How to get the parameters of landscape photography out of the phone?
Different phones might have different ways to call up landscape photography parameters, but here are some common settings: 1. ** Scale setting **: If you want to get better picture quality, you can set the camera's default photo ratio to 4:3, because the sensor of the current mobile phone camera is basically a 4:3 ratio, which can maximize the use of all the area of the sensor. 2. ** Adjusting parameters in professional mode **: - **M (Metering Method)**: You can use the center-emphasized measuring mode to ensure that the main body of the attraction is exposed correctly. - **: Set a low sensitivity to avoid excessive noise in the photo. - **s (Shutter Speed)**: Choose according to the subject's movement speed and lighting conditions. For example, if you want to capture high-speed objects (like the moment when the sea waves hit), you can set the speed to 1/800S. If you want to capture the softness and delicacy of the sea, you may need to use a low-speed shutter. - ** DV (exposure compensation)**: Adjusts according to the lighting conditions of the shooting scene. - ** AF-mode: Choose the appropriate focal length and focal point according to the size and position of the subject. - White Balance: Choose the appropriate white balance mode according to the lighting conditions of the shooting environment. 3. ** Using the phone's built-in function to adjust **: After aiming at the scenery to be taken, a focus display will appear with a small sun beside it. If the small sun went up, the exposure would increase, and the image would become brighter. If it went down, the exposure would decrease, and the image would become darker. 4. ** Aperture related (some mobile phones may support)**: If the mobile phone has a similar function, the aperture of the landscape photo can be controlled between F5 - F14. The larger the aperture, the clearer the image. However, some phones might not be able to adjust the aperture directly, but indirectly affect the depth of field effect through other means. Read more exciting novels for free
Landscape photography camera parameters
In landscape photography, the settings of the camera parameters were crucial. ** 1. Aperture ** 1. [Function and Principle] - The aperture controlled the clear range of the camera's image and the amount of light entering. Because landscape photography was mostly shot for large scenes, it required a large clear range, so a small aperture was usually chosen. Generally, F11 - F13 was the optimal aperture value for shooting scenery. The small aperture could increase the depth of field, allowing the image to remain clear from near to far, enhancing the spatial sense of the image. For example, when taking pictures of mountains and rivers with a level of near and far scenery, a small aperture could clearly show the mountains in the distance and the water in the vicinity. 2. ** Special circumstances ** - When shooting water scenes, a small aperture can make the ripple effect more obvious. ** 2. Shutter ** 1. ** Relationship with Aperture and Isos ** - Shrinking the aperture would reduce the amount of light entering the camera, which required adjusting the shutter speed. If it was a hand-held shot, pay attention to the safety shutter setting to prevent the picture from blurring due to hand shaking. However, if a tripod was used to shoot steadily, the shutter speed setting could be more flexible. 2. ** Exemplary parameters ** - The shutter speed varied in different scenes. For example, when shooting at night, the shutter speed might be 10s-20s; when there was sufficient light during the day, the shutter speed might reach 1/250s or even higher, such as 1/2640s, depending on the lighting conditions, aperture size, and the desired shooting effect. ** 3. Iso-level ** 1. ** Impact on Image Quality ** - When shooting scenery, try to set the USB to the lowest value to ensure the highest quality. A high IQ might cause noise to appear on the screen and affect the purity of the image. ** 4. Focus Point ** - For scenery subjects that did not have a clear subject in the picture, the focus point could be set to 1/3 of the near picture, which was the horizontal line below the screen. ** 5. White Balance ** 1. ** Automatic White Balance ** - If you don't want to have a clear color tone when shooting, the camera's white balance color temperature can be set to automatic. 2. ** White Balance ** - If you want to set the white balance according to the color tone style, you can use the white balance drift to achieve the best color tone effect. For example, when shooting in the setting sun, using the shadow white balance mode could make the picture appear warm and comfortable, and when shooting in the early morning, using a higher color temperature than the actual color temperature could get a cool blue picture. When shooting in the warm evening, you can set the white balance to shadow mode, and when shooting in the cold morning, you can set the white balance to incandescent mode to enhance the blue image effect. ** 6. Compensation for exposure ** 1. ** Dark the image ** - When the clouds in the sky were shown and the ground scene was included in the image, in order to reduce the brightness difference of the image, the exposure compensation could be reduced after aiming at the water surface to measure the light, so that the brightness of the image would be reduced, making the clouds in the sky more layered. 2. ** Illuminate the image ** - It was often necessary to increase exposure compensation when shooting snow scenes, and in foggy weather, exposure compensation should also be increased to prevent the image from turning gray. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Phone professional photography mode parameters setting
