Real-life teaching, digital photography, lighting techniques
Here are some lighting techniques for digital photography: * * 1. The use of light of different natures ** 1. * * Direct Light ** - In clear and unobstructed weather, direct sunlight will produce a bright light surface and an obvious shadow surface. The contrast between the light and the non-light surface is obvious, which can produce a three-dimensional effect. When the sun was blocked by thin clouds but still spread through the white clouds, the contrast of the lighting was reduced, making it suitable for portrait photography. 2. * * Scattered Light ** - On a cloudy day, the sun is blocked by clouds and then reflected or shone through the intermediate medium to the subject to produce scattered light. The light and shadow were not obvious, the contrast between light and dark was weak, the light and shadow changes were soft, the image lines and tone were soft, and the effect was dull and soft. * * 2. The characteristics and application of light from different directions ** 1. * * Shun Guang ** - From behind the camera to the front of the subject. Most of the subjects were directly exposed to the light. The shadow area was small, the tone was clear, and the contrast between light and dark was weak. The three-dimensional effect of the subject mainly relied on its own ups and downs, which was relatively weak. The color reproduction was relatively high under normal light. 2. * * Front Light ** - From the left or right back of the camera, the camera is cast at the subject. Most of the light produced a bright surface, bright tone, and small shadow area. It could show the light and dark distribution and three-dimensional form of the object, which could retain the bright tone and show the three-dimensional form. It was a common light in photography. 3. * * Side Light ** - From the left or right side of the camera. It would make half of the subject receive light and the other half be in the shadow, which was beneficial to the performance of the subject's undulating state. The shadow area would increase, and the picture would be mixed with light and dark, giving a better three-dimensional performance. 4. * * Side Backlight ** - From the front left or right of the camera. It causes the object to produce a small part of the light and most of the shadow. The shadow tone is darker, and the three-dimensional effect produced is better than the smooth light but still weaker. It can be used to create a special atmosphere. 5. * * Backlight ** - It was shot from the back of the subject and straight into the camera. Most of the subjects were in the shadows. The light was relatively weak, and the three-dimensional effect was weak. The shadow tone was gloomy, but it could be used to sketch the silhouette and outline of the object, emphasizing the texture and shape of the object. It would create a strong contrast when used in clear weather. 6. * * Top Light ** - The light came from above the subject, like the sun in the middle of the day. When used for portrait photography, the nose, eye sockets, jaw, and other parts of the human face would form a thick black shadow. 7. * * Underglow ** - The light source was located below the subject. * * 3. Other Light-related Skills ** 1. * * Automatic filling flash ** - The sensor of a digital camera had a smaller exposure tolerance than film, so it was important to control the light ratio when shooting. The auto-fill flash could reduce the light ratio. The camera automatically calculated the output of the internal or external flash to match the natural light, making the photo natural. Most DSLR systems had multiple modes to adjust the flash output and natural light ratio. 2. * * Softening the light ** - Different light qualities were chosen according to the subject. Hard texture and high contrast light were not suitable for imperfect models. Soft light was commonly used in portrait photography to make the subject look soft and moving. 3. * * Using white satin cloth ** - It was commonly used in portrait photography under natural light. It can be used as a reflective plate to reflect light to the dark part of the subject. It can also be used as a soft light plate to block the strong light from directly illuminating the subject. It can also be used to pull away the light source to obtain a similar soft focus effect. It can soften the light arrangement. Different lengths of white neon cloth have different usages. After using it for a long time, it will turn yellow and need to be replaced. 4. * * Use of Reflecting Plate ** - Foldable reflective panels were a good choice. The white side had a soft reflective effect, the gold side created the sunset effect, the silver side had a stronger reflective effect than the white side, and when the light was strong, the silver side was close to the subject to reflect the light to get the same effect as the flash. 5. * * Dealing with Lust Deviation ** - When using a soft umbrella or a reflective board to reflect light, it will bring its own color into the reflected light. Reflective flash will also cause color temperature deviation. The surrounding environment such as brown or green ceiling and walls will change the color temperature of the white incident light, affecting the photo effect. 6. * * The use of main light, auxiliary light, side backlighting, and background lights (portrait photography)** - With the canvas as the background, turn on a light as the main light to illuminate the character; add an auxiliary light when the dark part is too dark to show the details of the dark part; add a light in the side reverse position to enhance the sense of volume of the character; add a background light when the background is too dark to increase the sense of volume of the space. Read more exciting novels for free
What are the lighting techniques for studio photography?
