Classic jade patterns

The following are some common jade patterns: - ** Dragon-shaped pattern **: Like the Jade Pig Dragon in the Hongshan culture. It is a typical representative of the Hongshan culture. It has a special shape. Its head and ears are upright, its eyes are big and round, and there are many wrinkles on the bridge of its nose. Its mouth is closed and protruding like a pig. There are gaps in its mouth and tail that look like jade pieces. It is also called Jade Beast Jade. There are holes on its back. There were many explanations about the definition of Jade Boar Dragon, such as Boar Dragon, Bear Dragon, etc. Its use was mostly considered as a religious ritual vessel. It might be a divine object worn by sacrificial personnel to communicate with heaven and earth. - The pattern on the face of a god and a beast was a typical pattern on the jade ware of Liangzhu culture, such as the pattern on the jade Cong. Jade Cong King with the pattern of god was the heaviest and most exquisite jade Cong in Liangzhu culture. The lines of the God, Man, and Beast face patterns were carved using the Yin line engraving technique. The finest part could be engraved with five or six lines within a 1mm interval. The upper part of the emblem was a god with a huge feather crown, an inverted echelon face, and bright eyes. The lower part was a divine beast with eyes like lamps, a wide nose, and curved bird claws on its lower limbs. There was a debate on whether the gods were walking on beasts or were human and beasts in one. However, some scholars believed that this included the legend of the heroes who created the world, and the heroes were incarnated to protect the Liangzhu area. - Beast Face Pattern: Like the hollowed-out beast face pattern jade ornament in Liangzhu culture, which was roughly triangular in shape, it used a combination of openwork and Yin line carving to present the image of the beast face. The beast face pattern was different from the beast face pattern in Liangzhu culture, and the big eyes were the same as the pottery patterns in the late Songze culture. It was considered to be a transition image of 'dragon and beast'. - Grain pattern: For example, the grain pattern of jade tablets in the Ming Dynasty often appeared on jade articles such as tablets. - ** Dragon pattern **: In the Ming Dynasty, there were jade articles with dragon patterns such as jade pens. - ** Eight Immortals Pattern **: Like the Eight Immortals pattern on the jade teapot of the Ming Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many simple patterns carved on jade. For example, in terms of traditional subjects, bamboo was a relatively simple type. Through the ingenious carving of bamboo joints, it showed a slender and handsome image, and it also reflected the beautiful meaning of bamboo rising higher and higher. There was also a gourd, which could be carved into a round, round, and lifelike image with vines wrapped around it, with auspicious meanings such as happiness and wealth. From the perspective of carving techniques, the use of line carving techniques to express some simple line patterns, such as using lines to outline the outline of flowers, etc., was also a relatively simple form of pattern expression. Under the thin carving technique, some simple patterns such as the outline of mountains and rivers could be carved on the jade stone. The novel "Ledge" is equally exciting. Everyone is welcome to click and read it!

The gold-plated frame inlaid with jade and cloud patterns is a jade furnishings from the Warring States Period. It was unearthed from Huaiyang Pingliang Platform, Zhoukou City, Henan Province. It is 6.2 cm high, 2.8 cm wide and 0.6 cm thick. It is now stored in the Henan Museum. The frame was generally shaped like a long ladder, narrow at the top and wide at the bottom, with the same patterns on both sides. In the center was a jade plate decorated with cloud patterns. The jade was warm and bronze. There was an outer shoulder on the outer edge. At the top was a beast head. The beast head had a pair of short horns and small ears. There were curly hair on both cheeks. A pair of black eyeballs protruded, bright and divine. There were grooves on both sides of the edge for inserting mirrors. Although most of the gilding had fallen off and the patterns had rusted, one could still see the exquisiteness of the artifact. It reflected that the significance of bronze mirrors in China culture was not only in dressing, but also in folk culture and social life. The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!

