanyang was a book about national treasures and cultural relics unearthed in Nanyang. The Encyclopedia of National Treasures of China included 1,000 national treasures and cultural relics such as bronzes, paintings, and pottery. Not only did it explain the representative national treasures in detail, but it also added other wonderful and important cultural relics from different periods. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasures and Cultural Relics
The following are some situations related to the dubbing of national treasures: - In the documentary "If National Treasures Can Speak," the dubbing was pleasant and moving, and the mood changed constantly with the historical story behind the cultural relics. For example, the dubbing was long and mellow in the episode "Luo Shen Fu Tu," and the voice was light and playful when explaining "Tang Painted Twelve Zodiac Servants." The background music would also change according to the historical background of the cultural relics. According to the emotional atmosphere of the same cultural relics, drums, erhu, guqin, chimes and other ethnic instruments would be added to highlight the charm and characteristics of the cultural relics. - In the fourth season of "National Treasure," Xiao Zhan introduced the cultural relics and national treasures in his hometown, China Three Gorge Museum, as a special voice actor. - Zhao Xueying, who had 11 years of experience as a voice actor, performed a voice acting performance from the first-person perspective of cultural relics at the China National Treasure Conference. - The Hubei Province Museum once held an event to carefully select 20 heavyweight cultural relics as materials and write explanations for the majority of dubbing enthusiasts to participate in the dubbing activity of "I speak for national treasures". The activity adopted the mode of "offline card punching + online dubbing". The participants could follow the Weixin Official Accounts "Recruit Butler", click "I speak for national treasures" to open the dubbing Mini programs, select the national treasures they are interested in and dub according to the commentary. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Silk, national treasures, cultural relics
There were many precious silk relics on the Silk Road, such as: 1. ** Embellished with ruby and covered with gold **: A cultural relic from the 5th to 6th century AD. Unearthed in 1997 in the ancient tomb of Poma, Zhaosu County, Yili Kazak autonomous prefecture. It is 21.4 cm long, 4.3 - 5.8 cm wide, and weighs 66 grams. It is now stored in the Yili Kazak autonomous prefecture museum. One side of the scabbard was decorated with patterns. In the middle, three rows of gemstones were inlaid with fine gold, and rubies were embedded. Between the inlaid gemstones and the edge of the scabbard, patterns such as triangle, diamond, and line were spot-stitched with fine gold beads. 2. ** Gold ring inlaid with ruby **: A cultural relic from the 5th to 6th century AD. It was unearthed in 1997 in the ancient tomb of Boma, Zhaosu County, Yili Kazak autonomous prefecture. The ring is 2.1 cm long and weighs 16.5 grams. It is now stored in the museum of Yili Kazak autonomous prefecture. The surface of the ring is an oval ruby, and the ring holder is made of gold. The ring surface is tightly fastened with the gem on the surface. The ring surface is decorated with two rings of fine gold beads. The two sides of the ring holder are opposite to each other. There is a base inlaid with gems. The original inlaid gems have been lost. 3. ** Beaded Necklace (Tang Dynasty)**: Unearthed from the Washixia Ruins in Ruoqiang County in 1971, now stored in the Museum of the Xinjiang Uygur Autonomous Region. The beaded necklace was composed of 119 beads of different sizes. The beads were round, oval, and polyhedron. The colors were red, yellow, blue, and green. They were bright and beautiful. 4. ** Necklace and Bracelet (Han and Jin Dynasties)**: Unearthed in the old city of Loulan in Ruoqiang County in 1980, now hidden in the Institute of Cultural Relics and Archeology of the Xinjiang Uygur Autonomous Region. These two strings of jewelry were made of 70 and 16 beads of different sizes. The materials were agate, colored stone, glass, etc. The colors were blue, green, yellow, cyan, black, gold, etc. The shapes were spherical, cylindrical, rounded square, oval, etc. They were all pierced in the middle for wearing. Glass beads were made by the Roman people and were introduced to China along the Silk Road during the Eastern Han Dynasty. 