The lighting techniques for studio photography were as follows: 1. ** Single Light Source **: Use only one light source to shoot, emphasizing the outline and structure of the subject. It can present a strong contrast between light and shadow, and has a strong visual impact. 2. ** Three-point lighting **: This is a commonly used lighting method. Through the combination of the main light source, auxiliary light source, and background light, the subject is more three-dimensional and the background is richer. It is suitable for most studio photography scenes. 3. ** Ring Light **: Use a ring light to shoot. The light is evenly surrounded by the subject, presenting a soft light effect. It is suitable for shooting portraits, makeup, and other scenes with rich details. When shooting with Rembrandt light effects, the shadow side of the subject's face could be faced to the camera, and the light could illuminate three-quarters of the face. The color reproduction of forward light was more realistic than side light. The front light was at a 45-degree angle to the character when shooting. In addition, different lights would have different effects on the shooting. For example, the main light was the preferred light that determined the lighting pattern of the subject. The main light of the modern studio was usually emitted by the soft light box. The light emitted by the soft light box was more uniform and easy to control. The auxiliary light was used to supplement the shadow. The light ratio of the auxiliary light and the main light could be adjusted by the illumination distance or output power. The background light was used to brighten the background, which could make the picture have a sense of space. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lighting for makeup photography
There were many ways to set up light in cosmetic photography: - ** Use natural light and auxiliary tools to light up **: The main light can be used to soften the bottle cap with a shadowless cover or create a bright effect. In the dark, without the use of a reflective board, the cosmetic picture can be shot with a more layered feeling. Pay attention to the position of the camera. For example, let the bottom of the bottle show a circular arc, and the camera lens is at the bottle cap to better show the shape of the bottle. - ** Multi-light combination and lighting arrangement **: - ** Lighting of specific products **: For example, when shooting cosmetics such as white plastic bottles and white painted aluminum tubes, in order to reduce the reflection and maintain the texture, soft light can be created by increasing the area of the light source and the distance between the light body and the diffusing layer. The methods to obtain soft light were to use tracing paper to shine, to use white fog to reflect light, to use shadowless cover, and to use tracing paper to shine light, and to maintain a considerable distance to achieve the required flexibility. After that, he adjusted the position of the light to make the product white and soft with obvious shadows. Next, light the bottom of the bottom plate with blue light. The intensity should make the shadow light blue but not too bright. Then, use the third light to apply the principle of reflective light. Put a light blue light paper on the light and hit it on the reflective plate to form a light blue to dilute the dark part of the product. The strength of each light is judged by the eyes. The blue light around and below cannot be stronger than the main light. In order to maintain the white impression of the product, it can be overexposed by about half a square. - ** Eye shadow tray lighting **: Take the Kazilan eye shadow tray as an example, you can use a flash plus a standard mask and a soft light screen to brighten the entire background; a flash plus a 30-degree beehive to brighten the eye shadow tray at the 2 o'clock direction of the camera; a flash plus a strip-shaped soft light box and soft light screen at the 11 o'clock direction of the camera to illuminate the side of the product to outline the structure of the right edge of the product and highlight the details of the dark side of the box; A white reflective cardboard was placed at the 1 o'clock position of the camera. It reflected the light from other flashes to illuminate the dark mirror area on the mirror. - ** Universal lighting settings (for reference only)**: If you use a Canon 6D camera and a 100mm 2.8 lens to shoot creative cosmetics scenes, you can use three SK400W, two radars, one standard mask, and two 145*250 soft screens. With the cube props, the setting parameters are: aperture: f13, shutter: 1/100, USB: 100, focal length: 100mm, white balance: 5200K, but when the lighting environment and light output are different, you should not completely copy the parameters. You should learn the lighting method and ideas. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Model photography lighting
