Zhao Mengfu's representative work, Magpie Flower in Autumn
The painting was created in 1295. It was painted on paper, 28.4 cm in length and 99.6 cm in width. It is now stored in the National Palace Museum. This painting depicted the autumn scenery of Huabuzhu Mountain and Magpie Mountain in the northeast of Jinan. The painting was clear and tranquil, with a quiet and leisurely rural flavor. The two mountains were divided into left and right in the distant landscape. The shape of the two mountains was a sharp triangle (Huabu Mountain) and a semicircle (Magpie Mountain). The contrast between hardness and softness was that Huabu Mountain was steep and strange. The middle and close-up shots showed the vast and boundless water villages, with flat plains, red trees, reeds, looming farmhouses, scattered forests, working farmers, scattered cattle and sheep, etc. The scene was filled with a tranquil atmosphere like a shepherd's song. Although it was autumn and the leaves were falling off and red and yellow, the villagers only cared about their livelihood. The painting seemed to be drawn according to the real scene. The painter controlled the composition to balance the two mountains. The structure was simple with straight lines and horizontal lines, and the rhythm of many details echoed each other in the panoramic view. There were inscriptions by Zhao Mengfu, postscripts by Yang Zai and Fan Shu Deji of the Yuan Dynasty, five inscriptions by Dong Qichang of the Ming Dynasty, and eight inscriptions by Qianlong of the Qing Dynasty. While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Color Zhao Mengfu
The Painting of Magpie Flowers in Autumn was a landscape painting on paper that Zhao Mengfu had painted for his friend Zhou Mi in the first year of Yuanzhen (1295). It was now in the collection of the National Palace Museum in Taiwan. The painting depicted the scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The painting was composed of three parts: the distant view, the middle view, and the close view. In the close-up view, there were several trees standing on the island. In the middle view, there were dense trees and deep forests, houses hidden in them, fishermen working, people walking on crutches, and cattle scattered in the distance. In the distance, there were two mountains facing each other in the distance. The distance, middle and close-up scenes blended together, and the whole picture was filled with the tranquil atmosphere of idyllic songs. The painting depicted a vast expanse of marshes and rivers, stretching from the close-up to the distant horizon. There were many trees between the two mountains of Que and Hua. There were poplar trees, young pine trees, and other trees. On the left side of the painting, goats could be seen eating in the huts. There was a light boat by the water's edge, and an old fisherman was working in the boat. It depicted the autumn scenery. This painting used the scenery on the ground as a reference, reflecting the ingenious echo of the real scene and the painting, nature and art. It was one of the representative works of the Yuan Dynasty's green landscape painting. Zhao Mengfu used his profound brush and ink skills to interpret the artistic conception of mountains and rivers, enriched the means of expression and content of literati's landscape painting, and established the overall style of Yuan Dynasty landscape painting and the elegant aesthetic style, laying the foundation for later China landscape painting. There were also many inscriptions and seals on the painting, such as the inscription of "Magpie Flower Autumn Color" by Aisin Gioro Hongli, and many seals such as "Divine Quality" and "Treasure of Qianlong Imperial View", as well as seals such as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Color, Zhao Mengfu's Evaluation
Magpie flowers in autumn, Zhao Mengfu's full picture
The Painting of Magpie Flowers in Autumn was a landscape painting on paper by Zhao Mengfu in the first year of Yuanzhen (1295). It was now in the collection of the National Palace Museum in Taiwan. This painting depicted the autumn scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The layout of the screen was composed of three parts: the long shot, the middle shot, and the close shot. In the close-up view, there were several trees on the island. In the middle view, there were dense trees and deep forests, with houses hidden in them. Fishermen could be seen working, such as poling and pulling nets. There were also people walking in the fields with crutches. In the distance, there were cattle scattered. In the distance, there were two distant peaks, Magpie Mountain and Hua Buzhu Mountain. The trees, houses, people, and mountains and rivers in the whole picture blended together, presenting a peaceful atmosphere like an idyllic song. The painting used a variety of colors to