5. ** Beaded Bracelet (Han)**: Unearthed in 1985 from Baozi East, Baozi Dongxiang, Wensu County, now stored in the Museum of the Xinjiang Uygur Autonomous Region. There were a total of 19 beads in the shape of a circle, cylinder, oval, cone, stone leaf, and so on. One of the cone-shaped pendants was wrapped in gold foil and had a golden ring. The colors were yellow, dark red, light red, gray, green, and so on. The cylindrical beads were man-made gemstones that had been artificially processed to form patterns. They were called "Eroded Flower Flesh Red Stone Marrow Beads". This process originated from India. 6. ** Bone Bead (Han and Jin Dynasties)**: Unearthed from the Niya site in Minfeng County in 1996, 112 cm long, now hidden in the Institute of Cultural Relics and Archeology of the Xinjiang Uygur Autonomous Region. This string of bone beads was made up of more than 400 beige bone beads. There was a hole in the middle, and the surface was smooth. The workmanship was exquisite. It should be an ornament on the neck. 7. ** Tiger-patterned round gold medal (5th century B.C. -3rd century B.C.)**: Unearthed from Tomb No. 30, Aragou, Urumqi City, 1977. Now stored in the Museum of the Xinjiang Uygur Autonomous Region. This card is molded with a hammer and a raised tiger pattern. The tiger's posture is very dynamic, and the head, mane, and claw patterns are meticulously carved. 8. ** Tiger gold belt decoration (5th century B.C. -3rd century B.C.)**: Unearthed from Tomb No. 30, Alagou, Urumqi City, 1977, now stored in the Museum of the Xinjiang Uygur Autonomous Region. It was molded and hammered with gold foil. The two tigers opened their mouths and glared at each other, looking like they were about to fight. The shape was unique and the technique was exquisite. There were small holes in the belt, which might be an ornament attached to other leather goods or clothing. 9. ** Bronze Blindfold (Tang Dynasty)**: Unearthed from Tomb 227 of Astana Cemetery in Turpan in 1973, now stored in the Museum of Xinjiang Uygur Autonomous Region. When unearthed, it was originally placed on the eyes of the deceased. It was punched out of a thin copper sheet. The center of the eye was near the eyeball. The small holes around the eye mask were originally sewn with cotton or silk to protect it. This kind of eye mask could only be seen in Xinjiang. It was a funeral instrument. 10. ** Chinese Wooden Slips (Wei and Jin)**: A total of 7 pieces of different lengths. One of them was written in ink on both sides, while the rest were written in ink on one side. The calligraphy of this batch of Chinese wooden slips included cursive script, running script, regular script, etc. It recorded the names of officials, place names, orders, thin books, etc. It was a precious material for studying the political and military system, social and economic life, and calligraphy art of the Loulan area during the Han and Jin Dynasties and ancient Xinjiang. 11. ** Qiuci Wooden Slips (Eastern Han)**: Qiuci was an ancient country in the Western Regions and an important town on the Silk Road during the Han and Tang Dynasties. The remnant was from the Sui Dynasty to the early Tang Dynasty, and no ethnic group used this language. In addition, some silk cultural relics such as woven shoes from the Eastern Jin Dynasty (unearthed in Xinjiang), brocade socks from the Tang Dynasty (collected in the Gansu Museum), leather boots from more than 1000 years ago (collected in the Qinghai Tibetan Medicine Culture Museum), and urns from the Northern Dynasty (collected in the Xinjiang Museum) also reflected the cultural exchanges and historical development on the Silk Road to a certain extent. At the same time, silk-related prehistoric, Shang and Han cultural relics unearthed in Hebei, Henan and Shanxi, such as the pottery silkworm pupa unearthed from the Yangshao cultural site in Nanyangzhuang, Hebei Province, the silk relics of the Shang Dynasty unearthed from the Taixi site in Gaocheng, and the silk fragments unearthed from the tomb of Liu Sheng, the Han Zhongshan King in Baoding, were also important witnesses to the development of silk culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasures and Cultural Relics Specialist
The following were some of the more well-known experts in the identification of national treasures and cultural relics: - Mr. Ma Chengyuan, known as the "First Person in Bronze Appraisal in China", was the curator of the Shanghai Museum. He started as an ordinary cultural relic enthusiast and published more than 80 bronze works and papers in decades. In the past 50 years of cultural and cultural work, he was not only a representative of the academic school, but also an expert in actual combat, helping the country recover tens of thousands of precious cultural relics. - Sun Yingzhou (1893-1966), a native of Ji County, Hebei Province, was a famous expert in ancient porcelain appraisal. He was a member of the Fourth National Committee of the Chinese People's Political Conference. - Geng Baochang was a famous expert in the identification of cultural relics. He specialized in the study and identification of