The poems of the Qing Dynasty in the 300 Poems of the Qing Dynasty were the end of the ancient poems of our country. The poets of the Qing Dynasty took in the literary achievements of the previous generation and created many schools while inheriting them, reflecting strong patriotic thoughts and national spirit. In the early period of Qing poetry, many outstanding theorists and works appeared. Poetic theories such as Qian Qianyi, Huang Zongxi, and Wang Fuzhi opposed sticking to the Tang Dynasty or advocating Song poetry, and made positive contributions to the change of poetic style in the Qing Dynasty. There were many patriotic poets with different styles and characteristics, such as Gu Yanwu's poems, which were simple and vigorous, inherited Du Fu's poems; Qian Bingdeng and Wu Jiaji learned Du Fu's poems with sincerity; Qu Dajun also learned Li Du's poems, which were full of romantic spirit. Although Qian Qianyi and Wu Weiye's reputation was reduced due to their status as officials, they had a great influence on the poetry world in the early Qing Dynasty. After Qian Qianyi surrendered to the Qing Dynasty, he rebelled against the Qing Dynasty, and his works were intense and desolate. Wu Weiye created the "Mei Village Style", and his ancient modern poems were famous, known as the history of poetry. In the development of Qing poetry, different periods had different schools and styles. During the reign of Kangxi, Wang Shizhen was in charge of the poetry circle. He and Zhu Yizun were known as the "Southern Zhu and Northern Wang". They slightly restored the "Seven Sons" path of the Ming Dynasty but made some improvements. From Kangxi to Daoguang, the Qing Dynasty declined from prosperity to decline. There were many schools of poetry, but their ideology was relatively ordinary. There were the Shenyun School headed by Wang Shizhen, the Style School headed by Shen Deqian, the Xingling School headed by Yuan Mei, and the Muscle School headed by Weng Fanggang. Among the poetry schools that were differentiated by region, the Zhejiang School had the upper hand, among which the Xiushui School was more prominent. There were also non-sect poets such as Hu Tianyou, Li Jian, Huang Jingren, Song Xiang, etc., each with their own unique style. There were many schools of poetry in the late Qing Dynasty. For example, the Huxiang School advocated the Han, Wei, Six Dynasties and the prosperous Tang Dynasty, represented by Wang Kaiyun and Deng Fulun; the Song Poetry School advocated the Northern and Southern Song Dynasties, including Zheng Zhen and Mo Youzhi; the Tongguang School included many poets such as the Jiangxi School, the Min School, and the Zhejiang School; Zhang Zhidong was the representative of the Tang and Song Dynasties; Li Shangyin was the representative of the Xikun School; and there was also the revolutionary school of poetry represented by Huang Zunxian, Qiu Fengjia, Kang Youwei, and Liang Qichao. All the schools advocated learning from the ancients but not imitating them. Except for the revolutionary school in the poetry world, the other schools were all demoted to be retro conservative, but this view was not completely in line with the facts. The essence of the poems of the late Qing Dynasty reflected the reality of the time and expressed the major theme of literature. The revolutionary party in the poetry world had outstanding achievements, and the artistic style was influenced by Gong Zizhen. All the way to the poets of the Southern Society inherited Gong Zizhen's tradition. In terms of poetry styles, Qing poetry also had new developments, such as the "Mei Village Style" and "Changqing Style" in the form of chronicle, Huang Zunxian's Yuefu poetry and ancient Yuefu and Yuan Bai's new Yuefu style completely changed, and many poets created large-scale group poems. In short, Qing poetry had a unique value in terms of ideology and artistic innovation, comparable to the poetry of the early Qing Dynasty. These rich intents and diverse styles could be appreciated when enjoying the 300 poems of Qing Dynasty.
