Understanding Jiyuan's cultural relics resources in an article
Jiyuan had a long history and rich cultural heritage. It was one of the first historical and cultural cities in Henan Province. Jiyuan used to be the capital of the Xia Dynasty. During the Spring and Autumn Warring States Period, it was the capital of Han and then an important town of Wei. It had a history of more than 1,400 years since the Sui Dynasty set up a county. It has rich cultural relics resources. There are more than 948 confirmed immovable cultural relics, including 7 national key cultural relics protection units, including Jitang Temple, Fengxian Temple, Daming Temple, Yangtai Palace, the old city of Zhi State, Chaizhuang Yanqing Temple Pagoda, and Wulongkou ancient water conservancy facilities; 21 provincial cultural relics protection units; and 109 municipal cultural relics protection units. There were more than 30000 cultural relics in the collection, including 3327 precious cultural relics. The glazed pottery of the Han Dynasty and the modern paper cultural relics unearthed were very local. Among the cultural relics on the ground in Jiyuan City, ancient wooden structures accounted for a relatively large proportion. There were more than 190 buildings of Song, Jin, Yuan, Ming and Qing dynasties. Many single buildings were second to none in terms of age, scale, value or structure in the province. They were called by the famous ancient architecture expert Luo Zhewen as "a series museum of ancient buildings of Song, Jin, Yuan, Ming and Qing dynasties in the Central Plains". Jiyuan Museum is the only state-owned cultural relics collection and other social public institutions in Jiyuan. Most of the cultural relics in the collection are pottery cultural relics of the Han Dynasty unearthed in Jiyuan, which can reflect various conditions at that time. It is now divided into three exhibition areas: "Light of Civilization of Han Dynasty--Exquisite Exhibition of Ancient Zhi Cultural Relics","Source of Ji--Jiyuan Historical Civilization Exhibition" and "Collection of Past Dynasties Coin Exhibition". In 2018, it was determined to be a national third-class museum. Yangtai Palace was a royal Taoist temple of the Tang Dynasty. It was located at the foot of Wangwu Mountain, 1300 years ago. There were many treasures in the palace, such as the Solo tree planted by Sima Chengzhen and Princess Yuzhen, which was more than 1000 years old. The main building was rebuilt during the Zhengde period of the Ming Dynasty. The Hall of Three Realms of the Great Luo (Sanqing Hall) was a single wooden structure building of the Ming Dynasty with a large volume and high artistic value of stone carving and wood carving. There was also the largest ancient attic building in Henan Province, the Glazed Jade Emperor Pavilion with three eaves and three floors. The Daming Temple in Ruicheng used to be the Burning Incense Yard where Marquis Zhi worshiped his ancestors. It was rebuilt in the first year of Kangding by Emperor Renzong of Song Dynasty. It was destroyed in the war at the end of Jin Dynasty. It took 30 years to rebuild it around the 13th year of Yuan Dynasty. It was mostly repaired in Ming and Qing Dynasties. It occupied an area of more than 30 mu. The overall layout was rectangular. It retained 13 ancient buildings of Qing Dynasty and more than 40 rooms. It was one of the existing important ancient buildings in Jiyuan City. In 2024, Jiyuan also actively carried out work in the protection and activation of cultural relics. For example, on June 22, experts were invited to investigate the activation and utilization of cultural relics in Jiyuan. Experts went to many places to understand the protection and management work, and put forward opinions and suggestions on the protection and management of cultural relics and the excavation of their contents at the forum, aiming to transform the advantages of cultural relics resources into the advantages of cultural tourism development. Read more exciting novels for free
Understanding of the Introduction to Cultural Relics and Museums
Cultural relics and museum studies mainly studied the basic knowledge and skills of museum studies and cultural relics studies, and received skills training in cultural heritage protection, research, identification, display, etc. In terms of knowledge system, students need to master the basic theories, knowledge and skills of cultural relics and museum studies, have a certain understanding of relevant humanities, social sciences and natural sciences, basically master the main types of cultural relics and important cultural relics at home and abroad, be familiar with the national cultural relics work guidelines, policies and regulations, and understand the international regulations on cultural relics and museum management. The core courses included Introduction to Museology, Museum Exhibition Design, Museum Collection Management, Museum Management, History of Material Culture, Cultural Anthropologies, Introduction to Cultural Relics, Cultural Relics Management and Regulations, Cultural Relics and Archeological Techniques, and Foundation of Cultural Relics Protection. In terms of employment, graduates could be engaged in the display and protection of cultural relics, museum management and research in government cultural relics management and research institutions, various museum and exhibition units, archaeological departments, cultural relics and art business units, tourism departments, press and publication and education units, such as the design and planning of museum exhibition, the identification and management of cultural relics such as porcelain and jade articles, and the protection and restoration of ancient paintings, ancient porcelain and other ancient artifacts. From the point of view of practical teaching purpose, taking the introduction to cultural relics as an example, it is a basic course for undergraduate students majored in archaeology and literature. Students can deeply understand the discipline history, basic concepts, working procedures and general principles of cultural relics, master the basic skills and methods of identification, restoration and utilization of cultural relics, or obtain the ability to engage in special research on the history of ancient China material culture. At the same time, promote the correct concept of cultural relics protection. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Yellow River cultural relics resources
