The following are some recommendations for Canon's large aperture lenses: - ** Canon RF35f/1.8**: This is a standard biscuit lens. It's super light and has anti-shake function. It looks good when it's on-camera. The quality is remarkable. It's a perfect half-frame full-body portrait lens. It also has macro shooting ability. The quality is not to be underestimated. It's a Canon half-frame full-body portrait lens that is very good when there's no need for wide-angle shooting. - ** SIGMA18 - 35f/1.8**: This is a lens created by SIGMA18 to open the popularity of the Art series and showcase its strength. It is recognized as the half-frame mirror king. When the aperture was fully opened, it was extremely sharp. The probability of purple edges was extremely low, and the quality was excellent. Other than being heavier, there were almost no flaws. If you needed to shoot wide-angle scenes and didn't mind the weight, this lens was a good choice. It completely covered the three classic human lens focal lengths of 24, 28, and 35. - ** Canon EF35mmF1.4LII USM (for DSLR, can be used without reflex)**: Compared to the first generation, the overall improvement is greater. The addition of the PR lens has greatly improved the quality of the lens. The dispersion control is excellent, and the color of the film is better, but it is heavier than the first generation. It is suitable for Canon DSLR users who like 35mm focal length. - ** Canon EF100mm F2.8L IS USM**: Dual IS optical image stabilization, good sharpness and out-of-focus performance, ideal autofocus speed for macro shooting, can be used for both macro and portrait shooting. - ** Canon EF135mm F2LIS USM**: The 135mm focal length is a close-up lens for portraits. It can bring a stronger sense of compression and a better blurring effect. It can separate the character from the background very well. The focusing speed is fast. The lens body weighs 750g. The image quality is excellent when the aperture is fully open. It is sharp inside the focus and soft outside the focus. It uses two large UD ultra-low dispersion lenses, ideal for dispersion control. - ** Canon RF50mmF1.8ST M **: Canon's cheapest large-aperture fixed-focal lens. Its size is close to a biscuit head, and it's cost-effective. You can experience background blurring with a large aperture, and its sharpness is ideal. However, the purple edge and glare control at the highlight edge are not very good, so it's suitable for entry-level experience. - ** Canon RF85mmF1.2L USM TS **: This is the top lens for portrait shooting according to Canon's RF1.2L. It performs well in terms of sharpness, color performance, and image quality. Apart from its large size, it has almost no shortcomings. It also uses the SS soft focus coating, which has a softer out-of-focus light effect, but the price is higher. Read more exciting novels for free
Here are some recommendations for full-frame, large-aperture lenses: - ** Fixed focus lens **: - ** Humanities large-aperture fixed-focus lens **: For example, 24mm, 28mm, and 35mm large-aperture lenses are suitable for shooting cultural subjects. - Classic 50mm fixed-focus lenses: For example, the Seven Artisans 'AF50mm F1.8 (a cost-effective domestic lens that was compatible with the Sony-E-mount and the Nikon-Z-mount), the Sony-PE 50mm F1.2GM, the Nikon-Nikkor Z50mm F/1.2S, the Canon RF50mm F1.2L USM, etc. The 50mm focal length was known as the golden focal length, which was suitable for a variety of scenes. - ** 85mm fixed-focus lens **: For example, Si Rui full-frame Dawn AF85mm F1.4 (EIXIZ mount, compatible with camera eye tracking, suitable for night portraits), Nikon Nikkor Z85mm F1.2S, Canon RF85mm F1.2L USM DPS, Canon RF85mm F1.2L USM, etc. This focal length is suitable for portraits, photos, etc. It can create a very good illusion and atmosphere. - ** 135mm fixed-focus lens **: For example, the Nikon Nikkor AF-S Nikkor 105mm f/1.4ED, the SonyFE135mm F1.8GM, the Canon RF135mm F1.8LIS USM, and other medium-long focal length lenses with large apertures. It can be used for close-ups. - ** Zooming lens **: - ** Canon 24 - 105 lens **: It is more practical in the upper focal length of the full frame. It can meet the needs of shooting wide-angle, portraits, and slightly distant objects. - ** Canon RF28 - 70mm F2L USM**: It is a wide-angle to standard focal length zoom lens with a large aperture. - ** Nikon Nikkor 24 - 70mm f/2.8S **: Nikon Z-mount wide-angle to standard focal length large aperture zoom lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Among the half-frame lenses mentioned so far, the Night God 50mm f0.95 lens released by Celestial Light had a larger aperture. The maximum aperture of the Meike 55mm f1.4 autofocus lens was F/1.4, but according to the information given so far, the aperture value of the Night God 50mm f0.95 lens was the largest among the half-frame lenses. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some classic Canon lenses: 1. ** Canon EF24 - 70mm f / 2.8L II USM lens **: Fast and accurate autofocus, clear image quality and excellent contrast. The lens was made of high-quality metal, which was relatively firm and waterproof. 2. ** Canon EF70 - 200mm f / 2.8L IS II USM lens **: The focal length is 70 - 200mm, which can provide a variety of shooting experiences. It was designed with a constant aperture and equipped with an anti-shake system to obtain high-quality imaging effects in moving and unstable environments. It also used four ultra-low dispersion elements to reduce dispersion. 