The cultural relics of the Qing Palace were exhibited
There were many places where the cultural relics of the Qing Palace were on display. For example, the exhibition hall of the "Qing Palace" of the Nanjing Museum collected and exhibited many old collections of the Qing Dynasty palace, including more than 20 kinds of fine cultural relics such as copper-plated incense tube and yellow-glazed dark-dragon porcelain bowl. These cultural relics were rich in variety and materials, covering furnishings, cultural toys, daily use, etc. Most of them came from the Qing Palace, Fengtian Palace and Rehe Palace. During the September 18th Incident and the Anti-Japanese War, they were transferred to the predecessor of the Nanjing Museum, the National Central Museum of the Republic of China. Changsha Museum and the Palace Museum of the People's Republic of China had also jointly organized the "Royal Meteorology-- On the 96th anniversary of the founding of the Palace Museum, the Palace Museum held an exhibition of ancient cultural relics of the Qing Palace. Nearly 120 ancient cultural relics of the Qing Palace were displayed to show the inheritance, innovation and development of ancient culture. Read more exciting novels for free
Xizang cultural relics exhibited in the provincial museum
The following are some of the Xizang cultural relics exhibited in the provincial museum: - On September 3,2018, the "Shannan Cultural Relics Exhibition in Xizang" was completed in the new museum of the Anhui Museum. It was open to the public the next day and the exhibition lasted until October 7. It mainly exhibited 94 pieces (sets) of prehistoric stone tools, Tibetan gold ware, literature materials (Pattra-leaf Sutra), Tibetan Buddhist statues, Thangka, Tibetan opera and other related cultural relics found, collected or protected in Shannan, striving to show the historical development process of the Tibetan people. - From January 28 to October 28,2021,"Tibetan Rhyme Banquet_Xizang Cultural Relics Exhibition" was exhibited in the Cultural Relics Exhibition Hall of Qin Shihuang Mausoleum Museum in Shaanxi Province. The exhibition was organized by the Cultural Relics Bureau of the Tibet Autonomous Region and the Cultural Relics Bureau of Shaanxi Province. It gathered 100 precious cultural relics from the Norbulingka Administrative Office and the Potala Palace Administrative Office, focusing on the cultural richness of the Xizang ethnic groups and the historical fact that Xizang had been an inseparable part of the motherland since ancient times. The exhibition helped to increase people's understanding of Xizang cultural relics and Xizang culture, and promoted cultural exchanges between different regions. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qing Palace cultural relics and crafts
The cultural relics of the Qing Palace involved many kinds of crafts. The following are some of the common crafts: - Bamboo Carving Craftsmanship: For example, the bamboo root carving of an old man collecting herbs made by the Qing Palace Office used various techniques such as carving and circular carving to vividly express the character. - "Clay Sculpture Craftsmanship": Like the "Clay Sculpture of Emperor Yongzheng", which is very realistic. It was made by Master Zhang Mingshan by imitating the portrait of Emperor Yongzheng. The patterns are concise and smooth, reflecting the level of clay sculpture craftsmanship at that time. - ** Chiseling and Embedding Craftsmanship **:"Golden Chiseling Cloud Dragon Gourd Style Holding Pot" uses the chiseling and embedding techniques. The chiseled pattern has a raised outline, and then inlaid with pearls and gems to make it more dazzling. - ** Carving Technique **: This is reflected in the "Turquoise Green Glaze Carving Entwined Lotus Vase". This technique is used to make porcelain. - ** Emerald Craftsmanship **:"Emerald Flower Bird Butterfly Head Flower" uses the Emerald Craftsmanship. It is made by sticking the feathers of kingfishers on a metal base made of gold and silver. The feathers are soft and the color will not fade for a long time. - ** Carving, gold silk, beading, embedding, point jade, and many other techniques combined. The handle of the flower hairpin of the "tourmaline inlaid with precious stone flower" was made of copper and gold-plated, the flower holder was made of point jade, and the hairpin head was made of various materials and combined with various techniques. For example, the tourmaline was used to make a three-dimensional hibiscus flower, the stamen was made of small rice beads, the flower leaves were carved from thin jade slices, the flower buds were carved from tourmaline, and the butterfly wings were carved from thin jade slices and embedded with pearls and tourmaline. The whole was exquisite and had a strong three-dimensional feeling. - ** Scratch (Sticking Velvet) Craftsmanship **: This was a unique craft in Rugao, Jiangsu Province. For example, the Qianlong Emperor of the Qing Dynasty used this craft on the round fan with a bone handle. First, he scraped the velvet into thin pieces, then cut out the shape according to the pattern. Finally, he stuck it on the pre-drawn pattern and applied color on it. Modern research believed that it had to go through many processes such as scraping, making velvet paper, coloring, tracing, carving, cutting, sticking, dyeing, mounting, embedding, and so on. The velvet sheets made of it had the same direction, no warp and warp threads, and were attached by sticking. The tension was not strong. This kind of craft was mostly used to make high-end calligraphy and painting, fan and other literati's entertainment items. The early works were mostly tributes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A collection of cultural relics that are prohibited from being exhibited abroad
