Sliding-disc type cultural relic shock-isolation device
The sliding disc type cultural relic isolation device takes a universal ball bearing-sliding disc type cultural relic isolation device as an example, and the sliding disc type cultural relic isolation device includes a bottom plate, a lower plate, a support frame, a universal ball bearing, a cross orthodoxy vibration reduction mechanism, and an upper plate. A center hole is arranged in the middle of the lower plate, and the lower plate is fixedly connected with the upper plate through a support frame. The lower end of the cross orthodoxy damp reset mechanism passes through the center hole of the lower plate and is connected with the center of the bottom plate, and the upper end is connected with the upper plate. The bottom plate and the lower plate are in sliding fit through a universal ball bearing. The horizontal displacement of the bottom plate is isolated and reset by the cross orthodoxy damp reset mechanism, so as to prevent the displacement from being transmitted to the upper plate. The cross orthodoxy damp reset mechanism includes a lower connecting frame, a lower sliding rail, a sliding block component, an upper sliding rail, an upper connecting frame, and four damp reset components. Both ends of the upper and lower connecting frames are provided with connecting bosses and are processed with mounting holes for the damp reset component. The four side walls of the sliding block component are also provided with mounting holes for the damp reset component. The bottom surface of the sliding block component is in sliding fit with the lower sliding rail, and the top surface is in sliding fit with the upper sliding rail. The upper sliding rail is fixed on the upper connecting frame and is mutually vertical to the lower sliding rail. Two of the two damp reset components are parallel to the lower sliding rail and are distributed on both sides of the sliding block component in a symmetrical manner and are respectively fixed in the mounting holes of the damp reset components of the sliding block component and the lower connecting frame. The other two damp reset components are parallel to the upper sliding rail. The two parts are distributed on both sides of the sliding block component and are respectively fixed in the mounting holes of the sliding block component and the upper connecting frame. The sliding block component includes an upper guide block, an upper sliding block, a guide sleeve, a lower guide block and a lower sliding block, a boss is arranged in the middle of the upper guide block, the guide sleeve is of a square cavity structure, and the four side walls are provided with mounting holes for the damp reset component; the upper sliding block is connected with the upper sliding rail in a sliding manner and is fixedly connected with the upper guide block; the boss in the middle of the upper guide block is embedded in the guide sleeve; the guide sleeve is fixedly connected with the lower guide block; the lower guide block is fixedly connected with the lower sliding block; and the lower sliding block is connected with the lower sliding rail in a sliding manner. The damp reset component includes a spring and a damp rod, and the spring is sleeved on the damp rod. The device can also include a bottom plate leveling screw (threadedly connected to the bottom plate to level the upper surface of the bottom plate) and a dust-proof plate (fixedly connected to the periphery of the bottom plate). This kind of shock isolation device can carry large cultural relics and has a good shock isolation effect. Read more exciting novels for free
Multi-functional archive cultural relic preservation and protection device
The following are the possible functions and designs of a multi-functional archive cultural relic preservation device: ** I. Temperature-humidity regulation and testing ** 1. ** Temperature-humidity adjustment ** - It should be equipped with the precise temperature adjustment ability like an air conditioner, able to control the internal environmental temperature within a range suitable for the preservation of archives and cultural relics. For paper archives and most cultural relics, the general suitable temperature range was 16 - 20 ° C. - It was equipped with a moisturizer and a moisturizer to ensure that the humidity was stable. Different archives and cultural relics had different humidity requirements. For example, the suitable relative humidity for paper archives was between 45% and 60%. 2. ** Temperature-humidity detection ** - The built-in high-precision thermometer and thermometer could detect the temperature and humidity inside the device in real time and feed the data back to the control system for timely adjustment. ** 2. Fire and theft protection ** 1. ** Fireproofing Function ** - The device should be made of fire-resistant materials, and a fire-resistant isolation layer should be set inside to prevent the spread of external fire sources. - Fire extinguishing devices, such as carbon dioxide fire extinguisher or dry powder fire extinguisher, should be equipped. The fire extinguishing device should be connected to the fire monitoring system. Once a fire hazard is detected, it can automatically start the fire extinguishing. 