The Yellow River was rich in cultural relics. In the Yellow River region of Henan Province, there were 51172 immovable cultural relics in 14 provincial cities, of which 7042 cultural relics protection units above the county level were included in the immovable cultural relics resource database of the Yellow River region. Moreover, the general survey of the Yellow River cultural resources in Henan Province had been basically completed. 947 intangible cultural relics projects above the provincial level and 488 major cultural heritages had been sorted out and the Yellow River cultural heritage resource database had been established. There were also many representative cultural relics along the Yellow River, such as the dance-patterned painted pottery basin of the Qinghai Provincial Museum, which was unearthed from the Zongri site in Tongde County, Qinghai Province, 5200 - 4100 years ago. The inner wall of the mouth was painted with unique patterns such as human figures holding hands and dancing. The thousand-year-old Yellow River Iron Bull on the Pujindu site on both sides of the Yellow River Ancient Road in Yuncheng, Shanxi Province, was a super project of the Tang Dynasty more than 1,300 years ago. There were also nine cultural relics, including the painted pottery double-connected pot in Henan Museum, the eggshell black pottery cup in Shandong Museum, and the Jinhou Bird statue in Shanxi Museum, which were all concrete expressions of the root and soul of the Yellow River culture. These Yellow River cultural relics showed the brilliant civilization of the Yellow River Basin from different angles, cultural exchanges and integration, as well as the height of civilization at that time. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Assist in revitalizing the province's cultural relics resources
Here are some ways to help revitalize the province's cultural relics resources: ** I. Regulations and Planning ** 1. ** Perfect the top-level design ** - Formulate similar programs such as the "implementation plan for activating red resources and promoting the high-quality development of red tourism" and the "implementation plan for strengthening the protection, management, and utilization of revolutionary cultural relics" in Jilin Province province, and incorporate them into the province's red culture development plan. This would help to plan the direction of revitalizing cultural relics resources as a whole and ensure that all kinds of cultural relics resources could be used reasonably on the basis of protection. - Prepare cultural relics protection plans such as the "Planning Plan for the Protection of Revolutionary Cultural Relics in Jilin Province (2021 - 2035)", construct a scientific cultural relics protection display pattern, and clarify the development direction of different types of cultural relics resources (such as revolutionary cultural relics), providing macro guidance for the protection and activation of cultural relics resources. - Cooperate with the Provincial People's Congress to formulate and issue relevant laws and regulations such as the Regulations on the Protection and Inheritance of Red Resources in Jilin Province, provide legal compliance for the protection and utilization of cultural relics, and ensure that the work of revitalizing cultural relics resources is carried out in accordance with the law. 2. ** Clear direction of development ** - The preparation of special plans for specific types of cultural relics, such as the Special Plan for the Protection of Cultural Relics of the Northeast Anti-Japanese Alliance of Jilin Province, would help to focus on the protection and utilization of a representative or unique type of cultural relics, and clarify its development direction, thus driving the vitality of the province's cultural relics resources. - Revise the overall plan for the development of red tourism in Jilin Province and other tourism related plans to combine cultural relics resources with tourism development and revitalize cultural relics resources through the driving effect of tourism. ** 2. Resource investigation and publication of the list ** 1. ** Carry out a full investigation ** - We should carry out the investigation of revolutionary cultural relics and collections like those in Jilin Province, and cooperate with multiple departments to accurately grasp the quantity, distribution, and current situation of cultural relics resources, so as to provide basic data for the follow-up work. 2. ** Announce the list of cultural relics ** - Joining the relevant departments to publish the revolutionary site, the Northeast Anti-Japanese Alliance site, and the list of revolutionary cultural relics in the collection, etc., to improve the visibility and public awareness of cultural relics resources, and to help attract social forces to participate in the work of revitalizing cultural relics resources. ** 3. In terms of innovative utilization mode ** 1. ** Digitalized Construction ** - Drawing lessons from the experience of Jinan City, digital construction was carried out from the perspective of cultural "two creations". - Using digital technology to develop digital products with strong interactions such as the "Western Han Dynasty Painted Music, Dance, acrobatics, terracotta figurines theme AR interaction" game, through