The following are some common lighting methods for model photography: 1. Butterfly Light (Paramount Light): - [Effect: It can achieve the effect of slimming the face. There will be a butterfly-shaped symmetrical shadow under the nose, which is a relatively beautiful and likable light.] - Light position setting: Place the light source above the model and point it at the model's cheeks, creating a dramatic shadow under the nose and chin. 2. Ring Light: - [Effect: The light effect created can be flat or narrow.] - Light position arrangement: Starting from the position of the butterfly light, the position of the light should be high enough to cast a perfect arc shadow under the cheekbone. Then, the light source should be moved slightly to the right or left to change the position of the light source until the shadow appears on the other side of the nose, forming a ring. 3. ** Rembrandt Light (Triangular Light)**: - [Effect: The transition is natural and smooth. The most important feature is the "triangle on the cheek." The picture looks both dramatic and natural.] - Light position arrangement: push the light slightly forward to the right or left of the ring light setting, and point the light at a steeper angle. When shooting, the shadow side of the subject's face is facing the camera. Use a light source and a reflective light source, or two separate light sources, to form a triangular light spot on the front part of the face (the projection of the brow bone and nose bridge, and the dark area of the cheekbone). 4. Split Light (Side Light): - [Effect: Easy to achieve indoors. It is suitable for creating a mysterious atmosphere. The scene will show a strong drama, showing the character's personality and temperament.] - Light position arrangement: The main light only illuminated half of the subject's face (the side of the subject, left in the shadows). 5. ** Edge Light **: - Effect: It is very suitable for separating the subject from the background and accentuating the outline. - Light position: Place a light source behind the subject and tilt it toward the back of the head. This auxiliary light source should be stronger than the main light source from the front to get more drama. 6. ** Revealing Light **: - [Effect: Prominent model's wide face.] - Light positioning: Turn the side that receives the light to the camera, or place the light source on the right or left side of the subject and tilt it towards her, and let the model move away from the light source and face the camera. 7. ** Skinny Light **: - [Effect: Makes the face look sharp and has a more three-dimensional feel.] - Light position arrangement: It was the opposite of the wide-light. After the wide-light photo was completed, the light source could be moved to the other side of the model. The model could also turn her body to the side of the light source and push the wide side of the face into the shadow. 8. ** Silhouette Light **: - [Effect: It is suitable for models who ignore the appearance of the model and pursue the outline of the body. It is suitable for models with three-dimensional facial features.] - Shooting method: Let the light part be exposed normally, and the natural dark part be exposed to black. 9. Backlight: - [Effect: It can create a hazy feeling. It is more effective for women.] - [Shooting requirements: It needs to be used with a reflective board, otherwise it will look like a silhouette shot.] 10. Narrow Light: - [Effect: The light can only be displayed at the edge of the model's face. When used with a reflective board, it can reflect a sense of mystery and concentration.] - Light position arrangement: The light position is behind the model. 11. [Contour Light]: - [Effect: Create a solemn and mysterious feeling, highlight the model's focused eyes, suitable for models with three-dimensional facial features.] - Light position arrangement: You can use it as a character's decorative light and place it behind the subject to make the hair have a high level of light, so that the face has a very good outline. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Jewelry photography lighting
There were many ways to set up lighting for jewelry photography. The following were the common ones: ** 1. Single lamp lighting method ** - Usually, the camera was shot from a side angle. This angle was more suitable for shooting jewelry such as diamonds, because the side angle did not have to worry about the camera lens creating shadows. A single lamp could make the light and shadow more three-dimensional and more penetrative. ** 2. Double Light Illumination Method ** - It was shot with two sheets of paper and two lights. When shooting, pay attention to adjusting the angle and distance of the lights to control the change of light and shadow on the surface of the product, so as to achieve the desired effect. Moreover, he had to pay attention to the light ratio between the two lights and make sure that the primary and secondary lights were clear. ** Three-lamp lighting method (Surrounding lighting method)** - The product was completely surrounded from three angles, leaving only the position of the camera to enter the light. Then, the light distribution was adjusted in three directions around the camera to capture the desired effect. The main light, auxiliary light, and outline light would change according to the subject of the shoot. This method was more friendly to newbies. There were different considerations for the lighting of different materials: - ** Diffuse reflective material **: For example, ancient gold, ancient silver, ivory, rhinoceros horn and other decorative ornaments. The material feature is that the light projected on the rough surface will be reflected in all directions. A beam of light will hit the product and reflect aimlessly. This kind of material was relatively easy to shoot, as long as the product was bright. - ** Fully reflective material **: Mainly made of pure gold, platinum, gold, platinum, silver, alloy, other synthetic metals, and other rare metals. The reflective surface is smooth, and the light is reflected in parallel. When a beam of light shines on the product, the light will produce a directional reflection characteristic according to the principle that the angle of incidence is equal to the angle of reflection. - ** Refraction material **: Most of them are gemstones, such as diamonds, red sapphires, emeralds, jadeites, corals, pearls, amber and other natural rare species. Tourmaline, turquoise, amethyst, agate, lapis lazuli and other semi-precious stones. When light slanted