blend and render. The strokes were unrestrained and rhythmic. The composition was flat and far, and the virtual and real were born together. The work reflected the ingenious echo of the real scene and the painting, nature and art, and was one of the representative works of the Yuan Dynasty's green landscape painting. Zhao Mengfu used his profound pen and ink skills to interpret the artistic conception of the landscape, enriched the means of expression and content of the literati's landscape painting, and established the overall style of the Yuan Dynasty's landscape painting circle. It laid the foundation for later China landscape painting. There were also many inscriptions and seals on the painting, such as the inscription of "Magpie Flower Autumn Color" by Aisin Gioro Hongli, as well as many seals such as "Divine Quality","Treasure of Qianlong Imperial View","Ancient Son of Heaven","Taishang Emperor", as well as seals such as "Treasure of Jiaqing Imperial View" and "Appreciation of Xuantong". While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Text
Autumn scenery had a rich meaning, whether it was in artistic works or natural scenery. In terms of painting art, Zhao Mengfu's "Magpie Flower Autumn Painting" was one of the representative works of the Yuan Dynasty's green landscape painting. This painting depicted the scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. The picture was composed of three parts: the distant view, the middle view, and the close view. In the close-up, there were several trees standing on the island. In the middle, there were dense trees and deep forests. Houses were hidden among them. Fishermen were working, either rowing or pulling nets. There were also people walking in the fields with crutches. In the distance, cattle were scattered. In the distance, there were two mountains facing each other. In the whole picture, there were many trees scattered between the two mountains and the close-up scene. There were poplar trees, young pine trees and other trees. On the left side of the painting, several goats could be seen eating by the hut. There were a few leaves on the water's edge. The fisherman in the boat worked quietly, showing the tranquility of autumn. Some leaves fell off, some were red and yellow. The villagers were busy making a living and were unaware of the beautiful scenery. This painting reflected the ingenious echo of the real scene and the painting realm, nature and art. Zhao Mengfu interpreted the artistic conception of mountains and rivers with profound pen and ink skills, enriched the expression means and content of literati's landscape painting, established the overall style of Yuan Dynasty landscape painting and elegant aesthetic style, and laid the foundation for later generations of Chinese landscape painting. There were also many collectors 'inscriptions and seals on the painting, such as Aisin Gioro Hongli's imperial pen inscription and many imperial seals. In terms of literature, before Zhao Mengfu, there were already scholars who used paintings, poems, and other forms to express the magpie landscape. For example, Yuan Haowen wrote "Ten Poets of Jinan" to mention related paintings, Zhang Zhihan wrote a poem "Magpie Hua Misty Rain Painting," and Liu Minzhong also wrote "Magpie Hua Misty Rain." In terms of natural scenery, Magpie Mountain and Huashan Mountain in the north of Jinan City were scenic spots as early as the Tang and Song Dynasties. Li Bai, Du Fu, Zeng Gong, etc. all left poems here. Although the Xiaoqing River was destroyed by Liu Yu's excavation of the Xiaoqing River, it was still a swamp area with water in the early years of the Yuan Dynasty. It was a scenic spot in Jinan. At present, Jinan Huashan Scenic Spot also has free park activities in autumn, including dinosaur exhibition, lighting night tour, intangible cultural heritage performance, etc. There are also food, amusement, cultural creation, intangible cultural heritage, handmade works, jewelry, literary play, jewelry, floral art, light food, fashion play, cute pets and other projects for fun experience. In terms of books and works, there was also a book named "Magpie Beauty in Autumn". While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Scroll
