Imperial Enamel Bowl in Yongzheng's Collection
The following is some information related to the collection of the Yongzheng Emperor's Enamel Bowl: - The flower bowl with a red floor in the Yongzheng reign of the Qing Dynasty was 4.4cm high, 11.5cm in diameter, and 5.9cm in diameter. Extravagant mouth, shallow belly, short circle feet. There is no pattern on the inside of the vessel. The outer wall is red as the ground. There are three painted peonies. The big flowers are decorated with rolled grass. At the bottom of the vessel, there are two lines of blue and white regular script on both sides of the frame,"Made by Emperor Yongzheng". - Qing Yongzheng Enamel Colorful Porcelain Green Field Xuan Flower Insect Cup, 2.8cm high, 5.1cm caliber, 1.8cm bottom diameter. Converged mouth, deep abdomen, flat bottom, shallow digging feet. There is no pattern on the inside of the vessel. The outer wall is made of green glaze. The center of one side is painted with ochre lake stone. Behind the stone are lychnis and Xuan flowers. There are grasshoppers on the tip of the day lily leaves. On the other side, there are poems written in ink, and there are red seals behind the poems. At the bottom of the ware, there are two lines of blue Song characters with "Yongzheng Year System" on both sides of the frame. - The three-show plate of Qing Yongzheng Enamel Color Porcelain was 3.8cm high and 17.4cm in diameter. It has a luxurious mouth, a gentle curved wall, and a low circle foot. The outer wall of the vessel is covered with yellow glaze, and the center of the plate is painted with cypress, bamboo and wintersweet. There were poems written in ink in the blank space above the plate. There was a red seal in front of the poem and two red seals behind it. At the bottom of the ware, there are two lines of blue and white regular script with double circles. - Qing Yongzheng Enamel Porcelain Red Ground Plum Bamboo Spring Bowl, 7cm high, 15.2cm caliber. It has a luxurious mouth, a deep curved wall, and a short ring foot. There is no pattern on the inside of the container, and the outer wall is covered with red soil. There is a painted plum tree with vigorous branches and white plum blossoms. There are several green bamboos behind the tree. At the bottom of the ware, there are two lines of blue Song characters with "Yongzheng Year System" on both sides of the frame. - A white plum blossom bowl painted with red glaze on the porcelain body of Emperor Yongzheng of the Qing Dynasty. It was 7.0cm high, 15.1cm in diameter, and 6.3cm in diameter. It has a luxurious mouth, curved deep walls, low feet and a circular mouth. On the outside of the vessel, red glaze is used as the ground, and a white plum tree and several green bamboos are painted. There was a white edge around his mouth and feet. There was no pattern on the inside of the bowl, and it was glazed with white glaze. The bottom of the bowl had a blue pattern of "Made in Yongzheng Era". - The twelve-colored porcelain tea plum bowl was 7.6cm high and 16.1cm in diameter. It has a luxurious mouth, a deep curved wall, and a short ring foot. There are no patterns on the inside, but on the outer wall, there are blue-green slopes, gurgling water, pink camelia, white wax plum, green bamboo, and twelve magpies flying in it. On the other side of the outer wall were poems written in ink. There was a red seal in front of the poem and two red seals behind it. At the bottom of the ware, there are two lines of blue Song characters with "Yongzheng Year System" on both sides of the frame. - Emperor Yongzheng of the Qing Dynasty made a tea ball with a diameter of 10cm and a height of 5.7 cm. The shape of the vessel is exquisite and regular, with a slightly curved mouth, a deep arc wall, and a low circle foot. The curve of the outer wall is extremely soft and beautiful. The bottom of the foot is perfect, the body is fine, clean and dense. The inner wall was plain white, and the outer wall was painted with flowers of the four seasons. Peonies and lotuses were in the center, and the patterns were large. There were many kinds of flowers of the four seasons around, and the colors were bright. White glaze was applied on the bottom, and the blue frame of "Yongzheng Year System" was placed in the middle. While waiting for the TV series, he could also read the exciting content related to this site!