from one transparent medium into another, the direction of transmission would generally change. When a beam of light hit a product, a portion of the light would be reflected by the mirror, and a portion of the light would brighten the internal material. When setting up the light, they would usually use tracing paper, black, white, gold, silver reflective plates, spotlights, soft light boxes, and other tools to meet the needs of different jewelry. For example, for diamond jewelry, if you want to shoot a bright effect, you can use the fill light method to make the brightness of different sides and the highlight of different edges. If you want to completely eliminate the reflection on the jewelry, you can use tent-type lighting. Set up a "tent" on the top and around the jewelry with seamless paper to cover the surroundings, the top, and the front (only a hole that can be inserted into the lens and the light). The "tent" is illuminated softly and indirectly to make the light uniform. For gold and silver jewelry, most of them used direct light to make their color shine, achieving a golden effect. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Lighting for macro photography
Lighting for macro photography refers to the technology and equipment used to illuminate small objects at close range. The goal was to create a perfect balance between shadows and highlights to highlight the beauty of the subject and reveal its subtle differences, allowing the photographer to evoke emotions and tell stories in the image by controlling the interaction between light and the subject. In macro photography, proper lighting was very important. Light affected all aspects of photography, such as color, contrast, focus, and depth of the image. The subjects of macro photography were often small and fragile. Some subjects were easy to disappear in the shadows or overexposed under strong light. Precise control of light could convey the beauty, texture, and details of the subject, giving the audience an intimate experience of the subject. The key concepts of macro photography lighting are as follows: 1. ** Strength **: It measures the intensity of the light shining on the subject. By adjusting the intensity, you can create a dynamic range of brightness and contrast in the macro photo, shaping the visual effect. 2. ** Direction **: The direction of the light is like the angle at which the performer on the stage projects the light. It determines the position of the shadows and highlights on the subject. Different angles will greatly change the mood and visual texture of the photo. 3. ** Diffuse **: Can be regarded as a natural light softening filter. Using a diffusing device or regulator to disperse light could reduce the glare of shadows and produce soft and uniform illumination on the entire subject. It was an important means to achieve a delicate balance between light and shadow. 4. ** Color temperature **: It is measured in Kelvin. It is similar to the filter in the photo application. It can determine whether the macro lens is warm (gold) or cold (blue). Mastering the color temperature helps to convey emotions and atmosphere through the interaction of light. 5. ** contrast **: refers to the contrast between the brightest and darkest areas in the image. The use of contrast can enhance the dramatic effect, emphasize the texture, and draw the audience's attention to specific details, thus creating a visual narrative. The lighting equipment used in macro photography included flashes. The flash at the top of the camera is more convenient, but pay attention to its strong shadows. You can use a diffusing device to soften its effect to achieve balanced lighting. In the actual shooting, different lighting conditions had different shooting techniques. For example, it was more suitable to shoot macro shots on cloudy days. The light was uniform, the light ratio was balanced, and the composition was good. On sunny days, due to the influence of clouds, trees, buildings, etc., there would be high and dark light areas. The subject should be selected to be shot with more uniform light. If it was all in the sun, the picture could be taken with less exposure to preserve the details, and the brightness could be repaired later. The lighting in the room was more complicated, and the principle of choosing a scene with uniform lighting was also followed. There were also some special lighting techniques, such as using fairy tale lights (miniature LED lights) for creative macro photography. Fairy lights came in many colors, and different colors would bring different tones to the photo. Because the fairy tale lights were not very bright compared to the ambient light, it was necessary to shoot later in the day. If the subject had shadows or it was cloudy, the shooting could start a few minutes before sunset. When using fairy lights, the lens aperture is usually selected to be as large as possible (such as f/2.8). After measuring the subject, the image can be deliberately underexposed. You can also use a macro lens or a fast lens such as 50mm f/1.8. When using the fairy tale lamp, the lamp can be placed directly behind or in front of the main body. When placed at the back, the shooting distance will be shortened if it is under high magnification or large aperture. The distance should be increased if it is further away from the subject or when using a narrow aperture. When placed in front, it should be close enough to the lens to maintain out-of-focus. In the case of insufficient light, using a flash is a better choice. When there is sufficient light, you can achieve pure natural light shooting, but sometimes in order to achieve certain shooting effects, you can use light even if there is sufficient light, such as to highlight the subject, simplify the messy background, or to make the subject appear special (such as when shooting a young ladybug that has just shed its skin). On the other hand, if there is enough light in the environment, do not use the light when it should not be used. You can judge whether the light is used from the perspective of the subject's eyes and legs. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