The " Que Hua Autumn Color Scroll " was a cultural relic from the Yuan Dynasty and was currently stored in the National Palace Museum. This volume was painted by Zhao Mengfu, a painter of the Yuan Dynasty. In the first year of Yuanzhen, he carefully painted the landscape of his ancestral home for his friend after he returned from his post in Jinan Road. It depicted the autumn scenery of Huabuzhu Mountain and Magpie Mountain in the northeast of Jinan. The painting was clear and tranquil, showing a quiet and leisurely rural flavor. The composition of the work was flat and distant, with a variety of colors blending and rendering. The virtual and real were born together, the strokes were unrestrained, and there was a sense of rhythm. It was recognized as a literati style of green landscape painting in the history of painting. The two main peaks in the painting are dark blue with flowers mixed with stone green, which is the same color as the light green of Zhouzhu and the green of different shades of leaves. The slope and near the water's edge are dyed with ochre, and the roof, trunk and leaves are colored with red, yellow and ochre. Brush and ink complemented each other, adding to the interest of life. There were inscriptions and seals of many collectors on the picture. For example, Emperor Qianlong of the Qing Dynasty inscribed "Autumn Magpie" at the beginning, and added many seals such as "Shenpin" and "Qianlong Imperial Treasure". There were also seals such as "Jiaqing Imperial Treasure" and "Xuantong Appreciation". The whole picture was stamped with 57 seals of different sizes and shapes. There were 16 seals on the front of the right side of the picture, and 95 seals on the back of the left side. Among them were the authors 'inscriptions, followed by Aisin Gioro Hongli, Qian Pu, Yang Zai. Fan Zhu, Dong Qichang, and others wrote inscriptions and postscripts. While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Painting
In the painting, there was a vast swamp and river, stretching from the close-up to the horizon in the distance. In the close-up, there were several trees standing on the island. In the middle, there were dense trees and deep forests, with houses hidden in them. Fishermen were working, either rowing or pulling nets. There was also a man walking in the fields with a cane. In the distance, cattle could be seen scattered. In the distant view, two mountains were facing each other. On the right was the straight triangular Hua Buzhu Mountain with two peaks, and on the left was the Magpie Mountain shaped like a bread or the back of a buffalo. There were many trees scattered between the two mountains and the close-up view. There were poplar trees, young pine trees and other trees. On the left side of the painting, several goats could be seen eating in the huts. There were also a few light boats by the water's edge. In the boat, the fisherman was working quietly. It was autumn at that time. Some leaves had fallen off, while others were red and yellow. The villagers were only focused on their daily lives and did not notice the beautiful scenery around them. The whole scene was filled with the tranquil atmosphere of an idyllic song. The distance, middle and close-up scenes blended together, presenting a poetic paradise. While waiting for the TV series, he could also read the exciting content related to this site!
Zhao Mengfu's Flower and Bird Paintings
Zhao Mengfu's flower-and-bird paintings were relatively detailed. He proposed that " painting should have an ancient meaning " and combined it with the scholar-bureaucrat paintings that did not seek the shape of the painting. Then, he integrated it with the " natural imitation " and laid the theoretical foundation of the Yuan Dynasty literati painting. His flower and bird painting," The Painting of the Dark Bamboo and the Hoplite," was his exquisite work. The painting was neat and meticulous. It used many outlines and the style was rigorous and delicate. It had the legacy of the Southern Song Dynasty's flower and bird painting style. The colors were elegant and harmonious, and the composition was simple and bright. In the painting, the hoops were painted with fine brush strokes. The combination of hook dyeing and silk hair method was used in some parts. The color was mainly light ink, the back was covered with light ochre yellow, and the feathers of some heavy colors were dyed with flower green. The whole bird was full of feathers and full of spirit. The bamboo branches and leaves behind the bird were painted with double hooks. The strokes were dense and not messy. The strokes were exquisite and varied, showing his skill. The bamboo branches are tall and dense, and the strokes are strong and elastic. The whole painting did not have the shortcomings of the Southern Song Dynasty's flower and bird paintings, nor did it have the crude paintings of scholars since the Northern Song Dynasty. While emphasizing the importance of expression in literati paintings, it also abandoned the playful attitude of literati paintings that ignored images. He had also painted flowers and birds such as apricot flowers, sunflowers, autumn chrysanthemums, plum blossoms, mandarin ducks, swimming fish, etc., but there were very few works that were handed down. The only one that could be seen was the painting of the secluded bamboos. While waiting for the TV series, he could also read the exciting content related to this site!
What were Zhao Mengfu's representative works?