The following are the main settings and functions of the phone's professional photography mode: * * 1. Light sensitivity (USB)** 1. * * Function * - Adjusts the sensitivity of the camera's sensor to light. 2. * * Value Impact ** - The higher the value, the better the performance of the camera in low-light environments, but it would increase the noise, resulting in a decline in the quality of the image and brightening the picture; the lower the value, the clearer the image, suitable for well-lit environments, and the picture exposure was darker. For example, when shooting outdoor scenery with sufficient light, you can set the USB to 50 - 100. When shooting night scenes like fireworks and to reduce noise and maintain a delicate texture, the USB can be set to 50. If the light is dim, you can increase the value appropriately, but try to keep it below 400 to maintain good image quality. * * 2. Shutter Speed (S)** 1. * * Function * - He controlled the exposure time, which was the length of time the light shone on the imaging chip. 2. * * Value Impact ** - The faster the shutter speed, the stronger the ability to capture moving objects, reduce blur, and the darker the image exposure. A slow shutter speed could create a dynamic blur effect, suitable for shooting at night or running water, and the brighter the image exposure. For example, when shooting fast-moving objects such as birds, you might need a shutter speed of about 1/2000 seconds. When shooting static scenery, you can use a shutter speed of 1/60 seconds or faster to avoid hand trembling. If you want to capture dynamic effects such as flowing water or clouds, you can try a slower shutter speed. When shooting fireworks, 1/320 seconds can "freeze" the fireworks to avoid smearing. A shutter speed of 1 second can capture the trajectory of the fireworks. * * 3. Focus Mode (AF.)** 1. * * Function * - It was used to adjust the focus of the image. 2. * * Mode type and application ** - Commonly seen were autofocus (AFF), macro focus, and infinity focus. The autofocus was divided into AF-S single autofocus (used to shoot still objects. After touching the screen to focus, you need to quickly press the shutter to shoot) and AF-C continuous autofocus (used to shoot moving objects. The phone will automatically track the moving object and focus). Manual Focus (MV) helps users precisely control the focus. It is suitable for scenes that require a specific focus or depth of field. For example, when shooting a landscape, there are multiple focus levels. Manual Focus can control the focus more precisely to ensure that the important elements in the picture are clearly presented. * * 4. White Balance (DB)** 1. * * Function * - Adjusts the color temperature of the image to correct the color deviation under different light sources, making the photo look more natural. 2. * * Mode and Effect ** - Usually, the default mode of the phone was AWB, and there were different modes such as cloudy, daytime, and sunlight. For example, when shooting a scene, setting the color temperature to 5000K (close to the color temperature of sunlight) could make the picture look natural. Setting it to 4000K would make the picture look blue, and setting it to 6000K would make the picture look warmer. It could be adjusted according to needs. * * 5. Exposures Compensation (RV)** 1. * * Function * - Its main function was to increase or decrease the overall image exposure (brightness). Over-exposure will make the picture too bright, and under-exposure will make the picture too dark. Through exposure compensation, you can fine-tune the exposure value to achieve the ideal brightness. * * 6. Metering Mode ** 1. * * Function * - It determined how the camera evaluated the light in the scene. 2. * * Common modes and applications ** - The most common modes were matrix, center-emphasized, and spot. Matrix Metering mode could evaluate the light distribution of the entire picture and automatically adjust the exposure. For example, when shooting a landscape, Matrix Metering could ensure that the highlights and shadows of the landscape were well presented. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nanjing rainy day landscape photography parameters map high-definition version of the book
