The following lenses can be used to shoot stars: 1. 14mm F1.4 DG DN| Art: This is the world's largest aperture ultra-wide-angle full-frame micro-monocle lens launched by Sima for the Sony-E-mount and Leica-L-mount. Its optical design consisted of 15 sets of 19 lenses, including a variety of special lenses to improve aberrations. There was a special rear filter storage position inside the lens. The front lens was waterproof and anti-oil coating, and the gap of the lens body was airtight. It was equipped with the MTL manual focus lock button, a portable tripod ring TS - 141 (compatible with the Arca-Swiss Quick Release System), and other designs for starry sky photography. The closest focusing distance was 30cm, the highest magnification was 1:11.9, and the weight was 1170g for the L port and 1160g for the E port. 2. 15mm F1.4 DG DN DIAGONAL FISHEYE| Art: This is a fish-eye lens with a 180° angle of view. The quality of the image is high, and the center and edge of the image are well controlled. When the aperture was set to F1.4, a clean image could be captured at an USB of 1600. Its lens structure was 15 sets of 21 lenses, the closest focusing distance was 38.5cm, the maximum magnification was 1:16, and the weight was about 1360g (L mount, E mount). 3. 20mm F1.4 DG GN�Art: It can cover the entire starry sky without losing the details. The lens structure was 15 groups of 17 lenses, the closest focusing distance was 23cm, the maximum magnification was 1:6.1, and the weight was 635g for the L port and 630g for the E port. 4. 24mm F1.4DG GN Art: Although there are not many unique designs for starry sky photography, the focal length is suitable for starry sky photography. It belongs to the super wide angle + large aperture lens. Read more exciting novels for free
When taking time-lapse shots of the starry sky, you can choose a wide-angle lens with a large aperture. A wide-angle lens could obtain a wider field of view, and a large aperture could obtain a higher amount of light. For example, the Nikon Nikkor 14 - 24mm F.8G ED was an excellent wide-angle lens. The focal length of 14mm could capture images of the starry sky with a view angle of more than 110 degrees. At the same time, the constant maximum f/2.8 aperture could also ensure enough light. With a 14 - 24mm zoom range, it could cope with more scenery photography scenes and provide more rich scenery. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In terms of optical quality, there wasn't much difference between the lenses of the SIGMA-produced lenses and the original lenses of Fuji. For example, when comparing the X-mount version of the Three Musketeers of Sima with the three original lenses of Fuji, the center and edge of the Sima 16mm F1.4 lens were slightly sharper than the original 16mm F1.4 lens when the aperture was fully opened. When the Sima 30mm F1.4 lens was fully opened, the original 33mm F1.4 lens was slightly better than the Sima, especially the edge. The Sima 56mm F1.4 lens was basically the same as the Fuji 56mm F1.2 lens (opened to F1.4 aperture). However, the Sima lens did not have an aperture ring or additional buttons, which was not as good as the original Fuji lens. There was also a difference in price. In short, both had their own advantages and disadvantages. Which one was better depended on the user's needs, such as the lens 'operation function, price, and other considerations. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The basketball game in the third document was shot with an AF-S Nikkor 24 - 70mm f/2.8E ED VR lens. However, for shooting basketball games, a medium telephoto zoom lens was generally more suitable. For example, 70 - 200mm f/2.8 lenses were also commonly used for shooting basketball games. Such a lens could capture the player's movements, expressions, and other details from a long distance. The large aperture could ensure enough light in the indoor basketball stadium, which was dimly lit, and blur the background to highlight the main player or basketball. The zooming function made it easy to flexibly adjust the focal length according to different shooting scenes and needs. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
There were many choices of camera angles when shooting a food video. If you have a budget, you can choose the R - 24 - 70 lens of the Sony1; if you have a lower budget, you can choose the 24 - 70 lens of the Sony1; if you have a lower budget, you can choose the 24 - 70 lens of the Sigma2; if you have a lower budget, you can choose the 28 - 70 lens of the Sigma2. He could also use a macro lens, which was convenient for composition and more suitable for close-up shots of food. In addition, a macro lens like the PE 90mm, f/2.8 lens was suitable for shooting food details and close-ups, while the PE 50mm, f/1.8 lens could be used to shoot more scenes such as desks. During specific shooting, multiple shots could be arranged according to different shooting needs and scenes. For example, different shots such as washing vegetables, cutting vegetables, preparing ingredients, cooking food, eating, and so on could be set to enrich the video content. In addition, when shooting food videos, use a lens with a longer focal length (such as 50mm or above) to better capture the details of the food and achieve background blurring to highlight the main body. You can also use a telephoto lens to shoot a panoramic view. When the phone was shooting, it could use its zooming function, such as turning to the side of the table corner and zooming in to 3 times the focal length to shoot a big scene. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The following are the latest offers for some of the cameras: - The reference price of the SIGMA-20mm f/1.8EXDG ASERIAL was 4550 yuan [Shanghai](quoted by 16 merchants). - The reference price of the SIGMA-APO 800mm f/5.6EXDG HPM was 43,500 yuan [Shanghai](quoted by 18 merchants). - The price of the 851.4 was less than 5900 yuan. - It was the first 28 - 45mm F1.8 full-frame zoom lens from SIMAHA. No specific price was found. - There was a new patent describing a 45 - 90mm F1.8 full-frame lens that was estimated to be available in 1 - 2 years. There was no quote. - SIGMAR 10 - 20mm f/4.0 - 5.6 EX-ADC HPM - The price of the 24 - 70mm f/2.8 DG GN Art was 6899 - 7399 yuan. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For the Fuji X-mount, Sima developed lenses such as the 16mm F1.4 DC-GN, 30mm F1.4 DC-GN, and 56mm F1.4 DC-GN. For example, the 56mm F1.4 DC-GN lens was sealed with rubber at the bayonet. When installed on the Fuji X-series mirrorless camera, the metal material of the bayonet was sturdy and durable, and 10 electronic contacts ensured high-speed communication between the lens and the camera. When using this kind of Sima lens, you need to set the camera parameters according to the shooting needs. For example, when the Sima 17 - 50F2.8 lens is connected to the Fuji XT3 camera, you can set the camera parameters to aperture auto, USB 400, shutter 1/60s, focus mode to AF-C, turn on human eye Face Recognition, lens anti-shake, etc.(if necessary). The Sima lens might support AF-C and in-camera aberration correction functions, which could be used to improve the shooting effect. In addition, you should pay attention to the impact of the basic parameters of the lens on the shooting. For example, the nearest focusing distance of the Sima 56mm F1.4DG lens is 50cm, and the maximum magnification is 1: 7.4. Different lenses could be used for shooting different subjects according to their equivalent focal length (for example, a 56mm F1.4 ADC GN lens installed on a Fuji X-series mirrorless camera had an equivalent focal length of 84mm). For example, a 56mm F1.4 ADC GN lens was suitable for portrait shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
You can choose different shots for furniture shooting according to your needs. If you want to capture the charm of the furniture, you can use the long-range mode lens to show the integrity and charm of the furniture in the background. If you want to show the structural beauty of the furniture, it is suitable to use the mid-shot mode lens. If you want to shoot the craftsmanship of the furniture, the mid-shot or close-up mode lens is more suitable. If you want to shoot the furniture symbols that reflect the cultural characteristics of the era, the mid-shot and close-up mode lens are suitable. If you want to shoot the leather shell (such as the broken paint, the rotten wood, etc.), you need to use the close-up mode. In addition, he could choose to use a 0.5x scope to shoot the main body of the furniture with a surround lens and a push-forward lens, or he could choose to shoot with a 1x scope. If you use a camera to shoot, some Canon cameras with different focal length lenses can also be used for furniture shooting. For example, Canon's Canon 5D Mark IV with an EP 24 - 70mm f/2.8L II USM lens, Canon 5D Mark III(standalone) with an EP 24 - 105mm f/4L IS II USM lens, etc., but the specific aperture, exposure time, and focal length parameters need to be adjusted according to the actual shooting situation. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
When filming a TV series, some of the relevant parameters of the camera lens were as follows: 1. * * CCD-size **: Originally, it was mostly 1/2-inch, but now 1/3-inch has been popularized, and 1/4-inch and 1/5-inch have also been commoditized. The resolution of the camera was the main performance indicator, which determined the clarity of the image. The higher the resolution, the better the image details. A camera with a resolution of 380,000 or more was a high-resolution camera. 2. * * Horizontal resolution **: The typical resolution of a color camera is between 320 - 500 TV lines, and there are different grades such as 330 lines, 380 lines, 420 lines, 460 lines, and 500 lines. The resolution was related to the CCD-lens, and also directly related to the frequency band width of the camera circuit channel. Usually, the frequency band width of 1 MHZ was equivalent to 80 lines of resolution. The wider the frequency band, the clearer the image. 3. * * minimum illumination (sensitivity)**: refers to the sensitivity of the camera to the surrounding light. The unit is Lux. The smaller the value, the less light is needed and the more sensitive the camera is. 2 - 3 Lux is a normal illumination. 4. * * Scanning System **: There are two types of scanning systems, namely, PDA system and feast system. 5. * * Power supply for the camera **: AC 220V, 110V, 24V, and 12V or 9V for the direct current. 6. * * Signal to noise ratio **: The typical value is 46 dbm. If it is 50 dbm, the image will have a little noise. 7. * * Stream Type **: It is divided into composite stream (recording contains video and audio) and video stream (only contains video information). 8. * * Bitrate Type **: It includes fixed bitrate (code according to the set bitrate upper limit) and variable bitrate (change automatically according to the scene). Under the same video coding method, the higher the bitrate, the clearer the picture will be. However, if the bitrate is too high, the file size will increase, and the picture will not be improved. 9. * * Video frame rate **: refers to the number of video frames per second. The value range is 1/16 fps to the full frame rate (based on the camera parameters). If the frame rate is too low, the image will be stuck. 10. * * Bitrate upper limit **: The theoretical maximum bitrate of the code, which affects the image quality. Lowering this parameters can reduce the connection or transmission of the camera, and reduce the storage size of the video. 11. * * Video coding format **: H.265 (HEVP) can achieve a higher compression ratio than H.264 (AVI) at the same picture quality, reducing the usage of bandwith and storage space. If the camera supports it, it will be used first. 12. * * Wide-angle lens focal length range **: If a wide-angle lens is used, its focal length range is usually between 10 - 35mm. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Tamron 28 - 75mm f/2.8 lens could be used to shoot food on a Sony-grade camera. Although it was a large-aperture zoom lens, it had excellent macro capabilities and could handle daily food shots well. In addition, the Yongnuo 35F2.0 lens could also be used to shoot food. The 35 focal length of the lens could cover a variety of scenes, including food. It performed well in shooting food. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
If a camera was used to shoot the moon, it would start at 300mm. It was more common to use 400mm, 500mm, 600mm and other ultra-long focal lenses. You can also try shooting with a 24 - 105mm and 18 - 135mm lens, but the moon is smaller. If you used a mobile phone camera to shoot the moon, different brands and models had different zooming methods. For example, the iPhone could slide left to zoom to 15x; some mobile phones could find the Super Moon function and adjust it to 10x telephoto; and mobile phones could choose the focal length to the farthest in professional mode. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>