Wuyi Lane Tang Dynasty Liu Yuxi recited
Many readers had recited Liu Yuxi's " Wuyi Alley," such as Xia Qing, Xue Rongrong, Susan, etc. Different readers would recite the poem according to their own understanding of the poem. They would make different treatments in terms of rhythm, intonation, emotion, and so on, thus presenting different recitation styles. For example, some readers might pay more attention to the expression of the vicissitudes of life in the poem, showing the contrast between the former prosperity of Wuyi Alley and the current desolation through slow rhythm and low tone, while some readers might change their tone more to highlight the image and emotional ups and downs in the poem. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The poem of Liu Yuxi of the Tang Dynasty in Wuyi Harbor
Liu Yuxi's poem "Wuyi Lane" is: "The wild grass flowers by the Rosefinch Bridge, the sunset at the mouth of Wuyi Lane." In the old days, swallows in front of Wang Xie Hall flew into the homes of ordinary people." This poem was the second one in Liu Yuxi's Five Questions on Jinling. It was written in 826 AD (the second year of Tang Jingzong's Baoli). At that time, Liu Yuxi was transferred back to Luoyang from the governor of Hezhou (now Hexian County, Anhui Province) and passed through Jinling (now Nanjing City, Jiangsu Province). During the Eastern Jin Dynasty, Wuyi Alley was a place where wealthy families lived. Director Wang, Xie An, and their families all lived here. The Vermilion Bird Bridge crossed the Qinhuai River and was the only way from the city center to Wuyi Alley during the Six Dynasties. The first couplet in the poem depicted the scene of wild grass growing and wildflowers blooming by the Vermilion Bird Bridge, and the sunset at the entrance of Wuyi Alley. Through the symbolic images of "wild grass and flowers" and "setting sun", it hinted that the former prosperity of this place had declined. The couplet used the swallow as a witness. The "old days" indicated that the swallow seemed to have witnessed the prosperity of the Wang and Xie families in the past, but now it "flew into the homes of ordinary people", reflecting the changes in history. The once wealthy and noble families had become the past, and wealth and splendor could not last long. It expressed the feelings of life changing and the sea turning into mulberry fields. The entire poem did not discuss directly, but used the description of the scenery to convey a deep sense of the rise and fall of history. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
Liu Yuxi of Tang Dynasty
You might want to ask about Liu Yuxi's Peony Appreciation. The poem was: " Peony in front of the court is a demon without style, and lotus flowers on the pond are pure. Only peonies are truly beautiful. When the flowers bloom, they move the capital." This poem praises peonies by contrast. The beginning of the poem did not directly describe the peony, but first commented on the peony and lotus. Peony was enchanting, but its style was not high. Lotus was pure but emotionless. The two were originally popular flowers, but the poet pointed out their shortcomings, thus setting off peony's four qualities of demon, purity, style and emotion. It was the most beautiful among flowers. Only peonies are truly beautiful, and when the flowers bloom, they move the capital city." The word " national beauty " showed the outstanding beauty of peonies. The word " true " emphasized the tone, and the word " only " emphasized the unique status of peonies. The ending depicted the scene of the peonies blooming in the capital, which brought out the alluring charm of the peonies. Through this unique way of description, the poet showed the noble character of the peony, expressed his love for the peony, and also reflected a calm attitude towards life. As for the "capital" in the poem, it was generally believed to be Chang 'an, but there were also opinions that it was Luoyang. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The poem of Liu Yuxi of the Tang Dynasty
The first part of the poem was written by Liu Yuxi of the Tang Dynasty. The original text was: "The Yellow River has thousands of miles of sand, and the waves are washed away by the wind from the horizon." Now we're going straight to the Milky Way, to the home of the Altair and the Weaver Girl." This was a folk song poem in the form of a seven-character quatrain. The "Nine Songs" in the poem described the many twists and turns of the Yellow River. It was said that the Yellow River had nine bends since ancient times. The "Ten Thousand Miles of Sand" meant that the Yellow River carried a large amount of sand when it flowed through various places. The "Waves and Winds" depicted the Yellow River rolling with sand and waves. From an appreciative point of view, this poem imitated the tone of the gold diggers, conveying their disgust for the gold digger's life and their yearning for a better life. The gold diggers by the Yellow River lived in the wind, waves, and sand all day long, while the Milky Way where the Cowherd and the Weaver Girl lived was quiet and beautiful. The idea of going straight to the Milky Way to visit the Cowherd and the Weaver Girl entrusted the gold diggers with their longing for a peaceful idyllic life. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