games, animation short films, augmented reality identification cards, 3D information collection and other forms to transform cultural relics resources into digital cultural products, awaken the sleeping cultural relics and release their cultural vitality. - For example, Jinan City Museum provides 3D display and production of cultural relics for Licheng District Museum and Changqing District Museum to provide support for the diverse use of cultural relics resources (such as exhibition, cultural relics protection, cultural communication, cultural creation and development, etc.) and improve the audience's experience. - Build a digital platform such as "Jinan Digital Museum Platform" to publicly display pictures of collections, three-dimensional cultural relics, virtual exhibition halls, promotional videos and other data, becoming an important position for the display and application of cultural relics digital achievements. At the same time, mobile applications such as "Jinan City Weixin Mini Programs" were developed to provide one-stop services for the public, including exhibition recommendations, cultural relics display, popular information, research education, visit reservations, etc., to broaden the channels for the transmission and utilization of cultural relics resources. 2. ** Creation and copyright management ** - Join projects such as the "Stars Project" guided by the State Administration of Cultural Relics, and use technology and innovation capabilities to open high-definition digital resources of some representative cultural relics for different groups to download, attract more people to participate in the excavation and utilization of cultural relics, promote the development and promotion of museum cultural creations, and at the same time realize the copyright protection of cultural relics in the collection and the open use of digital resources. 3. ** Cross-border Cooperation ** - Like the Jinan City Museum, they actively cooperated with the media. For example, they cooperated with TV stations to produce Short videos and 4K ultra-high-definition series Short videos. Through different media forms and communication channels, they displayed cultural relics in a way that young people liked (such as rap), so that the creative genes contained in cultural relics resources and cultural heritage were constantly activated, thus increasing the popularity and influence of cultural relics resources and realizing the purpose of revitalizing them. - Cooperation between the museum, such as Shapingba Museum, Zhangzhou City and Beijing Guo Moruo Memorial Hall, held symposiums to establish a new mode of joint exhibition of cultural relics. Through the joint exhibition, regional exchanges were carried out in depth, cultural images were displayed, and resources were fully activated. ** 4. Integration of culture and tourism ** 1. ** Create cultural travel routes and activities ** - Combining the characteristics of local cultural relics and resources to create cultural tourism routes. For example, in Jilin Province, a red tourism route could be built around the revolutionary cultural relics resources, connecting the revolutionary site and the anti-Japanese alliance site. At the same time, corresponding tourism service facilities could be provided to attract tourists to visit and revitalize the cultural relics resources. 2. ** Development of special tourism products ** - Based on cultural relics resources, develop special tourism products, such as cultural souvenirs. These products could integrate cultural relics into them, which could not only increase the fun and memorial significance of tourism, but also promote cultural relics resources and realize the value transformation of cultural relics resources in the tourism industry. ** 5. Education and publicity ** 1. ** Party member education and cultural inheritance ** - Like Tongling City, it fully invigorated the local red cultural relics resources, dug deep into the red marks, red memories, and red spirits behind the red cultural relics, and used them for the education and production of party members. In this way, not only did they inherit the red culture, but they also increased the influence of the red cultural relics. 2. ** Public education and promotion ** - Use new media platforms (such as official websites, Weixin Official Accounts, video accounts, TikTok, Weibo, Himalayas, etc.) to carry out the publicity and promotion of cultural relics resources, spread the knowledge of cultural relics to the public, tell the stories behind cultural relics, etc., improve the public's awareness and protection awareness of cultural relics resources, and attract the public to participate in the work of revitalizing cultural relics resources, such as visiting museum and participating in cultural relics protection volunteer activities. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The advantages of cultural relics resources are shared by the three places
The Beijing-Tianjin-Hebei region, the Yangtze River Delta region, and the Pearl River Delta region shared certain advantages in terms of cultural relics resources. The Beijing-Tianjin-Hebei, Yangtze River Delta and Pearl River Delta regions are regions with developed economy and rich cultural and cultural resources in China. In 2018, important cultural and cultural institutions in this region jointly established the "Beijing-Tianjin-Hebei, Yangtze River Delta and Pearl River Delta Museum Alliance". By the end of 2023, there were 1969 museum in these three regions, accounting for nearly 30% of the total number of museum in China, including 466 national first-class, second-class and third-class museum. The establishment of the alliance was aimed at exploring new directions in the development of the industry, complementing each other's advantages and sharing resources. Missions could promote their exhibition advantages