Bronze Pot Relic
Bronze pots were a type of vessel, and they had different characteristics in different periods. A bronze pot from the Western Zhou Dynasty. It was unearthed in Xidazhuang, Dianziji Town, Ju County, in 1996. It has a round top cover, a mother and son mouth, a long neck, a bulging belly, and a ring foot. There are symmetrical animal-shaped ears on the upper part of the neck. The top of the cover is decorated with swirl patterns, the outer edge is decorated with scale patterns, the top of the cover is decorated with a circle of heavy ring patterns, the neck is decorated with Kuilong patterns, the abdomen is decorated with wavy patterns, and the feet are decorated with hanging scale patterns. The total height is 36.9 cm, the caliber is 12.3 cm, and the foot diameter is 17.5 cm. The bronze pot found in the first bronze chariot of Qin Shihuang of the Qin Dynasty was flat and had a long chain on it for easy carrying. The mouth was cast with a hidden lock, which was fastened by a pin. A gold-plated copper pot was unearthed from the tomb of the King of Nanyue and is now collected in the Museum of the King of Nanyue of the Western Han Dynasty. During the period of the Republic of China, there was a double-dragon copper pot used to make the traditional food of Kaifeng,"almond tea." It was 59 centimeters high, 87 centimeters long, and 51 centimeters in diameter. It was made of red copper. The spout and handle were made of brass. The center of the pot was hollow, with charcoal fire inside and clear water poured into the outer layer. After the water boiled, it could be used to brew almond tea. The pot body was inlaid with two copper decorative dragons. The spout and handle also had dragon patterns. The spout and the outlet of the pot were shaped like a dragon head. In the Qing Dynasty, there was a "Five Sons Seizing Lotus" bronze beam pot, as well as a Qing Dynasty copper pot discovered by a villager in Xiji County, Guyuan, Ningxia, and 20 coins from the late Qing Dynasty and the early Republic of China (including 10 Guangxu Yuan ingots and 10 silver coins with Yuan Shikai's head in the third year of the Republic of China). After handing them over to the country, the villager received a reward of 5000 yuan. In addition, there was a copper pot that an old man in Hunan had bought. This copper pot had strange phenomena, such as the lid of the pot did not move when boiling water, and the water would spurt out from the spout and leave half of the water in the end. There were many copper coins on the pot and the handle was a dragon pattern. The seller had wanted to redeem it at a high price. Read more exciting novels for free
Name of Bronze Relic
The following are the names of some bronze cultural relics: Sanxing Dui bronze sun-shaped ware, Si Mu Wu Ding (Shang Houmu Wu Ding), Zeng Bo Ke Fu, Four Sheep Square Zun, Bronze Great Statue, Mao Gong Ding, Yue King Gou Jian Sword, Qin Shihuang Mausoleum bronze chariot, Eastern Han bronze three-legged frame, bronze divine tree, etc. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bronze Vase Relic
There were many types of bronze vase relics. - Enamel copper hanging vase: It was a pair. It was donated by Luo Ziyou, a resident near Yuanmingyuan, during the collection of scattered cultural relics in Yuanmingyuan. It was picked up from the ruins of Yuanmingyuan decades ago. - Bronze eyeliner bottle: This is a bronze cosmetic container from around 2000 B.C., popular in afghanistanand central Asia. The bottle mostly imitated the image of animals such as cows, sheep, monkeys, etc. The bottle contained mineral powder, which was dissolved in water or oil to become eyeliner. This eyeliner originated from Egypt. In addition to its beauty function, it also protects against mosquitoes, bacteria, and ultraviolet rays. The eyeliner bottle was a long-necked ball, about ten centimeters high. The bottle was decorated with three three-dimensional goats and a makeup stick. The top was three goat heads that echoed the bottle, but the three pairs of goat horns were exaggeratedly winding up to a point. They were unearthed in either afghanistania or Bactria. - [Beast head, ring ear copper bottle: Ming Dynasty, height 90.0 cm, caliber 19.0 cm, bottom diameter 29.0 cm.] Straight mouth, square lips curled outside, long neck, symmetrical unicorn tongue shaped half ring ears, with small ears below, ear cover Ruyi shaped ring, gallbladder shaped abdomen, high ring foot outward tilt. The lower part of the mouth is decorated with three concave chord patterns, the neck is decorated with four equal parts of the ridge with thunder patterns, and the ring foot is decorated with diamond-shaped patterns. It is a precious cultural relic of the Ming Dynasty. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bronze Sheep Relic