ancient porcelain. - Chen Wanli (1892-1969) and others. These experts relied on their rich knowledge, experience, and keen insight to play a vital role in the identification, protection, research, and excavation of national treasures. Some of them actively rescued cultural relics from antique markets at home and abroad when cultural relics were at risk of loss; some determined the value and age of cultural relics at the site of archaeological excavation; some found treasures among the people and identified them. However, there were also cases of appraisal errors in the field of cultural relics. For example, some experts made a mistake in the appraisal of the so-called "Golden Silk Jade Clothes" worth 2.4 billion Vietnamese Dong and misjudged the fake as a treasure. This also reflected the complexity and difficulty of the identification of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Treasures, cultural relics, calligraphy and painting
The following are some of the treasures, cultural relics, paintings, and calligraphy mentioned: - A landscape fan made by Yu Chan during the Taiping Heavenly Kingdom of the Qing Dynasty. - Du Mu's only semi-cursive poem of the Tang Dynasty, Zhang Haohao's Poetry, had been passed down for 1200 years. In modern times, it had experienced many vagaries, from Puyi leaving the palace to the puppet Manchuria, and then to being robbed. It was later bought by Mr. Zhang Boju and finally donated to the Palace Museum in Beijing for free. - Song Huizong's "Poetry, Calligraphy and Painting" three unique authentic works,"Auspicious Crane Painting." - Ming Dynasty's "Pengshan Encounter Carriage Painting", Chen Hongshou's "Three Stars Painting", Ming Xuanzong's "Horse Painting", Chen Chun's "Plum Blossom Narcissus Painting", Xu Wei's "Pomegranate Fruit Painting" and other calligraphy paintings. - Zhao Mengfu of the Yuan Dynasty painted the Statue of the Pharmacist Buddha, and Xu Gu painted the Painting of Fish Playing (Xu Gu had the reputation of being the first painter in the late Qing Dynasty). - Su Shi's "Bamboo and Stone Painting of Xiaoxiang"(the only copy in China) and "Zhi Ping Tie". - Tang Bohu's "Journey to Mt. Guan", Bada Shanren's works, and Wen Zhengming's "Fengtian Hall Morning Court Poetry". - There were many national treasure-level calligraphy and paintings such as the Five Dynasties 'anonymous "Autumn Forest Herds of Deer", including many calligraphy and painting works from the Song Dynasty to the Qing Dynasty, such as Fan Kuan's "Autumn Forest Flying Waterfall", Yan Wengui's "Qifeng Ten Thousand Trees", etc.(including more than 80 first-class calligraphy and painting works and more than 30 excellent works from the Song and Yuan Dynasties). - The Painting of the Seven Sages by the famous modern painter Li Keran (there was a dispute over its identification). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Hanzhong national treasures and cultural relics
There are many national treasures and cultural relics in Hanzhong. For example, the " Thirteen Stone Gates " was a masterpiece among the cliff carvings on Baoxie Road, including eight Han carvings, one Cao Wei carving, one Northern Wei carving, and three Song carvings. It was a precious material for studying ancient traffic and calligraphy arts. It was listed as the first batch of national key cultural relics protection units and was now preserved in the Hantai exhibition area of Hanzhong Museum. The Thirteen Stone Gates among the Thirteen Stone Gates were placed in the indoor special exhibition hall because they were national treasures. There was also a piece of jade on display in the ancient pavilion on the west side of the Ancient Han Terrace in the Hanzhong City Museum. It was a huge ancient jade sculpture carved out of jasper that looked like a drum, a foundation, and a container. In addition, during the Anti-Japanese War, the cultural relics of the Forbidden City moved south to take refuge in Hanzhong. These cultural relics of the Forbidden City were also national treasures. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics and national treasures overseas
There were a large number of China cultural relics and national treasures overseas. Many countries had cultural relics that had been lost from China. For example, the British Museum in the United Kingdom had more than 30,000 cultural relics that had been lost from China, including the earliest Chinese silk painting, the Admonition Painting of Female History, 13,000 manuscripts from the Dunhuang Sutra Cave (only one-third of them were left in China), and the world's oldest wooden printed book, the Diamond Sutra. More than 10,000 of the 110,000 items on display at the Tokyo National Museum in Japan came from China, of which 11 were known as national treasures, such as calligraphy and paintings from the Song, Yuan and Ming