Zhou Huijun wrote a thousand characters in regular script
Zhou Huijun's running-regular script, Thousand-Character Script, had many characteristics. His works followed the aesthetic law of "knowing the white and guarding the black" in terms of technique. The lines were natural and simple, impermanent, strong and powerful, full of changes, and the white outline was very beautiful. The writing style was flexible and three-dimensional. Although the direction of the pen was randomly cut, resulting in different tilting angles, the center of gravity was stable and balanced. Zhou Huijun had a deep foundation in calligraphy. She had learned Ouyang Xun, Chu Suiliang, Yan Zhenqing, etc. in regular script. She started with the four schools of Song Dynasty and traced back to the two kings. She was also guided by famous teachers. She had also studied the Han steles of the Northern Wei Dynasty, combining the elegance of Tang Kai and the momentum of the Northern Stele. A large number of cursive inscriptions made her cursive works mature day by day. Her running script, Thousand Character Script, had the same style as Zhi Yong and Mi Fu. For beginners, Thousand-Character Script was a good practice font. Zhou Huijun's Thousand-Character Script could be used as an introductory note (although it was difficult and required guidance). It could also be used as a reference for further study and help to distinguish the Jianghu style (Jianghu style basically had no concept of cloth and white, which was in stark contrast to Zhou Huijun's calligraphy). The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Appreciation of Zhou Huijun's Running Script
Zhou Huijun's semi-cursive script had a unique artistic charm. His strokes were vigorous and beautiful, and his strokes were agile and unrestrained. The overall style was fresh and refined, natural and smooth. He started, ran, and finished his writing perfectly. She combined the dignified atmosphere of regular script with the elegant agility of running script in an innovative form, presenting a unique beauty. Her semi-cursive script had the rhythm of Yan Zhenqing and Mi Fu. Her calligraphy works included well-known ancient prose and poems of the past dynasties, which could be copied and used for reference in calligraphy creation. For example, Zhou Huijun's Running Script-Lu Xun's Poetry Selection is elegant and upright, and the pen is vigorous and free. Zhou Huijun's semi-cursive script reflected her profound calligraphy skills. She had a high attainments in semi-cursive writing, which was worth pondering and understanding from many aspects such as the rules. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun Inscription
Zhou Huijun had written many school names, such as "Shanghai City Chongming Middle School","Shanghai City Bilingualism School", and so on. She also wrote inscriptions on horizontal boards. Her inscriptions had a unique style. Her handwriting was carefree, capable, and powerful, showing a strong feeling. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun Lu Xun
Zhou Huijun wrote the semi-cursive copybook "Lu Xun's Poetry Selection." She only used two months to complete the writing of the copybook. Due to its beautiful running script, elegant handwriting, and strong and free style, it was loved by many literati. The copybook was printed in more than ten versions, with a total print of more than one million copies. Lu Xun was a famous writer, ideologist, revolutionary, educational, and democratic fighter. He was an important participant in the New Culture Movement and one of the founders of modern China literature. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy
Zhou Huijun is good at regular script, especially good at cursive. His regular script learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools, and went up to the North Stele; His cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". Her cursive strokes were bright, vigorous, vigorous, and wonderful; her seal script had the interest of cursive strokes, vigorous, bold, and elegant. The style of the book was bold and unconstrained, and the words revealed a stubborn aura. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
What are the first and second regular script and running script in the world? Who wrote it?
The best regular script in the world was written by Ouyang Xun, a calligrapher of the Tang Dynasty. It was called the "Ninety percent Palace of Liquan Inscription". The world's best semi-cursive script was written by Wang Xizhi, a calligrapher of the Song Dynasty. It was called the Preface to Lanting Collection. However, these rankings were not absolute because the charm of calligraphy could not be measured by rankings. Different calligraphy styles had their own unique charm. Everyone could choose a calligraphy work that suited them according to their own preferences and aesthetics.
Zhou Huijun's Calligraphy Couplet
Zhou Huijun's calligraphy style was unique, and her couplets had many characteristics. She combined the inscriptions to form a bold, old, and dangerous style. It had the bold and free style of Mi Fu's running script, but it did not lose the delicate and gentle beauty of women. She used rationality to interpret the beauty of the lines of calligraphy art, making her work more bold and masculine. In terms of visual impact, it gave people a bold and unrestrained artistic enjoyment. His calligraphy style could also be summarized as follows: - Vigorous, smooth and bright: The strokes were like a horse in the wind, dripping with joy. The strokes were clean and vigorous, with the taste of Mi Fu's "brush". The visual impact and appeal were strong, and there was majestic momentum and power. - The style is rigorous and changeable: the two kings of the clan combined the upright state of Song Mi Fu, and drew lessons from the interest of the style in the epitaph of Wei in the North Stele. The characters are both restrained and calm, but also ups and downs, vigorous and comfortable, full of vitality and movement. - Natural composition and vivid charm: good at flexibly arranging the relationship between words and lines according to the content and form of the work, so that the whole work is vivid and integrated, presenting a harmonious and unified beauty. - Profound artistic conception and rich emotions: Pay attention to the creation of artistic conception and the integration of emotional expression and perception. Each piece of work is full of profound cultural content and emotional color, which can touch people's hearts and make people think deeply. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Collection of Inscriptions