On January 18,2002, the State Administration of Cultural Relics issued the first batch of cultural relics prohibited from going abroad for exhibition, which stipulated that 64 first-class cultural relics were the first batch of cultural relics prohibited from going abroad for exhibition, including Li Gui, Warring States Crystal Cup, Chu Dading Cauldron, and the only terracotta warrior "green-faced figurines" prohibited from going abroad for exhibition. These cultural relics were prohibited from being exhibited abroad on the basis of the Regulations on the Enforcement of the Cultural Relics Protection Law of the People's Republic of China. The purpose was to protect the unique and fragile items among the national first-class cultural relics. On June 26th, 2012, the second batch of cultural relics (painting and calligraphy) prohibited from going abroad was released. Among them, 37 first-class cultural relics (groups) were prohibited from going abroad for exhibition from now on. In addition, ancient corpses unearthed from past dynasties, statues of the main god in religious sites, cultural relics made of ivory and rhinoceros horns, paintings and calligraphy before the Yuan Dynasty, silk works, and representative unique porcelain from the Song and Yuan Dynasties were prohibited from being exhibited abroad. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
117 cultural relics of imperial examinations of various dynasties exhibited in xiamen
117 cultural relics related to the imperial examination of various dynasties were exhibited in xiamen. These cultural relics were exhibited in the "Imperial Edict No.1 Scholar in the World-Treasures from the Imperial Edict Museum Collection Exhibition". The cultural relics in the exhibition helped people understand the knowledge related to the ancient imperial examination. The exhibition started on July 26th, 2018 and lasted until September 25th. It was open to the public for free. The imperial examination relics in the exhibition included Huang Ziyuan's palace examination papers, as well as small books used by ancient examinees to cheat, such as the matchbox-sized "Four Books for Edict". <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The cultural relics unearthed in the Ming Dynasty were exhibited at the exhibition
This sentence had a language error of reversing the word order. " Unearthed Ming Dynasty cultural relics " was the logical expression. The revised sentence was: " The Ming Dynasty cultural relics unearthed were exhibited at the exhibition." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Overseas cultural relics were exhibited and sold for the first time in the exhibition
In the third session of the exhibition, overseas cultural relics were exhibited and sold for the first time. The first five pieces of overseas cultural relics that enjoyed preferential tax policies in the third session of the International Trade Fair came from the old collections of senior Japanese collectors, all of which were ancient China paintings. This batch of ancient paintings could be exhibited because of the relevant tax preferential policy notice. This batch of ancient paintings opened up the policy blocking points on the platform of the exhibition. They entered, displayed, and bought, creating the speed of entering the exhibition. In the end, it was purchased by a private buyer in Shandong Province. According to the regulations, these cultural relics that enjoyed preferential tax policies would be displayed for public welfare in state-owned cultural relics collection units for at least three years in the future. The public was expected to witness it. This process went through the entire process of overseas cultural relics being displayed and sold in China. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qilin Cultural Relics Palace
There was a Kirin relic in the Forbidden City, placed in front of the Cining Palace where the Empress Dowager lived. Qilin was the leader of all beasts and had a longer lifespan. It also had the meaning of qilin giving birth and having more children, representing longevity, blessings, and other auspicious symbols. In the National Palace Museum in Taibei, there was also a scroll titled "Ode to the Qilin Painted by the Ming Dynasty". This painting was related to the tribute of the "Qilin"(actually a gibbon) from Bangla (now Bengal, India). At that time, the new king of Bangla sent an envoy to thank him. The envoy led an animal similar to the Qilin (gibbon) to the capital. Emperor Yongle was very happy and asked the court painter to draw the scene of the Qilin and wrote "Ode to the Qilin" on the scroll. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics in the Palace Museum