The following are some suggestions for Nanjing rainy landscape photography: - ** Aperture **: - If you wanted to use a high-speed shutter on a rainy day, you needed to pay attention to the aperture and the settings of the USB to get the right exposure. You can consider using a larger aperture such as F1.4/F2.8, but pay attention to the depth of field. - ** Shutter: - If you want to shoot a long rain strip (drizzle), the shutter speed can be set to 1/20 second. - Shooting the rain bar before it landed emphasized the motion of the rain falling. The shutter speed was set to 1/60 second. - If you want to get the frozen state of water droplets in the air (such as frozen raindrops), you can use a shutter speed of more than 1/1000 seconds. However, this high-speed shutter may need to increase the IQ on rainy days with poor light and affect the image quality, so it should be used with caution. You can also set the shutter speed above 1/500 seconds to clearly capture the frozen raindrops. - The captured raindrops are short (water droplets, ripples), and the shutter speed can be set to 1/100 second. - If you want to shoot the effect of raindrops like silk, the shutter can be set between 1 second to 1/30 second, or between 1/30 second to 1/200 second. - ** Isox **: If you increase the shutter speed, you may need to increase the Isox to get the appropriate exposure, such as 800 or 1600. However, if the Isox is too high, it will affect the image quality. You can also set the sensitivity to 100 - 800. - White Balance: You can manually adjust the white balance to show the mysterious effect of the forest after the rain, or use the White Balance Surround function to show different effects. - ** format **: Due to the great change in lighting on rainy days, it is recommended to use the RAW format for shooting to facilitate post-production adjustments. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
furniture photography parameters
When shooting indoor furniture, the key parameters were as follows: 1. ** Shutter Speed **: When shooting static furniture, you can choose a slower shutter speed to capture more light and show the details of the furniture. If the furniture or environment has dynamic elements, such as curtains fluttering, you should choose a faster shutter speed to freeze the action. 2. ** Aperture size **: Aperture affects the depth of field of the photo. If you want the furniture to stand out from the background, you can choose a larger aperture (such as f/2.8 or larger). If you want the front and back to be clear, you can choose a smaller aperture (such as f/8 or smaller). 3. ** Iso-value **: When there is sufficient light, you can choose a lower Iso-value (such as 100 or 200) to reduce noise. When the light is dim, you can increase the Iso-value appropriately, but pay attention to noise. 4. ** Focus mode **: You can choose the single-point focus mode to control the focus point more accurately. If the furniture is larger, you can choose the area-focus mode. 5. ** White balance **: The indoor light may be yellowish or bluish. You can correct the color deviation by adjusting the white balance. If you cannot confirm it, you can choose automatic white balance. Other than that, there were also things to note: 1. ** Composing **: Use composition principles such as the rule of thirds or the golden ratio to make the furniture more balanced and harmonious in the photo. 2. ** Lighting **: Try to use natural light. If you need supplementary light, you can choose soft light or a reflective board to avoid using flash directly. 3. ** Angles **: Try shooting from different angles, including bird's eye view, side view, 45-degree angle, etc., to show different sides of the furniture. 4. ** Shooting environment **: Try to keep the shooting environment simple and avoid too many background elements from interfering with the line of sight. 5. ** Post-processing **: You can adjust brightness, contrast, saturation, etc. through post-processing software to make the furniture photos more beautiful. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Exterior photography parameters
When shooting outdoors, different subjects had different settings. If it was an outdoor portrait, the shutter speed was generally 1/100s, the USB was 100, and the aperture was F1.2 - 2.8. When shooting scenery, the focus could be auto-focused during the day and manually focused at night. The dimming was selected to be centered. The aperture should be F8, F9, F11, and other small apertures. The shutter speed was determined by the subject. The USB was about 100 during the day when there was sufficient sunlight. It was best to ensure that it was between 100 - 800 during the rest of the time. If it was too high, the image noise would be high. When shooting still life photos and the outdoor lighting is good, the shooting mode can be set to the LV mode, the USB is set to 100, the aperture is opened to the maximum and maintained above F4, and the focal length is determined according to the shooting scene. The closer to the subject, the more obvious the blurring. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Details of photography parameters