3. ** Canon EF16 - 35mm f / 2.8L III USM lens **: A good choice for landscape photographers. Excellent wide-angle effect, wide field of view, and different depth of field effects. It uses two UD elements and three aspheric elements to obtain better image quality and natural color. 4. ** Canon EF50mm f / 1.2L USM lens **: Classic half-frame lens, widely used in portrait, product, and architectural photography. The maximum aperture was f / 1.2, the depth of field effect was shallow, and it could be shot in low light conditions. It was also equipped with an ultrasonic motor for quiet autofocus. 5. ** Canon ESF-S 17 - 55f/ 2.8 lens **: suitable for daily landscape portrait double repair small zooming scenes. 6. "** Sima 18 - 35f/ 1.8 lens **: It's recognized as the king of half-frame lenses. It takes into account wide-angle shots, macro shots, indoor and outdoor portraits, and other scenes. The aperture is fully open, and the imaging effect is good. The dark light performance is also good. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some Canon half-frame lenses: 1. ** RF35f/1.8 lens **: It is a standard biscuit lens, super light and has lens anti-shake. The quality of the presentation was good. It was a perfect half-frame full-body portrait lens. It also had the ability to shoot in a macro setting. It looked good when it was online. 2. ** ESF24 - 105LII lens **: This is a constant-aperture zoom lens with a maximum aperture of F4. It was cost-effective, and the image quality could beat the camera lens. It was one of Canon's full-frame camera lenses. It was very popular in the market. The second-hand price was around 1500 to 2000 yuan, and the image was very good on a half-frame camera. 3. ** RFS18 - 150 lens **: When used with R7, the focal length is sufficient. After the equivalent of 35mm, the focal length of 29 - 240mm can cover the common focal length. It is suitable for shooting in a variety of scenes. The lens was very light, 310g per lens. Strong anti-shake performance, fast focusing speed, good image quality, and relatively cost-effective. 4. ** EF24 - 70mmf/2.8LIUSM lens **: It is a commonly used standard zoom lens. The focal length range is from wide-angle 24mm to mid-range 70mm. It has a very good angle coverage and is suitable for portraits, landscapes, still life, and many other scenes. 5. "** Sima 18 - 35f/1.8 lens **: It's recognized as a half-frame Mirror King. It's super sharp when the aperture is fully opened. The probability of purple edges is extremely low. The quality is excellent, but it's heavier. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
In Canon's half-frame lens, there were many differences between the 15 - 85 and 24 - 105. In terms of focal length, 15 - 85 was equivalent to 25 - 120 in full frame on a half-frame machine, which had a wider angle, which made it more advantageous when shooting scenes such as landscapes. 24 - 105 had no wide-angle effect on the 38mm focal length of the half-frame machine, so it was relatively tiring to shoot scenery. In terms of image quality (mainly sharpness), if you didn't consider the focal length factor and didn't often shoot big scenes, the 24 - 105 lens performed well in sharpness, even surpassing the 24 - 702.8 lens, but the overall image quality of the two was not much different. In terms of price, in some cases (such as when both are around 5000), the price difference is not big, but the specific price fluctuations may vary according to market conditions. In terms of adaptability, 15 - 85 was much better than 24 - 105 on the half-frame machine. For example, although the aperture at the 85 end was small, the 15 - 85 focal length was more complete. It could be used as a camera head for travel and other scenes. If the requirements for wide-angle scenery were high, then 15 - 85 was a better choice; if you could accept the disadvantage of 24 - 105 without wide-angle on the half-frame machine, and pay more attention to its performance in terms of sharpness, you could also consider 24 - 105. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
For Canon's half-frame camera, the recommended lens was the RFS18 - 150. This lens had many advantages in shooting scenery. For example, in Canon half-frame cameras, it was not only enough to shoot people in dark scenes, but the effect was also amazing. It could also use the Canon camera's coordinated anti-shake. With the color settings of the camera, the effect of the straight-out photos and videos was very good. Its focal length could range from wide-angle, macro to telephoto, covering almost all kinds of shooting scenes. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Calculating the aperture on a half-frame camera involved the concept of equivalent aperture. When the same lens was used for full-frame and half-frame cameras, the background blurring and light gathering effect would change due to the different sensor areas. For example, when a 50mm f/1.8 lens was shot on a full-frame camera, the depth of field and background blurring effect would be more obvious than on a half-frame camera. On a half-frame camera, the equivalent focal length would become 75mm, and the depth of field effect of the f/1.8 aperture was equivalent to using an aperture of about f/2.8 on a full-frame camera. In other words, the equivalent aperture on a half-frame camera needed to take into account the equivalent conversion with a full-frame camera in terms of depth of field effects, which was related to factors such as the focal length of the lens and the size of the sensor. However, under the same shutter, aperture, and CPU, the half-frame 35/1.4 and full-frame 50/1.4 had the same effect except for the background blurring. This was because the f-value of the aperture was involved in the exposure calculation, and the mechanical value was the actual amount of light. However, in actual shooting, different shooting needs would also affect the choice of aperture. For example, it was recommended to use an aperture between F8 - F11 to ensure the overall clarity of the character. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