"Jiang Jin Jiu" was a seven-character song created by Li Bai in the Tang Dynasty using the ancient Yuefu title. * * 1. Concept ** 1. * * The contrast between grandeur and insignificance ** - At the beginning of the poem,"Don't you see that the water of the Yellow River comes from the sky and flows into the sea without returning? The first sentence depicted the water of the Yellow River surging from the sky and pouring down thousands of miles. The second sentence suddenly turned the perspective to the white hair in the mirror. The black hair turned white in the morning and evening, which was extremely short. Against the backdrop of the eternal and vast Yellow River, individual lives seemed incomparably small. This contrast created a grand and slightly sorrowful artistic conception. 2. * * The ups and downs of emotions ** - From lamenting that life was short at the beginning to saying,"Life must be happy when it's happy, don't let the golden cup be empty to the moon." "I'm born with talent, I'll be useful, and I'll be back when I'm gone." His mood turned optimistic. The poet believed that one should enjoy life to the fullest, and firmly believed that one's talents would be useful, and that wealth could be re-obtained after it was scattered. After that, there was the resentment of "bells, drums, and jade are not expensive enough. I hope that I will not wake up after being drunk for a long time", which reflected the disdain for wealth and glory. At the same time, it also hinted at the depression of his unsuccessful career. At the end,"A streaky horse, a thousand gold fur coat, and a call for good wine, I'll go out with you to dispel the eternal sorrow." The mood reached a wild climax again. The poet wanted to use precious things to exchange for wine to dispel the eternal sorrow. The overall artistic conception was bold and unrestrained, but it was also intertwined with complex emotions. * * 2. In terms of ideology ** 1. * * Life is short and ambition is unfulfilled ** - On the one hand, the poem lamented that life was as short as the black hair turning white in the morning and evening, and the water of the Yellow River flowing into the sea. It revealed the regret that time was rushing, but he had yet to make contributions. On the other hand, it also expressed his strong self-confidence even in the face of life's disappointments, such as "I was born to be useful", reflecting the inner contradictions and struggles of the poet under the unsuccessful career and unfulfilled aspirations. 2. * * Towards wine and friendship ** - In the poem, the poet used wine as a medium."To cook sheep and slaughter cattle for pleasure, one must drink three hundred cups at a time. Master Cen and Dan Qiusheng are about to drink. Don't stop drinking. I'll sing a song with you, please listen to it for me."It showed the happy scene of gathering with friends and reflected the cherish of friendship. At the same time, he used alcohol to drown his sorrows and express his deep sorrow and anger. Wine became an important support for the poet to vent his emotions. * * 3. In terms of artistic expression ** 1. * * The language is bold and fluent ** - The language of the poem was bold and heroic, like "The Yellow River flows from the sky." The sentences were exaggerated and imaginative, and the language was smooth and natural. It was easy to read and had a strong appeal. It well conveyed the poet's bold and unrestrained personality and unrestrained emotions. 2. * * The ups and downs of emotions ** - The emotions in the poem were not singular, but were like the ups and downs of the Yellow River. From lamentation to open-mindedness, from resentment to wildness, a variety of emotions intertwined to form a unique emotional rhythm, allowing the reader to deeply feel the poet's complex inner world during the reading process. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!
I'm not a fan of online novels. I'm just a person who likes to read novels. I can't provide any knowledge about novels. However, I can recommend some good childhood sentences for your reference: " Our childhood is a wonderful piece of music. In every note of it, there are our purest and most beautiful memories." " Our childhood is a vast wilderness with endless possibilities. We just need to let our imagination go and we can create a magical world." 3 " Our childhood is a journey. No matter where we go, there will be a strong memory that will leave behind our most precious memories." " Our childhood is like a blank piece of paper on which we can write our dreams and memories. We can spend our whole lives painting and describing them." 5 " Our childhood is a beautiful flower. We can feel the beauty and splendor of life and our purest feelings in its bloom."