There were many kinds of bronze sheep relics. The following information was related to some of the bronze sheep relics: - Bronze statue with goat head and animal face pattern: It was a cultural relic from the Western Zhou Dynasty and was collected in the China Finance and Revenue Museum. It has a big mouth, a bulging belly, low round feet and two sheep heads. The mouth is tilted, the neck is high, the shoulders are folded, the abdomen is converged, the high circle foot is tilted outward, and there are three holes. The whole body was decorated with thunder patterns. The lower edge of the mouth is decorated with cicada patterns, the neck is decorated with Kuilong patterns, and the shoulder height embossed with three rolls of horned sheep head, with Kuilong patterns in between. Four ridges were placed from the shoulder to the foot, decorating the huge decomposed animal face pattern of the eyes. - Bronze goat cup: A cultural relic from the late Shang Dynasty. It was plundered by the Japanese invaders during the Republic of China. It was auctioned off in New York in 2017 for 187.7 million yuan. - A bronze sheep cultural relic that was once stolen by Japan (the exact name was not clear, but it might be a bronze taotie square jar) was lost during the war and appeared in an auction in New York. Later, it was bought back by the Chinese at a high price. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Genuine Bronze Pot
To identify whether the copper pot was authentic, one could start from the following aspects: 1. [Observe the color of the characters and copper at the bottom of the pot: The characters and the color of the copper at the bottom of the pot can provide clues for identification.] Copper pots made in different eras and with different techniques would have different copper colors, and the style, content, and carving methods at the bottom would also be different. 2. ** Check Smelting Work **: By observing the smelting work of the copper pot, determine its precision or coarseness. The smelting work of authentic products often had the characteristics of a specific era. For example, the hand-made copper pot in ancient times would reflect the characteristics of the tools and production techniques at that time. 3. ** Examining the carvings and patterns on the pot body **: Carvings and patterns are also important points for identification. The popular carving styles and patterns of different historical periods were different, and these would be reflected on the copper pot. For example, a particular dynasty might have a popular floral pattern, or there might be a unique carving technique. 4. ** Analysis of the shape of the pot **: The shape of the copper pot has changed greatly due to different times. For example, the pots of the Shang Dynasty were mostly oblate, with large bellies, through ears (ears like tubes), and round feet; the pots of the Western Zhou Dynasty had round long necks, large bellies with lids, and ears on both sides, which were used as beast title rings; the pots of the Spring and Autumn Period had bulging bellies and long necks, with two beasts on their shoulders; the pots of the Warring States were closer to the bottles of later times, and there were also special shapes such as square pots, octagonal pots, gourds, etc. In addition, if one wanted to determine the authenticity of the copper pot, they could also seek the help of professional cultural relics experts. With their rich experience and professional knowledge, they could identify it more accurately. The novel "Gilded Palm" is equally exciting. Everyone is welcome to click and read it!
Bronze Bull Head Relic
There were many things about the bronze bull head. One was a bronze ox head made by Emperor Qianlong of the Qing Dynasty. It was bought by He Ping at a high price at Christie's auction in Hong Kong in April 2000. There was also a strange stone copper cow head shaped like a cow's head. It was desert paint, 8*6*16 cm, and was collected by Ke Guofu, the chief editor of Shanghai University Press. Its face had unique facial features, such as horns, lips, eyes, and so on. In addition, there was also a pair of old bronze bull heads from the Republic of China. There was also a gilded gold and silver ox-head carriage ornament made of bronze. The surface was gilded with gold and silver ornaments to show the details. The eyes were inlaid with glass, and the square pin hole on the back of the ox-head was square. This carriage was probably installed at the head of the shaft for decoration. It was purchased from Lu Qinzhai and now stored in the British Museum. In addition, it was said that Chiyou had people forge bronze ox heads for conquests. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic bronze rat
There was a famous bronze rat head in Yuanmingyuan. It was originally a bronze statue of Dashuifa in front of the Haiyan Hall of the Western Building of Yuanmingyuan. In 1860, it was looted and lost overseas after the Yuanmingyuan was burned down. At 3:04 on February 26, 2009, Beijing time, the rat head was auctioned at Christie's in France for 14 million euros. In 2019, the French Pino family announced in Beijing that they would "donate" the bronze rat heads and rabbit heads lost overseas to China for free. In addition, there were bronze artifacts from the Spring and Autumn Period in the "Zeng Bo Ke Fu" bronze group, which were now stored in the Hubei Province Museum. Among the antique bronzes, there were also products related to mouse antiques, such as brass zodiac mouse ornaments, solid copper corn mouse ornaments, and so on. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic bronze lion