2. ** Anti-theft function ** - The device was equipped with high-strength locks, such as electronic password locks or fingerprint locks, which could only be opened by authorized personnel. - It was equipped with an anti-theft alarm system. When the device was illegally opened or tampered with, it could send out an alarm signal and could be connected to the security system. ** 3. Lighting design ** - The interior lighting uses a special light source, such as incandescent lamps or fluorescent lamps with anti-violet treatment on the surface of the lamp tube. The illumination brightness is low and the light is soft to avoid damage to the archives and cultural relics. At the same time, the lighting system should be equipped with automatic control functions, such as turning on the lights when people enter and turning off the lights when people leave, which is convenient to use and can reduce the long-term exposure of the archives and cultural relics. ** 4. Assistant function for file protection and restoration ** 1. ** Protection Function ** - For archives and cultural relics that needed digital protection, the device could be integrated with high-speed scanner and other equipment to facilitate the migration of the information of the archives and cultural relics to other carriers for backup preservation. - To provide a suitable environment for microfilming equipment to be used for microfilming and preservation of archives and cultural relics. 2. ** Repair Function ** - It could have a built-in handwriting display, which could enhance the handwriting of some files with blurred handwriting, making it easy to check and repair. - It should be equipped with a file mounting machine or reserve space for the use of the file mounting machine to repair damaged paper files. ** 5. Other functions ** 1. ** Intelligent Management System ** - Realizing remote monitoring, managers could check the temperature, humidity, lighting and other conditions inside the device at any time through the network, as well as the preservation status of archives and cultural relics. - It recorded the time of entry and exit of the archives and cultural relics, personnel information, and other data to facilitate management and tracing. 2. ** Space utilization and customisation ** - The design of the internal space of the device was reasonable, and it could be flexibly adjusted according to the size and shape of the archives and cultural relics to improve the efficiency of space utilization. - The internal preservation environment and functional divisions could be customized according to the preservation requirements of different types of archives and cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic
Sand casting was an ancient craft that was of great significance in the production and identification of cultural relics. For example, 11 gilded Buddhas from the early Tang Dynasty unearthed in Duchang County, Jiujiang, Jiangxi Province, were made using the sand-turning process at the end of the Sui Dynasty. There was also the Yuan Dynasty's "Seal of Ten Thousand Families of the Han Army" in the collection of the Zhaodong City Museum, which was also made by sand casting, but this seal was more crude. In the field of China antique art, the art of turning sand was also used to counterfeit. For example, when ancient coins were forged, profiteers might use the method of turning sand to cast money, which involved turning the mold, trimming the edge, repairing the hole, rusting, silencing the sound, making old coins, and other methods to make counterfeit coins. This required collectors to improve their eyesight to distinguish. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relic and treasure display device
The following was a display device for cultural relics and treasures: 1. ** In terms of structure and composition ** - Base: The top of the base is connected to a supporting rod, which plays a fundamental role in supporting the entire device. - The end of the support rod is connected to the top plate, and the periphery is connected to the rotating plate. - The transmission component includes a driving gear fixed on the periphery of the supporting rod above the rotating disk, a driven gear which is connected to the rotating disk and engaged with the driving gear, and two limit rods which are fixed on the top of the driven gear and are flexibly connected to the transparent box. - transparent boxes: a number of transparent boxes are flexibly connected to the top of the transmission component, and an Auto Scaling piece is arranged between the transparent boxes and the transmission component. - The adjusting component is composed of a limit plate (with a through hole in the middle), an adjusting threaded