" A Hero's Journey " was a poem by Li Bai, a great poet of the Tang Dynasty. This poem expressed Li Bai's admiration for the swordsman and his yearning for saving the world from danger and making contributions to the world. The first four lines of the poem described the clothes, weapons, and mounts of the swordsman, showing the appearance of the swordsman. The next four sentences described the superb martial arts of the chivalrous man and his indifference to fame and fortune. The entire poem expressed Li Bai's admiration and admiration for the chivalrous men in bold and ambitious words. This poem was also Li Bai's expression of his hope to meet a wise ruler and make contributions. Although the poem did not mention the specific points of appreciation, it could be seen that through describing the image and behavior of the swordsman, Li Bai expressed his admiration and yearning for the swordsman.
Tagore was a famous Indian poet and was known as the "Father of Modern Poetry". His poetry style was unique, philosophical and symbolic, and was loved and respected by readers all over the world. The following is a fragment of Tagore's classic poem,"The Birds" for your appreciation: Sky, you are the eternal stage Up above, birds spread their wings and fly The sun shines on the wings Your heart is full of happy dreams. You make people feel free Let their hearts soar Unfettered and free As free as a bird. You make people feel good Let their lives be full of brilliance You give people hope It filled their hearts with hope. Sky, you are the eternal stage Up above, birds spread their wings and fly Your heart is full of happy dreams. May your sky always be bright May your heart always be filled with hope May your beauty last forever Forever.
The Han River is a five-temperament poem written by Wang Wei, a poet of the Tang Dynasty. This poem depicted the magnificent scenery around the Han River in elegant strokes, expressing the poet's pursuit of a beautiful realm and his thoughts and feelings for the mountains and rivers. The poem depicted the vastness of the Han River, the misty mountains, the scenery of Chu, Sai, Sanxiang, Jingmen, and Xiangyang. The poet used the freehand style of plain drawing to describe the mountains and rivers that he saw from afar. The entire poem was like an ink landscape painting, with a broad artistic conception and a grand spirit. The poem also contained the meaning of praising the achievements of the local chief executive. In general, this poem showed Wang Wei's poetic talent and unique perception of natural scenery with its profound artistic conception and exquisite description skills.
The poem of the remnant lotus often used the image of the remnant lotus to express many emotions and artistic conception. Many of the poems displayed Canhe's tenacity. For example," When the fragrance is gone, let the frost bully you, and stand alone in the cold pond. What can I do when the leaves are broken and the branches are withered? How can I cry to the west wind? She was originally a Jade Wave Immortal, with a proud and upright character." He wrote in a humanoid way that although the remnant lotus suffered from frost and frost, its leaves were broken and branches withered, but it stood alone in the cold pond, did not cry to the west wind, and still had its pride. "The weather is getting colder and colder, and the face is changing. Iron bones stand on the surface of the lake, and the fragrance does not disperse in the frosty sky." It also depicted the unyielding posture of the remnant lotus when it was ravaged by the cold weather. There were also poems that expressed Canhe's loneliness. Like " The lotus leaf is broken and the stem is bent, and the past scenery is no longer returned." He directly wrote that the lotus leaf was broken and the stem was bent. The past glory had passed, and there was a sense of loneliness that was no longer the same as before. There were also poems that looked at the natural law of the rise and fall from the perspective of the remnant lotus. For example," Everything in the world is like this. The rise and fall are natural." It meant that Canhe's decline was part of the rise and fall of nature. In some poems, it also reflected the pity for the remnant lotus, such as "When the lotus leaves, it is as small as money. When I return, I see the withered lotus in frustration." After autumn, the frost gradually thinned, and the white hair and yellow leaves pity each other." When the poet saw the scene of the lotus withering, his heart was filled with frustration and pity. At the same time, the remnant lotus also triggered the poet's memories of the past. "In the past, when I parted with the lotus plucking man, I was sad in my old age. I've already borrowed the autumn light to correct the fruit, and I've seen the crane's shadow sweep over the cold pond alone." Using the remnant lotus to trigger nostalgia and sadness for the past. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