Dynasties such as the Painting of Sleeping in Xiaoxiang. The largest museum in the United States, the Cosmic Museum of Art, had many unique works ranging from Shang and Zhou bronzes to Tang and Song porcelain. The Boston Museum of Fine Arts had Yan Liben's Painting of Emperors, and the Ferrier Museum had nearly 30,000 China collections. The Jimei Museum in France had about 20,000 China collections. The treasures of the museum included the China bronze elephant statue that was nearly one meter long and the blue glazed white dragon plum vase of the Yuan Dynasty. The Palace of Fountainebleau displayed more than 30,000 China ivory carvings, cloisonné and jade that were taken away from Yuanmingyuan. China had formulated a standard for the review of cultural relics to prevent the loss of precious cultural relics. With 1949 as the main standard line, all cultural relics with certain historical, artistic and scientific value produced or made before 1949 were prohibited from leaving the country in principle. Among them, cultural relics produced or made before 1911 were prohibited from leaving the country. The cultural relics of ethnic minorities were mainly based on the year 1966. All representative cultural relics of ethnic minorities produced before 1966 (including 1966) were prohibited from leaving the country. At the same time, there were also cases of overseas cultural relics returning. For example, the "Return of National Treasures--Yuanmingyuan Beast Head and Overseas Returning Cultural Relics Special Exhibition" exhibited 77 pieces/set and 86 national treasure-level precious cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
National Treasures, Cultural Relics, Chaoshan
Chaoshan has many national key cultural relics protection units and other important cultural relics related content. Guangji Bridge was located outside the east gate of the ancient city of Chaozhou City, Guangdong Province. It crossed the Han River and connected the east and west banks. It was a combination of beam bridge, pontoon bridge and arch bridge. In 1988, it was listed as the third batch of national key cultural relics protection units by the State Council. It was praised by bridge expert Mao Yisheng as "the earliest open-close bridge in the world". Xu Fuma Mansion was located at No. 4, Dongfucheng, Grape Lane, Zhongshan Road, Chaozhou City, Guangdong Province. It was built during the reign of Emperor Yingzong of Song Dynasty. The main building was three-entry with one back package. The three-entry and the mountain formed a "work" pattern. In November 1996, it was announced by the State Council as the fourth batch of national key cultural relics protection units. Kaiyuan Temple is located in Kaiyuan Road, Chaozhou City, Guangdong Province. It was built in the twenty-sixth year of Emperor Xuanzong's Kaiyuan period. It is divided into four parts. The temple is rich in cultural relics, including stone scriptures of Tang Dynasty and large bronze bells of Song Dynasty. In June 2001, it was announced by the State Council as the fifth batch of national key cultural relics protection units. Jilue Huanggong Temple was located at No.2 Tiexiang, Yi 'an Road, Chaozhou City, Guangdong Province. It was built in the 21st year of Guangxu of Qing Dynasty. It was the representative of Chaozhou's ancestral temple architecture in the late Qing Dynasty and the concentrated embodiment of Chaozhou's wood carving and stone carving art. In June 2001, it was announced by the State Council as the fifth batch of national key cultural relics protection units. The Chaozhou kiln site of Bijia Mountain was located at the western foot of Bijia Mountain in Qiaodong, Chaozhou City, Guangdong Province. The kiln was founded in Tang Dynasty and flourished in Song Dynasty. It was of great value to the study of the history of Chaozhou ceramic production and foreign trade. In June 2001, it was announced by the State Council as the fifth batch of national key cultural relics protection units. Han Wen Gong Temple was the earliest existing temple in China that was dedicated to Han Yu, a writer of the Tang Dynasty. It was located on the east bank of the Han River in the east of the Urban area, under the "Shuangjing Stone" of Bijia Mountain. In June 2001, it was announced by the State Council as the fifth batch of national key cultural relics protection units. In addition, there was also an olive-shaped water jug with a certain research value. It was a cultural relic of the late Yangshao culture and was donated to the collection of Chenghai Museum. There were more than 500 precious cultural relics in the Chaoshan Anti-Japanese War Memorial Hall, such as the camp bed of the martyr Huang Guangxiu. These cultural relics witnessed the bloody war between the soldiers and civilians in Chaoshan area. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>