Zhou Huijun had written the names of the schools, such as " Shanghai City Chongming Middle School " and " Shanghai City Xiehe Bilational School ". There were also inscriptions on the horizontal boards. However, Zhou Huijun's collection of inscriptions was not fully presented in the reference materials at present. Only this part of the inscription content was mentioned. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
Zhou Huijun's Calligraphy Collection
Zhou Huijun's main calligraphy works include "Cursive Li Bai Looking at Lushan Waterfall","Cursive Seven-character Couplet","Cursive Seven-character Couplet Liu Mengde Sentence","Official Script Doufang Wei Zheng Sentence","Cursive Script Doufang Li Shizhuo Couplet","Cursive Script 136×34cm","Cursive Script Axis Yue Fei Manjiang Red","Da Zhuan Mirror Heart 65×135cm","Cursive Script Huang Tingjian Spring Nearly Four Quatrains","Cursive Script Liu Yuxi's Shabby Room Inscription","Northern Song Su Shi's Niannu Jiao·Red Cliff Reminiscence","Cursive Script Song Dynasty Xin Qiji's Green Jade Case" Meng Haoran of the Tang Dynasty gave the Dongting Lake to the Prime Minister Zhang,"Running Script Yang Shen Linjiang Xian","Running Script Wang Wan Ci Beigu Mountain","Running Script Poor Lu","Running Script Lu You of the Song Dynasty Reading in Winter Night to Show His Son","Official Script Fan Zhongyan Yueyang Tower Record","Running Script Chairman Mao Qinyuan Spring Changsha","Running Script Chairman Mao Niannujiao Bird Question and Answer","Cursive Script Liu Yuxi Autumn Poetry","Hard Pen Running Script Heart Sutra","Regular Script Student Ancient Poetry Excerpt","Regular Script Thousand Character Excerpt"," Regular Script Bai Juyi Everlasting Regret Song Excerpt" Cursive Prajna Paramita Heart Sutra, Cursive Prajna Paramita Heart Sutra, Cursive Prajna Nameless Poem, Cursive Prajna Xiaolou Earth Five-Character Couplet, Cursive Dragon and Phoenix, Cursive Prajna Leixuan, Cursive Prajna Tranquility Zhiyuan, Cursive Prajna Indifference Mingzhi Tranquility Zhiyuan, Cursive Prajna Changing Temperament Cultivating Spirit, Cursive Prajna Words from the Biography of Yi, Cursive Prajna Pengcheng Wanli, Cursive Prajna Two Ancient Poems on the Fan Face, Cursive Prajna Ming Zecheng Banner, Cursive Prajna Xin Qiji Qinyuan Spring Lake New Residence Will Become a Four-pronged Axis, Cursive Prajna Qiu He"Running Script Five Character Couplet of the Desert River,""Running Script Hanmo Fate Banner,""Running Script Heavenly Reward for Diligence,""Running Script Erudite and Devoted Banner,""Seal Script Wei Weiyu,""Official Script Du Fu Drinking the Eight Immortals Song,""Regular Script Su Shi's Water Tune Song,""Running Grass Red Cliff Fu Overall View,""Seal Script Auspicious Ruyi,""Running Script Li Bai's Poetry to Send Friends,""Running Script Modest and Cautious,""Running Script Longevity,""Cursive Script Du Fu Watching the Mountain,""Running Script Dragon,"" Cursive Script Encountering Old Friends,"" Running Script Silence,"" Running Script If You're Well," It is sunny day horizontal,"" regular script Jingsi Garden Record,"" regular script Jingsi Garden Fu,"and so on. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
How is Zhou Huijun doing recently?
Zhou Huijun passed away at home on December 27,2021. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
The famous calligrapher, Mr. Zhou Huijun
Zhou Huijun (December 6, 1939-December 27, 2021) was from Zhenhai, Zhejiang Province. She had held many important positions, such as the vice chairman of the China Calligraphy Association, the fourth and fifth chairman of the Shanghai City Calligraphy Association, etc. She was a national first-class artist and enjoyed special government subsidies issued by the State Council. Zhou Huijun was the only female winner of the Lifetime Achievement Award for calligraphy. Netizens called her the 'ceiling' of contemporary female calligraphers. She started learning calligraphy early. She once worshipped famous masters such as Shen Yinmo and Weng Kaiyun as her teachers. She was selected for the first calligraphy exhibition in Shanghai with Lin Mi Fu's Shu Su Tie. His calligraphy was based on the strokes of the two kings, and he also absorbed the strokes of Bei Bei, Yan Zhenqing, Liu Gongquan, the Four Schools of Song, as well as official script and seal script. He was extremely versatile. In 1974, her "Running Script Calligraphy: Lu Xun's Poetry Selection" was published. Once it was listed, it sold out and soon sold more than one million copies. Her cursive calligraphy was dark and thick, and the strokes were natural. The contrast between the thickness and thickness was obvious. It combined the elegant beauty of the calligraphy style of the "Two Wangs" and the grace and generosity of Yan Liu's calligraphy style. When she wrote, she could express her own personality. She was influenced by the "Shanghai-style Calligraphy" and learned from the "Tiexue" and paid attention to the combination of square and round. The regular script absorbed the meaning of the regular script and official script of the Northern Stele. The strokes were clear and smooth, and the style of gold and stone was full. She combined the "square pen" of the Northern Stele and the "round pen" in the center of the Tiexue to form the "Zhou Style" regular script. The horizontal painting and the pressing painting contained the meaning of official script, which was more simple and unsophisticated. His regular script learned from Ouyang Xun, Yan Zhenqing, Chu Suiliang and other schools and went up to the North Stele. The cursive script started from the four schools of Song Dynasty and traced back to the "Two Kings". The style of writing was vigorous, smooth and bright, with its own style. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!