and social education activities to more units and wider areas through the alliance. For example, the Tianjin Museum used the alliance to expand its influence, and the director of the Suzhou Museum also mentioned that the alliance could promote exchanges and cooperation between the various museum. In addition, the country is also promoting the sharing of cultural relics resources from a macro level. For example, some people have proposed to strengthen the construction of cultural relics digital standards, promote the sharing of cultural relics digital resources, improve the interaction of digital resources in the industry, and realize the sharing of resources with public data of cultural relics. Some regions are also actively implementing the concept of cultural relics resource sharing, such as Henan establishing the Yellow River cultural heritage resource database and other measures. This also provides macro policies for the sharing of cultural relics resources in the three places. It was the support and reference of many aspects such as ideas and practice. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Protect cultural relics, protect cultural relics
Cultural relics protection referred to taking a series of measures to prevent damage to historical relics with historical value, cultural value, and scientific value. Cultural relics were divided into movable cultural relics (such as important objects, works of art, documents, manuscripts, books, materials, representative objects, etc.) and immovable cultural relics (such as ancient cultural heritage, ancient tombs, ancient buildings, cave temples, stone carvings, murals, important historical sites and representative buildings in modern times). When repairing, maintaining, and moving immovable cultural relics, the principle of not changing the original state of the cultural relics and the principle of minimum intervention must be adhered to in order to preserve the historical information and historical value of the cultural relics to the greatest extent. With the approval of the people's government of the province, autonomous region or municipal directly under the Central Government, a certain area for construction control may be set aside around the site to be protected for its cultural relics. The State Administration of Cultural Relics was in charge of the national cultural relics protection work, the provincial cultural relics bureau was in charge of the provincial cultural relics protection work, and the cultural relics administrative departments of the people's governments of various states, cities, counties (cities) were in charge of the local cultural relics protection work. From a social perspective, cultural relics protection leading groups were established in towns and villages to be responsible for the protection of cultural relics and the organization and management of cultural relics protectors. Cultural relics protection groups were established in villages to be responsible for the protection of cultural relics within the village. Cultural relics protection groups established by government agencies, factories, troops, schools, etc. generally focused on the protection of certain cultural relics. There were also mass amateur organizations such as cultural relic lovers 'associations established in places. In actual work, for example, Binzhou City strengthened the safety measures of cultural relics, including jointly issuing documents with multiple departments to compact responsibilities, coordinating the Ministry of Human Resources and Social Security to add patrol and care public welfare posts, carrying out safety inspections and cracking down on special actions to prevent cultural relics crimes, etc. Some places also actively explored new ways to protect and utilize cultural relics, such as digging deep into the historical meaning of ancient buildings, holding cultural activities and exhibition, etc. Cultural relics could also be protected by strengthening the supervision of cultural relics protection, the protection and inheritance of cultural heritage, and the interpretation of the value of cultural relics. In addition, strengthening the publicity of law enforcement and enhancing the awareness of the people's cultural relics protection would also help the development of cultural relics protection work. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Ruibo's cultural relics
There were 18 cultural relics in Ruibo's collection, which were unique, rare, exquisite, and of immeasurable historical, cultural, and research value. These cultural relics were selected by the Art Museum of Tsinghua University and participated in the "Forever-Zhou Qin, Han and Tang Culture and Art Special Exhibition". In addition, there were also bronze cultural relics, gold ware, and cultural relics named "Bull Head Ring" on display in the Ruibo Museum. There were a total of six "Bull Head Ring" cultural relics, which were discovered by the archaeological team of Shaanxi Province in 2006. They pushed back the current historical records of agricultural culture in China by 200 years. The cultural relics were 2.8 cm long, 1.8 cm wide and 0.6 cm thick. They were inverted ladders in shape. The front was shaped like a bull head, the back was concave, and there was a vertical long beam in the middle. The mouth was hollow and had a round hole, and it was equipped with a rotating ring. It was not only a symbol of status, but also a proof of cattle farming technology. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Today's Cultural Relics