High school art news digital photography teaching plan
The following is an example of a high school art digital photography lesson plan: ##1. Teaching objectives 1. ** Knowledge and Skill Target ** - To let students understand the basic concepts of digital photography, including the differences between it and traditional photography in terms of image formation, image presentation, image style, and presentation. - To help students master the basic operation of digital photography equipment (such as digital cameras) and the basic functions of commonly used digital image post-processing software. 2. ** Course, Method, and Target ** - Through the comparison and analysis of digital photography and traditional photography, the students 'observation and analytical skills will be cultivated. - To organize students to practice digital photography and improve their practical skills and innovative thinking ability. 3. ** Emotions, attitudes, values, goals ** - To stimulate students 'interest in digital photography and improve their aesthetic quality. - Students were guided to pay attention to the beauty of life and express their feelings about life through digital photography. ##2. Difficulties in Teaching 1. ** Teaching Focus ** - The principles, characteristics, and operating techniques of digital photography. - The basic operation methods of commonly used digital image post-processing software (such as Adobe Photoshop, etc.), such as adjusting color, contrast, and trimming. 2. ** Teaching Difficulties ** - Understand the uniqueness of digital photography and how to form your own style through post-processing. - How to guide students to be creative in digital photography and avoid over-reliance on post-processing and neglect the artistic content of photography itself. ##3. Teaching Method Teaching method, demonstration method, practice method, and discussion method were combined. ##4. Teaching process ###(1) Introduction (5 minutes) 1. Show some famous traditional photography and digital photography (can be art works, news photos, life photos, etc.), guide the students to observe and compare the differences between the two, and then lead to the theme of this lesson--digital photography. 2. Ask the students about their initial impression and understanding of digital photography to stimulate their interest. ###(2) Knowledge explanation (15 minutes) 1. The Concept and Development of Digital photography - Explain the definition of digital photography, emphasizing the use of digital cameras as tools, post-processing with computers, and the characteristics of images being stored in digital form. - A brief introduction to the development of digital photography, from the early simple digital cameras to the current high-resolution, multi-functional digital photography equipment. 2. Comparing digital photography with traditional photography - In terms of imaging principles, - In traditional photography, the light reflected by natural objects caused the photographic film to be sensitized to generate a latent image, and then the positive image was obtained through chemical processing. In digital photography, the light was converted into digital signals and stored as digital images through the internal CCD-like device of the digital camera. - It was pointed out that the two were similar in the optical part, but there were differences in the way of sensing (traditional chemical sensitivity, digital optical conversion) and image storage (traditional film, digital storage media). - The picture directly shows the aspect - From the three aspects of image resolution, image latitude, and different sensitivity, a comparison was made to explain the influence of these factors on the quality and effect of the photographic image. - In terms of video style, - Traditional photography has a long history of development and has a relatively fixed and mature image style, such as reverse-film color, film grain, black-and-white documentary style, etc. However, digital photography has not developed for a long time and has not yet formed a very mature image style. However, it can simulate traditional styles through post-processing, and will gradually form its own style as technology develops. - manifestation aspects - It explained that digital photography had the characteristics of multi-perspective and multi-perspective in instant capture and instant image reconstruction, which was different from the rigid concept of instant in traditional photography. - It was pointed out that digital photography had a tendency to move from recording to decoration, while traditional photography was mainly based on recording facts. ###(3) Digital photography equipment and operation (10 minutes) 1. It introduced common digital photography equipment, such as digital cameras, mobile phones (their photography functions), etc., including the characteristics of different types of cameras (such as single-lens reflex cameras, micro-cameras, etc.). 2. Demonstrate the basic operation of a digital camera, such as turning on, focusing, adjusting the aperture, shutter speed, sensitivity (USB), and other parameters, as well as how to shoot composition. 