The following is a detailed explanation of the photography parameters: ** 1. Basic parameters ** 1. ** Aperture * - ** Method and principle **: Expressed by F value, such as F2.8, F4, F8, etc. It controlled the amount of light that entered and affected the depth of field at the same time. The lower the F value, the larger the aperture, the more light entering, and the lighter the depth of field (the background is easy to blur); the higher the F value, the smaller the aperture, the less light entering, and the greater the depth of field (the front and back scenes are clear). - ** Usage scenario **: - Small aperture (such as F16): suitable for scenery, buildings, and other scenes that require a large depth of field. It can make most of the elements in the picture clear and focused. - Large aperture (such as F2.8): suitable for portraits, flowers, and other scenes that need a blurry background. It can highlight the main body. 2. ** Shutter Speed ** - ** Method and principle **: In seconds, such as 1/1000s, 1/250s, 1/30s, etc. It controls the exposure time, which is the length of time the light shines on the image sensor. - ** Usage scenario **: - High-speed shutter (such as 1/500s or faster): used to shoot sports scenes, to ensure clear images of moving objects, such as sports events, fast-moving animals, etc. - Slow shutter speed (such as 1/15s to 1 second): suitable for shooting scenery, running water and other scenes that require a long exposure time. It can shoot special effects such as the fog effect of running water or star track. 3. ** Iso-sensitivity ** - ** Value range and principle **: The values are such as 100, 400, and 1600. It controls the camera's sensitivity to light. - ** Usage scenario **: - Low Isos (such as Iso100): It is suitable for environments with sufficient light to obtain high-quality, low-noise images. - High Isos (such as 800 and above): suitable for environments with insufficient light, but noise may occur and affect image quality. 4. ** Focal Length ** - ** Value range and principle **: For example, 35mm (wide-angle), 200mm (telephoto), etc. It determined the perspective and the x-ray effect. - ** Usage scenario **: - Wide-angle focal length (such as 35mm): suitable for shooting scenery, buildings, etc., able to show a wider scene. - Telephoto focal length (e.g. 200mm): suitable for shooting long-distance objects, portraits, etc. It can zoom in and compress the background. ** 2. Advanced parameters ** 1. White Balance - ** Scene Selection and Principle **: There are automatic, daylight, cloudy, fluorescent lights, and other modes. Its function was to adjust the color temperature of the photo to ensure that the white color was restored. - ** Usage **: Choose the appropriate white balance mode according to the actual light source conditions. Generally, the automatic white balance can meet most daily shooting needs. It can be manually adjusted in special scenes or when you want to create a special atmosphere. 2. ** Metering Mode ** - ** Mode selection and theory **: Including center-emphasized, spot, matrix, etc. It determines how the camera measures light to determine exposure parameters. - ** Usage scenario **: - Matrix Metering (Evaluation Metering): Metering the entire picture, which can satisfy the shooting of most scenes. - Center Focus Metering: Metering area is about 1/3 of the middle of the picture. It is suitable for situations where the subject is located in the center of the picture and requires accurate exposure. - Spot Metering: A single spot of about 3% - 5% of the image is used to accurately measure specific small areas, such as close-ups of actors on the stage. ** 3. The exposure control mode ** 1. ** Program auto exposure mode ** - ** Characteristics and application scenarios **: The camera automatically chooses the combination of aperture and shutter speed. It was suitable for beginners and scenes that did not require too much interference with the exposure settings, such as daily snapping, recording life and travel, etc. 2. ** Aperture priority mode ** - ** Characteristics and application scenarios **: The photographer sets the aperture value, and the camera automatically chooses the appropriate shutter speed. It was suitable for scenes that required control of the depth of field, such as portraits (to blur the background), flower shots, and so on. 3. ** Shutter priority mode ** - ** Characteristics and application scenarios **: The photographer sets the shutter speed, and the camera automatically chooses the appropriate aperture value. It is suitable for scenes that require control of motion blur, such as shooting moving scenes (determining whether moving objects are clear or blurred). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Portrait photography parameters