Tang Dynasty Liu Yuxi Peony
Liu Yuxi had written a poem related to peonies, Appreciating Peonies: "Peony in front of the court is a demon without style, lotus on the pond is pure and little love." Only peonies are truly beautiful. When the flowers bloom, they move the capital." This poem used artistic techniques such as contrast and personification to enhance its artistic appeal. The poem wrote three famous flowers, peony, lotus, and peony. The "demon" of peony and the "purity" of lotus were compared with peony to highlight the beauty of peony. As for the "capital" in the poem, some people thought it was Chang 'an, while others thought it was Luoyang. Peonies flourished in the Tang Dynasty, with Chang 'an peonies being the most prosperous. In the middle of the Tang Dynasty, peonies were widely distributed in Chang' an City. In the late Tang Dynasty, due to the war, the planting of peonies decreased and gradually moved to the south. The Tang Dynasty was a milestone in the formation of China peony culture, and Chang 'an was the birthplace of peony culture. Luoyang also had a deep relationship with peonies. Liu Yuxi was born in Luoyang, and his poem was also thought by some to describe the scene of Luoyang's peonies in full bloom. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
The author of Langtaosha is Liu Yuxi of the Tang Dynasty.
The author of Langtaosha was Liu Yuxi of the Tang Dynasty. Liu Yuxi (772 - 842) was a famous poet, writer and politician of the Tang Dynasty. He was one of the important representatives of the literary school of the Tang Dynasty.
What are the poems of Liu Yuxi of the Tang Dynasty?
Liu Yuxi's poems include "Nostalgia of Mount Xisai,""Looking at Dongting,""Inscription of the Shabby Room,""Autumn Ci,""Wuyi Lane,""Stone City,""Reward for the First Meeting of Letian Yangzhou,""Appreciate Peony,""Spring Ci of Letian,""Willow Branch Ci,""Nine Songs of Langtaosha·Eight,""Xuandu View of Peach Blossom,""Another Tour of Xuandu View,""Five Questions of Jinling·Stone City,""Autumn Letter to Henan Yin Li Zhongcheng,""Nine Songs of Willow Branch·One," Nine Songs of Bamboo Branch·Two," Three Songs of Traveling on the Dyke·One," and so on. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
"Humble Room Inscription" Tang Dynasty Liu Yuxi
The Inscription of the Shrinking Room was a parallel inscription written by Liu Yuxi, a poet of the Tang Dynasty. Liu Yuxi's career was smooth in his early years, but he was demoted for a long time because of his failure to participate in the Yongzhen Revolution. Legend has it that when he was demoted to Hezhou, the local officials made things difficult for him and arranged a shabby house for him, but he wrote the "Humble Room Inscription" here. The article is inspired by the landscape, leading to the theme of "This is a shabby house, but my virtue is fragrant". From the outdoor scenery (moss marks on the steps green, grass color into the curtain green), indoor people (laughing and laughing with great scholars, exchanges without white Ding), indoor things (can tune the piano, read the golden classics. Without the chaos of silk and bamboo, without the laborious form of documents, he wrote to exaggerate the elegant realm of the shabby house. He also quoted the words of Zhuge Lu in Nanyang, Ziyun Pavilion in Western Shu and Confucius to strengthen the meaning of the article, so as to ask,"Confucius said: What's so shabby?" The knot has a long aftertaste. This article expressed Liu Yuxi's noble and pure ambition, contentment with poverty and happiness, and not to associate with the secular world by praising the shabby house. However, there was also controversy about the author of the "Inscription of the Shrinking Room." Although some scholars, such as the "Collection of Ancient Chinese Literature" of the Southern Song Dynasty and the "Ancient Chinese Literature View" of the Qing Dynasty, determined that Liu Yuxi was the author, there were still scholars who opposed it. For example, Bian Xiaoxuan argued that Liu Yuxi was not the author, and Wang Shumei believed that Cui Mian was the author. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
The poem of Liu Yuxi of the Tang Dynasty, Autumn Wind