Emperor Yongzheng's Enamel Porcelain Bowl
There were many styles and decorations of the Yongzheng imperial style of porcelain bowls. For example, the Qing Dynasty Yongzheng Enamel Hibiscus Osmanthus Bowl was a royal porcelain of the Qing Dynasty Yongzheng period. It was now in the collection of the National Palace Museum in Taiwan. There were also yellow colored bowls painted with peach blossoms and red-crowned cranes, which were named "Peach Forest Spring Banquet","Yongzheng Imperial Enamel Apricot Forest Spring Swallow Pattern Bowl", and yellow glazed bowls with flowers and birds patterns. The firing process of these porcelain bowls was complicated. They needed to first fire the white glaze at high temperatures in Jingdezhen, then transport it to Beijing by water. After the master of the manufacturing office painted the glaze, they were baked at low temperatures in the small imperial kiln in the palace. The bottom was usually written in blue. In addition to being used by the imperial palace as a reward, it could also be used to reward envoys, meritorious officials, monasteries, etc. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
Auction Record of Emperor Yongzheng's Imperial Enamel Porcelain
In the art auction, Yongzheng's imperial porcelain was highly valued. For example, a set of 12 pieces of the twelve flower god cups made by Emperor Yongzheng, with regular shape, thick glaze, pure hair color, etc., was cherished as soon as it was released and had been popular in the overseas collection world. Although the exact price of the auction was not clear, it could be seen that it had an important position in the collection industry. There was also an imperial vase made by Emperor Yongzheng. It was made during the Yongzheng period of the Qing Dynasty. During this period, the porcelain technology was quite mature. The firing technology of the glaze was difficult and there were very few of them in existence. As time passed, the collection value and investment potential continued to rise, but the specific auction price was not mentioned. All of these showed that the imperial porcelain made by Emperor Yongzheng had a very high value in the auction market. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
Emperor Yongzheng's Enamel Porcelain
Enamel colored porcelain was created in the thirty-fifth year of Kangxi in the Qing Dynasty (1696 AD), and it was most prosperous during the Yongzheng period. Emperor Yongzheng's Enamel Porcelain was an extremely precious imperial ware, which occupied an important position in the history of China porcelain development. Its production skills were extraordinary and the characteristics of the era were distinct. These porcelain were made in the Ruyi Hall of the Qixiang Palace, the Yuanmingyuan, and Prince Yi's residence. The painting was brightly colored and the decorative patterns were clear. The characters and animals depicted in it had the three-dimensional effect of Western oil paintings. The realistic style was influenced by Western court painters, focusing on imitating nature, creating texture, depth and perspective with light and shadow. The body of the Yongzheng Imperial Enamel Porcelain was extremely thin, uniform, and tightly combined. The glaze was extremely fine and the glaze color was extremely white. The porcelain was fine and smooth, the color was dignified, the color was beautiful, and the painting was exquisite. Qing Dynasty connoisseurs praised Yongzheng Enamel Color Porcelain as having four unique features: The texture is as white as snow; The texture is as thin as an egg curtain, which is blown up and wants to fly; Looking at it with an extremely fine microscope, the flowers have dew, bright and slender, the butterflies have hair, and the neck is erect; The skit is inscribed with exquisite regular script and seal characters, with fine fly heads. These four unique skills were only unique to Yongzheng's dynasty. In terms of style, it was common to see the four-character color pattern of "Yongzheng Year System" in the Yongzheng period. The number of such porcelain painted in the palace was extremely limited, and it was difficult to find any trace in the auction market. It was very precious. While waiting for the TV series, he could also read the exciting content related to this site!
Yongzheng Enamel Porcelain Price
The price of the Yongzheng Enamel Porcelains varied greatly, and some were sold at extremely high prices in the auction market. For example, on December 2,2015, a Yongzheng Enamel Color Ochre Ink Plum Bamboo Bowl was auctioned at Christie's in Hong Kong for 75 million Hong Kong dollars, and a pair of old collection of Qing Yongzheng Enamel Color Enamel Wrapped Branches, Flowers, Birds and Birds "Ping An Chun Xin" bowls were worth 46 million. In general, due to its exquisite craftsmanship, unique artistic style, profound cultural content, and rare quantity, Yongzheng Enamel Porcelain became a rare treasure that collectors competed to pursue. It could often fetch a high price in the auction market. The novel " Glittering Four Seasons " is equally exciting. Everyone is welcome to click and read it!
Yongzheng Enamel Color Plate's Value
The value of the Yongzheng Enamel Plate varied according to the appearance and size of the specific collection. For example, there was a Qing Dynasty Yongzheng Enamel Bamboo Plate with Peace Pattern, 3.9 cm high, 21 cm diameter, priced at 5500 yuan; Ma Weidu once picked up a Qing Dynasty Yongzheng Enamel Plate with 3 yuan in the early 1980s, but now he refused to sell it even if someone offered 30 million yuan; there was also a pair of Yongzheng Enamel Porcelain Plate, estimated to be 80 million Hong Kong dollars. While waiting for the TV series, he could also read the exciting content related to this site!