There were many songs in " Everlasting Lovesickness ". The following are the appreciation and translation of the more famous ones: ** 1. Li Bai's " Everlasting Lovesickness: Part One "** **1. Translator ** Eternal longing, oh, eternal longing, we are longing in Chang 'an. In autumn, the cricket often cries sadly, and the sound comes from the golden well. The thin frost sent cold air, and the bamboo mat felt cold. At night, I miss her soul, and the lonely lamp accompanying me is dark. Rolling up the curtains to look at the moon, facing the moon, I sigh in vain; A beauty as beautiful as flowers and jade, as if separated by clouds! The sky was green, the sky was blue, the water was clear, and the waves were deep. The sky is long and the earth is far away, and the soul flies more and more laborious; The mountains are blocked, and it is difficult for the soul to meet in the dream. Eternal longing, oh, eternal longing, every time longing breaks my heart! **2. Appreciation ** This poem was generally believed to have been written after Li Bai was "bestowed with gold and returned to the mountain". In terms of content, the poet described the scene of autumn night, such as " the golden well screen in the autumn, the light frost and the cold color of the bamboo mat ", using the scene to match the emotion, rendering a desolate and lonely atmosphere. In the poem," The lonely lamp is unclear and I miss you deeply. The curtain is rolled up and the moon looks at the sky and sighs deeply." With the images of the lonely lamp and the bright moon, the feelings of longing were expressed very deeply. The "beauty" in "Beauty is like a flower in the clouds" may symbolize the ideal or the person in the heart."The long road is far away, and the soul flies hard. It is difficult for the dream soul to reach the mountains" emphasized the layers of barriers between the ideal or the person and himself, reflecting the poet's inner sorrow and helplessness after leaving Chang 'an. The whole poem was full of romanticism and strong lyricism. ** 2. Nalan Xingde's " Long Lovesickness: A Journey on the Mountain "** **1. Translator ** The soldiers traveled through mountains and rivers, heading towards Shanhaiguan Pass. It was late at night, and lights were lit in thousands of tents. Outside, the wind kept blowing and the snow kept falling, disturbing the homesick soldiers and preventing them from falling asleep. In my warm and quiet hometown, there was no such noise as the whistling of the cold wind and the dancing of the snow. **2. Appreciation ** The first half of the poem is written on the surface and outside, which is magnificent. " A journey through the mountains, a journey through the water ", describing the long and arduous journey." Walking to the side of Yuguan, deep in the night with thousands of tents and lanterns ", depicting the grand marching scene. In the second half of the song, write points, write inside, music to describe the mood. " The first watch of the wind, the first watch of the snow, the sound of breaking the dream of the hometown, there is no such sound in the hometown." He chose ordinary things such as wind and snow, and used short, concise and easy-to-understand sentences to compare the sound of wind and snow in the frontier fortress with the tranquility of his hometown, delicately expressing the homesickness of the soldiers. The whole story blended delicate emotions into the majestic scenery. It contained the generous ambition of a man guarding the frontier fortress to serve the country, but it did not lose the graceful and lingering homesickness. ** 3. Ouyang Xiu's " Everlasting Lovesickness: Flowers Like Yi "** **1. Translator ** Although there was no specific translation, from the appreciation, it could be seen that it was about the feeling of parting, and it could be speculated that it was probably a painting of a woman as beautiful as a flower. **2. Appreciation ** This was a work that described the feelings of separation. It described a young couple who had parted. In just a few sentences, it conveyed the journey of returning and the focus of sorrow and resentment. It expressed the endless longing of the wife for her husband after parting and the eagerness to meet and reunite as soon as possible. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!