Autumn Wind Guide was written by Liu Yuxi, a poet of the Tang Dynasty. The original text of the poem was "Where does the autumn wind come?" I send off a flock of wild geese in the whistling wind. When you come in the morning, I will be the first to hear you." Judging from the content, the first sentence,"Where does the autumn wind come from?" was written as a question, which not only showed the characteristics of the autumn wind coming from nowhere and suddenly, but also implied the resentment of autumn. Following that, he described the scene of the geese flying south in the autumn wind, turning the invisible autumn wind into an audible and visible scene. In the last two sentences,"The lonely guest is the first to smell the trees in the courtyard in the morning." The poet replied that the autumn wind had already blown into the trees in the courtyard, and the lonely guest (the poet himself) who was wandering in a foreign land was the first to notice the autumn wind. From the background of his creation, after the failure of the Yongzhen Revolution, Liu Yuxi was demoted to a remote place and his mood was low. This poem was written during his demoted period. The "autumn wind" in the poem was not only a natural phenomenon, but also a symbol of the political turmoil that persecuted the poet. The poet and his friends moved far away like a flock of geese, containing the grief and indignation of being banished to a foreign land, the bitterness of losing friends, the bitterness of shattered ideals, and so on. In terms of artistic features, the whole poem first set up questions before answering, using the autumn wind to express emotions, so that emotions and natural images are integrated, reflecting the charm of classical poetry,"words have no end but meaning is endless", the last sentence "first" is the finishing touch. "Fairy Dream of Tang Shi: Fate of Peony" is equally wonderful. Everyone is welcome to click and read it!
What is the representative work of the Tang Dynasty poet Liu Yuxi
Liu Yuxi was a famous writer and politician in the Tang Dynasty. His representative works included the "Humble Room Inscription" and "Bamboo Pavilion". "Humble Room Inscription" was one of Liu Yuxi's representative works, known as the "eternal inscription". It was an article that expressed life philosophy and moral norms in simple, fresh and implicit language. The article expressed Liu Yuxi's open-minded and detached attitude towards life and his yearning for a better life by describing his shabby house. " Bamboo Pavilion " was one of Liu Yuxi's representative works. It was a poem with bamboo as the theme to express the poet's quietness, tranquility, and elegance. The poem described the poet looking into the distance, listening to the sound of running water and feeling the beauty of nature in the bamboo pavilion, expressing his awe of nature and love for life. Liu Yuxi was an important figure in the literary history of the Tang Dynasty. His literary works and thoughts had a far-reaching influence on later generations.
Liu Yuxi's Poetry of Bamboo Branch in Tang Dynasty
Zhuzhi Ci was a folk song in ancient eastern Sichuan. When Liu Yuxi was the governor of Kuizhou, he used the score of local folk songs to make a new Zhuzhi Ci. It was a seven-character quatrain, describing the local landscape customs and the love between men and women, full of life. In writing, he used more simple descriptions and less allusions. The language was fresh and lively, vivid and smooth, and the folk song was strong. Liu Yuxi had many "Bamboo Branch Ci," such as "Spring Grass Grows at the Head of the White Emperor City, and the River of Shu is Clear at the foot of the White Salt Mountain." Southerners sing a song, northerners don't be moved by the nostalgia ";" Peach blossoms and red flowers fill the head, and the spring water of Shu River pats the mountain flow." The red flowers are easy to decline, like a man's will, the water is infinite, like a woman's sorrow ";" The willows are green and the river is level, and I hear the sound of singing on the river." The sun sunrise in the east and the rain falls in the west. These poems either described the local scenery or expressed the feelings between men and women. For example, in the last poem, the words "sunny" and "love" were homophonic. The feelings of a young girl to her sweetheart were unpredictable, just like the weather. "Zhuzhi Ci" also reflected the local conditions and customs of the Bashu area. In the middle Tang Dynasty, Liu Yuxi created it elegantly. He retained the characteristics of folk songs that were not restricted to flat tones and rhythms, removed the harmony of folk songs, and adopted the form of "seven words and four sentences". He used the language of literati to create while retaining certain dialect slang, which provided a creation model for later generations of Zhuzhi Ci and formed the "wind of Zhuzhi". It also became an important material for studying literature, local customs and regional culture. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!