The phoenix pattern on jade had the following characteristics: - The phoenix pattern on the jade ware of the late Shang Dynasty, such as the jade phoenix unearthed from Fuhao Tomb of Yin Ruins in Anyang, Henan Province, was shaped like looking back. Its crown and beak were like that of a chicken, with short wings and long tail. The tail feathers were divided into two intersecting strands, and the wings were carved with Yang thread feather patterns. Its shape is mostly closed mouth, staring eyes, high crown decorated with fin teeth, curled tail, head staring, strict rules and other characteristics. In terms of decorative patterns, the phoenix-patterned eyes were mostly in the shape of "Mu" in oracle bone inscriptions (with double hooks and single hooks), commonly known as the word "Chen". There were also round eyes engraved in yin, round eyes with yang patterns, round eyes with two circles of yang patterns outside and eyeballs to the ground. Most of them used a combination of realism and exaggeration to polish the outline. The outline was concise, and most of them used geometric double-hook lines to decorate the high crown, plump wings, long tail feathers, wide and powerful claws, etc. The birds of the Shang Dynasty were mostly decorated with feather patterns and feather patterns. - The phoenix pattern in Western Zhou jade ware, for example, the known Western Zhou jade ware had a double hook engraved on it as the phoenix pattern. The phoenix stood upright with a high crown and long tail. - The phoenix patterns on jade from the Han Dynasty, like the phoenix patterns carved on the scabbards of the jade swords in the collection of the Huang Zhi Museum, had the characteristics of spreading their wings and waiting to fly. The wings were gorgeous and the lines were winding and graceful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The 17 classic conflict patterns of drama include: 1. Self-contradiction: The inner conflicts of the character include self-doubt, self-affirmation, self-denial, etc. 2. Social conflict: The conflict between roles and society includes social norms and personal freedom, morality and interests, etc. 3. Life and death conflict: The struggle and conflict when the character faces a life and death decision. 4. Desire conflict: The conflict between the character's inner desire, morality, and reality. 5. Jealousy conflict: Jealousy, hostility, and fighting between characters. 6. Fear of conflict: The struggle and contradiction when the character faces fear, danger, and uncertainty. 7. Lonely conflict: The conflict between loneliness, isolation, and the search for connection between the characters. 8. Power conflict: The competition between characters for power, status, and interests. 9. Love conflict: The conflict between love, emotions, and sexual behavior between characters. 10. Clash of beliefs: The conflict between the character's beliefs, values, and morals. [11. Honor conflict: The conflict between the honor, reputation, and pursuit of honor between characters.] 12. Disappointment and conflict: The character loses important things such as love, friendship, freedom, etc., resulting in loss and conflict. 13. The conflict between desire and reason: The conflict between the character's inner impulse and rational thinking. Self-actualization and real life conflict: The character pursues his own ideals and the pressures, restrictions, and contradictions in real life. [15. The conflict between despair and hope: The character faces a hopeless situation but still does not give up hope and the contradiction between pursuit.] Revenge conflict: The character's struggle and conflict for revenge. Growing conflict: The character grows, changes, and pursues a new understanding and self in a difficult situation.

Peony patterns were widespread in traditional Chinese decorative arts. The following were three classic places where peony patterns appeared: - * * Porcelain **: Peony pattern is one of the classic patterns of Chinese porcelain. It has been popular since the Tang and Song Dynasties and has been popular for a long time through the Yuan, Ming and Qing Dynasties. It is mostly used as the main pattern decoration on the main parts of bottles, bowls, plates, pots and other utensils. Peony patterns of different periods had different styles. For example, the peony pattern of the Yuan Dynasty was the mainstream in the decorative patterns of plant porcelain. The shape was huge and fat, while the peony pattern of blue and white was the mainstream. It was often combined with auspicious phoenix and peacock to symbolize "wealth and good fortune" and "happiness". - * * Silk **: There are many peony patterns in traditional silk fabrics. For example, the pattern of the gold satin with the eight treasures of the twining peony was made up of two types of twining peony flowers, which were circulated up and down. The pattern was decorated with eight treasures of gold, which showed elegance and symbolized auspicious wealth and longevity. There was also the gold satin woven with peony, which combined with the Western Rococo style and was composed of peony, sea pomegranate flowers and rolled grass patterns. The pattern was gorgeous, full and decorative, implying wealth and abundance. - * * Apparels **: Peony patterns are also widely used in clothing. For example, the Peony Pattern Flash Stain is composed of two rows of inverted peony patterns. The composition is simple and smooth, and the pattern symbolizes wealth and boundless wealth. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!

