What lens is good for shooting cars?
The following lenses were more useful for shooting cars: - ** Wide-angle lens **: The focal length is generally 24 - 38mm, and the angle of view is 60 - 84°. For example, Canon's 24 - 105mm/f4 zoom lens and 35mm/f1.4 fixed-focus lens. Its advantage was that it had a wide field of vision and could produce the effect of having a large and small perspective. It could accommodate many subjects and backgrounds, making the overall effect more imposing. It could easily show the appearance of the vehicle. The background elements could set off the subject and render the vehicle itself. It was also suitable for shooting the interior parts. There might be some distortions when shooting the car with a wide-angle lens, but it could be easily corrected later. - ** Telephoto lens **: It is an indispensable equipment in sports photography (shooting cars). For example, the 70 - 200mm zoom lens can shoot a variety of compositions. The 200mm focal length can shoot car details, and the 70mm focal length can shoot a wider scene. The 55 - 200mm lens is also a good choice. - ** Ultra-wide-angle lens **: For example, NiSi's 15mmF4 ultra-wide-angle lens is small in size and has a comfortable focus resistance. Whether it's a top focus or a manual focus, the overall weight will not be too heavy. The closest focus distance is close, and it may have a pleasant surprise when shooting details in the car. It also has better control over ghostly glare. Read more exciting novels for free
Taobao clothing shooting lens is good
Nikon's Nikkor Z70 - 200mm f/2.8 VR S lens was a good choice for Taobao clothing shooting. It could provide excellent image rendering under the aperture of f/2.8, and the image quality was high. It was suitable for commercial shooting such as Taobao clothing shooting, and could become a better productivity tool. In addition, the ESF50mm f/1.8ATM lens can also be used for Taobao clothing shooting. You can choose the appropriate lens according to different shooting needs (such as shooting full body, half body, close-up, etc.). <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens is good for jewelry shooting?
For macro photography, you can use special macro lenses, such as the ESF-M28mm f/3.5 Macro IS ATM, ESF-S35mm f/2.8 Macro IS ATM, etc., to clearly show the details of the jewelry. If you use a camera + standard zoom lens combination, you can also shoot jewelry. If the subject is very small, you can try a macro lens. In addition, when taking pictures of jewelry with a mobile phone, some phones (such as the Vivo X50 pro) had a super macro lens function to choose from. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What lens is good for shooting jewelry and gold?
The macro lens was more suitable for cameras to shoot jewelry and gold, such as the EF100mm f/2.8L Macro IS USM or the RF100mm f/2.8L Macro IS USM. The macro lens could capture the details of the jewelry well and highlight the creativity of the designer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon 80D, what lens is good for shooting videos?
The following lenses are suitable for Canon 80D video shooting: 1. ** ESF-S 18 - 55mm lens **: suitable for shooting scenery and portraits. It was a zoom lens that covered wide-angle to standard focal lengths. The 18mm wide-angle end was enough for shooting general scenery, and the 55mm telephoto end could be used to shoot portraits or even close-up tiny objects such as macro flowers, but the aperture would be reduced to f/5.6. 2. ** ESF-S 10 - 18mm f/4.5 - 5.6 IS STM-lens **: It was customized for APS-C single-lens reflex cameras. The 35mm equivalent focal length was 16 - 29mm, which belonged to the category of ultra-wide angle. It used 11 sets of 14 optical structures, including aspheric, KD and other high-specifications lenses, and was equipped with IS anti-shake system, which could provide anti-shake function of about 4 shutter levels. It could shoot the subject at close range, suitable for capturing cultural subjects. 3. ** Tenglong AF10 - 24mm F/3.5 - 4.5 DiII super wide-angle lens **: equivalent to 15 - 36 focal length, focusing distance of 24mm, with a certain macro shooting ability, can be used as a replacement for 18 - 55mm camera lens. 4. ** SIMAHA 18 - 300mm f/3.5 - 6.3 DC-OS HSM Macro lens **: It belongs to the Contemporary (C-series). It has a small positioning, strong mobility, and is light to carry. Four FLD fluorite lenses and one SLD special low-dispersion lens were used to correct the aberrations at the far end of the telescope. 5. ** Lenses with autofocus **: Canon 80D full-resolution dual-core LCD technology has a wide focusing range. It can detect the difference in the image and autofocus about 80% of the image. Therefore, the lens with autofocus function can automatically focus when recording videos. 6. ** ESF-S 18 - 135mm f/3.5 - 5.6 IS USM lens (newly released version with a base with electric zoom) or ESF-S 18 - 135mm f/3.5 - 5.6 IS SIM lens **: It can meet the needs of daily travel and portrait photography. 7. ** ESF-S 18 - 200mm f/3.5 - 5.6 IS lens **: It can meet the needs of daily travel and portrait shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Which camera lens is good for shooting wedding videos?