The following are some of the key settings for portrait photography: * * 1. Basic parameters in different scenarios ** 1. * * Exterior Portrait **: Shutter speed is usually 1/100s, with an IS of 100 and an aperture of F1.2 - 2.8. 2. * * In-room portrait **: Shutter speed: 1/80s, USB: 1500, Aperture: F2.8 or below. 3. * * Baby/Pet Shooting **: Shutter speed of 1/200s or above, with an aperture of F1.4 - 5.6, and an IS of 100 - 800. 4. * * Still life/gourmet shooting **: Shutter speed between 1/80s-1/200s, USB 100 - 400, aperture 1.2 - 4. 5. * * Star Chaser/concert shooting **: Shutter speed greater than 1/1000s, the range of the USB is 100 - 800, and the aperture is F2.8 - 5.6. 6. * * Night scene shooting **: Shutter speed: 10s-20s, USB: 100, Aperture: F10 - 22. * * 2. Mode Selection ** 1. * * Aperture priority mode ** - In the three major support items of aperture, speed, and sensitivity, the aperture size setting was first determined, and then the camera would set the speed and sensitivity parameters according to the shooting situation. This is suitable for controlling the depth of field in portrait photography. For example, if you want to blur the background and highlight the main body, you can use a large aperture such as f/1.4. If you want more background focus or want to maximize the image clarity, you can lower it by two or three gears to f/4, f/5.6 or f/8. 2. * * Automatic mode (P-grade shooting)** - For beginners, when learning photography, the focus should be on composition and light practice. The automatic mode can meet the basic shooting needs, and the aperture and speed settings should be put aside first. Although the images shot in this mode may lack personality, it can help the novice shoot first. 3. * * Speed priority mode ** - It was suitable for poor lighting conditions. First, the speed was determined. Then, the camera would set the aperture and sensitivity parameters. Under normal circumstances, it was recommended that the speed should not be lower than 1/100 second. When the shooting stability of the novice hand was poor, the speed could be set to about 1/200 second. As the shooting stability improved and the scene required, the speed could be gradually reduced to 1/80 or even 1/60 second. 4. * * Manual Mode (M)** - Beginners are not recommended to get involved. Most people think that this is not a good starting path for beginners to learn photography. * * 3. Natural Light Portrait Shooting ** 1. **ISO** - You should almost always choose the basic options of the camera, such as Iso100, Iso160, and Iso200, to avoid excessive noise and obtain the best image quality. When shooting in low light, you can first expand the aperture and reduce the shutter speed before considering raising the USB. 2. * * Shutter Speed ** - After setting the USB, he chose the appropriate shutter speed. You can check the light meter inside the camera, then adjust the shutter speed until you get a central (good exposure) reading. Take a test shot and check the camera's LCD screen and the bar chart to make sure that the bar chart is as far to the right as possible without the highlight being highlighted. If the light was too bright, he would continue to increase the shutter speed; if the image was too dark, he would increase the shutter speed. The general rule is to set the shutter speed to twice the focal length of the lens (or faster). For example, when using a 100mm lens, the minimum shutter speed can be set to 1/200. However, if you use a tripod, the camera's built-in stabilization function, or a lens with built-in stabilization function, you can use a slower shutter speed to shoot. * * 4. Flash Portrait photography ** 1. * * Shutter Speed ** - Simply set the shutter speed to flash sync speed, usually 1/200 second (if the sync speed is exceeded, a dark band will eventually appear at the edge of the image). 2. * * Aperture ** - Aperture was one of the three variables that controlled the exposure of a flash portrait (the other two were the USB and flash power). Technically speaking, the aperture could be selected according to the depth of field, but the larger the aperture, the lower the flash power needed to get a good exposure. It was generally set to around f/8, but it could be adjusted according to aesthetic (or exposure) needs. 3. **ISO** - Just like the natural light portrait, it was best to keep the USB to the lowest possible value to reduce noise and obtain a more detailed image quality. 4. * * Strobe Power ** - After determining the shutter speed, aperture, and Iso-level, you can adjust the stroboscopic power until you get a good effect. In addition, when taking photos indoors, to avoid or reduce the shadow of the flash: 1. Keep the character as far away from walls or objects as possible. 2. Choose a bright background. 3. The camera was positioned higher and more upright. 4. Block the flashes appropriately. 5. Use slow sync flash mode. Finally, it is recommended to set the brightness level of the camera's LCD screen to 4 or 5 and keep it unchanged. Don't set it to automatic, which will help measure the exposure value. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Siji landscape photography