The authentic Yongzheng Enamel Color of the Forbidden City
There was a collection of genuine Yongzheng Enamel Painted Artifacts in the Forbidden City. From the perspective of handed down products, most of the porcelain from the Yongzheng period were painted directly on the white glaze, except for a few colored decorations like the Kangxi Dynasty. The shape of the utensils included bottles, bowls, plates, saucers, cups, etc. The shape was elegant and elegant, and the carcass was light and thin. Some of them reached the level of semi-rebirth. In terms of decorative patterns, it changed the monotonous situation of only painting flowers and no birds during the Kangxi period. There were a large number of patterns depicting flowers, birds, flowers, bamboo stones, mountains and rivers, etc. in the style of academy paintings. The blank spaces of the pictures were inscribed with exquisite calligraphy and elegant poems. There was a leisure chapter of Zhu Wen at the beginning of the poem and two leisure chapters at the end of the sentence.(Or both sides are Zhu Wen, or both sides are Bai Wen and Zhu Wen), making the porcelain of Yongzheng period become an art treasure that combines porcelain making techniques with poetry, calligraphy, painting and printing. According to incomplete statistics, the Forbidden City in Beijing had collected more than ten pieces of porcelain paintings from the Yongzheng period, such as an olive vase with pine, bamboo and plum flowers, a bowl with pale yellow colored orchid stone patterns, and a bowl with yellow colored poetry and plum flowers patterns. These works all displayed the unique artistic charm and superb craftsmanship of Yongzheng Enamel. The novel "Glittering Four Seasons" is equally exciting. Everyone is welcome to click and read it!
Emperor Yongzheng's Imperial Guard
In the Qing Dynasty, the imperial guards were key military officials. The imperial guards were divided into ranks, namely,"First-class Guard"(Third Grade, Deputy Minister),"Second-class Guard"(Fourth Grade, Official Department +),"Third-class Guard"(Fifth Grade, Official Department-), and "Blue-feathered Guard"(Sixth Grade, Deputy Department-). In the Yongzheng Dynasty, Tu Lichen was the "leader of the imperial guards". He was more likely to be the "leader of the stick" of the "first-class guards". His rank was the third rank, and his administrative rank was the deputy minister level, similar to the rank of "deputy military region". His military rank was basically "major general." Yongzheng once sent the ninth prince Yinhe and ten sons of the Upper Three Banners (imperial guards) to serve under Nian Gengyao's command in the Northwest Camp. The purpose was to ease the pressure of public opinion and maintain the stability of the throne, but there were also many other considerations. In addition, in the movie plot, there were imperial guards involved in related events, such as Fifth Brother Zhang being forced to take the blame for others and then being saved by the Thirteenth Son of the Emperor to become an imperial guard. Also, in the story of "The Flying Guillotine," Emperor Yongzheng ordered Xin Kang, the imperial bodyguard, to make the Flying Guillotine to carry out a bloody suppression. The novel "Hello, Guard, Goodbye, Guard" is equally exciting. Everyone is welcome to click and read it!
Yongzheng's first imperial examination
Yongzheng imperial examination
There were many situations in the imperial examination during the Yongzheng period. In terms of the restrictions on the identity of the examinees, it continued the previous dynasty's regulations that prohibited people with specific identities from participating in the imperial examination. For example, officials were not allowed to take the examination. Judging from the imperial examinations, in 1734, Yu Hongtu was cut in half for cheating in the imperial examinations. This incident also prompted Yongzheng to abolish the torture of cutting in half. In addition, during the Yongzheng period, there was a change in attitude towards the imperial examination and the officials of the imperial examination. For example, the strike of the imperial examination in Henan was caused by Tian Wenjing's handling of the Yellow River embankment problem, which caused the Confucian scholars to be dissatisfied and stop the examination. Although the incident had subsided, it changed Yongzheng's attitude towards officials who had passed the imperial examination. He began to suppress the officials who had passed the imperial examination and no longer let the Confucian scholars have a sense of superiority. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!
Yongzheng's first imperial examination champion
The first imperial examination of Yongzheng (in 1723, the first year of Yongzheng's special imperial examination) was Yu Zhen. Yu Zhen was born in a scholarly family in Jintan, Jiangsu Province. He obtained the title of Jieyuan in the provincial examination of Shuntian Prefecture in the fifty-ninth year of Kangxi. In the first year of Yongzheng, he won the Jinshi in the Enke examination, and later he was appointed as the champion by Yongzheng. He was appointed to the Imperial Academy and soon entered the South Study to serve. His life experience was ups and downs. The highest position was the South Study's attendant, Hunan's school administration, and the lowest position was the pedestrian department's deputy. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!