If the main shooting of the wedding video was limited to two shots, the Tenglong 35 - 150 and 17 - 28 would be enough. The 35 - 150 could be used to hang the camera. Its large aperture of F2 - 2.8 and rich focal length of 35 mm to 150 mm allowed the wide-angle end to show the environment, the telephoto end to highlight the portrait, and the 17 - 28 to make up for the wide-angle. If they were to focus on video shooting, Tenglong 17 - 28 and 28 - 75 were also good choices. The two lenses had a constant F/2.8 aperture, so even if the room was not well lit, they could still get a pure picture. The small size and light weight could be used with a stabiliser. The 17 - 28 lens was suitable for showing a panoramic view of the environment. With the 28 - 75 lens for close-up and close-up, the telephoto end could reach 110mm through half-frame trimming. For outdoor scenes, 17 - 50F/4 with a 70 - 180F/2.8 was better. The closest focusing distance of the 70 focal length was only 0.3 meters. It was also handy when shooting close-ups of some products or brand logos. If he wanted to take both video and photos, the Tenglong Grand Three Yuan was a better choice. With its constant F/2.8 aperture and 17 - 180mm focal length coverage, he could handle any activity with ease. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
What kind of lens is good for shooting fireworks in ZhuHai?
When shooting fireworks in ZhuHai, different shots had different effects. If you want a richer background, you can choose a long focal length lens; if you want to shoot a full and "crowded" feeling, you can use a lens that can zoom in. For example, in some shooting examples, he used Canon EF17 - 40mm f/4L USM, Tamron SP AF28 - 75mm f/2.8XR Di LD Astral (IF), MCSTAR (A09) Canon mount lenses. In addition, if you were to shoot fireworks in the Changlong Ocean Kingdom in ZhuHai, you would need to set the lens to manual focus and a tripod to shoot at around 50 - 100, F8 - F11 aperture, 4 - 5 seconds shutter speed. There was no specific lens mentioned here, but it could also be used as a reference for lens settings when shooting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Canon lens shooting parameters
The common shooting parameters of Canon lenses were as follows: - ** Shot Type **: - "EP: Can be used with Canon's Canon's Canon 'Canon's Canon' Canon - ESF-S: Canon's APS-C frame single-lens reflex lens. It can't be directly installed on a full-frame single-lens reflex. It can be used on the eos-M series micro-lens and eos-R full-frame micro-lens through the transfer ring. - "ESF-M: Canon's Eos M series micro-lens. It cannot be used on other Canon cameras. - <<PR>: Canon's Eos R series full-frame micro-lens. It cannot be used on other Canon cameras. There were also MP-E (specialized for macro photography) and TS-E (electronic controlled shift lens), two special products. - ** focal length of lens **: A small number means a wide angle of view, and a large number means a good telescope. The focal length in the lens model is the physical focal length. For non-full frame cameras, you may need to consider the equivalent factor conversion according to the camera model. - ** Maximum Aperture **: For a zoom lens, if it is in the form of "f/2.8", it means that it is a constant aperture lens, and the entire focal length range can be set to this aperture; if it is similar to "f/3.5 - 5.6", it is a floating aperture lens, and its maximum aperture changes over the entire focal length range. - ** Lenses Grade **: L (Luxury) means Canon's high-end lenses, which are red circle lenses. These lenses usually have a red decorative ring at the front. - ** Image Stabilizer **: The IS (Image Stabilizer) logo indicates that the lens is equipped with Canon's unique image stabilizer, which can offset the image blurring caused by hand shaking within a certain range. It is commonly used in Canon's high-end professional lenses. - ** Focus motor **: - USM (Ultra-Sonic Motor): The lens using USM technology can achieve silent and fast-response autofocus. It is divided into three types: micro, ring, and NANO. - <strong></strong> - ** Other Marks **: - AL: It means that aspheric lenses are used in the lens design, which can reduce the number of lenses, reduce weight and volume, and provide better optical performance. It is used to solve the problems of glare and edge distortion in wide-angle and zoom lenses. It can also improve the optical quality of telephoto lenses. - DO: Lenses marked with this logo are equipped with multi-layer reflective lenses, which have the characteristics of fluorite and aspheric lenses. They are generally high-end lenses. - EMD: It means that the lens can open and close the aperture by electronic