The following is some information about cultural relics that can be recommended today: - In the exhibition hall D on the fourth floor of China Three Gorge Museum in Chongqing, there is a special exhibition of prehistoric jade articles in the Yangtze River Basin. The exhibition will be held from July 27,2024 to October 27,2024. A total of 305 pieces (groups) of prehistoric jade articles in the Yangtze River Basin, such as jade pieces, jade Huang, jade Bi, jade Cong, jade axe, jade man, etc., including 32 first-class cultural relics, most of which appeared in Chongqing for the first time. - In the 1/2 Hall on the first floor of the North District of Hebei Museum, there was the "Forbidden City·Tea World: The Qing Rhyme of the Forbidden City--Tea Culture Fine Cultural Relics Exhibition", which was exhibited from July 26 to October 27,2024. The exhibition was jointly organized by the Palace Museum and Hebei Museum. It gathered 160 pieces (sets) of cultural relics and relevant historical materials collected by the Palace Museum, Hebei Museum and China Tea Museum. - 12 groups of 168 artifacts and 958 copper coins from the Song and Yuan Dynasties unearthed in Pingsha were exhibited in the museum. These cultural relics from the Song and Yuan Dynasties were excavated at the site of Dahu Shuijingkou in Pingsha in 1992. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
cultural relics
The following are some cultural relics related to hiking: - Spring Painting Scroll of Zhuojiang Village in Qing Dynasty (Qing Dynasty, collected by Hebei Museum). Its composition is high and lofty. The mountain rocks are dyed with small green. The pavilion boundary painting is exquisite. It has the legacy of Song Dynasty. You can enjoy "spring" from it and feel the spring spirit of the ancients. - Hunting Banquet Painting Copper Cover Bean (Warring States Period, collected by Hebei Province Institute of Cultural Relics and Archeology). This cover bean watch is decorated with four layers of patterns, a total of 90 people, 63 beasts, 26 birds and 6 fish. The patterns are dense and vivid. It was a cultural relic related to activities like shooting willows (shooting willows was a game to practice archery skills and was one of the activities during the Qingming Festival). - Kong Xianglin and Jade Fairy Shi Shuhua Fan (collected by Confucius Museum). The content of the book is selected from Luo Dajing's "Quiet Mountains and Long Days" of the Southern Song Dynasty. The article describes the quiet and peaceful daily life in the mountains in late spring, which is consistent with the pursuit of feeling the beauty of nature. It can be used as cultural relics related to the cultural content of the green outing. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
61 cultural relics
In the Xiaolingwei Blacksmith Camp community in Xuanwu District, Nanjing City, there was a volunteer team called "Watch Zhongshan" initiated by Kong Jincheng. Entrusted by the Nanjing City Relics Bureau, they went up the mountain to inspect 61 cultural relics every quarter. Through hard work, by 2020, all 61 cultural relics had been completed. In addition, Japan had looted many China cultural relics, including 61 national treasure-level cultural relics that had been stolen by Japan, but this was not directly related to the 61 cultural relics that had been stolen by Japan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Cultural Relics 4
The "four possessions" of cultural relics referred to the necessary protection scope, marking instructions, establishing records and archives, and setting up special protection and management agencies around the cultural protection unit. In 1961, the State Council approved the publication of the "Temporary Regulations on the Protection and Administration of Cultural Relics" for the first time, and in 1982, the State Council promulgated the "Law of the People's Republic of China on the Protection of Cultural Relics" for the first time in the form of law. The Law of the People's Republic of China on the Protection of Cultural Relics, which was revised in 2017, also pointed out: "The people's governments of provinces, autonomous regions, and cities directly under the Central Government, as well as the people's governments of cities and counties, respectively, shall define the necessary scope of protection for cultural relics protection units, make signs and descriptions, establish records and archives, and set up specialized agencies or special personnel to manage them according to the circumstances. The scope of protection and the records of the key cultural relics protected throughout the country shall be reported to the cultural relics administration department of the State Council for the record by the cultural relics administration department of the people's government of the province, autonomous region, or directly under the Central Government. The "Four Haves" archives work of cultural relics protection units is the most critical measure for cultural relics protection units to effectively protect cultural relics and the most important foundation for cultural relics management according to law. The contents of the archives involve all aspects of cultural relics protection. The scientific, complete and detailed "Four Haves" archives can provide complete information for the cultural relics protection unit in the protection, utilization, management and publicity of cultural relics, and can also provide reliable evidence for the restoration of cultural relics accidentally damaged by the cultural relics protection unit. In terms of filing, the national cultural relics protection unit shall file according to the requirements of the National Key Cultural Relics Protection Unit Record Archives Work Code and the National Key Cultural Relics Protection Unit Record Archives Description. The provincial cultural relics protection unit shall refer to the requirements of the national cultural relics protection unit to file one by one. The municipal and county (district) level cultural relics protection units shall strictly be equivalent to the requirements of the national cultural relics protection unit to file. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>