There were many types of cultural relics in the Forbidden City's warehouse. In the process of the cultural relics of the Forbidden City moving south, it was known that the cultural relics transported from the Forbidden City included more than 9000 paintings and calligraphy, more than 7000 pieces of porcelain, more than 2600 pieces of bronzes, bronze mirrors, and bronze seals, countless jade articles, and 3773 boxes of documents, including the archives of the Qing court collected by the imperial historian and the inner government, the imperial records of the Ming and Qing Dynasties, daily life notes, and the historical materials of the Taiping Heavenly Kingdom. There were also the Siku Quanshu and various rare books and engraved copies. At that time, one of the earliest printed works discovered in China was the fifth generation edition of the Dharani Sutra, and the oldest stone carving in China was the Qiyang Stone Drum. These cultural relics reflected the richness of the cultural relics in the Forbidden City and were the precious cultural wealth of the Forbidden City. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Qing Taiping cultural relics
The Red Flag Canal in Taiping Town was a provincial cultural relic protection unit and had become a demonstration base for Party members 'red education. The Lan Family Courtyard was a state-level cultural relic protection unit. It was a landlord manor building complex built in the late Qing Dynasty. It sat facing north and consisted of three courtyards and rooms that were arranged side by side from east to west. It was a complete building courtyard. It was large in scale and rigorous and orderly. The wall painting and partition window were exquisite. The courtyards were separated by green bricks and wind and fire gables. The central rooms and chambers were separated by wooden walls. It combined the characteristics of Han people's houses and local houses. It had high aesthetic and research value. There were also the most beautiful ancient ginkgo trees in the country in Zheng Jiayuan Village, as well as Grandma She's tomb and Shiyi Ancient Road in Zheng Jiayuan Village, which were also local cultural relics. In addition, the ancient ginkgo tree named "Qingtai No. 5" in Zhengjiayuan Village, Qingtaiping Town, which was more than 3000 years old, had withered tips, broken branches, smaller leaves, and fewer fruits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics of the Qing Dynasty
After the Qing army entered the pass, many things happened to the cultural relics. First of all, the royal family of the Qing Dynasty had accumulated a large number of cultural relics. For example, Emperor Qianlong was keen on collecting treasures, using imperial edicts to make collectors pay tribute or symbolic money to "purchase" and other means. A large number of treasures were collected in the Forbidden City. The origins of these cultural relics were complicated. Some of them were plundered from the people, and a considerable number of them were famous, highly regarded, and "prominent" treasures that were presented to the royal family. Secondly, after the fall of the Qing Dynasty, cultural relics faced the problem of loss. After the Revolution of 1911, because the "Preferential Conditions for the Qing Dynasty" did not clearly define the boundaries between "public property" and "private property", the royal family of the Qing Dynasty regarded many items in the palace as "private property of the royal family". After the last emperor, Pu Yi, abdicated, the members of the royal family and the officials stole and resold the collection of the Forbidden City. Although more than 110,000 cultural relics were transported from Rehe Palace and Shengjing Palace to Beijing's Antiquities Exhibition Center in 1913 - 1914, the acquisition of cultural relics soon stopped due to the lack of financial resources of the Republic of China government. Moreover, the Imperial Palace in Shenyanghad some unique cultural relics after the Qing Dynasty entered the pass. The Imperial Palace in Shenyang was the imperial palace of the early Qing Dynasty. It displayed the palace relics left behind by the old palace, such as Nurhachi's sword, Huang Taiji's waist knife, and antler chair. Many of them could not be seen in the Imperial Palace in Beijing. In addition, Yuanmingyuan was also an important place to store cultural relics during the Qing Dynasty. During the Daoguang period, the Ministry of Internal Affairs recorded the storage quantity of some treasures in Yuanmingyuan, such as silver, Ruyi, jade inkstone, brush washing, porcelain furnace, bottles, jars, etc., respectively in the palace and Yuanmingyuan. However, Yuanmingyuan was later destroyed by the foreign powers. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>