Zhao Mengfu was one of the outstanding representatives in the history of Chinese calligraphy. His calligraphy style was fresh and natural, and his brush and ink were concise and full of his own personality. His representative works include: 1. Ode to the Luo God: One of Zhao Mengfu's most famous works is the regular script Ode to the Luo God. This work used a large number of regular script techniques, the structure was rigorous, the strokes were beautiful, especially the cursive part, which reached an extremely high level. [2. Mysterious Secret Pagoda Stele]: This was an inscription written by Zhao Mengfu. It was one of the representative works of regular script. The style of this stele was rigorous, the strokes were standard, the structure was beautiful, and the momentum was vigorous. It was known as the "Master of Regular Script". 3. Tao Te Ching: Zhao Mengfu's Tao Te Ching was one of his representative works in his later years and also a classic in the history of Chinese calligraphy. This work uses a large number of cursive skills, smooth and majestic, and is one of Zhao Mengfu's representative works of calligraphy. [4]" Ode to the Red Cliff ": This is a long Fu written by Zhao Mengfu and is also a classic in the history of Chinese calligraphy. This work is mainly written in semi-cursive, bold and unrestrained, full of romantic colors. Other than that, Zhao Mengfu also had many other excellent calligraphy works such as the "Ninety percent Palace Liquan Inscription,""Before and After the Red Cliff Ode,""Wen Zhengming Calligraphy,""Linjin Xiaowu Stele," and so on. They were all treasures in the history of Chinese calligraphy.
Zhao Mengfu drinking horses in the autumn suburbs
The Painting of Drinking Horses in the Autumn Suburbs was created by Zhao Mengfu, a painter of the Yuan Dynasty. It was painted on silk and is now stored in the Palace Museum in Beijing. The painting depicted a red-robed Xi official driving a herd of horses to the riverbank to drink water in the suburbs of early autumn. In the painting, the shore was surrounded by trees. The lake was calm and there were no waves. The slope was filled with green stones and the autumn trees were red. The scenery was quiet and clear. The Wrangler was dressed in a red robe and riding on a horse. He held a whip in his hand and looked sideways at the horse that was playing. The ten horses were strong and fat. Some of them stepped into the river to drink water, while others chased, played, and cawed on the shore. They had different expressions. On the upper left corner of the painting was the signature of " Zi Ang, November of the first year of Huangqing." Zhao Mengfu was 59 years old when he painted the painting. This painting was also his representative work of the pommel horse painting. Zhao Mengfu's paintings retained a lot of ancient styles and techniques. The stories of people, pommel horses and animals continued to evolve after the Tang and Song Dynasties. Zhao Mengfu inherited this tradition. While waiting for the TV series, he could also read the exciting content related to this site!
Magpie Flower Autumn Painting Description
The Painting of Magpie Flowers in Autumn was a landscape painting on paper that Zhao Mengfu painted for his friend Zhou Mi when he returned to his hometown in Zhejiang in the first year of Yuanzhen (1295). It is now in the National Palace Museum in Taiwan. The painting depicted the scenery near Magpie Mountain and Huabuzhu Mountain in Jinan. With the actual scenery as a reference, it reflected the ingenious echo of the real scene and the painting, nature and art, and was one of the representative works of the Yuan Dynasty green landscape painting. The layout of the screen was composed of three parts: the long shot, the middle shot, and the close shot. In the close-up, there were several trees standing on the island. In the middle, there were dense trees and deep forests. Houses were hidden among them. Fishermen were working, such as poling and pulling nets. There were also people walking in the fields with crutches. In the distance, they could see scattered cattle. In the distance, there were two mountains facing each other. The distance, middle and close-up blended together. The whole picture was filled with the tranquil atmosphere of idyllic songs. In this painting, the author used his profound pen and ink skills to interpret the artistic conception of mountains and rivers, enriched the expression means and content of literati's landscape painting, and initially established the overall style of Yuan Dynasty landscape painting and elegant aesthetic style, laying the foundation for later China landscape painting. The painting was clear and beautiful, presenting a poetic paradise. While waiting for the TV series, he could also read the exciting content related to this site!