In ancient times, people attributed many unexplainable phenomena to the power of gods. In order to communicate with the gods, they made sacrificial vessels with animal faces. Animal faces became auspicious objects in ancient times. They were believed to be able to drive away evil, receive blessings, and promote wealth. Therefore, they were respected. Therefore, ancient jade vessels were often carved with animal faces. From the late Neolith Age to the Han Dynasty, the " animal face pattern " was popular. In the Neolith Age, it was the clan emblem of the clan community, the tribal totem symbol, and also the divine object and ritual implement pattern of the clan leader's theocracy and royal power. From the late Neolith Age to the Shang and Zhou Dynasties, animal face patterns were often seen on jade articles. In the Longshan and Liangzhu cultures, animal face patterns appeared frequently. In the Liangzhu culture, heavy circles were used to represent the eyes, and the Longshan culture had unique patterns on the eyes. Jade beast faces remained mysterious during the Shang Dynasty. They were ritual implements or sacrificial objects for the gods of heaven. In the Western Zhou Dynasty, they gradually became ornaments for high-level nobles. During the Spring and Autumn Period, there were many jade ornaments with animal faces and they were full of distinctive characteristics of the era. All of these showed the importance of the animal face pattern in the ancient jade culture, which was also the reason why most of the ancient jade utensils were carved with animal face patterns. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

He recommended a few great novels. "Record of Farming in a Different World" was an ancient romantic farming text written by Ailot. The female protagonist, Bai Xiaofan, was a fan of " Crusoe ". She never thought that she would live a life similar to that of Crusoe. However, she was extremely lucky. She had a magical peanut spaceship, and a super gentle neighbor. She hunted, farmed, fell in love, and had children. Her life was wonderful. 'The Way of Anatta' was a Xianxia cultivation novel written by Lu Xi Ping. In a modern city setting, strange people were training in the human world. The protagonist was born gracefully to mend the heavens. Where would the reappearance of the primeval world go? There were wonderful descriptions of battles in the book. Although the plot was good, the writing was good. Although it was said to be a knockoff of 'Buddha Is Dao', it was very novel. It was an early classic and had a thorough study of Taoism. It was worth reading. " My Lady's Ancient Chronicles " was an ancient romance novel written by Miss Lu. The female protagonist transmigrated to the Great Chu Dynasty and yearned for a leisurely life. She found her loyal dog husband and even met her sister-in-law and other transmigrators who were suspected to have transmigrated. It was extremely interesting. 'The God Deification Begins From Adding Points to the Nuwa Palace' was a Xianxia Mythological Cultivation essay written by Hidden Artifacts in Meal'. The main character transmigrated to become the emperor's guard. There was a witness system. Witnessing the plot could improve one's skills and abilities, and one's strength would steadily increase in the apotheosis plot. " The Great Voyage Simulator: Look at the Ancient Gods at the Beginning ". Don't believe in light novels written by human emotions anymore. The male protagonist, Li Jiu, traveled through another world and activated the Great Voyage Simulation. There were all kinds of simulated adventures, and the character information was rich. There were elements that countered the system, similar to a sailing business novel. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The following are some classic sayings from Nongyu: "I had the intention to face the moon, but the moon shines on the ditch." "Since ancient times, who hasn't died?" "My fate is up to me, not the heavens. If the heavens want to destroy me, I will not destroy the heavens." 4 " Life is like being surrounded by thorns. If you don't move, you won't be hurt. If you move, you will be hurt." " I don't want to compare myself with others, but I want to surpass myself and do one thing well in my life." "The world is as big as your heart." 7 " I don't live for anyone but myself." " Heaven and earth are unkind and treat all living things as straw dogs; saints are unkind and treat the people as straw dogs." The value of life is not in what you have, but in what you affect." 10 " Fate is in your own hands, not in your own hands."