In 2003, Ye Xingsheng, a collector from Chengdu, donated a national first-class cultural relic of the Qing Dynasty to the Sera Monastery in Tibet--a Thangka embroidered with pearls from the King of the Horse's Head. Ye Xingsheng had worked and lived in Tibet for nearly 40 years. In 1999, he donated more than 2300 pieces of folk art collections that he had protected and collected in Xizang for more than 30 years, including 22 first-class cultural relics and many other cultural relics. The pearl embroidered Tangka was made in the 18th century. It was 102 centimeters wide and 172 centimeters high. It was carefully sewn with colorful brocade and horsetail silk thread according to the shape of the winged horse head of Mingwang in the Gelug Sect of Tibetan Buddhism. The arm hairpin was made of more than 1300 small pearls. It was a treasure in the art of Tibetan Buddhism. Read more exciting novels for free
The following are some of the first-class cultural relics in the museum collection: - Hubei Province Museum: 945 national first-class cultural relics such as the sword of King Gou Jian of Yue, the chime bell of Marquis Yi of Zeng, the skull fossil of Yun County, and the vase of the blue and white flowers of Yuan Dynasty. - National Museum of China: Painted Stork Stone Axe Porcelain Vat, Tao Ying Ding, Houmu Wu Bronze Ding, Li Gui and many other first-class cultural relics. - Shanghai Museum: Jin Hou Su Zhong (a set of 14 pieces), Da Ke Ding, etc. - Tianjin Museum: Taibao Ding. - Zhejiang Province Museum: Vermilion Lacquer Bowl Unearthed at Hemudu. - Henan Museum: Xichuan unearthed copper ban and so on. - Shandong Province Museum (Shandong Province Sculpture Art Museum): 49027 precious cultural relics (including some first-class cultural relics). - Nanjing City Museum: There are 46153 precious cultural relics (including some first-class cultural relics). This was only a part of the first-class cultural relics in the collection of many museum collections in the country. Different museum collections had rich and precious collections. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Currently, there were many units collecting cultural relics: - On August 14, 2014, the Supreme People's Court and the State Administration of Cultural Heritage issued a notice to support the collection of collections by the Supreme People's Court Museum. - CCCC First Harbor Administration will collect cultural relics and historical materials from all walks of life from today to December 31,2024. The collection contents include production tools and office supplies that witness the development and changes of the First Airlines, various certificates, medals, drawings, documents, photos, etc. with memorial value, covering historical development (such as the period of recovery and construction of the socialistic economy, the period of large-scale construction of the port, the new period of reform and opening up, since the 21st century, etc.), overseas project development (the period of assistance, the period of actively going overseas), and the implementation of national strategies (the strategy of rejuvenating the country through science and education, the strategy of making the country strong, etc.). - Jimsar County Museum is collecting cultural relics, including ancient stones.(The focus is on stone tools and jade articles from the Han and Tang Dynasties to the Ming and Qing Dynasties), steles, tablets and other materials that reflect the history and culture of Jimsar County and the stories of people, collections with high artistic value (such as famous people's calligraphy and paintings, etc.), and folk customs (reflecting the folk customs of various ethnic groups in Jimsar County, such as food, clothing, housing, etc., production tools and living utensils of specific periods, and objects and materials that reflect the history of modern revolutionary struggles, etc.). The owner is required to ensure that the source is inherited in an orderly, reasonable and legal manner. - The Seventh Campus of the People's Anti-Japanese Military and Political University of China From March 15 to July 31, 2024, the Seventh Campus of the University of Kang will publicly collect cultural relics and historical books from the whole society, including literature (such as orders and instructions issued by the Central Committee of the Party), physical materials (such as weapons used by revolutionary ancestors), audio and visual materials (such as photos, films, etc.) and other materials (such as other aspects of teachers, students and local working people). In addition, the State Administration of Cultural Relics announced the "New Rules for Collection of Collections in state-owned Missions" to broaden the sources of collections and encourage the people to donate cultural relics to the museum free of charge. If they are unwilling, they can also be purchased by the museum. However, when purchasing, it is necessary to confirm that the source of folk cultural relics is true and legal. For example, porcelain needs to be judged by three national experts from the aspects of authenticity, history, artistic value, scientific value, circulation experience, etc., and evaluated separately. After unified opinions, the collection process will be completed, and the experts have the right to" one-vote rejection". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The national cultural relics investigation was part of the cultural relics survey. The cultural relics survey was a comprehensive survey of local cultural relics resources organized by the local cultural relics administrative department within an administrative division. This work was different from the special investigation of archaeological work and the general investigation of cultural relics by the cultural relics department. For example, on December 20,2023, the law enforcement officers of Yangxi County Culture, Broadcasting and Sports Bureau went to the Liang Ancestral Hall and Zhang Ancestral Hall in Zhiyi Town to carry out daily inspection work to ensure the safety of cultural relics. In addition, the fourth national cultural relics survey was also in progress. The relevant units actively cooperated with the general survey tasks issued by the State Council, carried out the compilation and approval of the general survey list, and did a good job in the general survey of cultural relics, data collection, sorting and sorting out, and did their best to improve the general survey work. Through the investigation of cultural relics and other general investigations, they could have a comprehensive understanding of the status of cultural relics resources, which would be helpful for the protection, inheritance, and utilization of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some situations related to the dubbing of national treasures: - In the documentary "If National Treasures Can Speak," the dubbing was pleasant and moving, and the mood changed constantly with the historical story behind the cultural relics. For example, the dubbing was long and mellow in the episode "Luo Shen Fu Tu," and the voice was light and playful when explaining "Tang Painted Twelve Zodiac Servants." The background music would also change according to the historical background of the cultural relics. According to the emotional atmosphere of the same cultural relics, drums, erhu, guqin, chimes and other ethnic instruments would be added to highlight the charm and characteristics of the cultural relics. - In the fourth season of "National Treasure," Xiao Zhan introduced the cultural relics and national treasures in his hometown, China Three Gorge Museum, as a special voice actor. - Zhao Xueying, who had 11 years of experience as a voice actor, performed a voice acting performance from the first-person perspective of cultural relics at the China National Treasure Conference. - The Hubei Province Museum once held an event to carefully select 20 heavyweight cultural relics as materials and write explanations for the majority of dubbing enthusiasts to participate in the dubbing activity of "I speak for national treasures". The activity adopted the mode of "offline card punching + online dubbing". The participants could follow the Weixin Official Accounts "Recruit Butler", click "I speak for national treasures" to open the dubbing Mini programs, select the national treasures they are interested in and dub according to the commentary. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some of the situations related to the national cultural relics protection in 2020: - The State Administration of Cultural Heritage will promote a batch of Chinese cultural relics media communication products (new media) during the 2020 Cultural and Natural Heritage Day to implement the deployment of Chinese cultural relics media communication work in the "Several opinions on strengthening the protection and utilization of cultural relics" issued by the General Office of the Central Committee and the General Office of the State Council, and promote the colorful new media communication activities of the national cultural relics system. - On December 16,2020, the annual meeting of the National Cultural Relics Protection Standardisation Committee was held in Beijing. The meeting listened to the work report of the Secretariat of the Cultural Relics Committee (China Institute of Cultural Heritage). The members of the Cultural Relics Committee put forward opinions and suggestions on the standard system of cultural relics protection and the "14th Five-Year Plan" cultural relics protection standards. Guan Qiang, deputy director of the State Administration of Cultural Relics, put forward three requirements on further improving the level of cultural relics protection standards and assisting the high-quality development of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
On October 20,2020, 68 China cultural relics that had been lost to the UK for 25 years were successfully recovered. These cultural relics included porcelain, pottery, stone tools, bronzes, etc. The time span spanned from the Spring and Autumn Warring States Period to the Qing Dynasty, and were distributed in Jiangxi, Anhui, Fujian, Henan, Shaanxi, Hebei, Guizhou, etc. The cultural relics were rich in types, good in appearance, and more exquisite. There were 13 second-class cultural relics in three groups, 30 third-class cultural relics, and 25 general cultural relics. They had important historical, artistic, and scientific values. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In recent years, there have been many cases of cultural relics being displayed: 1. **"Return-Italy's Return of Lost Chinese Cultural Relics Exhibition"**: The exhibition was held in the National Museum of China. Through three units: jointly respecting historical civilization, creating a model for cultural relics, and gathering the light of mutual understanding of civilizations, the 796 pieces of lost cultural relics and artworks returned by Italy to China were displayed. The exhibition adopted an innovative way of exhibition. It referred to the traditional Sumeraza-style design and made a five-story booth, plus four second-level exhibition holders, forming a total of nine levels. Outside was a transparent gallery display cabinet. 2. ** Thailand Cultural Relics Exhibition **: On May 21st, Thailand's Ministry of Culture received two antique cultural relics returned from the United States," Golden Boy " and " The Kneeling Woman ". They may be exhibited, but the information did not clearly mention the specific situation of the exhibition. 3. **" Return of Prosperity-Special Exhibition of Overseas Cultural Relics "**: Co-produced by Shanghai City Minhang District Museum, Beijing City Yuanmingyuan and Poly Art Museum. Five bronze animal heads of the twelve zodiac animals of the Haiyan Hall of Yuanmingyuan in the Qing Dynasty, including the head of an ox, the head of a tiger, the head of a monkey, the head of a pig and the head of a horse, as well as more than 40 national treasure bronze artifacts from the Shang and Zhou Dynasties, the Spring and Autumn Warring States Period and the Han Dynasty, were exhibited. The exhibition was divided into two parts: "Reunion in the Prosperous World" and "Beauty Continues". Scene-based settings such as real-life construction, ring-screen projection, dynamic projection, and other multi-media technologies were used to highlight the theme features and cultural relics highlights. A special activity of "Guardians of National Treasures" was also launched to enhance audience participation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are some of the second-class cultural relics: jade cong, three-eared red pottery jar, green glazed glass bottle of the Northern Dynasty, Warring States period beam pot [Su], Xixia leader seal, copper diamond mother mandala, jade ring, Han gilded crossbow machine, Han Dynasty silver sword pavilion, Warring States Chu money card series (such as the four baht of gold), two Ming Dynasty wood carving Fu Lou monkeys, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many precious silk relics on the Silk Road, such as: 1. ** Embellished with ruby and covered with gold **: A cultural relic from the 5th to 6th century AD. Unearthed in 1997 in the ancient tomb of Poma, Zhaosu County, Yili Kazak autonomous prefecture. It is 21.4 cm long, 4.3 - 5.8 cm wide, and weighs 66 grams. It is now stored in the Yili Kazak autonomous prefecture museum. One side of the scabbard was decorated with patterns. In the middle, three rows of gemstones were inlaid with fine gold, and rubies were embedded. Between the inlaid gemstones and the edge of the scabbard, patterns such as triangle, diamond, and line were spot-stitched with fine gold beads. 2. ** Gold ring inlaid with ruby **: A cultural relic from the 5th to 6th century AD. It was unearthed in 1997 in the ancient tomb of Boma, Zhaosu County, Yili Kazak autonomous prefecture. The ring is 2.1 cm long and weighs 16.5 grams. It is now stored in the museum of Yili Kazak autonomous prefecture. The surface of the ring is an oval ruby, and the ring holder is made of gold. The ring surface is tightly fastened with the gem on the surface. The ring surface is decorated with two rings of fine gold beads. The two sides of the ring holder are opposite to each other. There is a base inlaid with gems. The original inlaid gems have been lost. 3. ** Beaded Necklace (Tang Dynasty)**: Unearthed from the Washixia Ruins in Ruoqiang County in 1971, now stored in the Museum of the Xinjiang Uygur Autonomous Region. The beaded necklace was composed of 119 beads of different sizes. The beads were round, oval, and polyhedron. The colors were red, yellow, blue, and green. They were bright and beautiful. 4. ** Necklace and Bracelet (Han and Jin Dynasties)**: Unearthed in the old city of Loulan in Ruoqiang County in 1980, now hidden in the Institute of Cultural Relics and Archeology of the Xinjiang Uygur Autonomous Region. These two strings of jewelry were made of 70 and 16 beads of different sizes. The materials were agate, colored stone, glass, etc. The colors were blue, green, yellow, cyan, black, gold, etc. The shapes were spherical, cylindrical, rounded square, oval, etc. They were all pierced in the middle for wearing. Glass beads were made by the Roman people and were introduced to China along the Silk Road during the Eastern Han Dynasty. 5. ** Beaded Bracelet (Han)**: Unearthed in 1985 from Baozi East, Baozi Dongxiang, Wensu County, now stored in the Museum of the Xinjiang Uygur Autonomous Region. There were a total of 19 beads in the shape of a circle, cylinder, oval, cone, stone leaf, and so on. One of the cone-shaped pendants was wrapped in gold foil and had a golden ring. The colors were yellow, dark red, light red, gray, green, and so on. The cylindrical beads were man-made gemstones that had been artificially processed to form patterns. They were called "Eroded Flower Flesh Red Stone Marrow Beads". This process originated from India. 