What are the categories of opera actors?
According to the traditional customs, there were two ways to classify opera actors. One was to divide them into "Sheng, Dan, Jing, Mo, Chou". In modern times, the "Mo" of many opera styles was classified as "Sheng", so "Sheng, Dan, Jing, Chou" were usually regarded as the four basic types of actors. Sheng Xing was the main type of male characters in opera performances. According to the age and identity of the characters played, they were divided into Laosheng, Xiaosheng, and Wusheng. Senior students, young students, and martial arts students each had their own characteristics in their performances. The female role was a general term for female characters in opera performances. According to the age, personality, and identity of the characters played, it was roughly divided into Zhengdan (Qingyi), Huandan, Wudan, Laodan, Caidan, and Daomadan. Each of them had their own characteristics in performance. Jingxing was commonly known as the painted face. He used various colors and patterns to outline his face as a prominent symbol. He played male characters with unique personalities, temperaments, and looks. The characters were either rough and heroic, upright and upright, sinister and vicious, or reckless and honest. Ugly behavior, also known as small flower face and three flower face, referred to those funny and humorous or ugly characters, both male and female. In addition, from the perspective of the actor's performance style, opera actors could also be classified as natural actors, character actors, and type actors. Natural actors were used to creating characters that were similar or similar to their own personality and temperament; character actors could create characters that were completely different or greatly different from their own personality and temperament; type actors were good at playing a certain type of character. Read more exciting novels for free
Yue opera actors sing Beijing opera
Many Shaoxing opera actors would sing Peking opera. For example, the famous Yue opera actor Zhao Zhigang (Yue opera Yin School Xiaosheng) was the Beijing opera "Yang Men Female General", Han Tingting (Yue opera Fan School Xiaosheng) was the Beijing opera "Phoenix Returning to the Nest", Jin Jing (Yue opera Qi School Hua Dan) was the Beijing opera "Du Fu Shan". There was also the Yue opera actor Feng Fengxian humming Yue Wei Peking opera 'Three Houses' and so on. This showed that actors of different types of opera had a certain degree of compatibility and innovation in artistic performances. They showed the charm of different types of opera through cross-border singing, and also brought new vitality to the inheritance and development of opera art. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The makeup of the opera actors in the documentary
The makeup of opera actors was a unique art. The makeup of opera actors in the documentary could show the unique charm of this ancient art form. Make-up was one of the most important departments in stage art for the appearance of characters. It was based on the script and created the character image that met the requirements of the plot based on the actor's own conditions. The venue for the performance was the stage. It had to be displayed in a specific stage environment (a typical environment created by the setting, lighting, etc. that met the requirements of the plot), and the factor of the audience watching from a certain distance had to be taken into account. Judging from the style of makeup of the opera actors, there might be differences between different operas. For example, in terms of opera makeup, this was a very unique part of opera makeup. It evolved from masks, and according to the profession (Sheng, Dan, Jing, Chou), it used strong romantic colors and concise and distinct techniques to reflect the appearance of the character's character. Jingjiao's facial makeup had endless variations. For example, Ma Wu of Beijing opera and Han opera had a green face, Ma Wu of Qi opera had a red face, and Ma Wu of Guangdong opera had a black and white face. The facial makeup was a kind of personification (from the perspective of drama) and pattern (from the perspective of art) makeup and plastic arts. It was gradually formed with the development of opera and was relatively fixed by the score. Through facial makeup, one could express the character's personality, temperament, morality, emotions, psychology, and other aspects. It could also directly present the opera composer's evaluation of the good and evil of the character. The dressing rooms of opera actors were also unique. Compared with celebrities (such as movie and television stars), the dressing rooms of opera actors were more practical and ceremonial. This was because the makeup and costumes of opera actors were often strictly regulated. They had to conform to the identity and personality of the character, and also show the unique beauty of the opera. Therefore, the makeup room would have more traditional elements, such as complicated headwear and exquisite costumes. The makeup of actors in different dramas had their own requirements. For example, the makeup of Huangmei opera and other dramas was also based on the basic rules of opera makeup, according to the characteristics of their own drama and the needs of the role. In the documentary, one could delve into the details, processes, and cultural implications behind the makeup of actors in different dramas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Industry classification of opera actors
|classify| characteristic| |--|--| |professional actors| Become a professional opera performer through traditional opera learning methods, such as a master taking an apprentice, entering a professional class, etc., and perform officially on the stage to inherit the traditional opera culture, such as Shang Xiaoyun, Ma Lianliang, etc.| |Non-professional actors:<br> Likes| They didn't reject plays and only listened to plays based on interest. They didn't have any requirements for drama knowledge, plot, singing, performance, and skills. They were easily forgotten after watching and were at a low level.| |fancier| He had a simple understanding of drama, knew some schools, had a general understanding of the forms of expression and performance system, could decide his taste according to his preferences, could read drama theory and basic materials, and had a preliminary understanding of the "four skills and five methods". He was in the primary stage.| |fans| Having a deep understanding of drama, having their own views on the formation and development of schools, having a scientific understanding of drama, being able to express their views on problems, having mature opinions and being willing to publicize and promote drama, beginning to imitate and learn the essence of the arts of predecessors, at the intermediate stage| |ticket friends| He has studied the history and origin of drama, has a unique understanding of the artistic characteristics of various schools, has his own style of performance, can fully express the characters, plot, and skills, and is at an advanced stage.| <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Why are there so many opera actors?