Landscape photography of the four seasons had their own characteristics and techniques: ** 1. Spring ** 1. ** Photographer and Color ** - In spring, plants sprout and flowers bloom. Shooting flowers and plants can show vitality. At this time, the colors were rich, and many photographers focused on this. - In terms of light selection, the spring light could choose the right light position to shoot works with high color saturation, large contrast, and good quality. Soft light could highlight the delicate and beautiful plants. 2. ** Composing and Shooting Techniques ** - When there were clouds in the sky, it could increase the proportion of the sky in the picture, allowing the clouds to contrast and echo with the scenery on the ground. - Using the flower branch as the front and shooting at an elevated angle, the flower branch became a guiding line to guide the line of sight deeper into the picture. - When shooting the big trees from a distance, choose the right angle and composition according to the scene. When it was wide, you could shoot from a distance. When it was too chaotic, let the flowers and trees fill the picture. - Squat down and take a picture of the flowering trees. Use the lawn as the background and pay attention to the lighting effects. - Let the characters appear as "dots" in the scene, such as the characters walking in the flowers or resting under the trees, to increase the sense of the story. - Wait for moving objects (such as butterflies, children, tree branches, etc.) to appear in the picture and capture the wonderful moment. - The main color of the control screen should not exceed 3, and the representative colors (such as green, pink, white, etc.) should be selected as the main color. - Using roads, rivers, and other guiding lines to compose the picture increased the depth of the picture. ** 2. Summer ** 1. ** Photographer and Color ** - The sunlight was long in summer, but the strong sunlight easily caused a large contrast between light and dark. Pay attention to the shooting time. It's better to choose between dawn and 10 a.m. or after 6 p.m. - In summer, plants grew vigorously and insects were active. It was possible to take pictures of blue skies, rainbows after rain, turquoise seas, and other scenery that represented the colors of summer. 2. ** Shooting Techniques ** - Pay attention to avoid the strong contrast caused by the strong sunlight. ** 3. Autumn ** 1. ** Photographer and Color ** - In autumn, the atmosphere was more transparent, the sky was bluer, and the light was softer. - In the autumn season, yellow was everywhere. Shooting the changes of plants and flowers could show the colors of autumn, and it could also express emotions through the aging and withering of plants. 2. ** Shooting Techniques ** - Using the unique soft light and color characteristics of autumn, the composition was shot. ** IV. Winter ** 1. ** Photographer and Color ** - Many people thought that only ice and snow could be photographed in winter, but that was not the case. In winter, the sun's position was low, so it would not cause a huge contrast to the scenery. There was no obvious shadow, and the oblique light could reveal the texture of the object. - They were looking for scenery that represented the characteristics of winter and had bright colors to shoot. 2. ** Shooting Techniques ** - The special lighting conditions in winter, such as slanted light, were used to express the scenery. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Landscape photography lens
In landscape photography, different types of lenses had their own characteristics and uses. ** 1. Wide-angle lens ** 1. ** Specialties ** - It provides a wide field of vision and can include the entire landscape into the picture, from the front to the horizon. - With the widest depth of field, it can focus on the entire scenery, so that the front and back scenes of the subject can be clearly reproduced on the screen. - Distortion would magnify the objects in the background, showing close-up details, and emphasizing the guide lines, enhancing the dynamic of the composition. 2. ** Exemplary recommended shots ** - Nikon Z14 - 24mm F2.8S: An all-round upgrade. Its design and performance surpass the same type of lens with a single-lens reflex mount. It is no longer a big bulb design. Its size and weight are greatly reduced. It weighs only 650g. It comes with two disassembled hoods and a rear filter slot. It is excellent in glare, distortion, and dispersion control. - Canon RF15 - 35F2.8LIS USM: A super wide-angle lens with excellent image quality and optical performance. The wide-angle end is wider by 1mm, and the viewing angle is increased to 110°. It has a non-bulb structure design, 82 filter size, reduced cost, and a weight of 840g. It has good anti-glare performance. It is equipped with optical image stabilization to achieve 1/2 second hand-held shooting. - SIGMA16 - 28mm F2.8DG Continental: Picture quality comparable to Tamron 17 - 28mm F2.8, focal length 1mm wider than 17 - 28mm. - You could also consider a 16 - 35 wide-angle zoom lens. ** 2. Telephoto lens ** 1. ** Specialties ** - A narrow field of view, suitable for trimming excess elements and focusing on small but beautiful scenes, such as the curve of a mountain, the reflection of a pond in the distance, or the silhouette of a tree. - It could compress the space, making it easier to highlight the main body. It was easy to get started, and the composition was extremely flexible. It had the ability to make deductions. 