The 20 poems of Bianjing Chronicle were written by Liu Zihui of the Song Dynasty. These poems were inspired by the vicissitudes of Bianjing (now Kaifeng, Henan Province, the capital of the Northern Song Dynasty) after the Jingkang rebellion, expressing the sadness and indignation of the rise and fall of the country and the broken mountains and rivers. In terms of theme, this series of poems mostly expressed the rise and fall of Bianjing through the comparison of the present and the past. For example, the last song used Li Shishi's encounter to express that Bianjing was no longer prosperous. Li Shishi was once famous in the capital, and her beauty made the king fall. However, after the fall of Bianjing, she was old and lived in Huxiang. Although the old dance clothes and sandalwood boards were still there, they had lost their color. From people's experiences, they reflected the misfortune that the country suffered. From an artistic point of view, the poem often used contrast techniques. For example, the king of the imperial city is full of evil spirits. How can the Hu Krupp know that he has changed his king many times? There are still the survivors of Taiping who shed tears to the South Cloud from time to time. In contrast, the Hu Krupp did not know how to be loyal to the king and did not care about the frequent change of emperors, while the survivors of the previous dynasty did not change their loyalty and often shed tears to reminisce. At the same time, these poems also criticized historical figures, such as the seventh poem,"Empty sigh overturned the tripod and caused the previous dynasty to be wrong, the bones rotten and the world's curses have not been eliminated." He criticized Wang Fu, Cai Jing and other treacherous officials who had misled the country. Even though they had died, they were still despised by the world. Although their mansions were still there, things had changed. In terms of structure, some of the poems were similar to those of the predecessors. For example, the last poem was similar to Wen Tingyun's "Guzheng Player" in terms of structure, layout, and content. They both wrote about the decline of the people of the past before lamenting the changes of the present. These poems inherited the tradition of describing the ups and downs of the predecessors. For example, Du Fu's "Meeting Li Guinian in Jiangnan" of the Tang Dynasty expressed the ups and downs of the past and present by describing Li Guinian's wandering after the An Lushan Rebellion. Liu Zihui's poems inherited this tradition in theme, but some poems were more straightforward in expression and less implicit. The novel, Drunken Golden Cup, is equally exciting. Everyone is welcome to click and read it!
"Hua Qing Yin·Feeling the Old" is Su Shi's work. ** 1. Analysis of the previous film ** 1. ** Depicting the grand scene ** - The opening words were "October is usually the best time to enjoy the orchid soup, the jade and jade beams". The short numbers explained the time (October) and location (Huaqing Pool), outlining the gorgeous architecture of Huaqing Pool, the walls of the pool made of jade, the gorgeous roof beams, and the hot spring mist. - Then,"The carriages of the five families are like water, and the roadside is full of jewels" described the grand occasion when the Yang family was favored. The Yang family traveled with heavy traffic, and the gold, silver, and jewelry they carried made the road shine. On the surface, it was written about the prosperity of the Yang family, but in fact, it was secretly criticizing Emperor Xuanzong of the Tang Dynasty for indulging in Yang Guifei and living a licentious and luxurious life under the seemingly peaceful scene. 2. ** Technique of expression ** - By describing the architecture of Huaqing Pool and the scenes of the Yang family's travels, he showed the extravagance of the palace life during the reign of Emperor Xuanzong of the Tang Dynasty and hinted at the political crisis behind it. ** 2. Next film analysis ** 1. ** Sighing about the decline ** - "Cuihua covers the square bed, leaving only the trees covered in smoke." Cuihua referred to the emperor's honor guard. Here, it referred to the fact that after Emperor Xuanzong left Huaqing Pool, the former prosperity was no longer there. The double bed was covered, leaving only the trees covered in smoke. - "The moon is still clear in the night, and I still pass through the wall." The moon was still shining on the wall surrounded by vines, but the people were no longer the same. There was a sense of vicissitudes. 2. ** Emotional Connotation ** - The second film closely followed the tragic end of Emperor Xuanzong of the Tang Dynasty because of his love for the imperial concubine, which led to the destruction of the country and the destruction of the family. It expressed his feelings for the changes of history. It was both melancholy about the disappearance of the prosperity of the past and criticism of Emperor Xuanzong's debauchery and miscarriage of the country. It contained the profound meaning of the past of the old dynasty. 3. ** Overall artistic conception creation ** - From the near to the far, from the bed of Huaqing Pool to the surrounding trees, to the bright moon in the sky, layer by layer, it gives people a sense of desolation and coldness. Through the contrast between the present and the past, it shows the poet's negative attitude towards the extravagant life of Emperor Xuanzong of Tang Dynasty.