The Nikon 50mm1.4 was a good Nikon manual lens with a large aperture. It cost a few hundred yuan, and it could be easily switched to Canon with a 30 yuan ring. It performed well in the dark and had a good blurring effect. When shooting, reducing the gear by two could sharpen the subject and make the background blur beautiful. Especially when there was a light in the background, the light spot was very beautiful. AstrHori Rock Star 50mmF2 full-frame lens was also a Nikon Z-mouth large aperture manual fixed-focus lens. The price of the Jingdong event was as low as 366.36 yuan. The Samyang 16mm T2.6 (Nikon) was a full-frame manual focus lens. It cost 13185 yuan. It had a large aperture and could be used for portrait photography. It was a super wide-angle lens. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Here are some recommendations for Nikon's large aperture lenses: - * * Nikkor Z 58mm f/0.95S Noct **: This is a large aperture lens. The Noct series lens can achieve high optical performance at f/0.95, ignoring the size and manual focus. However, the price and weight are not affordable or willing to be affordable by the average consumer. - * * Nikkor Z 50mm f/1.2S **: It has both high optical performance and autofocus function. The size and weight are maintained at a normal level. The goal is to create an autofocus lens that has higher image quality than the S-type lens and is more affordable than the Noct. The current price is 12920 yuan in Jingdong. - * * Nikkor Z 85mm f/1.2S **: It was Nikon's large aperture lens with top-notch image quality. - * * Nikkor Z 35mm f/1.4 **: It was a cost-effective wide-angle fixed-focus lens with a constant maximum aperture of f/1.4. It could not only shoot beautiful background blurring effects, but also shoot a variety of scenes with a 35mm wide-angle focal length, such as landscapes, portraits, flowers, and pets. It uses a stepping motor (Stellar Microscope) to achieve fast and quiet autofocus. It is suitable for video shooting and reduces the breathing effect of focusing. The lens is compact and easy to carry. - * * Nikon Original Z 85mmF/1.8 **: If you want to shoot a portrait, the background blurring effect brought by the large aperture is better. - * * Vizos 56mm F1.7 **: The first batch was sold out. The price was 899 yuan. It was cost-effective and could autofocus. - * * Yongnuo 50mm F1.8 **: You can experience the charm of a large aperture for only 699 yuan. - * * Vizos 75mm F1.2 Pro **: autofocus lens, suitable for Nikon Z-mount micro-camera, a large aperture portrait fixed-focus lens. - * * SIGMA56mm F1.4 DC-GN| <strong></strong> - * * SIGMA30mm F1.4 DCGN| <strong></strong> - * * SIMA-Art 85mm F1.4 DG HSM **: Full-frame large-aperture fixed-focal lens, suitable for Nikon DSLR mount, can be used for close-up portraits. - * * Vizos 35mm F1.8 **: Nikon Z-mount full-frame autofocus lens, suitable for Nikon Z-mount Z6Z7 micro-camera, is a large-aperture fixed-focus human lens. - * * SIGMA16mm F1.4 DC-GN| <strong></strong> - * * SIGMA105mm F2.8 EXDG OS HSM CARO **: Full-frame large aperture macro lens, suitable for Nikon single-lens reflex mount, can be used for insects, flowers, and portraits. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>
Large aperture lenses could produce many unique effects in photography. In portrait photography, a large aperture lens could create a shallow depth of field effect, making the subject clear and the background blurred. For example, the lens of Nikon 105mmF1.4E and Canon 85mmF1.2L II USM could soften the background when shooting portraits, making the characters more prominent. At the same time, the out-of-focus image could show a soft light spot effect. In night photography, a large aperture helped to increase the amount of light entering in a dimly lit environment. For example, when shooting a portrait at night, a large aperture lens could ensure a safe shutter speed while increasing the overall brightness of the picture. For example, when the Sony-ZVE 10 was matched with a 0.95 large aperture lens, the ideal effect could be obtained by setting parameters such as 50mm 160s, f0/95, and Iso160. In terms of flower photography and skit photography, a large aperture lens was also a good choice. For example, when shooting a sketch with a Zeiss 75mm f1.5, the blurred effect brought by the large aperture could make the subject more prominent and have a unique layering. However, when shooting with a large aperture lens, for some lenses, the maximum aperture may have problems such as poor image quality, bi-linear, purple edges, etc. For example, 35mm f/1.4L II would have obvious purple edges when using the maximum aperture, while higher quality lenses such as 85mm f1.2, 135mm f2 and other maximum apertures could be used. For cheaper lenses such as 50mm f1.8 or f1.4, the aperture would be better at 1 - 2. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>