Bronze lions could be used as cultural relics in many ways. There was a bronze lion in the Ming Dynasty. It was 100 centimeters high, with a square base 26 centimeters high and 78 centimeters wide. It was made by the government. The whole was realistic. It had a square mouth, a slender body, and a strong backbone. The base was cast with the words "Made by Hongwu Xin Wei Jin Fu". The lioness protected the cubs, and the male lion stepped on the embroidered ball. It was now collected in the Shanxi Folk Museum. There was a gilded bronze lion in the fifth generation. It was made by investment casting technology. It was ferocious and lifelike. It was 50 centimeters high and 83 centimeters long. It squatted with its head raised, its front legs upright, and its hind legs bent. In July 2010, it participated in the "Source of Chinese Civilization-Henan Cultural Relics and Treasures Exhibition" held in the Tokyo National Museum. In the Qing Dynasty, there was a bronze lion that was originally located at the entrance of the Qichun Garden in Yuanmingyuan. It was used to guard houses and ward off evil spirits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Bronze jar cultural relic
The bronze jar cultural relics had different representatives in different periods. For example, the horse button and horse ear double-connected copper pot unearthed from the tomb of Nanshangen in Ningcheng County, Chifeng City during the Spring and Autumn Period; the copper pot dug by a farmer surnamed Liu in Fufeng County, Shaanxi Province, which had been used as a chamber pot for many years but was actually a top national cultural relic; the bronze tripod and copper pot dug by Sun Benli in Fugou, Henan Province during the Warring States Period; and the copper pot named "Phoenix Pattern Fang Lei" in the late Shang Dynasty that was bought by experts from the museum of Wuhan City for 3 yuan. These bronze jars had unique historical and cultural values, which were of great significance to the study of the culture of the corresponding period. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Dog Head Pot Relic
The cultural relics mentioned included the five-colored ghost valley downhill dog head jar made by Zhang Wenjin of the Yuan Dynasty. It was an antique. The ancient porcelain decoration was used for collection. The price was 5500 yuan, and the appearance was ninety-five grade. There was also the Qing Dynasty Lang Shining silk original blue and white fish bath pattern dog head jar. The porcelain was 40cm high, 30cm in diameter, and the size of the calligraphy and painting heart was 27x59cm. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural relic flower pot
There are many types and characteristics of cultural relics flower pots. The following are some of them: Looking at the historical period, there were flower pots from the Qing Dynasty. For example, the flower pot from the Qing Dynasty that was stolen by an art teacher was worth about 10,000 yuan. Its craftsmanship was exquisite and the patterns were unique. There were also Jun kiln flower pots used in the court of the late Northern Song Dynasty. For example, the Jun kiln flower pot was handed down from generation to generation. The mouth was in the shape of a crabapple, 14.4 cm high, and 19.5 - 24.5 cm in diameter. The glaze color was sky blue, reflecting a rose-like purplish-red color. It was extremely colorful. The outer bottom was engraved with regular script inscriptions such as "Zhonghua Palace" and "Jinzhao Jade Cui Yong". It was an old collection of the Qing Palace. There were also many kinds of clear rose flower pots in the National Palace Museum, such as rose butterfly flower pots, 32.3 cm high, 35.2 cm diameter, 18.7 cm bottom diameter and other rose flower pots of different specifications and patterns. From a collection point of view, Ma Weidu had the experience of picking up the official kiln flower pot. With his in-depth study of cultural relics and unique identification ability, he discovered the official kiln flower pot of the Kangxi period of the Qing Dynasty that was ignored by the shop owner and bought it at a very low price. Today, such a flower pot was worth hundreds of thousands or even millions. This also reflected the value potential of cultural relics flower pots in the collection market and the importance of appreciation. In modern times, there were all kinds of flower pots made of stone. Although they were not considered cultural relics, they could reflect the development and inheritance of flower pots in terms of craftsmanship and decoration. For example, stone fish tank flower pots, marble bluestone vats, lotus carp flower pots, etc. They could be made of different stone materials such as white marble, bluestone, sesame ash, sesame black, etc. They could be customized to different size and styles. They could be used for planting flowers, raising fish, garden landscape decoration, and other purposes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>