First, he filmed a video of drawing a few times in the air, then drawing a big circle, and then making a seal with his hands and opening them. Arrive at a safe open space outside, prepare some flour (pine resin powder is the best), hold a handful of flour in each hand, then hold a piece of paper and light it up. Take a video of opening it in front of you and then throwing it down (if you throw it slowly, it will burn big, so be careful). Save the flame and circle material for local trimming. In the second video, delete the previous redundant video at the position where the hand is ready to open. After the hand is thrown down, click split at the position where the flame is relatively large, and the split video will be changed to 0.1 times. Then click the smart frame to generate a silky slow motion, and then the split video will be changed to 1.5 times. Add a key frame to the end of the second video and drag it forward to the starting point. Then, enlarge the screen to the same size as the first video to make a preliminary transition effect. Then, at the place where he started to draw, he clicked on the picture-in-picture to add the saved flame material (which could also be obtained from the flame pattern in the material library). The blending mode was changed to the positive film stack, and he adjusted the position of the hand painting. If the speed was not consistent, he could adjust it at a variable speed. At the place where he started to draw circles, he clicked on the picture-in-picture again to add the saved circle drawing material. The blending mode was changed to the positive film stack, and the size of the drawing position was adjusted. The excess parts of the two picture-in-picture after the first video were deleted. At the place where the hands were about to be put together, he added the black color from the material library in the picture-in-picture and enlarged it to fill the screen. He added a circular mask and pulled out the feathered color. At the beginning position, he added a key frame and enlarged the mask to show the image. At the position where the hand was about to be put together, he shrunk the mask to just circle the black circle in the image. Then, he added another key frame at the beginning of the first video. He dragged his hand back to the position where the hand was completely open to pull the mask out of the image. Finally, he added the music he had collected. Add a point at 5 seconds 05F of the music, press and drag the music to align the point with the starting position of the third video, and then export it. "Arcs of Fire" is equally exciting. Everyone is welcome to click and read it!
The chant for the Mind Control Technique was," Gods.of.power.gods.of.might.i.bad.you.now.stop.this. light.stop.the.rain.we.need.no.more,let,it.feel.newer,more." "
The incantation of the sword control technique was that the sword was made of ordinary metal. It would become sentient because it was held, move because of the heart, live because of the blood, and die because of evil thoughts. The sword control technique was to regulate one's breathing, hold one's vitality, and cycle endlessly.
The sword control technique was one of the techniques in << Under One Person >>. One could control the sword through the use of qi to fly in the air or use treasures to forge flying swords with powerful spiritual power to control the sword in the air. The sword control technique had powerful lethality and was one of the immortal techniques that cultivators must master. In " Under One Person," the main character, Ye Yingjiu, was a beginner level nine warlock who practiced the sword control technique. When he used the sword control technique, he could control the Brilliant Light Sword to attack. The specific moves and characteristics of the sword control technique might need to be further understood in other materials.
The sword control technique was a technique that often appeared in novels that allowed one to control a flying sword. The higher one's skill, the faster the flying sword would be. A swordsman could fly on a flying sword and use the spiritual power of the sword to instantly behead someone from a thousand miles away. The Innumerable Sword Technique was one of the more powerful techniques of the Mount Shu Sword Technique. It could split the flying sword into countless sword shadows. When it was unleashed, it was like a torrential downpour with terrifying power. In some situations, learning the Innumerable Sword Technique might reduce one's reliance on the Sword Control Technique. The novel " Imperial Beast Soars " is equally exciting. Everyone is welcome to click and read it!
The cultivation of fire techniques was a type of cultivation technique in immortal cultivation. According to the cultivation techniques in the Mortal Cultivation Legend, the cultivation of fire techniques included the Fireball Technique, the Fire Leaving Technique, the Fire Stepping Technique, the Ring of Fire Technique, and other techniques. The Fireball Technique was the most basic and simplest fire-type technique. A cultivator could mobilize the spiritual energy in their body to form a controllable fireball outside their body. The Ignis skill was a long-range attack skill with extremely high damage output. The Fire-Stepping Technique had powerful functions. It could block bullet attacks, increase movement speed, and play an important role in the battlefield. The Ring of Fire was an extremely explosive skill that could cause face-to-face damage. The cultivation of fire techniques required constant practice and practice. Mastering these skills required time and effort.
We can deduce that the incantation of the fire control technique is: " Qian San Lian, Kun Six Duan, Li is fire, Kan is arrow, urgent as the law."
The classes in the Divine Control Technique included the Blade Master, Dragon Warrior, and Mage classes in the client-side game. There were also classes such as Bright Sword and Yan Tian that players could play in the game. Each class had its own unique skills and characteristics. The novel " Imperial Beast Soars " is equally exciting. Everyone is welcome to click and read it!
If the anime wasn't enough, then hurry up and watch the novel version of " Sword Comes "! The original novel was equally wonderful!
Fire control usually referred to a performance in which the performer could control the shape, color, and even the trajectory of the flame in some way, thus bringing a shocking visual experience to the audience. Such performances often combined magic techniques, chemical reactions, stage effects, and other elements, making the entire process look mysterious and charming. From a scientific point of view, when certain chemicals burned, they would produce flames of different colors (such as copper salt burning to emit green light). The direction and shape of the flame could be changed by airflow or mechanical devices, combined with visual design such as lighting and background to create a magical effect. At the same time, fire control was not only a technique, but also an art. Excellent performance required the performer to have a good sense of rhythm, creative ideas, and a deep understanding of the audience's psychology. "Arcs of Fire" is equally exciting. Everyone is welcome to click and read it!
In "The Descent of Nezha's Demon Child," the incantation of the fire control technique was "Three Qianlian, six Kunlian, Li as fire, Kan as arrow, urgent as law"(There was also a version of "Three Qianlian, six Kunlian, Li as fire, three as gradual, urgent as law"). In the novel "Battle Through the Heavens," there was a fire control technique called the Five-Wheel Fire Manipulation. It was divided into five levels. According to the beast form, it was divided into wolf, leopard, lion, tiger, and flood dragon. Each level had its own fire spirit, but there was no mention of the form of the chant. Different works had different settings for the fire-controlling chant. "Arcs of Fire" is equally exciting. Everyone is welcome to click and read it!