3. He briefly mentioned some techniques for mobile photography, such as using different shooting modes (portrait, landscape, night scene, etc.), adjusting the shooting angle, etc. ###(4) Post-processing of digital images (10 minutes) 1. Introduction to commonly used digital image post-processing software, such as Adobe Photoshop, lighthouse, etc.(Choose according to the actual situation of the school). 2. Demonstrate some basic post-processing operations, such as adjusting the color balance, contrast, brightness of the photo, trimming the photo to improve the composition, and removing the flaws in the photo. 3. It was emphasized that the purpose of post-processing was to enhance the artistic effect of the photo, but it could not be over-processed and lose the authenticity of the photo. ###(5) Student Practice (15 minutes) 1. "Arrange practical tasks: Let the students divide into groups and use digital cameras or mobile phones to create digital photography. The theme can be" the beauty of the campus "," the people around you ", etc. 2. In the process of students 'practice, the teacher would patrol and guide the students, and answer the questions they encountered in the operation of the photographic equipment and creative ideas in a timely manner. ###(6) Exhibition and discussion (10 minutes) 1. Each group would select 1 - 2 outstanding works to display. 2. Lead the other students to evaluate the works on display, discussing the photography skills, creativity, and image effects. The teacher will summarize and comment on them, affirming the strengths of the students and pointing out their shortcomings. ###(7) Class summary (5 minutes) 1. Review the knowledge of digital photography that we have learned in this lesson, including concepts, characteristics, equipment operation, post-processing, and so on. 2. Students are encouraged to continue to explore the art of digital photography after class, and to practice and create more to improve their level of digital photography. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Illustration of sofa photography and lighting
The following is a sofa photography lighting method: 1. Four strong lights were used, two of which were in front, and the front light was measured from the left and right sides. This could illuminate the front part of the sofa from different angles, so that the entire front of the sofa had a more uniform light coverage. 2. Two strong lights were behind them, illuminating the painting on the wall and the coffee table from the left. Not only could it illuminate the painting and coffee table in the background, but it could also increase the layering of the sofa and the atmosphere of the environment by reflecting light or setting off the background. 3. A soft light was placed behind the shelf to illuminate the side of the sofa. This could fill in the light on the side of the sofa to prevent the side from being too dark. At the same time, the soft light could make the light transition more natural and reduce the shadows. 4. Each lamp was arranged at a bird's eye view angle, and the intensity of the light distribution was suitable for slight changes in the light and shadow. 5. If it was in the studio, the sofa could be placed in front of the seamless background wall, and multiple soft lights could be used to illuminate the ceiling without projection. The lights on the left and right sides of the front were lit at a lower angle. The lights on the right side were slightly brighter, and the lights on the left side were slightly dimmer. This not only increased the brightness of the bottom, but also made the sofa feel three-dimensional. He controlled the light ratio on both sides to be around 1:2. However, it should be noted that during the lighting process, it was necessary to avoid leaving reflective spots on the sofa, carefully adjust the angle of the light, and ensure that there were no shadows in the entire photo. Try to achieve a comprehensive flat lighting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Metal accessories, photography, lighting
In order to express the metallic texture and sturdiness of the metal parts, you can use hard light to illuminate them from the side or from the side. For flat metal accessories, you can use a high angle side backlighting, so that the light transmission angle is basically the same as the camera's top view angle or slightly lower, so that the uneven texture of the handle appears shadow to enhance the three-dimensional sense; If the main light source is too hard and the light ratio is too large, you can add a soft light on the front, and the light ratio should be controlled at 1:4 or above. When shooting metal parts, use a slightly soft side to reflect the light so that the blade can be reflected into the lens so that the words on the back of the blade can be observed. Pay attention to the appearance of the blade's luster, and add some light sources. For cylindrical or spherical metal accessories, such as a single shot, it should be measured at a slightly lower angle or side-lit to show the three-dimensional effect, and the light should be added in front of the side. Small precision metal parts or metal parts that need to be shot in sets should be placed in an overall shape to avoid stray light or scattered photoelectricity. For metal devices with a vertical surface, the light source should be arranged according to the vertical position to form a reflective effect with the camera shooting angle. Pay attention to adjusting the light ratio. If necessary, a white reflective plate can be used to replace the auxiliary light source to expose the front brightness. When shooting from a bird's eye view or a bird's eye view angle, a large-format camera should be used for perspective adjustment. The metal parts that were only burned blue or white embryo, and the larger ones could be treated with low-key and hard light. They could be placed vertically or horizontally in front of a dark or gradually changing background. The low-angle backlighting would make the structural lines clear and the main image tough and cold. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