rod, a transmission shaft, and a limit piece. The upper part of the adjusting component extends out of the top plate. - The driving component includes a first motor fixed on the top of the base and connected to an external power supply, a driving belt wheel fixed on the output shaft of the first motor, a driven belt wheel fixed on the periphery of the supporting rod and connected to the driving belt wheel through a belt, and a second motor also fixed on the top of the base and connected to the external power supply, a transmission gear fixed on the output shaft of the second motor, and a ring gear structure at the bottom of the rotating disc, which is engaged with the ring gear structure. - [Fixed components: installed inside each transparent box.] 2. ** Function ** - The audience could easily see the top of the set of cultural relics, the surrounding state, and the corresponding text descriptions in the same position without walking. This was due to the synergy of the various components of the device, such as the design of the transmission component and the adjustment component, which could display the cultural relics from multiple angles. - The motor and other parts in the driving component can provide power for the rotation of the device, so that the cultural relics display can have a dynamic effect, which is convenient for the viewer to observe the cultural relics in an all-round way. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Rotating arm parallel type cultural relic laser cleaning machine
The invention provides a rotating arm parallel type cultural relic laser cleaning machine, which is a laser cleaning device. The main structure of the cleaning system mainly includes a parallel rotating arm device arranged outside the work piece to be cleaned. The parallel rotating arm is equipped with a laser scanning platform, and the laser scanning platform is equipped with a laser emitting head, thereby forming a rotating arm parallel full-dimensional full-space cultural relic laser cleaning system structure. The structure of the laser scanning head was composed of a parallel link plate, a vibrating mirror, and a field lens. Its movement was controlled by four parallel rotating arms. The vibrating mirror was installed under the parallel link plate and connected to the laser through an optical fiber. The field lens was installed under the vibrating mirror. The working process was controlled by the controller, and the controller and the laser were placed outside the parallel rotating arm. In addition, a workbench mounting plate, a workbench servo-motor, a corresponding workbench servo-motor motor shaft, and a workbench rotating disk are installed in the center of the bottom plate, and the center lines are on the same straight line. The work piece to be cleaned could be rotated by the workbench's servo-motor to drive the workbench's rotating disk to rotate. The laser emitted by the laser was transmitted to the vibrating mirror and the field lens through the optical fiber to realize laser scanning and cleaning. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relic reproduction
Cultural relic copying was a way to reproduce cultural relics. There were many forms and purposes. From the perspective of business and cultural communication, many cultural and cultural institutions replicated cultural relics through creative products. For example, the "Tiangong Cavern refrigerator sticker" launched by the Beijing Museum of Ancient Buildings, the "Phoenix Crown refrigerator sticker" of the National Museum, and the "Ugly and Cute" copper galloping horse and spicy hot doll of the Gansu Province Museum are all creative replicas of cultural relics, which not only spread culture, but also meet the tourists 'demand for the variety and specialization of cultural creation products. However, there were some problems with the current cultural and cultural institutions 'creative products, such as the lack of innovation in design, the same style, and the high price, which made it difficult for tourists to have the impulse to buy. From a personal interest point of view, some craft enthusiasts would copy cultural relics. For example, Ms. Zhou from Wenzhou, Zhejiang Province, used clay to replicate the classic cultural relics of several museum, from the Neoliths to the Qing Dynasty, including bronzes, lacquer ware, Tang Sancai, etc. She also displayed these replicas at home to form a small family museum and posted the production process on social platforms. In addition, under the guidance of China teachers, foreign students copied China cultural relics through manual classes, such as the chimes of the Warring States Period. This helped to stimulate their interest in China cultural relics, promote their understanding of China history and culture, and achieve cultural communication. From the perspective of exhibition activities, there were also replicas of cultural relics on display. For example, the immersive experience exhibition series of "Adventures in Sanxing Dui" exhibited more than 30 replicas of cultural relics in the collection. Through a variety of modern technologies, such as VR experience, sensory interaction and other forms, Sanxing Dui culture was presented in a variety of ways. There were also some people who would take on the business of copying cultural relics for the production team exhibition hall, cultural tourism, and other aspects. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