Traditional Chinese opera had a long history and profound cultural heritage. In the process of development, it had formed many kinds of opera, such as Beijing opera, Henan opera, Yue opera, Kunqu opera, etc. Different types of opera developed in different regions, and each type of opera required a large number of actors to inherit and perform. This resulted in a large number of opera actors. From the perspective of inheritance, the inheritance of opera mainly depended on the actors from generation to generation. In order to ensure the continuous inheritance of opera art, each type of opera would train a large number of actors. Many children of opera families began to learn opera performances from a young age, and many opera schools continued to train new talents. From the perspective of the performance market demand, operas had performance needs on different occasions. There were formal opera performances in the theaters in the cities, and there were also a large number of grassroots opera performances in the villages. For example, cultural performances and opera competitions in some places, such as the "Zhou Zhou has a good show" cultural performances in Handan City, the competition of young opera actors, and other activities required many actors to participate. In addition, some special festivals or memorial events would also have opera performances, such as the Mid-Autumn Festival opera concert in Handan. These provided a large number of performance opportunities for opera actors, thus encouraging more people to engage in the opera performance industry. Moreover, the art of opera included a variety of professions, such as life, death, purification, ugliness, etc. Every profession required professional actors to perform, which also made the team of opera actors even larger. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Are all Peking opera actors teachers?
No, it wasn't. In the world of Peking opera, actors were addressed in many ways. In addition to being called "teacher", some actors were awarded titles such as "national first-class actors", and some were called "artists". There were also some actors who were given various unique nicknames by their peers or fans. For example, Li Weikang was called "Goddess" and "Old Lady" by his fans. Geng Qichang was called "Old Man Geng" by Geng Li's fans. Yu Kuizhi was called "Yu Yuan" and so on. Some actors were also called by the name of the character they played in the play, such as Song Xiaochuan, who was called "Wan Xiaoju". These different forms of address reflected that there were many ways to address actors in the Peking opera world, and not all of them were addressed as " teachers." <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Actors of Kunqu opera Qingyi Huandan
According to the current reference materials, it was mentioned that Han Yijia would play Du Liniang in the Kunqu opera "The Peony Pavilion"(related to the role of the female role, which belonged to the category of female role and had a certain connection with Qingyi). She was taught by Wang Fengmei. However, it was impossible to provide a comprehensive list of the actors and actresses of Kunqu opera. The novel "The Legend of Dian Kingdom in Clouds as Deep as the Sea" is equally exciting. Everyone is welcome to click and read it!
Peony Pavilion, Kunqu opera actors
There were many actors participating in different versions of the Kunqu opera "Peony Pavilion: Dream Shocking". For example, when Kong Aiping was 16 years old, she sang "Dream Shocking" in "The Peony Pavilion" with Shi Xiaomei; In the Chinese and Japanese version of "The Peony Pavilion," Sakado Tadasaburo will play "Dream Shocking" in the four-fold play; In the performance of the overseas Kunqu Troupe,"Dream Shocking" was played by Yang Ling as Du Liniang and Xin Yurong as Liu Mengmei; The national first-class actor Shan Wen performed "Dream Shocking in the Garden" in "The Peony Pavilion"("Dream Shocking in the Garden" includes "Dream Shocking"). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The names of the opera actors are complete, male
The following are some of the opera actors: Dong Baoping, Hu Lei, Zhao Hongfei, Zheng Yecheng, Zunlong, Yu Rongguang, Lian Yiming, Li Shujian, Shen Yudie (Possibly male, gender not specified), Yajuan Wang (Possibly male, gender not specified), Baozhu Ma (Possibly male, gender not specified), Jingjing Hou (Possibly male, gender not specified), Aoxing Guo (Possibly male, gender not specified), Yuanyuan Song (Possibly male, gender not specified), Fei Ran, Jianjun Hou, Cheng Long (Experience in opera studies), Jet Li, Jing Wu, Zhen Zidan, Shaoqiu Zheng. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
A list of actors in the Xiang opera troupe
"Three Scholars in One School" was a stage opera. The actors were Lin Yinzhu, Lu Daoqing, Zheng Yifeng, Liu Qiaoping, Zheng Yabin, and Huang Zhaofen. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
List of Old Actors of Kunqu opera
The following are some of the veteran Kunqu opera actors: Zheng Chuanjian, January 19,1910-July 6,1996, Suzhou, Jiangsu Province, technical director, Kunqu opera actor, old worker; Liu Yilong, graduated from the first Kunqu opera class of Shanghai City Drama School in 1961, working as a clown. He died at Shanghai Ruijin Hospital at 14:45 on December 13,2023 at the age of 83. The novel " The Legend of Dian Kingdom in Clouds as Deep as the Sea " is equally exciting. Everyone is welcome to click and read it!