lipstick photography lighting technique
Here are some lipstick lighting techniques: 1. ** Control reflection ** - For lipsticks that may have highly reflective materials (such as lipstick covers), pay attention to the effect of light on their reflection. If you don't want to use a matting agent (because it may change the surface texture of the object), you can reduce the reflection by creating a soft light. For example, increasing the area of the light source and the distance between the light body and the diffusing layer. - When shooting lipsticks with complex structures and various materials (such as Lancome Pure Light Lip Balm, the tube is made of plastic, and the surface is made of matte plastic and dark black reflective material), not only should the light of the lipstick be considered, but also the effect of the light on the highly reflective material of the tube. 2. ** Choose the lighting method ** - You can choose to use tracing paper to achieve a soft light effect, and maintain a considerable distance to achieve the required softness. - He could use the white fog to reflect light or use the Shadowless Barrier to create a soft light. 3. ** Multi-light usage ** - Multi-lamp combination lighting can meet different needs. For example, when shooting the Lancome Pure Light Lip Balm, you can gradually increase the number of lights from one to seven for online shooting, showing different shooting effects according to different light combinations. - He could cast a blue light at the bottom of the board. The intensity of the light was so that the shadow would turn light blue but it did not seem to be shining from the bottom. Then, the principle of reflected light was used. For example, a light blue light paper was placed on the reflective board to form a faint blue to dilute the dark part of the product. However, attention should be paid to the strength of each lamp. The blue light around and below should not be stronger than the main lamp to avoid causing the deviation of the white part of the product. 4. ** Other Points ** - He adjusted the position of the light to make the lipstick look white and soft, and it could leave obvious shadows. The shadows helped to show the three-dimensional effect of the lipstick. In order to maintain the white impression of the product, the exposure can be appropriately overexposed by about half a square. - In terms of creativity, you can refer to the product's own characteristics or promotional style. For example, when shooting Lancome Pure Glow Lip Balm, you can use a material similar to lipstick paste with sharp edges and corners as the background to highlight the uniqueness of the lipstick. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Exterior lighting props for photography
There were several types of lighting props for photography: 1. ** Reflecting Plate **: - The silver-faced reflective board reflected strong light and reflected white light. It was suitable for making up for shadows when the sun was strong. - The gold surface had a high reflective rate and reflected warm light. It was suitable for topics that required the skin of the characters to be warm. - The white surface reflected less light, but the light was soft, which was good for showing the details of the skin. - There was also a black light absorbing surface that could absorb some light when placed next to a person's face, increasing the three-dimensional effect. Some of the reflective panels also had a soft light screen, which could filter light when the light was hard, making the skin look more delicate. When there was no shadow on the character's face but the eyes were dull, the reflective panels could be used to increase the light in the eyes. The multi-functional five-in-one reflective board was more practical. 2. ** fill light *: - ** Flash **: It is a common photography light that instantly emits a strong light to provide light for the subject. It is usually connected to the camera through the camera's hot shoes or sync cable. - ** Continuous Light **: Continuous light, can provide a stable light source for the subject, can observe the light effect at any time to adjust the direction and intensity of the light, suitable for shooting static objects. - ** Soft Light **: It softens the light and provides soft light for the subject, making the photo more natural and soft. It is suitable for taking pictures of people, scenery, etc. - Reflective Umbrella: Reflects light onto the subject, making the photo brighter and more layered. It can control the direction and intensity of light. It is suitable for shooting people, still life, etc. - There were also high-end fill light like the Aitux STORM 1200x, which had many features. For example, there were many types of lamp beads that could mix different lights, a wide range of color temperatures (2500K-10000K), and the brightness fluctuations of each color temperature were small. There were also different modes such as CIE daylight and blackbody daylight, waterproof, and high-speed photography mode. - Hobolite Mini fill light, power 20W, up to 1600 Lumen, 0 - 100% infinitely variable or 25% in one gear, color temperature 2700 - 6500K infinitely variable or 25% in one gear, color rendering index 96+, built-in color temperature filter, can create a variety of fill light scenes through the magnetic suction kit, easy to operate, there are fast charging, long battery life versions, there are also quick-release combination design. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>