Nanyang Han Dynasty Painting Relics Exhibits in Jinzhong, Shanxi
In order to carry forward the Han culture of Nanyang and prosper the cultural life of the masses, Nanyang City Museum, Nanyang City Han Painting Museum and Jinzhong City Museum of Shanxi Province cooperated to hold "Han Stone Danqing--Nanyang Chenpeng Han Dynasty Painted Stone Tomb Rubbing and Han Dynasty Cultural Relics Exhibition" from August 10 to November 10,2020. The exhibit is a rubbings of the painted Han Dynasty stone tomb in Chenpeng Village, Huancheng Township, Wancheng District, Nanyang City. The owner of the tomb was the prefect of Wang Mang or the early Eastern Han Dynasty. The tomb was discovered in November and excavated in December 2001. There were 39 stone portraits and 83 carved portraits, 36 of which were colored. The stone portraits were painted in seven colors. Most of the colored parts were at the entrance of the tomb and the relevant positions in the tomb. The content of the portraits mostly reflected the life of the tomb owner before his death. This tomb was a large-scale, well-preserved and colorful painted stone tomb in Nanyang area. There were many common artifacts unearthed in the Han Dynasty. Except for three seashells, most of the coins unearthed were "Daquan 50" and "Huoquan" of Wang Mang's period. The Four Gods Bo Bureau Mirror buried in the tomb was popular in Wang Mang's period and the early Eastern Han Dynasty. The exhibition displayed 83 stone reliefs from Chenpeng Tomb (36 colored ones) and 26 sets of precious cultural relics from Nanyang City. These artifacts provided important information for studying the use of colors, cultural information and customs of the Han Dynasty. Read more exciting novels for free
Nanyang Cultural Relics and Archeology
Nanyang's archaeological work had many important results. For example, in the archaeological excavation of the Baliqiao site, the Baliqiao site was located in Chengzhuang Village, Zheyang Street, Fangcheng County, Nanyang City, Henan Province, on the west bank of Pan River. This site was the largest and highest-level Erlitou cultural settlement discovered in southern Henan. It was a large-scale moat settlement, around 3700 - 3600 years ago, with an excavated area of 1.35 million square meters. There were many ditch relics crisscrossing and orderly planning in the site, showing a "multi-grid" layout similar to Erlitou site, as well as wall and handicraft relics, including rammed earth building area, handicraft area, wall, roads and other facilities. The functional division was complete. The unearthed relics were basically the same as those of Erlitou Ruins, and they were highly similar in terms of political concepts, value systems, and religious beliefs. The site was formed in the second phase of the Erlitou culture, which was a critical period when the Xia culture began to expand outward. The Xia culture crossed the Fangcheng Pass and entered the Nanyang Basin to build a settlement. This was the key throat connecting the hinterland of the Central Plains and the Jianghan Plain. It was an important safety guarantee for the southern copper mines, turquoise, cinnabar, and other mineral resources to enter the king's city. It was also an important hub for the transfer and control of resources in Erlitou. It was of great value to the study of Erlitou culture's southward spread and the Xia culture's control over the southern land, especially the control of resources. The discovery of multi-grid layout filled the gaps in the internal spatial layout of the small and medium-sized cities in the Xia Dynasty. In the archaeological work of Nanyang, the Henan Province Institute of Cultural Relics and Archeology and the Nanyang Institute of Cultural Relics Protection participated in it. Many archaeologists carried out excavation, drawing, observation of soil samples, etc. at the Baliqiao site, unearthed high-level relics such as jade articles, divination bones, turquoise inlaid pieces, copper smelting remains, etc., and also discovered cultural relics such as painted vermilion stone portraits. Moreover, famous cultural relics and archaeologists would also go to the Baliqiao site to conduct research, check the archaeological layout, and analyze the relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Nanyang Cultural Relics Expert
Nanyang had many experts in cultural relics. For example, experts such as Yin Junmin, Li Guige, Liu Xia, Lin Lixia, Chi Yinzhong, Zhang Song, etc. of Nanyang City would be free of charge for the general public and collectors on January 1,2023. Chi Yinzhong had also told the story of "healing" cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jinzhong Jiexiu City relics and antiques
Jinzhong Jiexiu City had many unique features in terms of cultural relics and antiques. Jiexiu Zhanglan Antique City was one of the largest antique markets in Shanxi Province. It was also an important antique trading market in China. It had many functions, including antique collection, exhibition, exchange, trade, tourism, and so on. It had been holding national antique exchanges for many years, with a total investment of more than 20 million yuan. It covered an area of 100,000 square meters and had more than 1000 shops. It could accommodate more than 300 merchants to operate at the same time, attracting antique operators and collectors from all over the world. The antique city's products included ancient coins, porcelain, jade, wood, bronze, purple sand, cloisonné, and more. There were also many professional appraisal agencies and experts who provided appraisal services to ensure the authenticity and value of antiques. Some of the scenic spots in Jiexiu City were also related to cultural relics and antiques. For example, the Jiexiu Museum had many famous