As a cultural relic lover,
Please clarify the question. For example, do you want to know the classification and value of cultural relics, or other specific questions about cultural relics? <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic fan
The cultural relic fan has a rich historical and cultural content. In the Qing Dynasty, there were many famous fan relics, such as Ye Xin's "Jinling Eight Family Fan", which was a traditional Chinese painting on silk. It was now stored in Nanjing Museum in Jiangsu Province, China. The fan had overlapping peaks, mountain streams, and flying springs. It was very quiet and beautiful. The Museum of Shijiazhuang City has many collections of calligraphy and painting, most of which are fine works of the Ming and Qing Dynasties. The museum has selected 34 fan works of the Qing Dynasty and will jointly organize the "Breeze Stone Comes--Excellent Fan Works of the Qing Dynasty in the Museum of Shijiazhuang City Province" in the No.6 exhibition hall on the first floor of the Baoshan City from July 26 to October 9, 2024. These fan surfaces cover the theme of mountains and rivers, flowers and birds, poetry and poetry, and shadow accompanying. It fully reflects the essence of the Qing Dynasty fan art and the cultural artistic conception. The round fans of the imperial concubines of the Qing Dynasty were also very valuable. For example, the round fan with a dyed bone handle with silk flowers and fruit patterns of the Qing Emperor Qianlong, 50cm long and 33cm in diameter, would be auctioned on June 14 at the Spring Auction of Zhongmao Shengjia 2024,"Silk Road Qiankun-Weaving and Embroidery Art Grand View", with an estimated value of RMB 150,000 - 250,000. This round fan was exactly the same as the same type of round fan in the Forbidden City. It was made in the same batch. The craftsmanship had been lost for a long time. There were only three pieces of shaved velvet in the domestic museum, and this was the only one in the market. It had high aesthetic and academic value. In addition, there is also the Deng Tingzhen fan in the collection of Fuzhou City Lin Zexu Memorial Hall. The collection is made of paper, 50cm in width and 18.2cm in length. The inscription reads "Deng Tingzhen in September of the Year Yisi", with the seal of "Deng Tingzhen Seal"(white text) and the seal of "Miaoji Zen Room"(Zhu text). The inscription is a paragraph of text copying the old traces of Wu Zetian's tour and Shi Cong in the book "Song Luo Visiting Monument Painting". The words contain coldness and elegance, and the ancient meaning is abundant in the light. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relic Selling
The sale of cultural relics was an area that was strictly regulated by laws and regulations. First of all, selling cultural relics required legal qualifications. For example, the registered capital of a cultural relics store needs to be paid in full, and there must be five middle-level cultural relics experts. The business scope includes the sale of cultural relics, the identification of cultural relics, the collection of cultural relics, etc. The address must be approved by the Cultural Relics Bureau; The registered capital of cultural relics auction requires 10 million yuan and is paid in full, requiring five senior cultural relics experts and one auctioneer. The business scope includes cultural relics business, cultural relics auction, etc. However, many cultural relics belonged to the state and were strictly prohibited from being sold privately. Anyone who resells cultural relics prohibited by the state for profit, if the circumstances are serious, will violate the provisions of article 326 of the Criminal Law of the People's Republic of China and shall be sentenced to fixed-term imprisonment of not more than five years or criminal detention, and shall also be fined; if the circumstances are especially serious, he shall be sentenced to fixed-term imprisonment of not less than five years but not more than ten years and shall also be fined. For example, in some cases, someone privately sold ancient tombstones dug up at the construction site, stone tablets taken from the grass and sold, and the relevant personnel were investigated for criminal responsibility for the crime of selling cultural relics. At the same time, when buying cultural relics online, one should also be careful. Many criminals would sell fake cultural relics as real cultural relics. For example, the old man spent more than 400,000 yuan in the live broadcast room to buy cheap crafts from wholesale websites instead of cultural relics. In short, legal and compliant sales of cultural relics must comply with relevant laws and regulations, possess corresponding qualifications, and guard against fraud in the sale of cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic survey