control. - Float: When the lens is used for close-up shooting, the lens will compensate for the aberrations at close range to obtain better image quality. - XP: The lens with this logo is a high-end professional lens. It has a focus presetting function that allows the lens to remember a certain focus distance. After setting it, it can automatically return to the set focus distance. It is also effective in manual focus mode. - FT - M: A lens with full-time manual function. You can manually adjust the focus of the lens in autofocus mode. - S-KD: It means that the lens uses S-KD glass lenses, and its optical performance is close to that of fluorite. The effect of an S-KD lens is equivalent to that of a fluorite lens. - KD: It means that the lens is made of KD glass lenses. The effect of two KD lenses is equivalent to that of a fluorite lens. - <MACRO>: This means that the lens has a strong close-up ability. - [DPS: A coating technology that optimized bokeh.] <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The best shooting distance of the lens
The best shooting distance of the lens was affected by many factors, and it was difficult to give a fixed value. In terms of focal length, lenses with different focal lengths had different characteristics. For example, in portrait photography, the distance from the whole body to the close-up shot with an 85mm focal length was about 1.5 to 5 meters. The 35mm-85mm focal length commonly used for portraits was not only close to the human eye, but also the shooting distance. The closest focusing distance of different lenses refers to the straight-line distance from the focal plane of the object to the focal plane of the image. The closest focusing distance of different lenses is different. Generally, the longer the focal length of the lens, the longer the closest focusing distance; the shorter the focal length of the lens, the shorter the closest focusing distance. However, this rule does not apply to macro lenses. The closest focusing distance is usually marked on the lens. There was no maximum focusing distance. The " infinity " on the lens indicated infinite focusing. When the focal length of the lens did not change, the shooting distance determined the size of the scene. It could be divided into long-range, panoramic, mid-range, close-up, and close-up. Close-up shooting was close, the subject was large, and the scope of the scene was small; long-distance shooting was far, the subject was small, and the scope of the scene was large. In surveillance cameras, the focal distance of a 2.1mm lens was 3 meters, and the focal distance of a 25mm lens was 80 meters. The larger the lens, the farther it looked, but the smaller the angle. Its effective range changed according to the size of the lens, generally within 100 meters, and its range was also variable when the lens was variable. The magnifying factor of the lens was approximately equal to the ratio of focal length to object distance. As the focal length increased, the magnifying factor increased, allowing the close-up view to be zoomed out and the details in the distant view to be clearer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry shooting lens recommendation
In jewelry shooting, macro lenses were recommended. For example, Canon's EF100mm f/2.8L MCROIS USM or RF100mm f/2.8L MCROIS USM. Nikon and other brands also had similar macro lenses to choose from. The macro lens could capture the details of the accessory well and highlight the creativity of the designer. In addition, you can also use a conventional lens with a close-up lens to shoot. For example, a NiSi close-up lens with a 70 - 200mm and 24 - 105mm lens can also achieve a shooting effect close to a macro lens to a certain extent. At the same time, like the 60-million-pel portrait focus dual camera configuration on the front of the Huawei nova 13 Pro, it could be used perfectly from 0.7x to 5x zoom. It could also be used for close-up shooting of accessories, and some mobile phone lenses could also achieve good results when shooting accessories, especially for some jewelry shooting scenes that were not particularly demanding or needed to be quickly shot. The mobile phone lens could provide a convenient way to shoot. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Shooting star camera lens
For star photography, the 14 - 24mm f/2.8G ED lens was the standard for architectural photographers, landscape photographers, and starry sky photographers. Its large aperture (f/2.8) helped to increase the amount of light entering in low-light environments (such as shooting stars), and the 14mm super wide angle could capture a wider view of the stars. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>