architectural glass components. The most important treasure was the Qing Dynasty yellow and blue glaze four lions carrying a vase. The Houtu Temple was a temple of Taoism. It was built before the Southern Dynasty. Most of the existing buildings were repaired by the Ming and Qing Dynasties. It was the largest and best-preserved imperial palace temple in China. It also contained rich cultural relics. The Ao God Building was the only remaining building of the Zang religion in the country. It had four floors on the outside and two floors on the inside. It was a combination of the mountain gate, music building and street crossing building. The main hall of the courtyard was originally the Ao God Temple. In addition, Zhanglan Village in Jiexiu City was famous for its antiques. There were many antique markets, and there were also exchange meetings focusing on antique porcelain, calligraphy, painting, and jade. The village attracted antique people from all over the country because of its collection of many cultural relics. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty cultural relics
There were many representative cultural relics in the Han Dynasty. For example, the iron sword of the Han Dynasty was a type of cultural relic. Jade pillows were also common burial jades in the tombs of Han emperors, marquises, high-ranking nobles, and officials. In terms of funeral clothing, there were gold-thread jade clothes. Their specifications were very high. Although theoretically only the emperor could enjoy them, many nobles would also use them. The bronze mirrors of the Han Dynasty were also quite unique. For example, the painted figures and chariots mirror were rare bronze mirrors. It was the only bronze mirror with colorful faces in archaeological discoveries. There was also a horn-shaped jade cup made of jade and shaped like a horn. The cup was decorated with cloud patterns, which was extremely rare. In addition, the cloud pattern lacquer tripod was a fine item among the burial items of the Han Dynasty tomb at Mawangdui. It was completely red and black, and the two words "Erdou" written on the bottom indicated its capacity. In addition, letters from soldiers guarding the border of the Han Dynasty were unearthed in Gansu Province. Although they could not be sent out, they also reflected the material materials of the Han Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Relics before the Han Dynasty
Cultural relics from before the Han Dynasty were found in Guanyang City, but the specific types of relics were not mentioned in detail. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty cultural relics
The cultural relics of the Han Dynasty were rich in content and of great significance. In terms of jade ware, the jade wall of the Han Dynasty was an important type of jade ware culture. It sprouted in the middle of the Neolith Age. After a long period of development, the status of jade became more prominent when the jade culture of the Han Dynasty was highly developed. Jade Bi could be divided into four categories and nine types according to its decorative patterns, and its functions could be divided into three categories and eleven types. Its functions included sacrifice, congratulations, betrothal gifts, gifts, contributions, treasures handed down from generation to generation, decorations, funerals, and so on. The Western Han Dynasty generally inherited the jade system of the Qin Dynasty and the Pre-Qin Dynasty and simplified it. The jade used in the ritual system was mainly Bi and Gui. The Eastern Han Dynasty inherited the system of the Western Han Dynasty. The emperor held the Gui Bi to worship heaven and earth, and used the jade Bi to betroth the queen. Judging from the cultural relics of the tombs, the tombs of the Han Dynasty in Hepu were of great significance. Among them, there were cultural relics such as the national treasure copper phoenix lamp, as well as the jade wall and copper warehouse of the Han Dynasty tomb in Huangnigang. The patterns and patterns on these cultural relics all contained specific meanings. For example, the bronze tripod was related to the social status and power of slaves. From some relics of the Han tombs in Hepu, traces of ancient beliefs such as fish and bird worship could be seen. The taotie pattern on the copper shop head also had its own unique meaning. In terms of daily necessities, the modern household style of the Pisces basin had the same style in the Han Dynasty, such as the copper washing of the Eastern Han Dynasty and the copper washing of the descendants of Jun Yi. There were counting tools like ivory, which appeared as early as the Spring and Autumn Period and was still in use in the Han Dynasty. It was used for more than 2000 years until it was replaced by the abacus in the 15th century. There were also fragments of Baqiao paper from the Western Han Dynasty, indicating that people had already begun to use paper as early as the Western Han Dynasty, about two centuries before Cai Lun made paper. In terms of metal craftsmanship, the Western Han gold monster unearthed in Shenmu County, Shaanxi Province, was made of gold and shaped like a collection of various animals. It was speculated to be the top decoration of the Xiongnu crown, representing the highest level of Xiongnu metal craftsmanship at that time. In addition, the stone carving replica of a horse stepping on a Xiongnu in front of Huo Qubing's tomb in Maoling, Shaanxi Province, is the earliest and best-preserved large-scale tomb stone carving art treasure in China, demonstrating Huo Qubing's military exploits. In terms of food culture, it could be seen from the special exhibition of food culture relics of the Han Dynasty in Xuzhou that the food culture of the Han Dynasty was an important part of Chinese traditional culture. The exhibition displayed four parts of cultural relics, such as pottery wells, pottery pig pen models, livestock models, cooking utensils, tableware, wine utensils, and stone portraits of the Han Dynasty, which reflected the social values, etiquette norms, aesthetic concepts, as well as the craftsmanship and life wisdom of the ancients. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relics in southern Shanxi