6. ** Bone Bead (Han and Jin Dynasties)**: Unearthed from the Niya site in Minfeng County in 1996, 112 cm long, now hidden in the Institute of Cultural Relics and Archeology of the Xinjiang Uygur Autonomous Region. This string of bone beads was made up of more than 400 beige bone beads. There was a hole in the middle, and the surface was smooth. The workmanship was exquisite. It should be an ornament on the neck. 7. ** Tiger-patterned round gold medal (5th century B.C. -3rd century B.C.)**: Unearthed from Tomb No. 30, Aragou, Urumqi City, 1977. Now stored in the Museum of the Xinjiang Uygur Autonomous Region. This card is molded with a hammer and a raised tiger pattern. The tiger's posture is very dynamic, and the head, mane, and claw patterns are meticulously carved. 8. ** Tiger gold belt decoration (5th century B.C. -3rd century B.C.)**: Unearthed from Tomb No. 30, Alagou, Urumqi City, 1977, now stored in the Museum of the Xinjiang Uygur Autonomous Region. It was molded and hammered with gold foil. The two tigers opened their mouths and glared at each other, looking like they were about to fight. The shape was unique and the technique was exquisite. There were small holes in the belt, which might be an ornament attached to other leather goods or clothing. 9. ** Bronze Blindfold (Tang Dynasty)**: Unearthed from Tomb 227 of Astana Cemetery in Turpan in 1973, now stored in the Museum of Xinjiang Uygur Autonomous Region. When unearthed, it was originally placed on the eyes of the deceased. It was punched out of a thin copper sheet. The center of the eye was near the eyeball. The small holes around the eye mask were originally sewn with cotton or silk to protect it. This kind of eye mask could only be seen in Xinjiang. It was a funeral instrument. 10. ** Chinese Wooden Slips (Wei and Jin)**: A total of 7 pieces of different lengths. One of them was written in ink on both sides, while the rest were written in ink on one side. The calligraphy of this batch of Chinese wooden slips included cursive script, running script, regular script, etc. It recorded the names of officials, place names, orders, thin books, etc. It was a precious material for studying the political and military system, social and economic life, and calligraphy art of the Loulan area during the Han and Jin Dynasties and ancient Xinjiang. 11. ** Qiuci Wooden Slips (Eastern Han)**: Qiuci was an ancient country in the Western Regions and an important town on the Silk Road during the Han and Tang Dynasties. The remnant was from the Sui Dynasty to the early Tang Dynasty, and no ethnic group used this language. In addition, some silk cultural relics such as woven shoes from the Eastern Jin Dynasty (unearthed in Xinjiang), brocade socks from the Tang Dynasty (collected in the Gansu Museum), leather boots from more than 1000 years ago (collected in the Qinghai Tibetan Medicine Culture Museum), and urns from the Northern Dynasty (collected in the Xinjiang Museum) also reflected the cultural exchanges and historical development on the Silk Road to a certain extent. At the same time, silk-related prehistoric, Shang and Han cultural relics unearthed in Hebei, Henan and Shanxi, such as the pottery silkworm pupa unearthed from the Yangshao cultural site in Nanyangzhuang, Hebei Province, the silk relics of the Shang Dynasty unearthed from the Taixi site in Gaocheng, and the silk fragments unearthed from the tomb of Liu Sheng, the Han Zhongshan King in Baoding, were also important witnesses to the development of silk culture. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following were some of the more well-known experts in the identification of national treasures and cultural relics: - Mr. Ma Chengyuan, known as the "First Person in Bronze Appraisal in China", was the curator of the Shanghai Museum. He started as an ordinary cultural relic enthusiast and published more than 80 bronze works and papers in decades. In the past 50 years of cultural and cultural work, he was not only a representative of the academic school, but also an expert in actual combat, helping the country recover tens of thousands of precious cultural relics. - Sun Yingzhou (1893-1966), a native of Ji County, Hebei Province, was a famous expert in ancient porcelain appraisal. He was a member of the Fourth National Committee of the Chinese People's Political Conference. - Geng Baochang was a famous expert in the identification of cultural relics. He specialized in the study and identification of ancient porcelain. - Chen Wanli (1892-1969) and others. These experts relied on their rich knowledge, experience, and keen insight to play a vital role in the identification, protection, research, and excavation of national treasures. Some of them actively rescued cultural relics from antique markets at home and abroad when cultural relics were at risk of loss; some determined the value and age of cultural relics at the site of archaeological excavation; some found treasures among the people and identified them. However, there were also cases of appraisal errors in the field of cultural relics. For example, some experts made a mistake in the appraisal of the so-called "Golden Silk Jade Clothes" worth 2.4 billion Vietnamese Dong and misjudged the fake as a treasure. This also reflected the complexity and difficulty of the identification of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>