2. ** Exemplary recommended shots ** - 70 - 200mm focal length: - Tenglong 70 - 200 (G2): Fast focusing speed, improved edge quality, brand new price 7490 yuan. - Sony users could choose the 70 - 180mm (A056) from Tenglong, priced at 6890 yuan. From the MTF curve, the sharpness of the 70mm end and 180mm end was close to the original 70 - 200GM. - Canon users with high cost-performance ratio could choose the White Rabbit EF70 - 200mm f/2.8L IS II USM (second generation), and the second-hand quality was more than 7000 yuan; those with weight requirements could choose the 70 - 200mm f/4L IS II USM; Canon non-reflective users could choose the lightweight RF70 - 200F4, and those who pursued higher directly chose the RF70 - 200F2.8. - Nikon users could choose to use the Electromagnetic Gun or the 70 - 200 Z-mount. - If the users didn't mind the focus and weight, the 70 - 200F2.8 first-generation model was very cost-effective. After the second-generation model was released, the first-generation model would have a small price reduction. The second-generation model was 29% lighter than the first-generation model and the difference in focus. - 100 - 400mm focal length: - The sub-factory's Sigma100 - 400 and Tenglong 100 - 400 could be selected. They were suitable for shooting birds when they were occasionally idle and lotus flowers during the lotus season. The Sigma100 - 400mm part of the sharpness for the Sony-compatible users was higher, but the focus was slow and the light was slightly weak. It could be used as a tourist attraction. The Nikon Z100 - 400mm F4.5 - 5.6 VR S had fast focusing speed and no shortcomings. It was the top lens of its type. The quality of the lens was good from the center to the edge. The anti-glare, dispersion control, and dark angle control were in place. It was suitable for shooting sunrise and sunset in landscape photography. It also had twice the effect with half the effort in broad scenes such as mountains and grasslands. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Memories of landscape photography
Here are some descriptions of landscape photography: - In one of the landscape photography works, the yellow and green trees on the mountainside were the embellishment of the picture. The sky and the lake were blue and echoed each other. The details of the cliffs and the clear water were displayed in place. The composition was complete, and the proportion of the top and bottom was well controlled. The middle scene was cut in, and the color control was good. There was basically no extra color. The blue color echoed from top to bottom, and the yellow and green embellishment in the middle. - In a grassland photography work, the wooden house and two trees were the backbone of the picture. The details of the clouds in the sky were good, but there was a problem that the grass in front of him was relatively bald, which affected the visual effect. The picture was not saturated enough and looked gray. - It was a photo taken in the early morning with fog, creating a mysterious atmosphere. The composition was symmetrical, and the white line in the middle of the road divided the picture equally. The picture was mainly composed of black, white and gray, and the colors were simple. - It was a work shot along the road. It had a strong sense of perspective. The overall color of the picture was blue, gray, and yellow. However, the trees on the left side of the picture were taller than the trees on the right, causing the picture to be unbalanced. - The sea of flowers was paired with the setting sun. The red, green, yellow, and blue colors had a strong impact. The picture was clean and tidy, but there were problems with the sun being too exposed and the trees in the middle of the photo forming black lines. - Silhouette photos were taken calmly. The timing was good. The exposure of the clouds made the figure into a pure black silhouette, but the figure was a little integrated with the dark area below. By lowering the camera, the figure could be highlighted on the water or in the sky. There was also a photo that seemed to be completely virtual, but there was a combination of virtual and real, abstracting lines and points. There was also a photo with a slow door effect but the composition was not ideal. The water in the slow door did not show lines and shapes, but only clumps. In addition, some landscape photography works with different problems or characteristics were mentioned, such as works with unclear contrast between reality and reality, unclear subject, lack of contrast in the picture, unreasonable use of upside-down photography, etc., as well as some award-winning landscape photography works such as Snow Mountain Soul and Mount Tai Scenery. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>