Jinnan had a rich variety of cultural relics. In terms of architecture, there was the Guangren King Temple of the Tang Dynasty, whose main hall reflected the architectural style of the Tang Dynasty. Its structure was concise, simple and vigorous. The Boating Zen Master Pagoda of the Tang Dynasty was a typical example of the round Tang Pagoda. There was also the Langzhai Brick Pagoda that was no later than the Tang Dynasty. Longmen Temple was even more unique. In the courtyard, one could see buildings from the Five Dynasties to the Qing Dynasty, such as the West Side Hall of the Five Dynasties and the main hall of the Northern Song Dynasty. The stage of the Niuwang Temple in Wei Village of the Yuan Dynasty was one of the oldest stage relics in China. Its stone pillars and caissons were neat and beautiful, and there were well-preserved murals on the back wall. The Flying Cloud Tower of the Ming Dynasty was located in the Dongyue Temple. Together with the wooden pagoda of Ying County, it was known as the "South Tower and North Tower". The architectural structure was unique. In terms of murals, there were wonderful murals in the main hall and waist hall of Qinglong Temple, and there were murals of Yuan Dynasty opera in Guangsheng Temple. In terms of unearthed cultural relics, the Xihoudu site unearthed a large number of fossils of extinct animals such as the right horn of elk in southern Shanxi 1.8 million years ago. This site was also a representative of the early Paleolith Age and one of the oldest known Paleolith cultural relics in China. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shanxi Tianshui cultural relics
You may have some misunderstandings. Shanxi is a provincial administrative region, and Tianshui is a prefecture-level city in Gansu Province. There were many cultural relics in Tianshui, such as more than 80 cultural relics recovered from the case of ancient tomb robbery recently cracked by the police in Wushan County, the portrait brick of the Azure Dragon of Han Dynasty in the museum of Tianshui City, and the "screen stone coffin bed" unearthed from an ancient tomb of Sui Dynasty more than 1400 years ago in Tianshui. In addition, there were also the Four Directions Stele of Yuquan Temple in Qinzhou District of Tianshui in the List of the First List of Ancient Monument Names and Cultural Relics, the Ming Dynasty's Reiki Buddhist Shrine Inscription and Preface Stele in Maiji District, the Ming Dynasty's Maiji Mountain Expulsion of Grain Stele, the Four Steles of Incense Fields in Ruiying Temple of Maiji Mountain, the Lu Gongji Statue Stele in Qingshui County, and the Heyu Cliff Stone Inscription and Thousand Buddha Statue Stele in Zhangachuan County. In addition, Tianshui also had a rich collection of cultural relics and a clean Chengji Museum. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty Cultural Relics Museum
The following are some of the museum sites related to Han Dynasty relics: - The National Museum of Asian Art in France once hosted the "Han Style-Chinese Han Dynasty Cultural Relics Exhibition", which was jointly guarded by the heads of state of China and France. - The Qin and Han Museum of Shaanxi History Museum was located in Qin and Han New Town, Xixian New District, Shaanxi Province. It was the only museum in China that focused on the origin, development, and contribution of the Qin and Han civilizations. - Hepu Han Dynasty Culture Museum is the only relic museum in the area that mainly displays Han culture. It has more than 5200 cultural relics in its collection, including various first-class, second-class and third-class cultural relics. It is famous for the copper beam pot with wine unearthed from the Han tomb. - The museum of the Han Dynasty smelting iron site in Guxing, Zhengzhou City, has collected the cultural relics of the Han Dynasty Jixin Tomb. - The Minhang Museum held the "Han Dynasty Weiyang·Han Dynasty Royal Artifacts Exhibition" and jointly exhibited the cultural relics unearthed from the Zhongshan Kingdom of the Han Dynasty. - The Zhangzhou Museum once hosted an exhibition of cultural relics of the Han Dynasty and Chu State. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Han Dynasty cultural relics collection
The following are some of the Han Dynasty cultural relics: - The cultural relics of the Han Dynasty in the tomb of Han Jixin were collected in the museum of the Han Dynasty iron smelting site in Guxing Zhengzhou City. - Jade pillows were commonly seen in the tombs of emperors, marquises, high-ranking nobles, and officials of the Han Dynasty. They were usually combined with other funeral jade articles. - The Moire Lacquer Tripod was a fine item among the funerary objects of the Han Tomb at Mawangdui. It was now stored in the Hunan Province Museum. - A jade dress with golden threads unearthed from the tomb of Liu Sheng, King Jing of Zhongshan. - A painted mirror with figures and chariots was unearthed in Hongmiaopo, Xi'an City, Shaanxi Province in 1963. - The horn-shaped jade cups were in the National Palace Museum Taiwan Province Taiwan and the Nanyue King Museum in Guangzhou. - Han Dynasty pig-shaped jade grip, collected in Gongyi Museum. - The bronze callipers that were thought to be from the new dynasty but were often attributed to the Han Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>