The following is an example of a survey on cultural relics: * * 1. Basic Personal Information ** 1. Your age? A. under the age of 18 B. 18 - 30 years old C. 31 - 50 D. 51 - 65 E. over 65 2. Your education level? A. primary and lower B. junior high school C. high school/secondary school D. junior college E. regular college course F. master's degree or above * * 2. Understanding and Contact with Cultural Relics ** 1. How much do you know about cultural relics? A. know a lot about B. understand some C. knows very little about D. know nothing about 2. How do you learn about cultural relics? A. journalism B.短视频 C. offline visit D. books E. Other (please specify) 3. How often do you visit cultural relics? A. Visit often (at least once a month) B. Occasionally (a few times a year) C. never visited D. not convenient to disclose * * 3. Thoughts on the Protection of Cultural Relics ** 1. What do you think of the current state of cultural relics protection? A. great satisfaction B. be fairly satisfied C. not quite satisfied with D. very dissatisfied 2. What do you think about the smuggling and theft of cultural relics? A. Crack down and strengthen legal penalties B. strengthen supervision and improve preventive measures C. It should be handled by professional institutions without the participation of the public. D. I don't understand, it's hard to evaluate. 3. How do you think we should raise the public's awareness and protection of cultural relics? A. strengthen publicity and education to increase the popularity of cultural relics knowledge B. Set up relevant associations, organize activities, and increase public participation C. Development of cultural tourism, allowing tourists to experience the charm of cultural relics D. Other (please specify) 4. Are you willing to participate in the restoration of cultural relics? A. very willing B. be willing to C. indeterminacy D. unwillingness * * 4. Likes for different types of cultural relics ** 1. What's your favorite type of cultural relic? A. bronze ware B. ceramic C. painting and calligraphy D. Other (please specify) 2. If you like bronzes, which of the following do you like? A. simuwu ding B. chimes C. The Sword of Gou Jian, King of Yue D. Gan Jiang Mo Xie E. Other (please specify) 3. If you like porcelain, which of the following would you like? A. Qin Terracotta Warriors B. drumming and singing figurines C. Pig-patterned pottery bowl D. Tang Sancai E. Other (please specify) 4. If you like painting, which one of the following do you like? A. The Painting of Luoshen Fu B. Along the River During the Qingming Festival C. [Walking Carriage Painting] D. Five Bulls Painting E. Other (please specify) * * 5. Awareness of the value of cultural relics ** 1. How important do you think cultural relics are to history and culture? A. very large B. relatively large C. ordinary D. very small 2. Have you watched the recently popular Escape from the British Museum? A. are B. no 3. Would you recommend Escape from the British Museum to anyone around you? A. meet B. will not * * 6. Pay attention to the recovery and return of cultural relics ** 1. Do you pay attention to the recovery and return of Chinese cultural relics in foreign museum? A. very concerned about B. more concerned C. t pay much attention to D. Completely unconcerned 2. How do you think foreign museum should deal with China's looted cultural relics? A. unconditional return of B. Gradually return through negotiations and other means C. It shouldn't be returned. It's a historical issue. D. Other (please specify) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cardboard as a cultural relic
There were many examples of cardboard artifacts. For example, in school activities, students could cleverly combine cardboard boxes and paper cups into three Simuwu cauldrons. First, the cardboard boxes were cut and folded into rough shapes, and then carefully pieced together to make them three-dimensional and realistic. There were also parents who did manual work for their children. They took apart the cardboard at home and remolded it into the shape of a bronze cauldron. They used moldable clay to pinch out the patterns on the outside of the cauldron and stuck them on it. After drying, they were colored. In some school activities, students would also use cardboard to make magnificent works like the Simuwu Cauldron. Although the cardboard joining process was more difficult, it could produce very realistic effects. These cultural relics made of cardboard not only trained their hands-on ability, but also allowed people to feel the historical and cultural content carried by the cultural relics more deeply. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>